Agatha Christie

Sleeping Murder

A Miss Marple Mystery

One

A HOUSE

Gwenda Reed stood, shivering a little, on the quayside.

The docks and the custom sheds and all of England that she could see, were gently waving up and down.

And it was in that moment that she made her decisionâthe decision that was to lead to such very momentous events.

She wouldnât go by the boat train to London as she had planned.

After all, why should she? No one was waiting for her, nobody expected her. She had only just got off that heaving creaking boat (it had been an exceptionally rough three days through the Bay and up to Plymouth) and the last thing she wanted was to get into a heaving swaying train. She would go to a hotel, a nice firm steady hotel standing on good solid ground. And she would get into a nice steady bed that didnât creak and roll. And she would go to sleep, and the next morningâwhy, of courseâwhat a splendid idea! She would hire a car and she would drive slowly and without hurrying herself all through the South of England looking about for a houseâa nice houseâthe house that she and Giles had planned she should find. Yes, that was a splendid idea.

In that way she would see something of Englandâof the England that Giles had told her about and which she had never seen; although, like most New Zealanders, she called it Home. At the moment, England was not looking particularly attractive. It was a grey day with rain imminent and a sharp irritating wind blowing. Plymouth, Gwenda thought, as she moved forward obediently in the queue for Passports and Customs, was probably not the best of England.

On the following morning, however, her feelings were entirely different. The sun was shining. The view from her window was attractive. And the universe in general was no longer waving and wobbling. It had steadied down. This was England at last and here she was, Gwenda Reed, young married woman of twenty-one, on her travels. Gilesâs return to England was uncertain. He might follow her in a few weeks. It might be as long as six months. His suggestion had been that Gwenda should precede him to England and should look about for a suitable house. They both thought it would be nice to have, somewhere, a permanency. Gilesâs job would always entail a certain amount of travelling. Sometimes Gwenda would come too, sometimes the conditions would not be suitable. But they both liked the idea of having a homeâsome place of their own. Giles had inherited some furniture from an aunt recently, so that everything combined to make the idea a sensible and practical one.

Since Gwenda and Giles were reasonably well-off the prospect presented no difficulties.

Gwenda had demurred at first at choosing a house on her own. âWe ought to do it together,â she had said. But Giles had said laughingly: âIâm not much of a hand at houses. If you like it, I shall. A bit of a garden, of course, and not some brand-new horrorâand not too big. Somewhere on the south coast was my idea. At any rate, not too far inland.â

âWas there any particular place?â Gwenda asked. But Giles said No. Heâd been left an orphan young (they were both orphans) and had been passed around to various relations for holidays, and no particular spot had any particular association for him. It was to be Gwendaâs houseâand as for waiting until they could choose it together, suppose he were held up for six months? What would Gwenda do with herself all that time? Hang about in hotels? No, she was to find a house and get settled in.

âWhat you mean is,â said Gwenda, âdo all the work!â

But she liked the idea of finding a home and having it all ready, cosy and lived in, for when Giles came back.

They had been married just three months and she loved him very much.

After sending for breakfast in bed, Gwenda got up and arranged her plans. She spent a day seeing Plymouth which she enjoyed and on the following day she hired a comfortable Daimler car and chauffeur and set off on her journey through England.

The weather was good and she enjoyed her tour very much. She saw several possible residences in Devonshire but nothing that she felt was exactly right. There was no hurry. She would go on looking. She learned to read between the lines of the house agentsâ enthusiastic descriptions and saved herself a certain number of fruitless errands.

It was on a Tuesday evening about a week later that the car came gently down the curving hill road into Dillmouth and on the outskirts of that still charming seaside resort, passed a For Sale board where, through the trees, a glimpse of a small white Victorian villa could be seen.

Immediately Gwenda felt a throb of appreciationâalmost of recognition. This was her house! Already she was sure of it. She could picture the garden, the long windowsâshe was sure that the house was just what she wanted.

It was late in the day, so she put up at the Royal Clarence Hotel and went to the house agents whose name she had noted on the board the following morning.

Presently, armed with an order to view, she was standing in the old-fashioned long drawing room with its two french windows giving on to a flagged terrace in front of which a kind of rockery interspersed with flowering shrubs fell sharply to a stretch of lawn below. Through the trees at the bottom of the garden the sea could be seen.

This is my house, thought Gwenda. Itâs home. I feel already as though I know every bit of it.

The door opened and a tall melancholy woman with a cold in the head entered, sniffing. âMrs. Hengrave? I have an order from Messrs. Galbraith and Penderley. Iâm afraid itâs rather early in the dayââ

Mrs. Hengrave, blowing her nose, said sadly that that didnât matter at all. The tour of the house began.

Yes, it was just right. Not too large. A bit old-fashioned, but she and Giles could put in another bathroom or two. The kitchen could be modernized. It already had an Aga, fortunately. With a new sink and up-to-date equipmentâ

Through all Gwendaâs plans and preoccupations, the voice of Mrs. Hengrave droned thinly on recounting the details of the late Major Hengraveâs last illness. Half of Gwenda attended to making the requisite noises of condolence, sympathy and understanding. Mrs. Hengraveâs people all lived in Kentâanxious she should come and settle near them â¦ the Major had been very fond of Dillmouth, secretary for many years of the Golf Club, but she herselfâ¦.

âYes â¦ Of course â¦ Dreadful for you â¦ Most natural â¦ Yes, nursing homes are like that â¦ Of course â¦ You must beâ¦.â

And the other half of Gwenda raced along in thought: Linen cupboard here, I expect â¦ Yes. Double roomânice view of seaâGiles will like that. Quite a useful little room hereâGiles might have it as a dressing room â¦ BathroomâI expect the bath has a mahogany surroundâOh yes, it has! How lovelyâand standing in the middle of the floor! I shanât change thatâitâs a period piece!

Such an enormous bath!

One could have apples on the surround. And sail boatsâand painted ducks. You could pretend you were in the sea â¦ I know: weâll make that dark back spare room into a couple of really up-to-date green and chromium bathroomsâthe pipes ought to be all right over the kitchenâand keep this just as it isâ¦.

âPleurisy,â said Mrs. Hengrave. âTurning to double pneumonia on the third dayââ

âTerrible,â said Gwenda. âIsnât there another bedroom at the end of this passage?â

There wasâand it was just the sort of room she had imagined it would beâalmost round, with a big bow window. Sheâd have to do it up, of course. It was in quite good condition, but why were people like Mrs. Hengrave so fond of that mustard-cum-biscuit shade of wall paint?

They retraced their steps along the corridor. Gwenda murmured, conscientiously, âSix, no, seven bedrooms, counting the little one and the attic.â

The boards creaked faintly under her feet. Already she felt that it was she and not Mrs. Hengrave who lived here! Mrs. Hengrave was an interloperâa woman who did up rooms in mustard-cum-biscuit colour and liked a frieze of wisteria in her drawing room. Gwenda glanced down at the typewritten paper in her hand on which the details of the property and the price asked were given.

In the course of a few days Gwenda had become fairly conversant with house values. The sum asked was not largeâof course the house needed a certain amount of modernizationâbut even then â¦ And she noted the words âOpen to offer.â Mrs. Hengrave must be very anxious to go to Kent and live near âher peopleââ¦.

They were starting down the stairs when quite suddenly Gwenda felt a wave of irrational terror sweep over her. It was a sickening sensation, and it passed almost as quickly as it came. Yet it left behind it a new idea.

âThe house isnâtâhaunted, is it?â demanded Gwenda.

Mrs. Hengrave, a step below, and having just got to the moment in her narrative when Major Hengrave was sinking fast, looked up in an affronted manner.

âNot that I am aware of, Mrs. Reed. Whyâhas anyoneâbeen saying something of the kind?â

âYouâve never felt or seen anything yourself? Nobodyâs died here?â

Rather an unfortunate question, she thought, a split second of a moment too late, because presumably Major Hengraveâ

âMy husband died in the St. Monicaâs Nursing Home,â said Mrs. Hengrave stiffly.

âOh, of course. You told me so.â

Mrs. Hengrave continued in the same rather glacial manner: âIn a house which was presumably built about a hundred years ago, there would normally be deaths during that period. Miss Elworthy from whom my dear husband acquired this house seven years ago, was in excellent health, and indeed planning to go abroad and do missionary work, and she did not mention any recent demises in her family.â

Gwenda hastened to soothe the melancholy Mrs. Hengrave down. They were now once more in the drawing room. It was a peaceful and charming room, with exactly the kind of atmosphere that Gwenda coveted. Her momentary panic just now seemed quite incomprehensible. What had come over her? There was nothing wrong with the house.

Asking Mrs. Hengrave if she could take a look at the garden, she went out through the french windows onto the terrace.

There should be steps here, thought Gwenda, going down to the lawn.

But instead there was a vast uprising of forsythia which at this particular place seemed to have got above itself and effectually shut out all view of the sea.

Gwenda nodded to herself. She would alter all that.

Following Mrs. Hengrave, she went along the terrace and down some steps at the far side onto the lawn. She noted that the rockery was neglected and overgrown, and that most of the flowering shrubs needed pruning.

Mrs. Hengrave murmured apologetically that the garden had been rather neglected. Only able to afford a man twice a week. And quite often he never turned up.

They inspected the small but adequate kitchen garden and returned to the house. Gwenda explained that she had other houses to see, and that though she liked Hillside (what a commonplace name!) very much, she could not decide immediately.

Mrs. Hengrave parted from her with a somewhat wistful look and a last long lingering sniff.

Gwenda returned to the agents, made a firm offer subject to surveyorâs report and spent the rest of the morning walking round Dillmouth. It was a charming and old-fashioned little seaside town. At the far, âmodernâ end, there were a couple of new-looking hotels and some raw-looking bungalows, but the geographical formation of the coast with the hills behind had saved Dillmouth from undue expansion.

After lunch Gwenda received a telephone call from the agents saying that Mrs. Hengrave accepted her offer. With a mischievous smile on her lips Gwenda made her way to the post office and despatched a cable to Giles.

Have bought a house. Love. Gwenda.

âThatâll tickle him up,â said Gwenda to herself. âShow him that the grass doesnât grow under my feet!â

Two

WALLPAPER

I

A month had passed and Gwenda had moved into Hillside. Gilesâs auntâs furniture had come out of store and was arranged round the house. It was good quality old-fashioned stuff. One or two over-large wardrobes Gwenda had sold, but the rest fitted in nicely and was in harmony with the house. There were small gay papiermÃ¢chÃ© tables in the drawing room, inlaid with mother-of-pearl and painted with castles and roses. There was a prim little worktable with a gathered sack underneath of pure silk, there was a rosewood bureau and a mahogany sofa table.

The so-called easy chairs Gwenda had relegated to various bedrooms and had bought two large squashy wells of comfort for herself and Giles to stand each side of the fireplace. The large chesterfield sofa was placed near the windows. For curtains Gwenda had chosen old-fashioned chintz of pale eggshell blue with prim urns of roses and yellow birds on them. The room, she now considered, was exactly right.

She was hardly settled yet, since she had workmen in the house still. They should have been out by now, but Gwenda rightly estimated that until she herself came into residence, they would not go.

The kitchen alterations were finished, the new bathrooms nearly so. For further decorating Gwenda was going to wait a while. She wanted time to savour her new home and decide on the exact colour schemes she wanted for the bedrooms. The house was really in very good order and there was no need to do everything at once.

In the kitchen a Mrs. Cocker was now installed, a lady of condescending graciousness, inclined to repulse Gwendaâs over-democratic friendliness, but who, once Gwenda had been satisfactorily put in her place, was willing to unbend.

On this particular morning, Mrs. Cocker deposited a breakfast tray on Gwendaâs knees, as she sat up in bed.

âWhen thereâs no gentleman in the house,â Mrs. Cocker affirmed, âa lady prefers her breakfast in bed.â And Gwenda had bowed to this supposedly English enactment.

âScrambled this morning,â Mrs. Cocker observed, referring to the eggs. âYou said something about finnan haddock, but you wouldnât like it in the bedroom. It leaves a smell. Iâm giving it to you for your supper, creamed on toast.â

âOh, thank you, Mrs. Cocker.â

Mrs. Cocker smiled graciously and prepared to withdraw.

Gwenda was not occupying the big double bedroom. That could wait until Giles returned. She had chosen instead the end room, the one with the rounded walls and the bow window. She felt thoroughly at home in it and happy.

Looking round her now, she exclaimed impulsively: âI do like this room.â

Mrs. Cocker looked round indulgently.

âIt is quaite a naice room, madam, though small. By the bars on the window I should say it had been the nursery at one time.â

âI never thought of that. Perhaps it has.â

âAh, well,â said Mrs. Cocker, with implication in her voice, and withdrew.

âOnce we have a gentleman in the house,â she seemed to be saying, âwho knows? A nursery may be needed.â

Gwenda blushed. She looked round the room. A nursery? Yes, it would be a nice nursery. She began furnishing it in her mind. A big dollsâ house there against the wall. And low cupboards with toys in them. A fire burning cheerfully in the grate and a tall guard round it with things airing on the rail. But not this hideous mustard wall. No, she would have a gay wallpaper. Something bright and cheerful. Little bunches of poppies alternating with bunches of cornflowers â¦ Yes, that would be lovely. Sheâd try and find a wallpaper like that. She felt sure she had seen one somewhere.

One didnât need much furniture in the room. There were two built-in cupboards, but one of them, a corner one, was locked and the key lost. Indeed the whole thing had been painted over, so that it could not have been opened for many years. She must get the men to open it up before they left. As it was, she hadnât got room for all her clothes.

She felt more at home every day in Hillside. Hearing a throat being ponderously cleared and a short dry cough through the open window, she hurried over her breakfast. Foster, the temperamental jobbing gardener, who was not always reliable in his promises, must be here today as he had said he would be.

Gwenda bathed, dressed, put on a tweed skirt and a sweater and hurried out into the garden. Foster was at work outside the drawing room window. Gwendaâs first action had been to get a path made down through the rockery at this point. Foster had been recalcitrant, pointing out that the forsythia would have to go and the weigela, and them there lilacs, but Gwenda had been adamant, and he was now almost enthusiastic about his task.

He greeted her with a chuckle.

âLooks like youâre going back to old times, miss.â (He persisted in calling Gwenda âmiss.â)

âOld times? How?â

Foster tapped with his spade.

âI come on the old stepsâsee, thatâs where they wentâjust as you want âem now. Then someone planted them over and covered them up.â

âIt was very stupid of them,â said Gwenda. âYou want a vista down to the lawn and the sea from the drawing room window.â

Foster was somewhat hazy about a vistaâbut he gave a cautious and grudging assent.

âI donât say, mind you, that it wonât be an improvement â¦ Gives you a viewâand them shrubs made it dark in the drawing room. Still they was growing a treatânever seen a healthier lot of forsythia. Lilacs isnât much, but them wiglers costs moneyâand mind youâtheyâre too old to replant.â

âOh, I know. But this is much, much nicer.â

âWell.â Foster scratched his head. âMaybe it is.â

âItâs right,â said Gwenda, nodding her head. She asked suddenly, âWho lived here before the Hengraves? They werenât here very long, were they?â

âMatter of six years or so. Didnât belong. Afore them? The Miss Elworthys. Very churchy folk. Low church. Missions to the heathen. Once had a black clergyman staying here, they did. Four of âem there was, and their brotherâbut he didnât get much of a look-in with all those women. Before themânow let me see, it was Mrs. Findeysonâah! she was the real gentry, she was. She belonged. Was living here afore I was born.â

âDid she die here?â asked Gwenda.

âDied out in Egypt or some such place. But they brought her home. Sheâs buried up to churchyard. She planted that magnolia and those labiurnams. And those pittispores. Fond of shrubs, she was.â

Foster continued: âWerenât none of those new houses built up along the hill then. Countrified, it was. No cinema then. And none of them new shops. Or that there parade on the front!â His tone held the disapproval of the aged for all innovations. âChanges,â he said with a snort. âNothing but changes.â

âI suppose things are bound to change,â said Gwenda. âAnd after all there are lots of improvements nowadays, arenât there?â

âSo they say. I ainât noticed them. Changes!â He gestured towards the macrocarpa hedge on the left through which the gleam of a building showed. âUsed to be the cottage hospital, that used,â he said. âNice place and handy. Then they goes and builds a great place near to a mile out of town. Twenty minutesâ walk if you want to get there on a visiting dayâor threepence on the bus.â He gestured once more towards the hedge â¦ âItâs a girlsâ school now. Moved in ten years ago. Changes all the time. People takes a house nowadays and lives in it ten or twelve years and then off they goes. Restless. Whatâs the good of that? You canât do any proper planting unless you can look well ahead.â

Gwenda looked affectionately at the magnolia.

âLike Mrs. Findeyson,â she said.

âAh. She was the proper kind. Come here as a bride, she did. Brought up her children and married them, buried her husband, had her grandchildren down in the summers, and took off in the end when she was nigh on eighty.â

Fosterâs tone held warm approval.

Gwenda went back into the house smiling a little.

She interviewed the workmen, and then returned to the drawing room where she sat down at the desk and wrote some letters. Amongst the correspondence that remained to be answered was a letter from some cousins of Giles who lived in London. Anytime she wanted to come to London they begged her to come and stay with them at their house in Chelsea.

Raymond West was a well-known (rather than popular) novelist and his wife Joan, Gwenda knew, was a painter. It would be fun to go and stay with them, though probably they would think she was a most terrible Philistine. Neither Giles nor I are a bit highbrow, reflected Gwenda.

A sonorous gong boomed pontifically from the hall. Surrounded by a great deal of carved and tortured black wood, the gong had been one of Gilesâs auntâs prized possessions. Mrs. Cocker herself appeared to derive distinct pleasure from sounding it and always gave full measure. Gwenda put her hands to her ears and got up.

She walked quickly across the drawing room to the wall by the far window and then brought herself up short with an exclamation of annoyance. It was the third time sheâd done that. She always seemed to expect to be able to walk through solid wall into the dining room next door.

She went back across the room and out into the front hall and then round the angle of the drawing room wall and so along to the dining room. It was a long way round, and it would be annoying in winter, for the front hall was draughty and the only central heating was in the drawing room and dining room and two bedrooms upstairs.

I donât see, thought Gwenda to herself as she sat down at the charming Sheration dining table which she had just bought at vast expense in lieu of Aunt Lavenderâs massive square mahogany one, I donât see why I shouldnât have a doorway made through from the drawing room to the dining room. Iâll talk to Mr. Sims about it when he comes this afternoon.

Mr. Sims was the builder and decorator, a persuasive middle-aged man with a husky voice and a little notebook which he always held at the ready, to jot down any expensive idea that might occur to his patrons.

Mr. Sims, when consulted, was keenly appreciative.

âSimplest thing in the world, Mrs. Reedâand a great improvement, if I may say so.â

âWould it be very expensive?â Gwenda was by now a little doubtful of Mr. Simsâs assents and enthusiasms. There had been a little unpleasantness over various extras not included in Mr. Simsâs original estimate.

âA mere trifle,â said Mr. Sims, his husky voice indulgent and reassuring. Gwenda looked more doubtful than ever. It was Mr. Simsâs trifles that she had learnt to distrust. His straightforward estimates were studiously moderate.

âIâll tell you what, Mrs. Reed,â said Mr. Sims coaxingly, âIâll get Taylor to have a look when heâs finished with the dressing room this afternoon, and then I can give you an exact idea. Depends what the wallâs like.â

Gwenda assented. She wrote to Joan West thanking her for her invitation, but saying that she would not be leaving Dillmouth at present since she wanted to keep an eye on the workmen. Then she went out for a walk along the front and enjoyed the sea breeze. She came back into the drawing room, and Taylor, Mr. Simsâs leading workman, straightened up from the corner and greeted her with a grin.

âWonât be no difficulty about this, Mrs. Reed,â he said. âBeen a door here before, there has. Somebody as didnât want it has just had it plastered over.â

Gwenda was agreeably surprised. How extraordinary, she thought, that Iâve always seemed to feel there was a door there. She remembered the confident way she had walked to it at lunchtime. And remembering it, quite suddenly, she felt a tiny shiver of uneasiness. When you came to think of it, it was really rather odd â¦ Why should she have felt so sure that there was a door there? There was no sign of it on the outside wall. How had she guessedâknownâthat there was a door just there? Of course it would be convenient to have a door through to the dining room, but why had she always gone so unerringly to that one particular spot? Anywhere on the dividing wall would have done equally well, but she had always gone automatically, thinking of other things, to the one place where a door had actually been.

I hope, thought Gwenda uneasily, that Iâm not clairvoyant or anythingâ¦.

There had never been anything in the least psychic about her. She wasnât that kind of person. Or was she? That path outside from the terrace down through the shrubbery to the lawn. Had she in some way known it was there when she was so insistent on having it made in that particular place?

Perhaps I am a bit psychic, thought Gwenda uneasily. Or is it something to do with the house?

Why had she asked Mrs. Hengrave that day if the house was haunted?

It wasnât haunted! It was a darling house! There couldnât be anything wrong with the house. Why, Mrs. Hengrave had seemed quite surprised by the idea.

Or had there been a trace of reserve, of wariness, in her manner?

Good Heavens, Iâm beginning to imagine things, thought Gwenda.

She brought her mind back with an effort to her discussion with Taylor.

âThereâs one other thing,â she added. âOne of the cupboards in my room upstairs is stuck. I want to get it opened.â

The man came up with her and examined the door.

âItâs been painted over more than once,â he said. âIâll get the men to get it open for you tomorrow if that will do.â

Gwenda acquiesced and Taylor went away.

That evening Gwenda felt jumpy and nervous. Sitting in the drawing room and trying to read, she was aware of every creak of the furniture. Once or twice she looked over her shoulder and shivered. She told herself repeatedly that there was nothing in the incident of the door and the path. They were just coincidences. In any case they were the result of plain common sense.

Without admitting it to herself, she felt nervous of going up to bed. When she finally got up and turned off the lights and opened the door into the hall, she found herself dreading to go up the stairs. She almost ran up them in her haste, hurried along the passage and opened the door of her room. Once inside she at once felt her fears calmed and appeased. She looked round the room affectionately. She felt safe in here, safe and happy. Yes, now she was here, she was safe. (Safe from what, you idiot? she asked herself.) She looked at her pyjamas spread out on the bed and her bedroom slippers below them.

Really, Gwenda, you might be six years old! You ought to have bunny shoes, with rabbits on them.

She got into bed with a sense of relief and was soon asleep.

The next morning she had various matters to see to in the town. When she came back it was lunchtime.

âThe men have got the cupboard open in your bedroom, madam,â said Mrs. Cocker as she brought in the delicately fried sole, the mashed potatoes and the creamed carrots.

âOh good,â said Gwenda.

She was hungry and enjoyed her lunch. After having coffee in the drawing room, she went upstairs to her bedroom. Crossing the room she pulled open the door of the corner cupboard.

Then she uttered a sudden frightened little cry and stood staring.

The inside of the cupboard revealed the original papering of the wall, which elsewhere had been done over in the yellowish wall paint. The room had once been gaily papered in a floral design, a design of little bunches of scarlet poppies alternating with bunches of blue cornflowersâ¦.

II

Gwenda stood there staring a long time, then she went shakily over to the bed and sat down on it.

Here she was in a house she had never been in before, in a country she had never visitedâand only two days ago she had lain in bed imagining a paper for this very roomâand the paper she had imagined corresponded exactly with the paper that had once hung on the walls.

Wild fragments of explanation whirled round in her head. Dunne, Experiment with Timeâseeing forward instead of backâ¦.

She could explain the garden path and the connecting door as coincidenceâbut there couldnât be coincidence about this. You couldnât conceivably imagine a wallpaper of such a distinctive design and then find one exactly as you had imagined it â¦ No, there was some explanation that eluded her and thatâyes, frightened her. Every now and then she was seeing, not forward, but backâback to some former state of the house. Any moment she might see something moreâsomething she didnât want to see â¦ The house frightened her â¦ But was it the house or herself? She didnât want to be one of those people who saw thingsâ¦.

She drew a long breath, put on her hat and coat and slipped quickly out of the house. At the post office she sent the following telegram:

West, 19 Addway Square Chelsea London. May I change my mind and come to you tomorrow Gwenda.

She sent it reply paid.

Three

âCOVER HER FACE â¦â

Raymond West and his wife did all they could to make young Gilesâs wife feel welcome. It was not their fault that Gwenda found them secretly rather alarming. Raymond, with his odd appearance, rather like a pouncing raven, his sweep of hair and his sudden crescendos of quite incomprehensible conversation, left Gwenda round-eyed and nervous. Both he and Joan seemed to talk a language of their own. Gwenda had never been plunged in a highbrow atmosphere before and practically all its terms were strange.

âWeâve planned to take you to a show or two,â said Raymond whilst Gwenda was drinking gin and rather wishing she could have had a cup of tea after her journey.

Gwenda brightened up immediately.

âThe Ballet tonight at Sadlerâs Wells, and tomorrow weâve got a birthday party on for my quite incredible Aunt Janeâthe Duchess of Malfi with Gielgud, and on Friday you simply must see They Walked without Feet. Translated from the Russianâabsolutely the most significent piece of drama for the last twenty years. Itâs at the little Witmore Theatre.â

Gwenda expressed herself grateful for these plans for her entertainment. After all, when Giles came home, they would go together to the musical shows and all that. She flinched slightly at the prospect of They Walked without Feet, but supposed she might enjoy itâonly the point about âsignificantâ plays was that you usually didnât.

âYouâll adore my Aunt Jane,â said Raymond. âSheâs what I should describe as a perfect Period Piece. Victorian to the core. All her dressing tables have their legs swathed in chintz. She lives in a village, the kind of village where nothing ever happens, exactly like a stagnant pond.â

âSomething did happen there once,â his wife said drily.

âA mere drama of passionâcrudeâno subtlety to it.â

âYou enjoyed it frightfully at the time,â Joan reminded him with a slight twinkle.

âI sometimes enjoy playing village cricket,â said Raymond, with dignity.

âAnyway, Aunt Jane distinguished herself over that murder.â

âOh, sheâs no fool. She adores problems.â

âProblems?â said Gwenda, her mind flying to arithmetic.

Raymond waved a hand.

âAny kind of problem. Why the grocerâs wife took her umbrella to the church social on a fine evening. Why a gill of pickled shrimps was found where it was. What happened to the Vicarâs surplice. All grist to my Aunt Janeâs mill. So if youâve any problem in your life, put it to her, Gwenda. Sheâll tell you the answer.â

He laughed and Gwenda laughed too, but not very heartily. She was introduced to Aunt Jane, otherwise Miss Marple, on the following day. Miss Marple was an attractive old lady, tall and thin, with pink cheeks and blue eyes, and a gentle, rather fussy manner. Her blue eyes often had a little twinkle in them.

After an early dinner at which they drank Aunt Janeâs health, they all went off to His Majestyâs Theatre. Two extra men, an elderly artist and a young barrister were in the party. The elderly artist devoted himself to Gwenda and the young barrister divided his attentions between Joan and Miss Marple whose remarks he seemed to enjoy very much. At the theatre, however, this arrangement was reversed. Gwenda sat in the middle of the row between Raymond and the barrister.

The lights went down and the play began.

It was superbly acted and Gwenda enjoyed it very much. She had not seen very many first-rate theatrical productions.

The play drew to a close, came to that supreme moment of horror. The actorâs voice came over the footlights filled with the tragedy of a warped and perverted mentality.

âCover her face. Mine eyes dazzle, she died youngâ¦.â

Gwenda screamed.

She sprang up from her seat, pushed blindly past the others out into the aisle, through the exit and up the stairs and so to the street. She did not stop, even then, but half walked, half ran, in a blind panic up the Haymarket.

It was not until she had reached Piccadilly that she noticed a free taxi cruising along, hailed it and, getting in, gave the address of the Chelsea house. With fumbling fingers she got out money, paid the taxi and went up the steps. The servant who let her in glanced at her in surprise.

âYouâve come back early, miss. Didnât you feel well?â

âIâno, yesâIâI felt faint.â

âWould you like anything, miss? Some brandy?â

âNo, nothing. Iâll go straight up to bed.â

She ran up the stairs to avoid further questions.

She pulled off her clothes, left them on the floor in a heap and got into bed. She lay there shivering, her heart pounding, her eyes staring at the ceiling.

She did not hear the sound of fresh arrivals downstairs, but after about five minutes the door opened and Miss Marple came in. She had two hot-water bottles tucked under her arm and a cup in her hand.

Gwenda sat up in bed, trying to stop her shivering.

âOh, Miss Marple, Iâm frightfully sorry. I donât know whatâit was awful of me. Are they very annoyed with me?â

âNow donât worry, my dear child,â said Miss Marple. âJust tuck yourself up warmly with these hot-water bottles.â

âI donât really need a hot-water bottle.â

âOh yes, you do. Thatâs right. And now drink this cup of teaâ¦.â

It was hot and strong and far too full of sugar, but Gwenda drank it obediently. The shivering was less acute now.

âJust lie down now and go to sleep,â said Miss Marple. âYouâve had a shock, you know. Weâll talk about it in the morning. Donât worry about anything. Just go to sleep.â

She drew the covers up, smiled, patted Gwenda and went out.

Downstairs Raymond was saying irritably to Joan: âWhat on earth was the matter with the girl? Did she feel ill, or what?â

âMy dear Raymond, I donât know, she just screamed! I suppose the play was a bit too macabre for her.â

âWell, of course Webster is a bit grisly. But I shouldnât have thoughtââ He broke off as Miss Marple came into the room. âIs she all right?â

âYes, I think so. Sheâd had a bad shock, you know.â

âShock? Just seeing a Jacobean drama?â

âI think there must be a little more to it than that,â said Miss Marple thoughtfully.

Gwendaâs breakfast was sent up to her. She drank some coffee and nibbled a little piece of toast. When she got up and came downstairs, Joan had gone to her studio, Raymond was shut up in his workroom and only Miss Marple was sitting by the window, which had a view over the river; she was busily engaged in knitting.

She looked up with a placid smile as Gwenda entered.

âGood morning, my dear. Youâre feeling better, I hope.â

âOh yes, Iâm quite all right. How I could make such an utter idiot of myself last night, I donât know. Are theyâare they very mad with me?â

âOh no, my dear. They quite understand.â

âUnderstand what?â

Miss Marple glanced up over her knitting.

âThat you had a bad shock last night.â She added gently: âHadnât you better tell me all about it?â

Gwenda walked restlessly up and down.

âI think Iâd better go and see a psychiatrist or someone.â

âThere are excellent mental specialists in London, of course. But are you sure it is necessary?â

âWellâI think Iâm going mad â¦ I must be going mad.â

An elderly parlourmaid entered the room with a telegram on a salver which she handed to Gwenda.

âThe boy wants to know if thereâs an answer, maâam?â

Gwenda tore it open. It had been retelegraphed on from Dillmouth. She stared at it for a moment or two uncomprehendingly, then screwed it into a ball.

âThereâs no answer,â she said mechanically.

The maid left the room.

âNot bad news, I hope, dear?â

âItâs Gilesâmy husband. Heâs flying home. Heâll be here in a week.â

Her voice was bewildered and miserable. Miss Marple gave a gentle little cough.

âWellâsurelyâthat is very nice, isnât it?â

âIs it? When Iâm not sure if Iâm mad or not? If Iâm mad I ought never to have married Giles. And the house and everything. I canât go back there. Oh, I donât know what to do.â

Miss Marple patted the sofa invitingly.

âNow suppose you sit down here, dear, and just tell me all about it.â

It was with a sense of relief that Gwenda accepted the invitation. She poured out the whole story, starting with her first view of Hillside and going onto the incidents that had first puzzled her and then worried her.

âAnd so I got rather frightened,â she ended. âAnd I thought Iâd come up to Londonâget away from it all. Only, you see, I couldnât get away from it. It followed me. Last nightââ she shut her eyes and gulped reminiscently.

âLast night?â prompted Miss Marple.

âI dare say you wonât believe this,â said Gwenda, speaking very fast. âYouâll think Iâm hysterical or queer or something. It happened quite suddenly, right at the end. Iâd enjoyed the play. Iâd never thought once of the house. And then it cameâout of the blueâwhen he said those wordsââ

She repeated in a low quivering voice: âCover her face, mine eyes dazzle, she died young.

âI was back thereâon the stairs, looking down on the hall through the banisters, and I saw her lying there. Sprawled outâdead. Her hair all golden and her face allâall blue! She was dead, strangled, and someone was saying those words in that same horrible gloating wayâand I saw his handsâgrey, wrinkledânot handsâmonkeyâs paws â¦ It was horrible, I tell you. She was deadâ¦.â

Miss Marple asked gently: âWho was dead?â

The answer came back quick and mechanical.

âHelenâ¦.â

Four

HELEN?

For a moment Gwenda stared at Miss Marple, then she pushed back the hair from her forehead.

âWhy did I say that?â she said. âWhy did I say Helen? I donât know any Helen!â

She dropped her hands with a gesture of despair.

âYou see,â she said, âIâm mad! I imagine things! I go about seeing things that arenât there. First it was only wallpapersâbut now itâs dead bodies. So Iâm getting worse.â

âNow donât rush to conclusions, my dearââ

âOr else itâs the house. The house is hauntedâor bewitched or something â¦ I see things that have happened thereâor else I see things that are going to happen thereâand that would be worse. Perhaps a woman called Helen is going to be murdered there â¦ Only I donât see if itâs the house thatâs haunted why I should see these awful things when I am away from it. So I think really that it must be me thatâs going queer. And Iâd better go and see a psychiatrist at onceâthis morning.â

âWell, of course, Gwenda dear, you can always do that when youâve exhausted every other line of approach, but I always think myself that itâs better to examine the simplest and most commonplace explanations first. Let me get the facts quite clear. There were three definite incidents that upset you. A path in the garden that had been planted over but that you felt was there, a door that had been bricked up, and a wallpaper which you imagined correctly and in detail without having seen it? Am I right?â

âYes.â

âWell, the easiest, the most natural explanation would be that you had seen them before.â

âIn another life, you mean?â

âWell no, dear. I meant in this life. I mean that they might be actual memories.â

âBut Iâve never been in England until a month ago, Miss Marple.â

âYou are quite sure of that, my dear?â

âOf course Iâm sure. Iâve lived near Christchurch in New Zealand all my life.â

âWere you born there?â

âNo, I was born in India. My father was a British Army officer. My mother died a year or two after I was born and he sent me back to her people in New Zealand to bring up. Then he himself died a few years later.â

âYou donât remember coming from India to New Zealand?â

âNot really. I do remember, frightfully vaguely, being on a boat. A round window thingâa porthole, I suppose. And a man in white uniform with a red face and blue eyes, and a mark on his chinâa scar, I suppose. He used to toss me up in the air and I remember being half frightened and half loving it. But itâs all very fragmentary.â

âDo you remember a nurseâor an ayah?â

âNot an ayahâNannie. I remember Nannie because she stayed for some timeâuntil I was five years old. She cut ducks out of paper. Yes, she was on the boat. She scolded me when I cried because the Captain kissed me and I didnât like his beard.â

âNow thatâs very interesting, dear, because you see you are mixing up two different voyages. In one, the Captain had a beard and in the other he had a red face and a scar on his chin.â

âYes,â Gwenda considered, âI suppose I must be.â

âIt seems possible to me,â said Miss Marple, âthat when your mother died, your father brought you to England with him first, and that you actually lived at this house, Hillside. Youâve told me, you know, that the house felt like home to you as soon as you got inside it. And that room you chose to sleep in, it was probably your nurseryââ

âIt was a nursery. There were bars on the windows.â

âYou see? It had this pretty gay paper of cornflowers and poppies. Children remember their nursery walls very well. Iâve always remembered the mauve irises on my nursery walls and yet I believe it was repapered when I was only three.â

âAnd thatâs why I thought at once of the toys, the dollsâ house and the toy cupboards?â

âYes. And the bathroom. The bath with the mahogany surround. You told me that you thought of sailing ducks in it as soon as you saw it.â

Gwenda said thoughtfully. âItâs true that I seemed to know right away just where everything wasâthe kitchen and the linen cupboard. And that I kept thinking there was a door through from the drawing room to the dining room. But surely itâs quite impossible that I should come to England and actually buy the identical house Iâd lived in long ago?â

âItâs not impossible, my dear. Itâs just a very remarkable coincidenceâand remarkable coincidences do happen. Your husband wanted a house on the south coast, you were looking for one, and you passed a house that stirred memories, and attracted you. It was the right size and a reasonable price and so you bought it. No, itâs not too wildly improbable. Had the house been merely what is called (perhaps rightly) a haunted house, you would have reacted differently, I think. But you had no feeling of violence or repulsion except, so you have told me, at one very definite moment, and that was when you were just starting to come down the staircase and looking down into the hall.â

Some of the scared expression came back into Gwendaâs eyes.

She said: âYou meanâthatâthat Helenâthat thatâs true too?â

Miss Marple said very gently: âWell, I think so, my dear â¦ I think we must face the position that if the other things are memories, that is a memory tooâ¦.â

âThat I really saw someone killedâstrangledâand lying there dead?â

âI donât suppose you knew consciously that she was strangled, that was suggested by the play last night and fits in with your adult recognition of what a blue convulsed face must mean. I think a very young child, creeping down the stairs, would realize violence and death and evil and associate them with a certain series of wordsâfor I think thereâs no doubt that the murderer actually said those words. It would be a very severe shock to a child. Children are odd little creatures. If they are badly frightened, especially by something they donât understand, they donât talk about it. They bottle it up. Seemingly, perhaps, they forget it. But the memory is still there deep down.â

Gwenda drew a deep breath.

âAnd you think thatâs what happened to me? But why donât I remember it all now?â

âOne canât remember to order. And often when one tries to, the memory goes further away. But I think there are one or two indications that that is what did happen. For instance when you told me just now about your experience in the theatre last night you used a very revealing turn of words. You said you seemed to be looking âthrough the banistersââbut normally, you know, one doesnât look down into a hall through the banisters but over them. Only a child would look through.â

âThatâs clever of you,â said Gwenda appreciatively.

âThese little things are very significant.â

âBut who was Helen?â asked Gwenda in a bewildered way.

âTell me, my dear, are you still quite sure it was Helen?â

âYes â¦ Itâs frightfully odd, because I donât know who âHelenâ isâbut at the same time I do knowâI mean I know that it was âHelenâ lying there â¦ How am I going to find out more?â

âWell, I think the obvious thing to do is to find out definitely if you ever were in England as a child, or if you could have been. Your relativesââ

Gwenda interrupted. âAunt Alison. She would know, Iâm sure.â

âThen I should write to her by airmail. Tell her circumstances have arisen which make it imperative for you to know if you have ever been in England. You would probably get an answer by airmail by the time your husband arrives.â

âOh, thank you, Miss Marple. Youâve been frightfully kind. And I do hope what youâve suggested is true. Because if so, well, itâs quite all right. I mean, it wonât be anything supernatural.â

Miss Marple smiled.

âI hope it turns out as we think. I am going to stay with some old friends of mine in the North of England the day after tomorrow. I shall be passing back through London in about ten days. If you and your husband are here then, or if you have received an answer to your letter, I should be very curious to know the result.â

âOf course, dear Miss Marple! Anyway, I want you to meet Giles. Heâs a perfect pet. And weâll have a good pow-wow about the whole thing.â

Gwendaâs spirits were fully restored by now.

Miss Marple, however, looked thoughtful.

Five

MURDER IN RETROSPECT

I

It was some ten days later that Miss Marple entered a small hotel in Mayfair, and was given an enthusiastic reception by young Mr. and Mrs. Reed.

âThis is my husband, Miss Marple. Giles, I canât tell you how kind Miss Marple was to me.â

âIâm delighted to meet you, Miss Marple. I hear Gwenda nearly panicked herself into a lunatic asylum.â

Miss Marpleâs gentle blue eyes summed up Giles Reed favourably. A very likeable young man, tall and fair with a disarming way of blinking every now and then out of a natural shyness. She noted his determined chin and the set of his jaw.

âWeâll have tea in the little waiting room, the dark one,â said Gwenda. âNobody ever comes there. And then we can show Miss Marple Aunt Alisonâs letter.

âYes,â she added, as Miss Marple looked up sharply. âItâs come, and itâs almost exactly what you thought.â

Tea over, the airmail letter was spread out and read.

Dearest Gwenda, (Miss Dandy had written)

I was much disturbed to hear you had had some worrying experience. To tell you the truth, it had really entirely escaped my memory that you had actually resided for a short time in England as a young child.

Your mother, my sister Megan, met your father, Major Halliday, when she was on a visit to some friends of ours at that time stationed in India. They were married and you were born there. About two years after your birth your mother died. It was a great shock to us and we wrote to your father with whom we had corresponded, but whom actually we had never seen, begging him to entrust you to our care, as we would be only too glad to have you, and it might be difficult for an Army man stranded with a young child. Your father, however, refused, and told us he was resigning from the Army and taking you back with him to England. He said he hoped we would at some time come over and visit him there.

I understand that on the voyage home, your father met a young woman, became engaged to her, and married her as soon as he got to England. The marriage was not, I gather, a happy one, and I understand they parted about a year later. It was then that your father wrote to us and asked if we were still willing to give you a home. I need hardly tell you, my dear, how happy we were to do so. You were sent out to us in the charge of an English nurse, and at the same time your father settled the bulk of his estate upon you and suggested that you might legally adopt our name. This, I may say, seemed a little curious to us, but we felt that it was kindly meantâand intended to make you more one of the familyâwe did not, however, adopt that suggestion. About a year later your father died in a nursing home. I surmise that he had already received bad news about his health at the time when he sent you out to us.

Iâm afraid I cannot tell you where you lived whilst with your father in England. His letter naturally had the address on it at the time but that is now eighteen years ago and Iâm afraid one doesnât remember such details. It was in the South of England, I knowâand I fancy Dillmouth is correct. I had a vague idea it was Dartmouth, but the two names are not unlike. I believe your stepmother married again, but I have no recollection of her name, nor even of her unmarried name, though your father had mentioned it in the original letter telling of his remarriage. We were, I think, a little resentful of his marrying again so soon, but of course one knows that on board ship the influence of propinquity is very greatâand he may also have thought that it would be a good thing on your account.

It seemed stupid of me not to have mentioned to you that you had been in England even if you didnât remember the fact, but, as I say, the whole thing had faded from my mind. Your motherâs death in India and your subsequently coming to live with us always seemed the important points.

I hope this is all cleared up now?

I do trust Giles will soon be able to join you. It is hard for you both being parted at this early stage.

All my news in my next letter, as I am sending this off hurriedly in answer to your wire.

Your loving aunt,

Alison Danby.

PS. You do not say what your worrying experience was?

âYou see,â said Gwenda. âItâs almost exactly as you suggested.â

Miss Marple smoothed out the flimsy sheet.

âYesâyes, indeed. The commonsense explanation. Iâve found, you know, that that is so often right.â

âWell, Iâm very grateful to you, Miss Marple,â said Giles. âPoor Gwenda was thoroughly upset, and I must say Iâd have been rather worried myself to think that Gwenda was clairvoyant or psychic or something.â

âIt might be a disturbing quality in a wife,â said Gwenda. âUnless youâve always led a thoroughly blameless life.â

âWhich I have,â said Giles.

âAnd the house? What do you feel about the house?â asked Miss Marple.

âOh, thatâs all right. Weâre going down tomorrow. Giles is dying to see it.â

âI donât know whether you realize it, Miss Marple,â said Giles, âbut what it amounts to is, that weâve got a first-class murder mystery on our hands. Actually on our very doorstepâor more accurately in our front hall.â

âI had thought of that, yes,â said Miss Marple slowly.

âAnd Giles simply loves detective stories,â said Gwenda.

âWell, I mean, it is a detective story. Body in the hall of a beautiful strangled woman. Nothing known of her but her Christian name. Of course I know itâs nearly twenty years ago. There canât be any clues after all this time, but one can at least cast about, and try to pick up some of the threads. Oh! I dare say one wonât succeed in solving the riddleââ

âI think you might,â said Miss Marple. âEven after eighteen years. Yes, I think you might.â

âBut at any rate it wonât do any harm to have a real good try?â

Giles paused, his face beaming.

Miss Marple moved uneasily, her face was graveâalmost troubled.

âBut it might do a great deal of harm,â she said. âI would advise you bothâoh yes, I really would advise it very stronglyâto leave the whole thing alone.â

âLeave it alone? Our very own murder mysteryâif it was murder!â

âIt was murder, I think. And thatâs just why I should leave it alone. Murder isnâtâit really isnâtâa thing to tamper with lightheartedly.â

Giles said: âBut, Miss Marple, if everybody felt like thatââ

She interrupted him.

âOh, I know. There are times when it is oneâs dutyâan innocent person accusedâsuspicion resting on various other peopleâa dangerous criminal at large who may strike again. But you must realize that this murder is very much in the past. Presumably it wasnât known for murderâif so, you would have heard fast enough from your old gardener or someone down thereâa murder, however long ago, is always news. No, the body must have been disposed of somehow, and the whole thing never suspected. Are you sureâare you really sure, that you are wise to dig it all up again?â

âMiss Marple,â cried Gwenda, âyou sound really concerned?â

âI am, my dear. You are two very nice and charming young people (if you will allow me to say so). You are newly married and happy together. Donât, I beg of you, start to uncover things that mayâwell, that mayâhow shall I put it?âthat may upset and distress you.â

Gwenda stared at her. âYouâre thinking of something specialâof somethingâwhat is it youâre hinting at?â

âNot hinting, dear. Just advising you (because Iâve lived a long time and know how very upsetting human nature can be) to let well alone. Thatâs my advice: let well alone.â

âBut it isnât letting well alone.â Gilesâs voice held a different note, a sterner note. âHillside is our house, Gwendaâs and mine, and someone was murdered in that house, or so we believe. Iâm not going to stand for murder in my house and do nothing about it, even if it is eighteen years ago!â

Miss Marple sighed. âIâm sorry,â she said. âI imagine that most young men of spirit would feel like that. I even sympathize and almost admire you for it. But I wishâoh, I do wishâthat you wouldnât do it.â

II

On the following day, news went round the village of St. Mary Mead that Miss Marple was at home again. She was seen in the High Street at eleven oâclock. She called at the Vicarage at ten minutes to twelve. That afternoon three of the gossipy ladies of the village called upon her and obtained her impressions of the gay Metropolis and, this tribute to politeness over, themselves plunged into details of an approaching battle over the fancywork stall at the FÃªte and the position of the tea tent.

Later that evening Miss Marple could be seen as usual in her garden, but for once her activities were more concentrated on the depredations of weeds than on the activities of her neighbours. She was distraite at her frugal evening meal, and hardly appeared to listen to her little maid Evelynâs spirited account of the goings-on of the local chemist. The next day she was still distraite, and one or two people, including the Vicarâs wife, remarked upon it. That evening Miss Marple said that she did not feel very well and took to her bed. The following morning she sent for Dr. Haydock.

Dr. Haydock had been Miss Marpleâs physician, friend and ally for many years. He listened to her account of her symptoms, gave her an examination, then sat back in his chair and waggled his stethoscope at her.

âFor a woman of your age,â he said, âand in spite of that misleading frail appearance, youâre in remarkably good fettle.â

âIâm sure my general health is sound,â said Miss Marple. âBut I confess I do feel a little overtiredâa little run-down.â

âYouâve been gallivanting about. Late nights in London.â

âThat, of course. I do find London a little tiring nowadays. And the airâso used up. Not like fresh seaside air.â

âThe air of St. Mary Mead is nice and fresh.â

âBut often damp and rather muggy. Not, you know, exactly bracing.â

Dr. Haydock eyed her with a dawning of interest.

âIâll send you round a tonic,â he said obligingly.

âThank you, Doctor. Eastonâs syrup is always very helpful.â

âThereâs no need for you to do my prescribing for me, woman.â

âI wondered if, perhaps, a change of airâ?â

Miss Marple looked questioningly at him with guileless blue eyes.

âYouâve just been away for three weeks.â

âI know. But to London which, as you say, is enervating. And then up Northâa manufacturing district. Not like bracing sea air.â

Dr. Haydock packed up his bag. Then he turned round, grinning.

âLetâs hear why you sent for me,â he said. âJust tell me what itâs to be and Iâll repeat it after you. You want my professional opinion that what you need is sea airââ

âI knew youâd understand,â said Miss Marple gratefully.

âExcellent thing, sea air. Youâd better go to Eastbourne right away, or your health may suffer seriously.â

âEastbourne, I think, is rather cold. The downs, you know.â

âBournemouth, then, or the Isle of Wight.â

Miss Marple twinkled at him.

âI always think a small place is much pleasanter.â

Dr. Haydock sat down again.

âMy curiosity is roused. What small seaside town are you suggesting?â

âWell, I had thought of Dillmouth.â

âPretty little place. Rather dull. Why Dillmouth?â

For a moment or two Miss Marple was silent. The worried look had returned to her eyes. She said: âSupposing that one day, by accident, you turned up a fact that seemed to indicate that many years agoânineteen or twentyâa murder had occurred. That fact was known to you alone, nothing of the kind had ever been suspected or reported. What would you do about it?â

âMurder in retrospect in fact?â

âJust exactly that.â

Haydock reflected for a moment.

âThere had been no miscarriage of justice? Nobody had suffered as a result of this crime?â

âAs far as one can see, no.â

âHm. Murder in retrospect. Sleeping murder. Well, Iâll tell you. Iâd let sleeping murder lieâthatâs what Iâd do. Messing about with murder is dangerous. It could be very dangerous.â

âThatâs what Iâm afraid of.â

âPeople say a murderer always repeats his crimes. Thatâs not true. Thereâs a type who commits a crime, manages to get away with it, and is darned careful never to stick his neck out again. I wonât say they live happily ever afterâI donât believe thatâs trueâthere are many kinds of retribution. But outwardly at least all goes well. Perhaps that was so in the case of Madeleine Smith or again in the case of Lizzie Borden. It was not proven in the case of Madeleine Smith and Lizzie was acquittedâbut many people believe both of those women were guilty. I could name you others. They never repeated their crimesâone crime gave them what they wanted and they were content. But suppose some danger had menaced them? I take it your killer, whoever he or she is, was one of that kind. He committed a crime and got away with it and nobody suspected. But supposing somebody goes poking about, digging into things, turning up stones and exploring avenues and finally, perhaps, hitting the target? Whatâs your killer going to do about it? Just stay there smiling while the hunt comes nearer and nearer? No, if thereâs no principle involved, Iâd say let it alone.â He repeated his former phrase: âLet sleeping murder lie.â

He added firmly: âAnd those are my orders to you. Let the whole thing alone.â

âBut itâs not I who am involved. Itâs two very delightful children. Let me tell you!â

She told him the story and Haydock listened.

âExtraordinary,â he said when she had finished. âExtraordinary coincidence. Extraordinary business altogether. I suppose you see what the implications are?â

âOh, of course. But I donât think itâs occurred to them yet.â

âIt will mean a good deal of unhappiness and theyâll wish theyâd never meddled with the thing. Skeletons should be kept in their cupboards. Still, you know, I can quite see young Gilesâs point of view. Dash it all, I couldnât leave the thing alone myself. Even now, Iâm curiousâ¦.â

He broke off and directed a stern glance at Miss Marple.

âSo thatâs what youâre doing with your excuses to get to Dillmouth. Mixing yourself up in something thatâs no concern of yours.â

âNot at all, Dr. Haydock. But Iâm worried about those two. Theyâre very young and inexperienced and much too trusting and credulous. I feel I ought to be there to look after them.â

âSo thatâs why youâre going. To look after them! Canât you ever leave murder alone, woman? Even murder in retrospect?â

Miss Marple gave a small prim smile.

âBut you do think, donât you, that a few weeks at Dillmouth would be beneficial to my health?â

âMore likely to be the end of you,â said Dr. Haydock. âBut you wonât listen to me!â

III

On her way to call upon her friends, Colonel and Mrs. Bantry, Miss Marple met Colonel Bantry coming along the drive, his gun in his hand and his spaniel at his heels. He welcomed her cordially.

âGlad to see you back again. Howâs London?â

Miss Marple said that London was very well. Her nephew had taken her to several plays.

âHighbrow ones, I bet. Only care for a musical comedy myself.â

Miss Marple said that she had been to a Russian play that was very interesting, though perhaps a little too long.

âRussians!â said Colonel Bantry explosively. He had once been given a novel by Dostoievsky to read in a nursing home.

He added that Miss Marple would find Dolly in the garden.

Mrs. Bantry was almost always to be found in the garden. Gardening was her passion. Her favourite literature was bulb catalogues and her conversation dealt with primulas, bulbs, flowering shrubs and alpine novelties. Miss Marpleâs first view of her was a substantial posterior clad in faded tweed.

At the sound of approaching steps, Mrs. Bantry reassumed an erect position with a few creaks and winces, her hobby had made her rheumaticky, wiped her hot brow with an earth-stained hand and welcomed her friend.

âHeard you were back, Jane,â she said. âArenât my new delphiniums doing well? Have you seen these new little gentians? Iâve had a bit of trouble with them, but I think theyâre all set now. What we need is rain. Itâs been terribly dry.â She added, âEsther told me you were ill in bed.â Esther was Mrs. Bantryâs cook and liaison officer with the village. âIâm glad to see itâs not true.â

âJust a little overtired,â said Miss Marple. âDr. Haydock thinks I need some sea air. Iâm rather run-down.â

âOh, but you couldnât go away now,â said Mrs. Bantry. âThis is absolutely the best time of the year in the garden. Your border must be just coming into flower.â

âDr. Haydock thinks it would be advisable.â

âWell, Haydockâs not such a fool as some doctors,â admitted Mrs. Bantry grudgingly.

âI was wondering, Dolly, about that cook of yours.â

âWhich cook? Do you want a cook? You donât mean that woman who drank, do you?â

âNo, no, no. I mean the one who made such delicious pastry. With a husband who was the butler.â

âOh, you mean the Mock Turtle,â said Mrs. Bantry with immediate recognition. âWoman with a deep mournful voice who always sounded as though she was going to burst into tears. She was a good cook. Husband was a fat, rather lazy man. Arthur always said he watered the whisky. I donât know. Pity thereâs always one of a couple thatâs unsatisfactory. They got left a legacy by some former employer and they went off and opened a boardinghouse on the south coast.â

âThatâs just what I thought. Wasnât it at Dillmouth?â

âThatâs right. 14 Sea Parade, Dillmouth.â

âI was thinking that as Dr. Haydock has suggested the seaside I might go toâwas their name Saunders?â

âYes. Thatâs an excellent idea, Jane. You couldnât do better. Mrs. Saunders will look after you well, and as itâs out of the season theyâll be glad to get you and wonât charge very much. With good cooking and sea air youâll soon pick up.â

âThank you, Dolly,â said Miss Marple, âI expect I shall.â

Six

EXERCISE IN DETECTION

I

âWhere do you think the body was? About here?â asked Giles.

He and Gwenda were standing in the front hall of Hillside. They had arrived back the night before, and Giles was now in full cry. He was as pleased as a small boy with his new toy.

âJust about,â said Gwenda. She retreated up the stairs and peered down critically. âYesâI think thatâs about it.â

âCrouch down,â said Giles. âYouâre only about three years old, you know.â

Gwenda crouched obligingly.

âYou couldnât actually see the man who said the words?â

âI canât remember seeing him. He must have been just a bit further backâyes, there. I could only see his paws.â

âPaws.â Giles frowned.

âThey were paws. Grey pawsânot human.â

âBut look here, Gwenda. This isnât a kind of Murder in the Rue Morgue. A man doesnât have paws.â

âWell, he had paws.â

Giles looked doubtfully at her.

âYou must have imagined that bit afterwards.â

Gwenda said slowly, âDonât you think I may have imagined the whole thing? You know, Giles, Iâve been thinking. It seems to me far more probable that the whole thing was a dream. It might have been. It was the sort of dream a child might have, and be terribly frightened, and go on remembering about. Donât you think really thatâs the proper explanation? Because nobody in Dillmouth seems to have the faintest idea that there was ever a murder, or a sudden death, or a disappearance or anything odd about this house.â

Giles looked like a different kind of little boyâa little boy who has had his nice new toy taken away from him.

âI suppose it might have been a nightmare,â he admitted grudgingly. Then his face cleared suddenly.

âNo,â he said. âI donât believe it. You could have dreamt about monkeysâ paws and someone deadâbut Iâm damned if you could have dreamt that quotation from The Duchess of Malfi.â

âI could have heard someone say it and then dreamt about it afterwards.â

âI donât think any child could do that. Not unless you heard it in conditions of great stressâand if that was the case weâre back again where we wereâhold on, Iâve got it. It was the paws you dreamt. You saw the body and heard the words and you were scared stiff and then you had a nightmare about it, and there were waving monkeysâ paws tooâprobably you were frightened of monkeys.â

Gwenda looked slightly dubiousâshe said slowly: âI suppose that might be itâ¦.â

âI wish you could remember a bit more â¦ Come down here in the hall. Shut your eyes. Think â¦ Doesnât anything more come back to you?â

âNo, it doesnât, Giles â¦ The more I think, the further it all goes away â¦ I mean, Iâm beginning to doubt now if I ever really saw anything at all. Perhaps the other night I just had a brainstorm in the theatre.â

âNo. There was something. Miss Marple thinks so, too. What about âHelenâ? Surely you must remember something about Helen?â

âI donât remember anything at all. Itâs just a name.â

âIt mightnât even be the right name.â

âYes, it was. It was Helen.â

Gwenda looked obstinate and convinced.

âThen if youâre so sure it was Helen, you must know something about her,â said Giles reasonably. âDid you know her well? Was she living here? Or just staying here?â

âI tell you I donât know.â Gwenda was beginning to look strained and nervy.

Giles tried another tack.

âWho else can you remember? Your father?â

âNo. I mean, I canât tell. There was always his photograph, you see. Aunt Alison used to say: âThatâs your Daddy.â I donât remember him here, in this houseâ¦.â

âAnd no servantsânursesâanything like that?â

âNoâno. The more I try to remember, the more itâs all a blank. The things I know are all underneathâlike walking to that door automatically. I didnât remember a door there. Perhaps if you wouldnât worry me so much, Giles, things would come back more. Anyway, trying to find out about it all is hopeless. Itâs so long ago.â

âOf course itâs not hopelessâeven old Miss Marple admitted that.â

âShe didnât help us with any ideas of how to set about it,â said Gwenda. âAnd yet I feel, from the glint in her eye, that she had a few. I wonder how she would have gone about it.â

âI donât suppose she would be likely to think of ways that we wouldnât,â said Giles positively. âWe must stop speculating, Gwenda, and set about things in a systematic way. Weâve made a beginningâIâve looked through the Parish registers of deaths. Thereâs no âHelenâ of the right age amongst them. In fact there doesnât seem to be a Helen at all in the period I coveredâEllen Pugg, ninety-four, was the nearest. Now we must think of the next profitable approach. If your father, and presumably your stepmother, lived in this house, they must either have bought it or rented it.â

âAccording to Foster, the gardener, some people called Elworthy had it before the Hengraves and before them Mrs. Findeyson. Nobody else.â

âYour father might have bought it and lived in it for a very short timeâand then sold it again. But I think that itâs much more likely that he rented itâprobably rented it furnished. If so, our best bet is to go round the house agents.â

Going round the house agents was not a prolonged labour. There were only two house agents in Dillmouth. Messrs. Wilkinson were a comparatively new arrival. They had only opened their premises eleven years ago. They dealt mostly with the small bungalows and new houses at the far end of the town. The other agents, Messrs. Galbraith and Penderley, were the ones from whom Gwenda had bought the house. Calling upon them, Giles plunged into his story. He and his wife were delighted with Hillside and with Dillmouth generally. Mrs. Reed had only just discovered that she had actually lived in Dillmouth as a small child. She had some very faint memories of the place, and had an idea that Hillside was actually the house in which she had lived but could not be quite certain about it. Had they any record of the house being let to a Major Halliday? It would be about eighteen or nineteen years agoâ¦.

Mr. Penderley stretched out apologetic hands.

âIâm afraid itâs not possible to tell you, Mr. Reed. Our records do not go back that farânot, that is, of furnished or short-period lets. Very sorry I canât help you, Mr. Reed. As a matter of fact if our old head clerk, Mr. Narracott, had still been aliveâhe died last winterâhe might have been able to assist you. A most remarkable memory, really quite remarkable. He had been with the firm for nearly thirty years.â

âThereâs no one else who would possibly remember?â

âOur staff is all on the comparatively young side. Of course there is old Mr. Galbraith himself. He retired some years ago.â

âPerhaps I could ask him?â said Gwenda.

âWell, I hardly know about that â¦â Mr. Penderley was dubious. âHe had a stroke last year. His faculties are sadly impaired. Heâs over eighty, you know.â

âDoes he live in Dillmouth?â

âOh yes. At Calcutta Lodge. A very nice little property on the Seaton road. But I really donât thinkââ

II

âItâs rather a forlorn hope,â said Giles to Gwenda. âBut you never know. I donât think weâll write. Weâll go there together and exert our personality.â

Calcutta Lodge was surrounded by a neat trim garden, and the sitting room into which they were shown was also neat if slightly overcrowded. It smelt of beeswax and Ronuk. Its brasses shone. Its windows were heavily festooned.

A thin middle-aged woman with suspicious eyes came into the room.

Giles explained himself quickly, and the expression of one who expects to have a vacuum cleaner pushed at her left Miss Galbraithâs face.

âIâm sorry, but I really donât think I can help you,â she said. âItâs so long ago, isnât it?â

âOne does sometimes remember things,â said Gwenda.

âOf course I shouldnât know anything myself. I never had any connection with the business. A Major Halliday, you said? No, I never remember coming across anyone in Dillmouth of that name.â

âYour father might remember, perhaps,â said Gwenda.

âFather?â Miss Galbraith shook her head. âHe doesnât take much notice nowadays, and his memoryâs very shaky.â

Gwendaâs eyes were resting thoughtfully on a Benares brass table and they shifted to a procession of ebony elephants marching along the mantelpiece.

âI thought he might remember, perhaps,â she said, âbecause my father had just come from India. Your house is called Calcutta Lodge?â

She paused interrogatively.

âYes,â said Miss Galbraith. âFather was out in Calcutta for a time. In business there. Then the war came and in 1920 he came into the firm here, but would have liked to go back, he always says. But my mother didnât fancy foreign partsâand of course you canât say the climateâs really healthy. Well, I donât knowâperhaps youâd like to see my father. I donât know that itâs one of his good daysââ

She led them into a small black study. Here, propped up in a big shabby leather chair sat an old gentleman with a white walrus moustache. His face was pulled slightly sideways. He eyed Gwenda with distinct approval as his daughter made the introductions.

âMemoryâs not what it used to be,â he said in a rather indistinct voice. âHalliday, you say? No, I donât remember the name. Knew a boy at school in Yorkshireâbut thatâs seventy-odd years ago.â

âHe rented Hillside, we think,â said Giles.

âHillside? Was it called Hillside then?â Mr. Galbraithâs one movable eyelid snapped shut and open. âFindeyson lived there. Fine woman.â

âMy father might have rented it furnished â¦ Heâd just come from India.â

âIndia? India, dâyou say? Remember a fellowâArmy man. Knew that old rascal Mohammed Hassan who cheated me over some carpets. Had a young wifeâand a babyâlittle girl.â

âThat was me,â said Gwenda firmly.

âInâdeedâyou donât say so! Well, well, time flies. Now what was his name? Wanted a place furnishedâyesâMrs. Findeyson had been ordered to Egypt or some such place for the winterâall tomfoolery. Now what was his name?â

âHalliday,â said Gwenda.

âThatâs right, my dearâHalliday. Major Halliday. Nice fellow. Very pretty wifeâquite youngâfair-haired, wanted to be near her people or something like that. Yes, very pretty.â

âWho were her people?â

âNo idea at all. No idea. You donât look like her.â

Gwenda nearly said, âShe was only my stepmother,â but refrained from complicating the issue. She said, âWhat did she look like?â

Unexpectedly Mr. Galbraith replied: âLooked worried. Thatâs what she looked, worried. Yes, very nice fellow, that Major chap. Interested to hear Iâd been out in Calcutta. Not like these chaps that have never been out of England. Narrowâthatâs what they are. Now Iâve seen the world. What was his name, that Army chapâwanted a furnished house?â

He was like a very old gramophone, repeating a worn record.

âSt. Catherineâs. Thatâs it. Took St. Catherineâsâsix guineas a weekâwhile Mrs. Findeyson was in Egypt. Died there, poor soul. House was put up for auctionâwho bought it now? Elworthysâthatâs itâpack of womenâsisters. Changed the nameâsaid St. Catherineâs was Popish. Very down on anything PopishâUsed to send out tracts. Plain women, all of âemâTook an interest in niggersâSent âem out trousers and bibles. Very strong on converting the heathen.â

He sighed suddenly and leant back.

âLong time ago,â he said fretfully. âCanât remember names. Chap from Indiaânice chap â¦ Iâm tired, Gladys. Iâd like my tea.â

Giles and Gwenda thanked him, thanked his daughter, and came away.

âSo thatâs proved,â said Gwenda. âMy father and I were at Hillside. What do we do next?â

âIâve been an idiot,â said Giles. âSomerset House.â

âWhatâs Somerset House?â asked Gwenda.

âItâs a record office where you can look up marriages. Iâm going there to look up your fatherâs marriage. According to your aunt, your father was married to his second wife immediately on arriving in England. Donât you see, Gwendaâit ought to have occurred to us beforeâitâs perfectly possible that âHelenâ may have been a relation of your stepmotherâsâa young sister, perhaps. Anyway, once we know what her surname was, we may be able to get on to someone who knows about the general setup at Hillside. Remember the old boy said they wanted a house in Dillmouth to be near Mrs. Hallidayâs people. If her people live near here we may get something.â

âGiles,â said Gwenda. âI think youâre wonderful.â

III

Giles did not, after all, find it necessary to go to London. Though his energetic nature always made him prone to rush hither and thither and try to do everything himself, he admitted that a purely routine enquiry could be delegated.

He put through a trunk call to his office.

âGot it,â he exclaimed enthusiastically, when the expected reply arrived.

From the covering letter he extracted a certified copy of a marriage certificate.

âHere we are, Gwenda. Friday, Aug. 7th Kensington Registry Office. Kelvin James Halliday to Helen Spenlove Kennedy.â

Gwenda cried out sharply!

âHelen?â

They looked at each other.

Giles said slowly: âButâbutâit canât be her. I meanâthey separated, and she married againâand went away.â

âWe donât know,â said Gwenda, âthat she went awayâ¦.â

She looked again at the plainly written name:

Helen Spenlove Kennedy.

Helenâ¦.

Seven

DR. KENNEDY

I

A few days later Gwenda, walking along the Esplanade in a sharp wind, stopped suddenly beside one of the glass shelters which a thoughtful Corporation had provided for the use of its visitors.

âMiss Marple?â she exclaimed in lively surprise.

For indeed Miss Marple it was, nicely wrapped up in a thick fleecy coat and well wound round with scarves.

âQuite a surprise to you, Iâm sure, to find me here,â said Miss Marple briskly. âBut my doctor ordered me away to the seaside for a little change, and your description of Dillmouth sounded so attractive that I decided to come hereâespecially as the cook and butler of a friend of mine take in boarders.â

âBut why didnât you come and see us?â demanded Gwenda.

âOld people can be rather a nuisance, my dear. Newly married young couples should be left to themselves.â She smiled at Gwendaâs protest. âIâm sure youâd have made me very welcome. And how are you both? And are you progressing with your mystery?â

âWeâre hot on the trail,â Gwenda said, sitting beside her.

She detailed their various investigations up to date.

âAnd now,â she ended, âweâve put an advertisement in lots of papersâlocal ones and The Times and the other big dailies. Weâve just said will anyone with any knowledge of Helen Spenlove Halliday, nÃ©e Kennedy, communicate etc. I should think, donât you, that weâre bound to get some answers.â

âI should think so, my dearâyes, I should think so.â

Miss Marpleâs tone was placid as ever, but her eyes looked troubled. They flashed a quick appraising glance at the girl sitting beside her. That tone of determined heartiness did not ring quite true. Gwenda, Miss Marple thought, looked worried. What Dr. Haydock had called âthe implicationsâ were, perhaps, beginning to occur to her. Yes, but now it was too late to go backâ¦.

Miss Marple said gently and apologetically, âI have really become most interested in all this. My life, you know, has so few excitements. I hope you wonât think me very inquisitive if I ask you to let me know how you progress?â

âOf course weâll let you know,â said Gwenda warmly. âYou shall be in on everything. Why, but for you, I should be urging doctors to shut me up in a loony bin. Tell me your address here, and then you must come and have a drinkâI mean, have tea with us, and see the house. Youâve got to see the scene of the crime, havenât you?â

She laughed, but there was a slightly nervy edge to her laugh.

When she had gone on her way Miss Marple shook her head very gently and frowned.

II

Giles and Gwenda scanned the mail eagerly every day, but at first their hopes were disappointed. All they got was two letters from private enquiry agents who pronounced themselves willing and skilled to undertake investigations on their behalf.

âTime enough for them later,â said Giles. âAnd if we do have to employ some agency, it will be a thoroughly first-class firm, not one that touts through the mail. But I donât really see what they could do that we arenât doing.â

His optimism (or self-esteem) was justified a few days later. A letter arrived, written in one of those clear and yet somewhat illegible handwritings that stamp the professional man.

Galls Hill
Woodleigh Bolton.

Dear Sir,

In answer to your advertisement in The Times, Helen Spenlove Kennedy is my sister. I have lost touch with her for many years and should be glad to have news of her.

Yours faithfully,

James Kennedy, MD

âWoodleigh Bolton,â said Giles. âThatâs not too far away. Woodleigh Camp is where they go for picnics. Up on the moorland. About thirty miles from here. Weâll write and ask Dr. Kennedy if we may come and see him, or if he would prefer to come to us.â

A reply was received that Dr. Kennedy would be prepared to receive them on the following Wednesday; and on that day they set off.

Woodleigh Bolton was a straggling village set along the side of a hill. Galls Hill was the highest house just at the top of the rise, with a view over Woodleigh Camp and the moors towards the sea.

âRather a bleak spot,â said Gwenda shivering.

The house itself was bleak and obviously Dr. Kennedy scorned such modern innovations as central heating. The woman who opened the door was dark and rather forbidding. She led them across the rather bare hall, and into a study where Dr. Kennedy rose to receive them. It was a long, rather high room, lined with well-filled bookshelves.

Dr. Kennedy was a grey-haired elderly man with shrewd eyes under tufted brows. His gaze went sharply from one to the other of them.

âMr. and Mrs. Reed? Sit here, Mrs. Reed, itâs probably the most comfortable chair. Now, whatâs all this about?â

Giles went fluently into their prearranged story.

He and his wife had been recently married in New Zealand. They had come to England, where his wife had lived for a short time as a child, and she was trying to trace old family friends and connections.

Dr. Kennedy remained stiff and unbending. He was polite but obviously irritated by Colonial insistence on sentimental family ties.

âAnd you think my sisterâmy half-sisterâand possibly myselfâare connections of yours?â he asked Gwenda, civilly, but with slight hostility.

âShe was my stepmother,â said Gwenda. âMy fatherâs second wife. I canât really remember her properly, of course. I was so small. My maiden name was Halliday.â

He stared at herâand then suddenly a smile illuminated his face. He became a different person, no longer aloof.

âGood Lord,â he said. âDonât tell me that youâre Gwennie!â

Gwenda nodded eagerly. The pet name, long forgotten, sounded in her ears with reassuring familiarity.

âYes,â she said. âIâm Gwennie.â

âGod bless my soul. Grown-up and married. How time flies! It must beâwhatâfifteen yearsâno, of course, much longer than that. You donât remember me, I suppose?â

Gwenda shook her head.

âI donât even remember my father. I mean, itâs all a vague kind of blur.â

âOf courseâHallidayâs first wife came from New ZealandâI remember his telling me so. A fine country, I should think.â

âItâs the loveliest country in the worldâbut Iâm quite fond of England, too.â

âOn a visitâor settling down here?â He rang the bell. âWe must have tea.â

When the tall woman came, he said, âTea, pleaseâandâerâhot buttered toast, orâor cake, or something.â

The respectable housekeeper looked venomous, but said, âYes, sir,â and went out.

âI donât usually go in for tea,â said Dr. Kennedy vaguely. âBut we must celebrate.â

âItâs very nice of you,â said Gwenda. âNo, weâre not on a visit. Weâve bought a house.â She paused and added, âHillside.â

Dr. Kennedy said vaguely, âOh yes. In Dillmouth. You wrote from there.â

âItâs the most extraordinary coincidence,â said Gwenda. âIsnât it, Giles?â

âI should say so,â said Giles. âReally quite staggering.â

âIt was for sale, you see,â said Gwenda, and added in face of Dr. Kennedyâs apparent non-comprehension, âItâs the same house where we used to live long ago.â

Dr. Kennedy frowned. âHillside? But surelyâOh yes, I did hear theyâd changed the name. Used to be St. Something or otherâif Iâm thinking of the right houseâon the Leahampton road, coming down into the town, on the right-hand side?â

âYes.â

âThatâs the one. Funny how names go out of your head. Wait a minute. St. Catherineâsâthatâs what it used to be called.â

âAnd I did live there, didnât I?â Gwenda said.

âYes, of course you did.â He stared at her, amused. âWhy did you want to come back there? You canât remember much about it, surely?â

âNo. But somehowâit felt like home.â

âIt felt like home,â the doctor repeated. There was no expression in the words, but Giles wondered what he was thinking about.

âSo you see,â said Gwenda, âI hoped youâd tell me about it allâabout my father and Helen andââ she ended lamelyââand everythingâ¦.â

He looked at her reflectively.

âI suppose they didnât know very muchâout in New Zealand. Why should they? Well, there isnât much to tell. Helenâmy sisterâwas coming back from India on the same boat with your father. He was a widower with a small daughter. Helen was sorry for him or fell in love with him. He was lonely, or fell in love with her. Difficult to know just the way things happen. They were married in London on arrival, and came down to Dillmouth to me. I was in practice there, then. Kelvin Halliday seemed a nice chap, rather nervy and run-downâbut they seemed happy enough togetherâthen.â

He was silent for a moment before he said, âHowever, in less than a year, she ran away with someone else. You probably know that?â

âWho did she run away with?â asked Gwenda.

He bent his shrewd eyes upon her.

âShe didnât tell me,â he said. âI wasnât in her confidence. Iâd seenâcouldnât help seeingâthat there was friction between her and Kelvin. I didnât know why. I was always a strait-laced sort of fellowâa believer in marital fidelity. Helen wouldnât have wanted me to know what was going on. Iâd heard rumoursâone doesâbut there was no mention of any particular name. They often had guests staying with them who came from London, or from other parts of England. I imagined it was one of them.â

âThere wasnât a divorce, then?â

âHelen didnât want a divorce. Kelvin told me that. Thatâs why I imagined, perhaps wrongly, that it was a case of some married man. Someone whose wife was an RC perhaps.â

âAnd my father?â

âHe didnât want a divorce, either.â

Dr. Kennedy spoke rather shortly.

âTell me about my father,â said Gwenda. âWhy did he decide suddenly to send me out to New Zealand?â

Kennedy paused a moment before saying, âI gather your people out there had been pressing him. After the breakup of his second marriage, he probably thought it was the best thing.â

âWhy didnât he take me out there himself?â

Dr. Kennedy looked along the mantelpiece searching vaguely for a pipe cleaner.

âOh, I donât know â¦ He was in rather poor health.â

âWhat was the matter with him? What did he die of?â

The door opened and the scornful housekeeper appeared with a laden tray.

There was buttered toast and some jam, but no cake. With a vague gesture Dr. Kennedy motioned Gwenda to pour out. She did so. When the cups were filled and handed round and Gwenda had taken a piece of toast, Dr. Kennedy said with rather forced cheerfulness: âTell me what youâve done to the house? I donât suppose Iâd recognize it nowâafter you two have finished with it.â

âWeâre having a little fun with bathrooms,â admitted Giles.

Gwenda, her eyes on the doctor, said: âWhat did my father die of?â

âI couldnât really tell, my dear. As I say, he was in rather poor health for a while, and he finally went into a Sanatoriumâsomewhere on the east coast. He died about two years later.â

âWhere was this Sanatorium exactly?â

âIâm sorry. I canât remember now. As I say, I have an impression it was on the east coast.â

There was definite evasion now in his manner. Giles and Gwenda looked at each other for a brief second.

Giles said, âAt least, sir, you can tell us where heâs buried? Gwenda isânaturallyâvery anxious to visit his grave.â

Dr. Kennedy bent over the fireplace, scraping in the bowl of his pipe with a penknife.

âDo you know,â he said, rather indistinctly, âI donât really think I should dwell too much on the past. All this ancestor worshipâitâs a mistake. The future is what matters. Here you are, you two, young and healthy with the world in front of you. Think forward. No use going about putting flowers on the grave of someone whom, for all practical purposes, you hardly knew.â

Gwenda said mutinously: âI should like to see my fatherâs grave.â

âIâm afraid I canât help you.â Dr. Kennedyâs tones were pleasant but cold. âItâs a long time ago, and my memory isnât what it was. I lost touch with your father after he left Dillmouth. I think he wrote to me once from the Sanatorium and, as I say, I have an impression it was on the east coastâbut I couldnât really be sure even of that. And Iâve no idea at all of where he is buried.â

âHow very odd,â said Giles.

âNot really. The link between us, you see, was Helen. I was always very fond of Helen. Sheâs my half sister and very many years younger than I am, but I tried to bring her up as well as I could. The right schools and all that. But thereâs no gainsaying that Helenâwell, that she never had a stable character. There was trouble when she was quite young with a very undesirable young man. I got her out of that safely. Then she elected to go out to India and marry Walter Fane. Well, that was all right, nice lad, son of Dillmouthâs leading solicitor, but frankly, dull as ditchwater. Heâd always adored her, but she never looked at him. Still, she changed her mind and went out to India to marry him. When she saw him again, it was all off. She wired to me for money for her passage home. I sent it. On the way back, she met Kelvin. They were married before I knew about it. Iâve felt, shall we say, apologetic for that sister of mine. It explains why Kelvin and I didnât keep up the relationship after she went away.â He added suddenly: âWhereâs Helen now? Can you tell me? Iâd like to get in touch with her.â

âBut we donât know,â said Gwenda. âWe donât know at all.â

âOh! I thought from your advertisementââ He looked at them with sudden curiosity. âTell me, why did you advertise?â

Gwenda said: âWe wanted to get in touchââ and stopped.

âWith someone you can hardly remember?â Dr. Kennedy looked puzzled.

Gwenda said quickly: âI thoughtâif I could get in touch with herâsheâd tell meâabout my father.â

âYesâyesâI see. Sorry I canât be of much use. Memory not what it was. And itâs a long time ago.â

âAt least,â said Giles, âyou know what kind of a Sanatorium it was? Tubercular?â

Dr. Kennedyâs face again looked suddenly wooden: âYesâyes, I rather believe it was.â

âThen we ought to be able to trace that quite easily,â said Giles. âThank you very much, sir, for all youâve told us.â

He got up and Gwenda followed suit.

âThank you very much,â she said. âAnd do come and see us at Hillside.â

They went out of the room and Gwenda, glancing back over her shoulder, had a final view of Dr. Kennedy standing by the mantelpiece, pulling his grizzled moustache and looking troubled.

âHe knows something he wonât tell us,â said Gwenda, as they got into the car. âThereâs somethingâoh, Giles! I wishâI wish now that weâd never startedâ¦.â

They looked at each other, and in each mind, unacknowledged to the other, the same fear sprang.

âMiss Marple was right,â said Gwenda. âWe should have left the past alone.â

âWe neednât go any further,â said Giles uncertainly. âI think perhaps, Gwenda darling, weâd better not.â

Gwenda shook her head.

âNo, Giles, we canât stop now. We should always be wondering and imagining. No, weâve got to go on â¦ Dr. Kennedy wouldnât tell us because he wanted to be kindâbut that sort of business is no good. Weâll have to go on and find out what really happened. Even ifâeven ifâit was my father who â¦â But she couldnât go on.

Eight

KELVIN HALLIDAYâS DELUSION

They were in the garden on the following morning when Mrs. Cocker came out and said: âExcuse me, sir. Thereâs a Doctor Kennedy on the telephone.â

Leaving Gwenda in consultation with old Foster, Giles went into the house and picked up the telephone receiver.

âGiles Reed here.â

âThis is Dr. Kennedy. Iâve been thinking over our conversation yesterday, Mr. Reed. There are certain facts which I think perhaps you and your wife ought to know. Will you be at home if I come over this afternoon?â

âCertainly we shall. What time?â

âThree oâclock?â

âSuits us.â

In the garden old Foster said to Gwenda, âIs that Dr. Kennedy as used to live over at West Cliff?â

âI expect so. Did you know him?â

âE was allus reckoned to be the best doctor hereânot but what Dr. Lazenby wasnât more popular. Always had a word and a laugh to jolly you along, Dr. Lazenby did. Dr. Kennedy was always short and a bit dry, likeâbut he knew his job.â

âWhen did he give up his practice?â

âLong time ago now. Must be fifteen years or so. His health broke down, so they say.â

Giles came out of the window and answered Gwendaâs unspoken question.

âHeâs coming over this afternoon.â

âOh.â She turned once more to Foster. âDid you know Dr. Kennedyâs sister at all?â

âSister? Not as I remember. She was only a bit of a lass. Went away to school, and then abroad, though I heard she come back here for a bit after she married. But I believe she run off with some chapâalways wild she was, they said. Donât know as I ever laid eyes on her myself. I was in a job over to Plymouth for a while, you know.â

Gwenda said to Giles as they walked to the end of the terrace, âWhy is he coming?â

âWeâll know at three oâclock.â

Dr. Kennedy arrived punctually. Looking round the drawing room he said: âSeems odd to be here again.â

Then he came to the point without preamble.

âI take it that you two are quite determined to track down the Sanatorium where Kelvin Halliday died and learn all the details you can about his illness and death?â

âDefinitely,â said Gwenda.

âWell, you can manage that quite easily, of course. So Iâve come to the conclusion that it will be less shock to you to hear the facts from me. Iâm sorry to have to tell you, for it wonât do you or anybody else a bit of good, and it will probably cause you, Gwennie, a good deal of pain. But there it is. Your father wasnât suffering from tuberculosis and the Sanatorium in question was a mental home.â

âA mental home? Was he out of his mind, then?â

Gwendaâs face had gone very white.

âHe was never certified. And in my opinion he was not insane in the general meaning of the term. He had had a very severe nervous breakdown and suffered from certain delusional obsessions. He went into the nursing home of his own will and volition and could, of course, have left it at any time he wanted to. His condition did not improve, however, and he died there.â

âDelusional obsessions?â Giles repeated the words questioningly. âWhat kind of delusions?â

Dr. Kennedy said drily, âHe was under the impression that he had strangled his wife.â

Gwenda gave a stifled cry. Giles stretched out a hand quickly and took her cold hand in his.

Giles said, âAndâand had he?â

âEh?â Dr. Kennedy stared at him. âNo, of course he hadnât. No question of such a thing.â

âButâbut how do you know?â Gwendaâs voice came uncertainly.

âMy dear child! There was never any question of such a thing. Helen left him for another man. Heâd been in a very unbalanced condition for some time; nervous dreams, sick fancies. The final shock sent him over the edge. Iâm not a psychiatrist myself. They have their explanations for such matters. If a man would rather his wife was dead than unfaithful, he can manage to make himself believe that she is deadâeven that he has killed her.â

Warily, Giles and Gwenda exchanged a warning glance.

Giles said quietly, âSo you are quite sure that there was no question of his having actually done what he said he had done?â

âOh, quite sure. I had two letters from Helen. The first one from France about a week after she went away and one about six months later. Oh no, the whole thing was a delusion pure and simple.â

Gwenda drew a deep breath.

âPlease,â she said. âWill you tell me all about it?â

âIâll tell you everything I can, my dear. To begin with, Kelvin had been in a rather peculiar neurotic state for some time. He came to me about it. Said he had had various disquieting dreams. These dreams, he said, were always the same, and they ended in the same wayâwith his throttling Helen. I tried to get at the root of the troubleâthere must, I think, have been some conflict in early childhood. His father and mother, apparently, were not a happy couple â¦ Well, I wonât go into all that. Thatâs only interesting to a medical man. I actually suggested that Kelvin should consult a psychiatrist, there are several first-class chapsâbut he wouldnât hear of itâthought that kind of thing was all nonsense.

âI had an idea that he and Helen werenât getting along too well, but he never spoke about that, and I didnât like to ask questions. The whole thing came to a head when he walked into my house one eveningâit was a Friday, I remember, Iâd just come back from the hospital and found him waiting for me in the consulting room; heâd been there about a quarter of an hour. As soon as I came in, he looked up and said, âIâve killed Helen.â

âFor a moment I didnât know what to think. He was so cool and matter-of-fact. I said, âYou meanâyouâve had another dream?â He said, âIt isnât a dream this time. Itâs true. Sheâs lying there strangled. I strangled her.â

âThen he saidâquite coolly and reasonably: âYouâd better come back with me to the house. Then you can ring up the police from there.â I didnât know what to think. I got out the car again, and we drove along here. The house was quiet and dark. We went up to the bedroomââ

Gwenda broke in, âThe bedroom?â Her voice held pure astonishment.

Dr. Kennedy looked faintly surprised.

âYes, yes, thatâs where it all happened. Well, of course when we got up thereâthere was nothing at all! No dead woman lying across the bed. Nothing disturbedâthe coverlets not even rumpled. The whole thing had been an hallucination.â

âBut what did my father say?â

âOh, he persisted in his story, of course. He really believed it, you see. I persuaded him to let me give him a sedative and I put him to bed in the dressing room. Then I had a good look round. I found a note that Helen had left crumpled up in the wastepaper basket in the drawing room. It was quite clear. She had written something like this: âThis is Good-bye. Iâm sorryâbut our marriage has been a mistake from the beginning. Iâm going away with the only man Iâve ever loved. Forgive me if you can. Helen.â

âEvidently Kelvin had come in, read her note, gone upstairs, had a kind of emotional brainstorm and had then come over to me persuaded that he had killed Helen.

âThen I questioned the housemaid. It was her evening out and she had come in late. I took her into Helenâs room and she went through Helenâs clothes, etc. It was all quite clear. Helen had packed a suitcase and a bag and had taken them away with her. I searched the house, but there was no trace of anything unusualâcertainly no sign of a strangled woman.

âI had a very difficult time with Kelvin in the morning, but he realized at last that it was a delusionâor at least he said he did, and he consented to go into a nursing home for treatment.

âA week later I got, as I say, a letter from Helen. It was posted from Biarritz, but she said she was going on to Spain. I was to tell Kelvin that she did not want a divorce. He had better forget her as soon as possible.

âI showed the letter to Kelvin. He said very little. He was going ahead with his plans. He wired out to his first wifeâs people in New Zealand asking them to take the child. He settled up his affairs and he then entered a very good private mental home and consented to have appropriate treatment. That treatment, however, did nothing to help him. He died there two years later. I can give you the address of the place. Itâs in Norfolk. The present Superintendent was a young doctor there at the time, and will probably be able to give you full details of your fatherâs case.â

Gwenda said: âAnd you got another letter from your sisterâafter that again?â

âOh yes. About six months later. She wrote from Florenceâgave an address poste restante as âMiss Kennedy.â She said she realized that perhaps it was unfair to Kelvin not to have a divorceâthough she herself did not want one. If he wanted a divorce and I would let her know, she would see that he had the necessary evidence. I took the letter to Kelvin. He said at once that he did not want a divorce. I wrote to her and told her so. Since then I have never heard anymore. I donât know where she is living, or indeed if she is alive or dead. That is why I was attracted by your advertisement and hoped that I should get news of her.â

He added gently: âIâm very sorry about this, Gwennie. But you had to know. I only wish you could have left well aloneâ¦.â

Nine

UNKNOWN FACTOR?

I

When Giles came back from seeing Dr. Kennedy off, he found Gwenda sitting where he had left her. There was a bright red patch on each of her cheeks, and her eyes looked feverish. When she spoke her voice was harsh and brittle.

âWhatâs the old catchphrase? Death or madness either way? Thatâs what this isâdeath or madness.â

âGwendaâdarling.â Giles went to herâput his arm round her. Her body felt hard and stiff.

âWhy didnât we leave it all alone? Why didnât we? It was my own father who strangled her. And it was my own fatherâs voice I heard saying those words. No wonder it all came backâno wonder I was so frightened. My own father.â

âWait, Gwendaâwait. We donât really knowââ

âOf course we know! He told Dr. Kennedy he had strangled his wife, didnât he?â

âBut Kennedy is quite positive he didnâtââ

âBecause he didnât find a body. But there was a bodyâand I saw it.â

âYou saw it in the hallânot the bedroom.â

âWhat difference does that make?â

âWell, itâs queer, isnât it? Why should Halliday say he strangled his wife in the bedroom if he actually strangled her in the hall?â

âOh, I donât know. Thatâs just a minor detail.â

âIâm not so sure. Pull your socks up, darling. There are some very funny points about the whole setup. Weâll take it, if you like, that your father did strangle Helen. In the hall. What happened next?â

âHe went off to Dr. Kennedy.â

âAnd told him he had strangled his wife in the bedroom, brought him back with him and there was no body in the hallâor in the bedroom. Dash it all, there canât be a murder without a body. What had he done with the body?â

âPerhaps there was one and Dr. Kennedy helped him and hushed it all upâonly of course he couldnât tell us that.â

Giles shook his head.

âNo, GwendaâI donât see Kennedy acting that way. Heâs a hardheaded, shrewd, unemotional Scotsman. Youâre suggesting that heâd be willing to put himself in jeopardy as an accessory after the fact. I donât believe he would. Heâd do his best for Halliday by giving evidence as to his mental stateâthat, yes. But why should he stick his neck out to hush the whole thing up? Kelvin Halliday wasnât any relation to him, nor a close friend. It was his own sister who had been killed and he was clearly fond of herâeven if he did show slight Victorian disapproval of her gay ways. Itâs not, even, as though you were his sisterâs child. No, Kennedy wouldnât connive at concealing murder. If he did, thereâs only one possible way he could have set about it, and that would be deliberately to give a death certificate that she had died of heart failure or something. I suppose he might have got away with thatâbut we know definitely that he didnât do that. Because thereâs no record of her death in the Parish registers, and if he had done it, he would have told us that his sister had died. So go on from there and explain, if you can, what happened to the body.â

âPerhaps my father buried it somewhereâin the garden?â

âAnd then went to Kennedy and told him heâd murdered his wife? Why? Why not rely on the story that sheâd âleft himâ?â

Gwenda pushed back her hair from her forehead. She was less stiff and rigid now, and the patches of sharp colour were fading.

âI donât know,â she admitted. âIt does seem a bit screwy now youâve put it that way. Do you think Dr. Kennedy was telling us the truth?â

âOh yesâIâm pretty sure of it. From his point of view itâs a perfectly reasonable story. Dreams, hallucinationsâfinally a major hallucination. Heâs got no doubt that it was a hallucination because, as weâve just said, you canât have a murder without a body. Thatâs where weâre in a different position from him. We know that there was a body.â

He paused and went on: âFrom his point of view, everything fits in. Missing clothes and suitcase, the farewell note. And later, two letters from his sister.

Gwenda stirred.

âThose letters. How do we explain those?â

âWe donâtâbut weâve got to. If we assume that Kennedy was telling us the truth (and as I say, Iâm pretty sure that he was), weâve got to explain those letters.â

âI suppose they really were in his sisterâs handwriting? He recognized it?â

âYou know, Gwenda, I donât believe that point would arise. Itâs not like a signature on a doubtful cheque. If those letters were written in a reasonably close imitation of his sisterâs writing, it wouldnât occur to him to doubt them. Heâs already got the preconceived idea that sheâs gone away with someone. The letters just confirmed that belief. If he had never heard from her at allâwhy, then he might have got suspicious. All the same, there are certain curious points about those letters that wouldnât strike him, perhaps, but do strike me. Theyâre strangely anonymous. No address except a poste restante. No indication of who the man in the case was. A clearly stated determination to make a clean break with all old ties. What I mean is, theyâre exactly the kind of letters a murderer would devise if he wanted to allay any suspicions on the part of his victimâs family. Itâs the old Crippen touch again. To get the letters posted from abroad would be easy.â

âYou think my fatherââ

âNoâthatâs just itâI donât. Take a man whoâs deliberately decided to get rid of his wife. He spreads rumours about her possible unfaithfulness. He stages her departureânote left behind, clothes packed and taken. Letters will be received from her at carefully spaced intervals from somewhere abroad. Actually he has murdered her quietly and put her, say, under the cellar floor. Thatâs one pattern of murderâand itâs often been done. But what that type of murderer doesnât do is to rush to his brother-in-law and say heâs murdered his wife and hadnât they better go to the police? On the other hand, if your father was the emotional type of killer, and was terribly in love with his wife and strangled her in a fit of frenzied jealousyâOthello fashionâ(and that fits in with the words you heard) he certainly doesnât pack clothes and arrange for letters to come, before he rushes off to broadcast his crime to a man who isnât the type likely to hush it up. Itâs all wrong, Gwenda. The whole pattern is wrong.â

âThen what are you trying to get at, Giles?â

âI donât know â¦ Itâs just that throughout it all, there seems to be an unknown factorâcall him X. Someone who hasnât appeared as yet. But one gets glimpses of his technique.â

âX?â said Gwenda wonderingly. Then her eyes darkened. âYouâre making that up, Giles. To comfort me.â

âI swear Iâm not. Donât you see yourself that you canât make a satisfactory outline to fit all the facts? We know that Helen Halliday was strangled because you sawââ

He stopped.

âGood Lord! Iâve been a fool. I see it now. It covers everything. Youâre right. And Kennedyâs right, too. Listen, Gwenda. Helenâs preparing to go away with a loverâwho that is we donât know.â

âX?â

Giles brushed her interpolation aside impatiently.

âSheâs written her note to her husbandâbut at that moment he comes in, reads what sheâs writing and goes haywire. He crumples up the note, slings it into the wastebasket, and goes for her. Sheâs terrified, rushes out into the hallâhe catches up with her, throttles herâshe goes limp and he drops her. And then, standing a little way from her, he quotes those words from The Duchess of Malfi just as the child upstairs has reached the banisters and is peering down.â

âAnd after that?â

âThe point is, that she isnât dead. He may have thought she was deadâbut sheâs merely semisuffocated. Perhaps her lover comes roundâafter the frantic husband has started for the doctorâs house on the other side of the town, or perhaps she regains consciousness by herself. Anyway, as soon as she has come to, she beats it. Beats it quickly. And that explains everything. Kelvinâs belief that he has killed her. The disappearance of the clothes; packed and taken away earlier in the day. And the subsequent letters which are perfectly genuine. There you areâthat explains everything.â

Gwenda said slowly, âIt doesnât explain why Kelvin said he had strangled her in the bedroom.â

âHe was so het up, he couldnât quite remember where it had all happened.â

Gwenda said: âIâd like to believe you. I want to believe â¦ But I go on feeling sureâquite sureâthat when I looked down she was deadâquite dead.â

âBut how could you possibly tell? A child of barely three.â

She looked at him queerly.

âI think one can tellâbetter than if one was older. Itâs like dogsâthey know death and throw back their heads and howl. I think childrenâknow deathâ¦.â

âThatâs nonsenseâthatâs fantastic.â

The ring of the frontdoor bell interrupted him. He said, âWhoâs that, I wonder?â

Gwenda looked dismayed.

âI quite forgot. Itâs Miss Marple. I asked her to tea today. Donât letâs go saying anything about all this to her.â

II

Gwenda was afraid that tea might prove a difficult mealâbut Miss Marple fortunately seemed not to notice that her hostess talked a little too fast and too feverishly, and that her gaiety was somewhat forced. Miss Marple herself was gently garrulousâshe was enjoying her stay in Dillmouth so much andâwasnât it exciting?âsome friends of friends of hers had written to friends of theirs in Dillmouth, and as a result she had received some very pleasant invitations from the local residents.

âOne feels so much less of an outsider, if you know what I mean, my dear, if one gets to know some of the people who have been established here for years. For instance, I am going to tea with Mrs. Faneâshe is the widow of the senior partner in the best firm of solicitors here. Quite an old-fashioned family firm. Her son is carrying it on now.â

The gentle gossiping voice went on. Her landlady was so kindâand made her so comfortableââand really delicious cooking. She was for some years with my old friend Mrs. Bantryâalthough she does not come from this part of the world herselfâher aunt lived here for many years and she and her husband used to come here for holidaysâso she knows a great deal of the local gossip. Do you find your gardener satisfactory, by the way? I hear that he is considered locally as rather a scrimshankerâmore talk than work.â

âTalk and tea is his speciality,â said Giles. âHe has about five cups of tea a day. But he works splendidly when we are looking.â

âCome out and see the garden,â said Gwenda.

They showed her the house and the garden, and Miss Marple made the proper comments. If Gwenda had feared her shrewd observation of something amiss, then Gwenda was wrong. For Miss Marple showed no cognizance of anything unusual.

Yet, strangely enough, it was Gwenda who acted in an unpredictable manner. She interrupted Miss Marple in the midst of a little anecdote about a child and a seashell to say breathlessly to Giles:

âI donât careâIâm going to tell herâ¦.â

Miss Marple turned her head attentively. Giles started to speak, then stopped. Finally he said, âWell, itâs your funeral, Gwenda.â

And so Gwenda poured it all out. Their call on Dr. Kennedy and his subsequent call on them and what he had told them.

âThat was what you meant in London, wasnât it?â Gwenda asked breathlessly. âYou thought, then, thatâthat my father might be involved?â

Miss Marple said gently, âIt occurred to me as a possibilityâyes. âHelenâ might very well be a young stepmotherâand in a case ofâerâstrangling, it is so often a husband who is involved.â

Miss Marple spoke as one who observes natural phenomena without surprise or emotion.

âI do see why you urged us to leave it alone,â said Gwenda. âOh, and I wish now we had. But one canât go back.â

âNo,â said Miss Marple, âone canât go back.â

âAnd now youâd better listen to Giles. Heâs been making objections and suggestions.â

âAll I say is,â said Giles, âthat it doesnât fit.â

And lucidly, clearly, he went over the points as he had previously outlined them to Gwenda.

Then he particularized his final theory.

âIf youâll only convince Gwenda that thatâs the only way it could have been.â

Miss Marpleâs eyes went from him to Gwenda and back again.

âIt is a perfectly reasonable hypothesis,â she said. âBut there is always, as you yourself pointed out, Mr. Reed, the possibility of X.â

âX!â said Gwenda.

âThe unknown factor,â said Miss Marple. âSomeone, shall we say, who hasnât appeared yetâbut whose presence, behind the obvious facts, can be deduced.â

âWeâre going to the Sanatorium in Norfolk where my father died,â said Gwenda. âPerhaps weâll find out something there.â

Ten

A CASE HISTORY

I

Saltmarsh House was set pleasantly about six miles inland from the coast. It had a good train service to London from the five-miles-distant town of South Benham.

Giles and Gwenda were shown into a large airy sitting room with cretonne covers patterned with flowers. A very charming-looking old lady with white hair came into the room holding a glass of milk. She nodded to them and sat down near the fireplace. Her eyes rested thoughtfully on Gwenda and presently she leaned forward towards her and spoke in what was almost a whisper.

âIs it your poor child, my dear?â

Gwenda looked slightly taken aback. She said doubtfully: âNoâno. It isnât.â

âAh, I wondered.â The old lady nodded her head and sipped her milk. Then she said conversationally, âHalf past tenâthatâs the time. Itâs always at half past ten. Most remarkable.â She lowered her voice and leaned forward again.

âBehind the fireplace,â she breathed. âBut donât say I told you.â

At this moment, a white uniformed maid came into the room and requested Giles and Gwenda to follow her.

They were shown into Dr. Penroseâs study, and Dr. Penrose rose to greet them.

Dr. Penrose, Gwenda could not help thinking, looked a little mad himself. He looked, for instance, much madder than the nice old lady in the drawing roomâbut perhaps psychiatrists always looked a little mad.

âI had your letter, and Dr. Kennedyâs,â said Dr. Penrose. âAnd Iâve been looking up your fatherâs case history, Mrs. Reed. I remembered his case quite well, of course, but I wanted to refresh my memory so that I should be in a position to tell you everything you wanted to know. I understand that you have only recently become aware of the facts?â

Gwenda explained that she had been brought up in New Zealand by her motherâs relations and that all she had known about her father was that he had died in a nursing home in England.

Dr. Penrose nodded. âQuite so. Your fatherâs case, Mrs. Reed, presented certain rather peculiar features.â

âSuch as?â Giles asked.

âWell, the obsessionâor delusionâwas very strong. Major Halliday, though clearly in a very nervous state, was most emphatic and categorical in his assertion that he had strangled his second wife in a fit of jealous rage. A great many of the usual signs in these cases were absent, and I donât mind telling you frankly, Mrs. Reed, that had it not been for Dr. Kennedyâs assurance that Mrs. Halliday was actually alive, I should have been prepared, at that time, to take your fatherâs assertion at its face value.â

âYou formed the impression that he had actually killed her?â Giles asked.

âI said âat that time.â Later, I had cause to revise my opinion, as Major Hallidayâs character and mental makeup became more familiar to me. Your father, Mrs. Reed, was most definitely not a paranoiac type. He had no delusions of persecution, no impulses of violence. He was a gentle, kindly, and well-controlled individual. He was neither what the world calls mad, nor was he dangerous to others. But he did have this obstinate fixation about Mrs. Hallidayâs death and to account for its origin I am quite convinced we have to go back a long wayâto some childish experience. But I admit that all methods of analysis failed to give us the right clue. Breaking down a patientâs resistance to analysis is sometimes a very long business. It may take several years. In your fatherâs case, the time was insufficient.â

He paused, and then, looking up sharply, said: âYou know, I presume, that Major Halliday committed suicide.â

âOh no!â cried Gwenda.

âIâm sorry, Mrs. Reed. I thought you knew that. You are entitled, perhaps, to attach some blame to us on that account. I admit that proper vigilance would have prevented it. But frankly I saw no sign of Major Hallidayâs being a suicidal type. He showed no tendency to melancholiaâno brooding or despondency. He complained of sleeplessness and my colleague allowed him a certain amount of sleeping tablets. Whilst pretending to take them, he actually kept them until he had accumulated a sufficient amount andââ

He spread out his hands.

âWas he so dreadfully unhappy?â

âNo. I do not think so. It was more, I should judge, a guilt complex, a desire for a penalty to be exacted. He had insisted at first, you know, on calling in the police, and though persuaded out of that, and assured that he had actually committed no crime at all, he obstinately refused to be wholly convinced. Yet it was proved to him over and over again, and he had to admit, that he had no recollection of committing the actual act.â Dr. Penrose ruffled over the papers in front of him. âHis account of the evening in question never varied. He came into the house, he said, and it was dark. The servants were out. He went into the dining room, as he usually did, poured himself out a drink and drank it, then went through the connecting door into the drawing room. After that he remembered nothingânothing at all, until he was standing in his bedroom looking down at his wife who was deadâstrangled. He knew he had done itââ

Giles interrupted. âExcuse me, Dr. Penrose, but why did he know he had done it?â

âThere was no doubt in his mind. For some months past he had found himself entertaining wild and melodramatic suspicions. He told me, for instance, that he had been convinced his wife was administering drugs to him. He had, of course, lived in India, and the practice of wives driving their husbands insane by datura poisoning often comes up there in the native courts. He had suffered fairly often from hallucinations, with confusion of time and place. He denied strenuously that he suspected his wife of infidelity, but nevertheless I think that that was the motivating power. It seems that what actually occurred was that he went into the drawing room, read the note his wife left saying she was leaving him, and that his way of eluding this fact was to prefer to âkillâ her. Hence the hallucination.â

âYou mean he cared for her very much?â asked Gwenda.

âObviously, Mrs. Reed.â

âAnd he neverârecognizedâthat it was a hallucination?â

âHe had to acknowledge that it must beâbut his inner belief remained unshaken. The obsession was too strong to yield to reason. If we could have uncovered the underlying childish fixationââ

Gwenda interrupted. She was uninterested in childish fixations.

âBut youâre quite sure, you say, that heâthat he didnât do it?â

âOh, if that is what is worrying you, Mrs. Reed, you can put it right out of your head. Kelvin Halliday, however jealous he may have been of his wife, was emphatically not a killer.â

Dr. Penrose coughed and picked up a small shabby black book.

âIf you would like this, Mrs. Reed, you are the proper person to have it. It contains various jottings set down by your father during the time he was here. When we turned over his effects to his executor (actually a firm of solicitors), Dr. McGuire, who was then Superintendent, retained this as part of the case history. Your fatherâs case, you know, appears in Dr. McGuireâs bookâonly under initials, of course. Mr. K.H. If you would like this diaryââ

Gwenda stretched out her hand eagerly.

âThank you,â she said. âI should like it very much.â

II

In the train on the way back to London, Gwenda took out the shabby little black book and began to read.

She opened it at random.

Kelvin Halliday had written:

I suppose these doctor wallahs know their business â¦ It all sounds such poppycock. Was I in love with my mother? Did I hate my father? I donât believe a word of it â¦ I canât help feeling this is a simple police caseâcriminal courtânot a crazy loonybin matter. And yetâsome of these people hereâso natural, so reasonableâjust like everyone elseâexcept when you suddenly come across the kink. Very well, then, it seems that I, too, have a kinkâ¦.

Iâve written to James â¦ urged him to communicate with Helen â¦ Let her come and see me in the flesh if sheâs alive â¦ He says he doesnât know where she is â¦ thatâs because he knows that sheâs dead and that I killed her â¦ heâs a good fellow, but Iâm not deceived â¦ Helen is deadâ¦.

When did I begin to suspect her? A long time ago â¦ Soon after we came to Dillmouth â¦ Her manner changed â¦ She was concealing something â¦ I used to watch her â¦ Yes, and she used to watch meâ¦.

Did she give me drugs in my food? Those queer awful nightmares. Not ordinary dreams â¦ living nightmares â¦ I know it was drugs â¦ Only she could have done that â¦ Why?â¦ Thereâs some man â¦ Some man she was afraid ofâ¦.

Let me be honest. I suspected, didnât I, that she had a lover? There was someoneâI know there was someoneâShe said as much to me on the boat â¦ Someone she loved and couldnât marry â¦ It was the same for both of us â¦ I couldnât forget Megan â¦ How like Megan little Gwennie looks sometimes. Helen played with Gwennie so sweetly on the boat â¦ Helen â¦ You are so lovely, Helenâ¦.

Is Helen alive? Or did I put my hands round her throat and choke the life out of her? I went through the dining room door and I saw the noteâpropped up on the desk, and thenâand thenâall blackâjust blackness. But thereâs no doubt about it â¦ I killed her â¦ Thank God Gwennieâs all right in New Zealand. Theyâre good people. Theyâll love her for Meganâs sake. MeganâMegan, how I wish you were hereâ¦.

Itâs the best way â¦ No scandal â¦ The best way for the child. I canât go on. Not year after year. I must take the short way out. Gwennie will never know anything about all this. Sheâll never know her father was a murdererâ¦.

Tears blinded Gwendaâs eyes. She looked across at Giles, sitting opposite her. But Gilesâs eyes were riveted on the opposite corner.

Aware of Gwendaâs scrutiny, he motioned faintly with his head.

Their fellow passenger was reading an evening paper. On the outside of it, clearly presented to their view was a melodramatic caption: Who were the men in her life?

Â 

Slowly, Gwenda nodded her head. She looked down at the diary.

There was someoneâI know there was someoneâ¦.

Eleven

THE MEN IN HER LIFE

I

Miss Marple crossed Sea Parade and walked along Fore Street, turning up the hill by the Arcade. The shops here were the old-fashioned ones. A wool and art needlework shop, a confectioner, a Victorian-looking Ladiesâ Outfitter and Draper and others of the same kind.

Miss Marple looked in at the window of the art needlework shop. Two young assistants were engaged with customers, but an elderly woman at the back of the shop was free.

Miss Marple pushed open the door and went in. She seated herself at the counter and the assistant, a pleasant woman with grey hair, asked, âWhat can I do for you, madam?â

Miss Marple wanted some pale blue wool to knit a babyâs jacket. The proceedings were leisurely and unhurried. Patterns were discussed, Miss Marple looked through various childrenâs knitting books and in the course of it discussed her great-nephews and nieces. Neither she nor the assistant displayed impatience. The assistant had attended to customers such as Miss Marple for many years. She preferred these gentle, gossipy, rambling old ladies to the impatient, rather impolite young mothers who didnât know what they wanted and had an eye for the cheap and showy.

âYes,â said Miss Marple. âI think that will be very nice indeed. And I always find Storkleg so reliable. It really doesnât shrink. I think Iâll take an extra two ounces.â

The assistant remarked that the wind was very cold today, as she wrapped up the parcel.

âYes, indeed, I noticed it as I was coming along the front. Dillmouth has changed a good deal. I have not been here for, let me see, nearly nineteen years.â

âIndeed, madam? Then you will find a lot of changes. The Superb wasnât built then, I suppose, nor the Southview Hotel?â

âOh no, it was quite a small place. I was staying with friends â¦ A house called St. Catherineâsâperhaps you know it? On the Leahampton road.â

But the assistant had only been in Dillmouth a matter of ten years.

Miss Marple thanked her, took the parcel, and went into the draperâs next door. Here, again, she selected an elderly assistant. The conversation ran much on the same lines, to an accompaniment of summer vests. This time, the assistant responded promptly.

âThat would be Mrs. Findeysonâs house.â

âYesâyes. Though the friends I knew had it furnished. A Major Halliday and his wife and a baby girl.â

âOh yes, madam. They had it for about a year, I think.â

âYes. He was home from India. They had a very good cookâshe gave me a wonderful recipe for baked apple puddingâand also, I think, for gingerbread. I often wonder what became of her.â

âI expect you mean Edith Pagett, madam. Sheâs still in Dillmouth. Sheâs in service nowâat Windrush Lodge.â

âThen there were some other peopleâthe Fanes. A lawyer, I think he was!â

âOld Mr. Fane died some years agoâyoung Mr. Fane, Mr. Walter Fane, lives with his mother. Mr. Walter Fane never married. Heâs the senior partner now.â

âIndeed? I had an idea Mr. Walter Fane had gone out to Indiaâtea-planting or something.â

âI believe he did, madam. As a young man. But he came home and went into the firm after about a year or two. They do all the best business round hereâtheyâre very highly thought of. A very nice quiet gentleman, Mr. Walter Fane. Everybody likes him.â

âWhy, of course,â exclaimed Miss Marple. âHe was engaged to Miss Kennedy, wasnât he? And then she broke it off and married Major Halliday.â

âThatâs right, madam. She went out to India to marry Mr. Fane, but it seems as she changed her mind and married the other gentleman instead.â

A faintly disapproving note had entered the assistantâs voice.

Miss Marple leaned forward and lowered her voice.

âI was always so sorry for poor Major Halliday (I knew his mother) and his little girl. I understand his second wife left him. Ran way with someone. A rather flighty type, Iâm afraid.â

âRegular flibbertigibbet, she was. And her brother the doctor, such a nice man. Did my rheumatic knee a world of good.â

âWhom did she run away with? I never heard.â

âThat I couldnât tell you, madam. Some said it was one of the summer visitors. But I know Major Halliday was quite broken up. He left the place and I believe his health gave way. Your change, madam.â

Miss Marple accepted her change and her parcel.

âThank you so much,â she said. âI wonder ifâEdith Pagett, did you sayâstill has that nice recipe for gingerbread? I lost itâor rather my careless maid lost itâand Iâm so fond of good gingerbread.â

âI expect so, madam. As a matter of fact her sister lives next door here, married to Mr. Mountford, the confectioner. Edith usually comes there on her days out and Iâm sure Mrs. Mountford would give her a message.â

âThatâs a very good idea. Thank you so much for all the trouble youâve taken.â

âA pleasure, madam, I assure you.â

Miss Marple went out into the street.

âA nice old-fashioned firm,â she said to herself. âAnd those vests are really very nice, so it isnât as though I had wasted any money.â She glanced at the pale blue enamel watch that she wore pinned to one side of her dress. âJust five minutes to go before meeting those two young things at the Ginger Cat. I hope they didnât find things too upsetting at the Sanatorium.â

II

Giles and Gwenda sat together at a corner table at the Ginger Cat. The little black notebook lay on the table between them.

Miss Marple came in from the street and joined them.

âWhat will you have, Miss Marple? Coffee?â

âYes, thank youâno, not cakes, just a scone and butter.â

Giles gave the order, and Gwenda pushed the little black book across to Miss Marple.

âFirst you must read that,â she said, âand then we can talk. Itâs what my fatherâwhat he wrote himself when he was at the nursing home. Oh, but first of all, just tell Miss Marple exactly what Dr. Penrose said, Giles.â

Giles did so. Then Miss Marple opened the little black book and the waitress brought three cups of weak coffee, and a scone and butter, and a plate of cakes. Giles and Gwenda did not talk. They watched Miss Marple as she read.

Finally she closed the book and laid it down. Her expression was difficult to read. There was, Gwenda thought, anger in it. Her lips were pressed tightly together, and her eyes shone very brightly, unusually so, considering her age.

âYes, indeed,â she said. âYes, indeed!â

Gwenda said: âYou advised us onceâdo you remember?ânot to go on. I can see why you did. But we did go onâand this is where weâve got to. Only now, it seems as though weâd got to another place where one couldâif one likedâstop â¦ Do you think we ought to stop? Or not?â

Miss Marple shook her head slowly. She seemed worried, perplexed.

âI donât know,â she said. âI really donât know. It might be better to do so, much better to do so. Because after this lapse of time there is nothing that you can doânothing, I mean, of a constructive nature.â

âYou mean that after this lapse of time, there is nothing we can find out?â asked Giles.

âOh no,â said Miss Marple. âI didnât mean that at all. Nineteen years is not such a long time. There are people who would remember things, who could answer questionsâquite a lot of people. Servants for instance. There must have been at least two servants in the house at the time, and a nurse, and probably a gardener. It will only take time and a little trouble to find and talk to these people. As a matter of fact, Iâve found one of them already. The cook. No, it wasnât that. It was more the question of what practical good you can accomplish, and Iâd be inclined to say to thatâNone. And yetâ¦.â

She stopped: âThere is a yet â¦ Iâm a little slow in thinking things out, but I have a feeling that there is somethingâsomething, perhaps, not very tangibleâthat would be worth taking risks forâeven that one should take risks forâbut I find it difficult to say just what that isâ¦.â

Giles began âIt seems to meââ and stopped.

Miss Marple turned to him gratefully.

âGentlemen,â she said, âalways seem to be able to tabulate things so clearly. Iâm sure you have thought things out.â

âIâve been thinking things out,â said Giles. âAnd it seems to me that there are just two conclusions one can come to. One is the same as I suggested before. Helen Halliday wasnât dead when Gwennie saw her lying in the hall. She came to, and went away with her lover, whoever he was. That would still fit the facts as we know them. It would square with Kelvin Hallidayâs rooted belief that he had killed his wife, and it would square with the missing suitcase and clothes and with the note that Dr. Kennedy found. But it leaves certain points unaccounted for. It doesnât explain why Kelvin was convinced he strangled his wife in the bedroom. And it doesnât cover the one, to my mind, really staggering questionâwhere is Helen Halliday now? Because it seems to me against all reason that Helen should never have been heard of or from again. Grant that the two letters she wrote are genuine, what happened after that? Why did she never write again? She was on affectionate terms with her brother, heâs obviously deeply attached to her and always has been. He might disapprove of her conduct, but that doesnât mean that he expected never to hear from her again. And if you ask me, that point has obviously been worrying Kennedy himself. Letâs say he accepted at the time absolutely the story heâs told us. His sisterâs going off and Kelvinâs breakdown. But he didnât expect never to hear from his sister again. I think, as the years went on, and he didnât hear, and Kelvin Halliday persisted in his delusion and finally committed suicide, that a terrible doubt began to creep up in his mind. Supposing that Kelvinâs story was true? That he actually had killed Helen? Thereâs no word from herâand surely if she had died somewhere abroad, word would have come to him? I think that explains his eagerness when he saw our advertisement. He hoped that it might lead to some account of where she was or what she had been doing. Iâm sure itâs absolutely unnatural for someone to disappear asâas completely as Helen seems to have done. That, in itself, is highly suspicious.â

âI agree with you,â said Miss Marple. âBut the alternative, Mr. Reed?â

Giles said slowly, âIâve been thinking out the alternative. Itâs pretty fantastic, you know, and even rather frightening. Because it involvesâhow can I put itâa kind of malevolenceâ¦.â

âYes,â said Gwenda. âMalevolence is just right. Even, I think, something that isnât quite sane â¦â She shivered.

âThat is indicated, I think,â said Miss Marple. âYou know, thereâs a great deal ofâwell, queerness aboutâmore than people imagine. I have seen some of itâ¦.â

Her face was thoughtful.

âThere canât be, you see, any normal explanation,â said Giles. âIâm taking now the fantastic hypothesis that Kelvin Halliday didnât kill his wife, but genuinely thought he had done so. Thatâs what Dr. Penrose, who seems a decent sort of bloke, obviously wants to think. His first impression of Halliday was that there was a man who had killed his wife and wanted to give himself up to the police. Then he had to take Kennedyâs word for it that that wasnât so, so he had perforce to believe that Halliday was a victim of a complex or a fixation or whatever the jargon isâbut he didnât really like that solution. Heâs had a good experience of the type and Halliday didnât square with it. However, on knowing Halliday better he became quite genuinely sure that Halliday was not the type of man who would strangle a woman under any provocation. So he accepted the fixation theory, but with misgivings. And that really means that only one theory will fit the caseâHalliday was induced to believe that he had killed his wife, by someone else. In other words, weâve come to X.

âGoing over the facts very carefully, Iâd say that that hypothesis is at least possible. According to his own account, Halliday came into the house that evening, went into the dining room, took a drink as he usually didâand then went into the next room, saw a note on the desk and had a blackoutââ

Giles paused and Miss Marple nodded her head in approval. He went on:

âSay it wasnât a blackoutâthat it was just simply dopeâknock-out drops in the whisky. The next step is quite clear, isnât it? X had strangled Helen in the hall, but afterwards he took her upstairs and arranged her artistically as a crime passionel on the bed, and thatâs where Kelvin is when he comes to; and the poor devil, who may have been suffering from jealousy where sheâs concerned, thinks that heâs done it. What does he do next? Goes off to find his brother-in-lawâon the other side of the town and on foot. And that gives X time to do his next trick. Pack and remove a suitcase of clothes and also remove the bodyâthough what he did with the body,â Giles ended vexedly, âbeats me completely.â

âIt surprises me you should say that, Mr. Reed,â said Miss Marple. âI should say that that problem would present few difficulties. But do please go on.â

âWho Were The Men In Her Life?â quoted Giles. âI saw that in a newspaper as we came back in the train. It set me wondering, because thatâs really the crux of the matter, isnât it? If there is an X, as we believe, all we know about him is that he must have been crazy about herâliterally crazy about her.â

âAnd so he hated my father,â said Gwenda. âAnd he wanted him to suffer.â

âSo thatâs where we come up against it,â said Giles. âWe know what kind of a girl Helen wasââ he hesitated.

âMan mad,â supplied Gwenda.

Miss Marple looked up suddenly as though to speak, and then stopped.

ââand that she was beautiful. But weâve no clue to what other men there were in her life besides her husband. There may have been any number.â

Miss Marple shook her head.

âHardly that. She was quite young, you know. But you are not quite accurate, Mr. Reed. We do know something about what you have termed âthe men in her life.â There was the man she was going out to marryââ

âAh yesâthe lawyer chap? What was his name?â

âWalter Fane,â said Miss Marple.

âYes. But you canât count him. He was out in Malaya or India or somewhere.â

âBut was he? He didnât remain a tea-planter, you know,â Miss Marple pointed out. âHe came back here and went into the firm, and is now the senior partner.â

Gwenda exclaimed: âPerhaps he followed her back here?â

âHe may have done. We donât know.â

Giles was looking curiously at the old lady.

âHow did you find all this out?â

Miss Marple smiled apologetically.

âIâve been gossiping a little. In shopsâand waiting for buses. Old ladies are supposed to be inquisitive. Yes, one can pick up quite a lot of local news.â

âWalter Fane,â said Giles thoughtfully. âHelen turned him down. That may have rankled quite a lot. Did he ever marry?â

âNo,â said Miss Marple. âHe lives with his mother. Iâm going to tea there at the end of the week.â

âThereâs someone else we know about, too,â said Gwenda suddenly. âYou remember there was somebody she got engaged to, or entangled with, when she left schoolâsomeone undesirable, Dr. Kennedy said. I wonder just why he was undesirableâ¦.â

âThatâs two men,â said Giles. âEither of them may have had a grudge, may have brooded â¦ Perhaps the first young man may have had some unsatisfactory mental history.â

âDr. Kennedy could tell us that,â said Gwenda. âOnly itâs going to be a little difficult asking him. I mean, itâs all very well for me to go along and ask for news of my stepmother whom I barely remember. But itâs going to take a bit of explaining if I want to know about her early love affairs. It seems rather excessive interest in a stepmother you hardly knew.â

âThere are probably other ways of finding out,â said Miss Marple. âOh yes, I think with time and patience, we can gather the information we want.â

âAnyway, weâve got two possibilities,â said Giles.

âWe might, I think, infer a third,â said Miss Marple. âIt would be, of course, a pure hypothesis, but justified, I think, by the turn of events.â

Gwenda and Giles looked at her in slight surprise.

âIt is just an inference,â said Miss Marple, turning a little pink. âHelen Kennedy went out to India to marry young Fane. Admittedly she was not wildly in love with him, but she must have been fond of him, and quite prepared to spend her life with him. Yet as soon as she gets there, she breaks off the engagement and wires her brother to send her money to get home. Now why?â

âChanged her mind, I suppose,â said Giles.

Both Miss Marple and Gwenda looked at him in mild contempt.

âOf course she changed her mind,â said Gwenda. âWe know that. What Miss Marple means isâwhy?â

âI suppose girls do change their minds,â said Giles vaguely.

âUnder certain circumstances,â said Miss Marple.

Her words held all the pointed innuendo that elderly ladies are able to achieve with the minimum of actual statement.

âSomething he didââ Giles was suggesting vaguely, when Gwenda chipped in sharply.

âOf course,â she said. âAnother man!â

She and Miss Marple looked at each other with the assurance of those admitted to a freemasonry from which men were excluded.

Gwenda added with certainty: âOn the boat! Going out!â

âPropinquity,â said Miss Marple.

âMoonlight on the boat deck,â said Gwenda. âAll that sort of thing. Onlyâit must have been seriousânot just a flirtation.â

âOh yes,â said Miss Marple, âI think it was serious.â

âIf so, why didnât she marry the chap?â demanded Giles.

âPerhaps he didnât really care for her,â Gwenda said slowly. Then shook her head. âNo, I think in that case she would still have married Walter Fane. Oh, of course, Iâm being stupid. Married man.â

She looked triumphantly at Miss Marple.

âExactly,â said Miss Marple. âThatâs how I should reconstruct it. They fell in love, probably desperately in love. But if he was a married manâwith children, perhapsâand probably an honourable typeâwell, that would be the end of it.â

âOnly she couldnât go on and marry Walter Fane,â said Gwenda. âSo she wired her brother and went home. Yes, that all fits. And on the boat home, she met my fatherâ¦.â

She paused, thinking it out.

âNot wildly in love,â she said. âBut attracted â¦ and then there was me. They were both unhappy â¦ and they consoled each other. My father told her about my mother, and perhaps she told him about the other man â¦ Yesâof courseââ She flicked over the pages of the diary.

âI knew there was someoneâshe said as much to me on the boatâsomeone she loved and couldnât marry.

Yesâthatâs it. Helen and my father felt they were alikeâand there was me to be looked after, and she thought she could make him happyâand she even thought, perhaps, that sheâd be quite happy herself in the end.â

She stopped, nodded violently at Miss Marple, and said brightly: âThatâs it.â

Giles was looking exasperated.

âReally, Gwenda, you make a whole lot of things up and pretend that they actually happened.â

âThey did happen. They must have happened. And that gives us a third person for X.â

âYou meanâ?â

âThe married man. We donât know what he was like. He maynât have been nice at all. He may have been a little mad. He may have followed her hereââ

âYouâve just placed him as going out to India.â

âWell, people can come back from India, canât they? Walter Fane did. It was nearly a year later. I donât say this man did come back, but I say heâs a possibility. You keep harping on who the men were in her life. Well, weâve got three of them. Walter Fane, and some young man whose name we donât know, and a married manââ

âWhom we donât know exists,â finished Giles.

âWeâll find out,â said Gwenda. âWonât we, Miss Marple?â

âWith time and patience,â said Miss Marple, âwe may find out a great deal. Now for my contribution. As a result of a very fortunate little conversation in the draperâs today, I have discovered that Edith Pagett who was cook at St. Catherineâs at the time we are interested in, is still in Dillmouth. Her sister is married to a confectioner here. I think it would be quite natural, Gwenda, for you to want to see her. She may be able to tell us a good deal.â

âThatâs wonderful,â said Gwenda. âIâve thought of something else,â she added. âIâm going to make a new will. Donât look so grave, Giles, I shall still leave my money to you. But I shall get Walter Fane to do it for me.â

âGwenda,â said Giles. âDo be careful.â

âMaking a will,â said Gwenda, âis a most natural thing to do. And the line of approach Iâve thought up is quite good. Anyway, I want to see him. I want to see what heâs like, and if I think that possiblyââ

She left the sentence unfinished.

âWhat surprises me,â said Giles, âis that no one else answered that advertisement of oursâthis Edith Pagett, for exampleââ

Miss Marple shook her head.

âPeople take a long time to make up their minds about a thing like that in these country districts,â she said. âTheyâre suspicious. They like to think things over.â

Twelve

LILY KIMBLE

Lily Kimble spread a couple of old newspapers on the kitchen table in readiness for draining the chipped potatoes which were hissing in the pan. Humming tunelessly a popular melody of the day she leaned forward aimlessly studying the newsprint spread out before her.

Then suddenly she stopped humming and called: âJimâJim. Listen here, will you?â

Jim Kimble, an elderly man of few words, was washing at the scullery sink. To answer his wife, he used his favourite monosyllable.

âAr?â said Jim Kimble.

âItâs a piece in the paper. Will anyone with any knowledge of Helen Spenlove Halliday, nÃ©e Kennedy, communicate with Messrs. Reed and Hardy, Southampton Row! Seems to me they might be meaning Mrs. Halliday as I was in service with at St. Catherineâs. Took it from Mrs. Findeyson, they did, she and âer âusband. Her name was Helen right enoughâYes, and she was sister to Dr. Kennedy, him as always said I ought to have had my adenoids out.â

There was a momentary pause as Mrs. Kimble adjusted the frying chips with an expert touch. Jim Kimble was snorting into the roller towel as he dried his face.

âCourse, itâs an old paper, this,â resumed Mrs. Kimble. She studied its date. âNigh on a week or more old. Wonder what itâs all about? Think as thereâs any money in it, Jim?â

Mr. Kimble said, âAr,â noncommittally.

âMight be a will or something,â speculated his wife. âPowerful lot of time ago.â

âAr.â

âEighteen years or more, I shouldnât wonder â¦ Wonder what theyâre raking it all up for now? You donât think it could be police, do you, Jim?

âWhatever?â asked Mr. Kimble.

âWell, you know what I always thought,â said Mrs. Kimble mysteriously. âTold you at the time, I did, when we was walking out. Pretending that sheâd gone off with a feller. Thatâs what they say, husbands, when they do their wives in. Depend upon it, it was murder. Thatâs what I said to you and what I said to Edie, but Edie she wouldnât have it at any price. Never no imagination, Edie hadnât. Those clothes she was supposed to have took away with herâwell, they werenât right, if you know what I mean. There was a suitcase gone and a bag, and enough clothes to fill âem, but they wasnât right, those clothes. And thatâs when I said to Edie, âDepend upon it,â I said, âthe masterâs murdered her and put her in the cellar.â Only not really the cellar, because that Layonee, the Swiss nurse, she saw something. Out of the window. Come to the cinema along of me, she did, though she wasnât supposed to leave the nurseryâbut there, I said, the child never wakes upâgood as gold she was, always, in her bed at night. âAnd madam never comes up to the nursery in the evening,â I says. âNobody will know if you slip out with me.â So she did. And when we got in there was ever such a schemozzle going on. Doctor was there and the master ill and sleeping in the dressing room, and the doctor looking after him, and it was then he asked me about the clothes, and it seemed all right at the time. I thought sheâd gone off all right with that fellow she was so keen onâand him a married man, tooâand Edie said she did hope and pray we wouldnât be mixed up in any divorce case. What was his name now? I canât remember. Began with an Mâor was it an R? Bless us, your memory does go.â

Mr. Kimble came in from the scullery and ignoring all matters of lesser moment demanded if his supper was ready.

âIâll just drain the chips â¦ Wait, Iâll get another paper. Better keep this one. âT wouldnât be likely to be policeânot after all this time. Maybe itâs lawyersâand money in it. It doesnât say something to your advantage â¦ but it might be all the same â¦ Wish I knew who I could ask about it. It says write to some address in Londonâbut Iâm not sure Iâd like to do a thing like that â¦ not to a lot of people in London â¦ What do you say, Jim?â

âAr,â said Mr. Kimble, hungrily eyeing the fish and chips.

The discussion was postponed.

Thirteen

WALTER FANE

I

Gwenda looked across the broad mahogany desk at Mr. Walter Fane.

She saw a rather tired-looking man of about fifty, with a gentle, nondescript face. The sort of man, Gwenda thought, that you would find it a little difficult to recollect if you had just met him casually â¦ A man who, in modern phrase, lacked personality. His voice, when he spoke, was slow and careful and pleasant. Probably, Gwenda decided, a very sound lawyer.

She stole a glance round the officeâthe office of the senior partner of the firm. It suited Walter Fane, she decided. It was definitely old-fashioned, the furniture was shabby, but was made of good solid Victorian material. There were deed boxes piled up against the wallsâboxes with respectable County names on them. Sir John Vavasour-Trench. Lady Jessup. Arthur ffoulkes, Esq. Deceased.

The big sash windows, the panes of which were rather dirty, looked into a square backyard flanked by the solid walls of a seventeenth-century adjoining house. There was nothing smart or up to date anywhere, but there was nothing sordid either. It was superficially an untidy office with its piled-up boxes, and its littered desk, and its row of law books leaning crookedly on a shelfâbut it was actually the office of someone who knew exactly where to lay his hand upon anything he wanted.

The scratching of Walter Faneâs pen ceased. He smiled his slow, pleasant smile.

âI think thatâs all quite clear, Mrs. Reed,â he said. âA very simple will. When would you like to come in and sign it?â

Gwenda said whenever he liked. There was no particular hurry.

âWeâve got a house down here, you know,â she said. âHillside.â

Walter Fane said, glancing down at his notes, âYes, you gave me the addressâ¦.â

There was no change in the even tenor of his voice.

âItâs a very nice house,â said Gwenda. âWe love it.â

âIndeed?â Walter Fane smiled. âIs it on the sea?â

âNo,â said Gwenda. âI believe the name has been changed. It used to be St. Catherineâs.â

Mr. Fane took off his pince-nez. He polished them with a silk handkerchief, looking down at the desk.

âOh yes,â he said. âOn the Leahampton road?â

He looked up and Gwenda thought how different people who habitually wear glasses look without them. His eyes, a very pale grey, seemed strangely weak and unfocussed.

It makes his whole face look, thought Gwenda, as though he isnât really there.

Walter Fane put on the pince-nez again. He said in his precise lawyerâs voice, âI think you said you did make a will on the occasion of your marriage?â

âYes. But Iâd left things in it to various relatives in New Zealand who have died since, so I thought it would be simpler really to make a new one altogetherâespecially as we mean to live permanently in this country.â

Walter Fane nodded.

âYes, quite a sound view to take. Well, I think this is all quite clear, Mrs. Reed. Perhaps if you come in the day after tomorrow? Will eleven oâclock suit you?â

âYes, that will be quite all right.â

Gwenda rose to her feet and Walter Fane rose also.

Gwenda said, with exactly the little rush she had rehearsed beforehand, âIâI asked specially for you, because I thinkâI mean I believeâthat you once knew myâmy mother.â

âIndeed?â Walter Fane put a little additional social warmth into his manner. âWhat was her name?â

âHalliday. Megan Halliday. I thinkâIâve been toldâthat you were once engaged to her?â

A clock on the wall ticked. One, two, one two, one two.

Gwenda suddenly felt her heart beating a little faster. What a very quiet face Walter Fane had. You might see a house like thatâa house with all the blinds pulled down. That would mean a house with a dead body in it. (What idiotic thoughts you do have, Gwenda!)

Walter Fane, his voice unchanged, unruffled, said, âNo, I never knew your mother, Mrs. Reed. But I was once engaged, for a short period, to Helen Kennedy who afterwards married Major Halliday as his second wife.â

âOh, I see. How stupid of me. Iâve got it all wrong. It was Helenâmy stepmother. Of course itâs all long before I remember. I was only a child when my fatherâs second marriage broke up. But I heard someone say that youâd once been engaged to Mrs. Halliday in Indiaâand I thought of course it was my own motherâbecause of India, I mean â¦ My father met her in India.â

âHelen Kennedy came out to India to marry me,â said Walter Fane. âThen she changed her mind. On the boat going home she met your father.â

It was a plain unemotional statement of fact. Gwenda still had the impression of a house with the blinds down.

âIâm so sorry,â she said. âHave I put my foot in it?â

Walter Fane smiledâhis slow, pleasant smile. The blinds were up.

âItâs nineteen or twenty years ago, Mrs. Reed,â he said. âOneâs youthful troubles and follies donât mean much after that space of time. So you are Hallidayâs baby daughter. You know, donât you, that your father and Helen actually lived here in Dillmouth for a while?â

âOh yes,â said Gwenda, âthatâs really why we came here. I didnât remember it properly, of course, but when we had to decide where weâd live in England, I came to Dillmouth first of all, to see what it was really like, and I thought it was such an attractive place that I decided that weâd park ourselves right here and nowhere else. And wasnât it luck? Weâve actually got the same house that my people lived in long ago.â

âI remember the house,â said Walter Fane. Again he gave that slow, pleasant smile. âYou may not remember me, Mrs. Reed, but I rather imagine I used to give you piggybacks once.â

Gwenda laughed.

âDid you really? Then youâre quite an old friend, arenât you? I canât pretend I remember youâbut then I was only about two and a half or three, I suppose â¦ Were you back on leave from India or something like that?â

âNo, Iâd chucked India for good. I went out to try tea-plantingâbut the life didnât suit me. I was cut out to follow in my fatherâs footsteps and be a prosy unadventurous country solicitor. Iâd passed all my law exams earlier, so I simply came back and went straight into the firm.â He paused and said, âIâve been here ever since.â

Again there was a pause and he repeated in a lower voice, âYesâever sinceâ¦.â

But eighteen years, thought Gwenda, isnât really such a long time as all thatâ¦.

Then, with a change of manner, he shook hands with her and said, âSince we seem to be old friends, you really must bring your husband to tea with my mother one day. Iâll get her to write to you. In the meanwhile, eleven oâclock on Thursday?â

Gwenda went out of the office and down the stairs. There was a cobweb in the angle of the stairway. In the middle of the web was a pale, rather nondescript spider. It didnât look, Gwenda thought, like a real spider. Not the fat juicy kind of spider who caught flies and ate them. It was more like a ghost of a spider. Rather like Walter Fane, in fact.

II

Giles met his wife on the seafront.

âWell?â he asked.

âHe was here in Dillmouth at the time,â said Gwenda. âBack from India, I mean. Because he gave me piggybacks. But he couldnât have murdered anyoneânot possibly. Heâs much too quiet and gentle. Very nice, really, but the kind of person you never really notice. You know, they come to parties, but you never notice when they leave. I should think he was frightfully upright and all that, and devoted to his mother, and with a lot of virtues. But from a womanâs point of view, terribly dull. I can see why he didnât cut any ice with Helen. You know, a nice safe person to marryâbut you donât really want to.â

âPoor devil,â said Giles. âAnd I suppose he was just crazy about her.â

âOh, I donât know â¦ I shouldnât think so, really. Anyway, Iâm sure he wouldnât be our malevolent murderer. Heâs not my idea of a murderer at all.â

âYou donât really know a lot about murderers, though, do you, my sweet?â

âWhat do you mean?â

âWellâI was thinking about quiet Lizzie Bordenâonly the jury said she didnât do it. And Wallace, a quiet man whom the jury insisted did kill his wife, though the sentence was quashed on appeal. And Armstrong who everybody said for years was such a kind unassuming fellow. I donât believe murderers are ever a special type.â

âI really canât believe that Walter Faneââ

Gwenda stopped.

âWhat is it?â

âNothing.â

But she was remembering Walter Fane polishing his eyeglasses and the queer blind stare of his eyes when she had first mentioned St. Catherineâs.

âPerhaps,â she said uncertainly, âhe was crazy about herâ¦.â

Fourteen

EDITH PAGETT

Mrs. Mountfordâs back parlour was a comfortable room. It had a round table covered with a cloth, and some old-fashioned armchairs and a stern-looking but unexpectedly well-sprung sofa against the wall. There were china dogs and other ornaments on the mantelpiece, and a framed coloured representation of the Princess Elizabeth and Margaret Rose. On another wall was the King in Naval uniform, and a photograph of Mr. Mountford in a group of other bakers and confectioners. There was a picture made with shells and a watercolour of a very green sea at Capri. There were a great many other things, none of them with any pretensions to beauty or the higher life; but the net result was a happy, cheerful room where people sat round and enjoyed themselves whenever there was time to do so.

Mrs. Mountford, nÃ©e Pagett, was short and round and darkhaired with a few grey streaks in the dark. Her sister, Edith Pagett, was tall and dark and thin. There was hardly any grey in her hair though she was at a guess round about fifty.

âFancy now,â Edith Pagett was saying. âLittle Miss Gwennie. You must excuse me, mâam, speaking like that, but it does take one back. You used to come into my kitchen, as pretty as could be. âWinnies,â you used to say. âWinnies.â And what you meant was raisinsâthough why you called them winnies is more than I can say. But raisins was what you meant and raisins it was I used to give you, sultanas, that is, on account of the stones.â

Gwenda stared hard at the upright figure and the red cheeks and black eyes, trying to rememberâto rememberâbut nothing came. Memory was an inconvenient thing.

âI wish I could rememberââ she began.

âItâs not likely that you would. Just a tiny little mite, thatâs all you were. Nowadays nobody seems to want to go in a house where thereâs children. I canât see it, myself. Children give life to a house, thatâs what I feel. Though nursery meals are always liable to cause a bit of trouble. But if you know what I mean, mâam, thatâs the nurseâs fault, not the childâs. Nurses are nearly always difficultâtrays and waiting upon and one thing and another. Do you remember Layonee at all, Miss Gwennie? Excuse me, Mrs. Reed, I should say.â

âLÃ©onie? Was she my nurse?â

âSwiss girl, she was. Didnât speak English very well, and very sensitive in her feelings. Used to cry a lot if Lily said something to upset her. Lily was house-parlourmaid. Lily Abbott. A young girl and pert in her ways and a bit flighty. Many a game Lily used to have with you, Miss Gwennie. Play peep-bo through the stairs.â

Gwenda gave a quick uncontrollable shiver.

The stairs â¦

Then she said suddenly, âI remember Lily. She put a bow on the cat.â

âThere now, fancy you remembering that! On your birthday it was, and Lily she was all for it, Thomas must have a bow on. Took one off the chocolate box, and Thomas was mad about it. Ran off into the garden and rubbed through the bushes until he got it off. Cats donât like tricks being played on them.â

âA black and white cat.â

âThatâs right. Poor old Tommy. Caught mice something beautiful. A real proper mouser.â Edith Pagett paused and coughed primly. âExcuse me running on like this, mâam. But talking brings the old days back. You wanted to ask me something?â

âI like hearing you talk about the old days,â said Gwenda. âThatâs just what I want to hear about. You see, I was brought up by relations in New Zealand and of course they could never tell me anything aboutâabout my father, and my stepmother. Sheâshe was nice, wasnât she?â

âVery fond of you, she was. Oh yes, she used to take you down to the beach and play with you in the garden. She was quite young herself, you understand. Nothing but a girl, really. I often used to think she enjoyed the games as much as you did. You see sheâd been an only child, in a manner of speaking. Dr. Kennedy, her brother, was years and years older and always shut up with his books. When she wasnât away at school, she had to play by herselfâ¦.â

Miss Marple, sitting back against the wall, asked gently, âYouâve lived in Dillmouth all your life, havenât you?â

âOh yes, madam. Father had the farm up behind the hillâRylands it was always called. Heâd no sons, and Mother couldnât carry on after he died, so she sold it and bought the little fancy shop at the end of the High Street. Yes, Iâve lived here all my life.â

âAnd I suppose you know all about everyone in Dillmouth?â

âWell, of course it used to be a small place, then. Though there used always to be a lot of summer visitors as long as I can remember. But nice quiet people who came here every year, not these trippers and charabancs we have nowadays. Good families they were, whoâd come back to the same rooms year after year.â

âI suppose,â said Giles, âthat you knew Helen Kennedy before she was Mrs. Halliday?â

âWell, I knew of her, so to speak, and I may have seen her about. But I didnât know her proper until I went into service there.â

âAnd you liked her,â said Miss Marple.

Edith Pagett turned towards her.

âYes, madam, I did,â she said. There was a trace of defiance in her manner. âNo matter what anybody says. She was as nice as could be to me always. Iâd never have believed sheâd do what she did do. Took my breath away, it did. Although, mind you, there had been talkââ

She stopped rather abruptly and gave a quick apologetic glance at Gwenda.

Gwenda spoke impulsively.

âI want to know,â she said. âPlease donât think I shall mind anything you say. She wasnât my own motherââ

âThatâs true enough, mâam.â

âAnd you see, we are very anxious toâto find her. She went away from hereâand she seems to have been quite lost sight of. We donât know where she is living now, or even if she is alive. And there are reasonsââ

She hesitated and Giles said quickly, âLegal reasons. We donât know whether to presume death orâor what.â

âOh, I quite understand, sir. My cousinâs husband was missingâafter Ypres it wasâand there was a lot of trouble about presuming death and that. Real vexing it was for her. Naturally, sir, if there is anything I can tell you that will help in any wayâit isnât as if you were strangers. Miss Gwenda and her âwinnies.â So funny you used to say it.â

âThatâs very kind of you,â said Giles. âSo, if you donât mind, Iâll just fire away. Mrs. Halliday left home quite suddenly, I understand?â

âYes, sir, it was a great shock to all of usâand especially to the Major, poor man. He collapsed completely.â

âIâm going to ask you right outâhave you any idea who the man was she went away with?â

Edith Pagett shook her head.

âThatâs what Dr. Kennedy asked meâand I couldnât tell him. Lily couldnât either. And of course that Layonee, being a foreigner, didnât know a thing about it.â

âYou didnât know,â said Giles. âBut could you make a guess? Now that itâs all so long ago, it wouldnât matterâeven if the guess is all wrong. You must, surely, have had some suspicion.â

âWell, we had our suspicions â¦ but mind you, it wasnât more than suspicions. And as far as Iâm concerned, I never saw anything at all. But Lily who, as I told you, was a sharp kind of girl, Lily had her ideasâhad had them for a long time. âMark my words,â she used to say. âThat chapâs sweet on her. Only got to see him looking at her as she pours out the tea. And does his wife look daggers!ââ

âI see. And who was theâerâchap?â

âNow Iâm afraid, sir, I just donât remember his name. Not after all these years. A CaptainâEsdaleâno, that wasnât itâEmeryâno. I have a kind of feeling it began with an E. Or it might have been H. Rather an unusual kind of name. But Iâve never even thought of it for sixteen years. He and his wife were staying at the Royal Clarence.â

âSummer visitors?â

âYes, but I think that heâor maybe both of themâhad known Mrs. Halliday before. They came to the house quite often. Anyway, according to Lily he was sweet on Mrs. Halliday.â

âAnd his wife didnât like it.â

âNo, sir â¦ But mind you, I never believed for a moment that there was anything wrong about it. And I still donât know what to think.â

Gwenda asked, âWere they still hereâat the Royal Clarenceâwhenâwhen Helenâmy stepmother went away?â

âAs far as I recollect they went away just about the same time, a day earlier or a day laterâanyway, it was close enough to make people talk. But I never heard anything definite. It was all kept very quiet if it was so. Quite a nine daysâ wonder Mrs. Halliday going off like that, so sudden. But people did say sheâd always been flightyânot that I ever saw anything of the kind myself. I wouldnât have been willing to go to Norfolk with them if Iâd thought that.â

For a moment three people stared at her intently. Then Giles said, âNorfolk? Were they going to Norfolk?â

âYes, sir. Theyâd bought a house there. Mrs. Halliday told me about three weeks beforeâbefore all this happened. She asked me if Iâd come with them when they moved, and I said I would. After all, Iâd never been away from Dillmouth, and I thought perhaps Iâd like a changeâseeing as I liked the family.â

âI never heard they had bought a house in Norfolk,â said Giles.

âWell, itâs funny you should say that, sir, because Mrs. Halliday seemed to want it kept very quiet. She asked me not to speak about it to anyone at allâso of course I didnât. But sheâd been wanting to go away from Dillmouth for some time. Sheâd been pressing Major Halliday to go, but he liked it at Dillmouth. I even believe he wrote to Mrs. Findeyson whom St. Catherineâs belonged to, asking if sheâd consider selling it. But Mrs. Halliday was dead against it. She seemed to have turned right against Dillmouth. Itâs almost as though she was afraid to stop there.â

The words came out quite naturally, yet at the sound of them the three people listening again stiffened to attention.

Giles said, âYou donât think she wanted to go to Norfolk to be near thisâthe man whose name you canât remember?â

Edith Pagett looked distressed.

âOh indeed, sir, I wouldnât like to think that. And I donât think it, not for a moment. Besides I donât think thatâI remember nowâthey came from up North somewhere, that lady and gentleman did. Northumberland, I think it was. Anyway, they liked coming south for a holiday because it was so mild down here.â

Gwenda said: âShe was afraid of something, wasnât she? Or of someone? My stepmother, I mean.â

âI do rememberânow that you say thatââ

âYes?â

âLily came into the kitchen one day. Sheâd been dusting the stairs, and she said, âRuctions!â she said. She had a very common way of talking sometimes, Lily had, so you must excuse me.

âSo I asked her what she meant and she said that the missus had come in from the garden with the master into the drawing room and the door to the hall being open, Lily heard what they said.

ââIâm afraid of you,â thatâs what Mrs. Halliday had said.

ââAnd she sounded scared too,â Lily said. âIâve been afraid of you for a long time. Youâre mad. Youâre not normal. Go away and leave me alone. You must leave me alone. Iâm frightened. I think, underneath, Iâve always been frightened of you... .â

âSomething of that kindâof course I canât say now to the exact words. But Lily, she took it very seriously, and thatâs why, after it all happened, sheââ

Edith Pagett stopped dead. A curious frightened look came over her face.

âI didnât mean, Iâm sureââ she began. âExcuse me, madam, my tongue runs away with me.â

Giles said gently: âPlease tell us, Edith. Itâs really important, you see, that we should know. Itâs all a long time ago now, but weâve got to know.â

âI couldnât say, Iâm sure,â said Edith helplessly.

Miss Marple asked: âWhat was it Lily didnât believeâor did believe?â

Edith Pagett said apologetically: âLily was always one to get ideas in her head. I never took no notice of them. She was always one for going to the pictures and she got a lot of silly melodramatic ideas that way. She was out at the pictures the night it happenedâand whatâs more she took Layonee with herâand very wrong that was, and I told her so. âOh, thatâs all right,â she said. âItâs not leaving the child alone in the house. Youâre down in the kitchen and the master and the missus will be in later and anyway that child never wakes once sheâs off to sleep.â But it was wrong, and I told her so, though of course I never knew about Layonee going till afterwards. If I had, Iâd have run up to see sheâyou, I mean, Miss Gwendaâwere quite all right. You canât hear a thing from the kitchen when the baize doorâs shut.â

Edith Pagett paused and then went on: âI was doing some ironing. The evening passed ever so quick and the first thing I knew Dr. Kennedy came out in the kitchen and asked me where Lily was and I said it was her night off but sheâd be in any minute now and sure enough she came in that very minute and he took her upstairs to the mistressâs room. Wanted to know if sheâd taken any clothes away with her, and what. So Lily looked about and told him and then she come down to me. All agog she was. âSheâs hooked it,â she said. âGone off with someone. The masterâs all in. Had a stroke or something. Apparently itâs been a terrible shock to him. More fool he. He ought to have seen it coming.â âYou shouldnât speak like that,â I said. âHow do you know sheâs gone off with anybody? Maybe she had a telegram from a sick relation.â âSick relation my foot,â Lily says (always a common way of speaking, as I said). âShe left a note.â âWhoâs she gone off with?â I said. âWho do you think?â Lily said. âNot likely to be Mr. Sobersides Fane, for all his sheepâs eyes and the way he follows her round like a dog.â So I said, âYou think itâs Captainâwhatever his name was.â And she said, âHeâs my bet. Unless itâs our mystery man in the flashy car.â (Thatâs just a silly joke we had.) And I said, âI donât believe it. Not Mrs. Halliday. She wouldnât do a thing like that.â And Lily says, âWell, it seems sheâs done it.â

âAll this was at first, you understand. But later on, up in our bedroom, Lily woke me up. âLook here,â she says. âItâs all wrong.â âWhatâs wrong?â I said. And she said, âThose clothes.â âWhatever are you talking about?â I said. âListen, Edie,â she said. âI went through her clothes because the doctor asked me to. And thereâs a suitcase gone and enough to fill itâbut theyâre the wrong things.â âWhat do you mean?â I said. And Lily said, âShe took an evening dress, her grey and silverâbut she didnât take her evening belt and brassiÃ¨re, nor the slip that goes with it, and she took her gold brocade evening shoes, not the silver strap ones. And she took her green tweedâwhich she never wears until late on in the autumn, but she didnât take that fancy pullover and she took her lace blouses that she only wears with a town suit. Oh and her undies, too, they were a job lot. You mark my words, Edie,â Lily said. âSheâs not gone away at all. The masterâs done her in.â

âWell, that made me wide awake. I sat right up and asked her what on earth she was talking about.

ââJust like it was in the News of the World last week,â Lily says. âThe master found sheâd been carrying on and he killed her and put her down in the cellar and buried her under the floor. Youâd never hear anything because itâs under the front hall. Thatâs what heâs done, and then he packed a suitcase to make it look as though sheâd gone away. But thatâs where she isâunder the cellar floor. She never left this house alive.â I gave her a piece of my mind then, saying such awful things. But Iâll admit I slipped down to the cellar the next morning. But there, it was all just as usual and nothing disturbed and no digging been doneâand I went and told Lily sheâd just been making a fool of herself, but she stuck to it as the master had done her in. âRemember,â she says, âshe was scared to death of him. I heard her telling him so.â âAnd thatâs just where youâre wrong, my girl,â I said, âbecause it wasnât the master at all. Just after youâd told me, that day, I looked out of the window and there was the master coming down the hill with his golf clubs, so it couldnât have been him who was with the mistress in the drawing room. It was someone else.ââ

The words echoed lingeringly in the comfortable commonplace sitting room.

Giles said softly under his breath, âIt was someone elseâ¦.â

Fifteen

AN ADDRESS

The Royal Clarence was the oldest hotel in the town. It had a mellow bowfronted faÃ§ade and an old-world atmosphere. It still catered for the type of family who came for a month to the seaside.

Miss Narracott who presided behind the reception desk was a full-bosomed lady of forty-seven with an old-fashioned style of hairdressing.

She unbent to Giles whom her accurate eye summed up as âone of our nice people.â And Giles, who had a ready tongue and a persuasive way with him when he liked, spun a very good tale. He had a bet on with his wifeâabout her godmotherâand whether she had stayed at the Royal Clarence eighteen years ago. His wife had said that they could never settle the dispute because of course all the old registers would be thrown away by this time, but he had said Nonsense. An establishment like the Royal Clarence would keep its registers. They must go back for a hundred years.

âWell, not quite that, Mr. Reed. But we do keep all our old Visitorsâ Books as we prefer to call them. Very interesting names in them, too. Why, the King stayed here once when he was Prince of Wales, and Princess Adlemar of Holstein-Rotz used to come every winter with her lady-in-waiting. And weâve had some very famous novelists, too, and Mr. Dovey, the portrait-painter.â

Giles responded in suitable fashion with interest and respect and in due course the sacred volume for the year in question was brought out and exhibited to him.

Having first had various illustrious names pointed out to him, he turned the pages to the month of August.

Yes, here surely was the entry he was seeking.

Major and Mrs. Setoun Erskine, Anstell Manor, Daith, Northumberland, July 27thâAugust 17th.

âIf I may copy this out?â

âOf course, Mr. Reed. Paper and inkâOh, you have your pen. Excuse me, I must just go back to the outer office.â

She left him with the open book, and Giles set to work.

On his return to Hillside he found Gwenda in the garden, bending over the herbaceous border.

She straightened herself and gave him a quick glance of interrogation.

âAny luck?â

âYes, I think this must be it.â

Gwenda said softly, reading the words: âAnstell Manor, Daith, Northumberland. Yes, Edith Pagett said Northumberland. I wonder if theyâre still living thereââ

âWeâll have to go and see.â

âYesâyes, it would be better to goâwhen?â

âAs soon as possible. Tomorrow? Weâll take the car and drive up. It will show you a little more of England.â

âSuppose theyâre deadâor gone away and somebody else is living there?â

Giles shrugged his shoulders.

âThen we come back and go on with our other leads. Iâve written to Kennedy, by the way, and asked him if heâll send me those letters Helen wrote after she went awayâif heâs still got themâand a specimen of her handwriting.â

âI wish,â said Gwenda, âthat we could get in touch with the other servantâwith Lilyâthe one who put the bow on Thomasââ

âFunny your suddenly remembering that, Gwenda.â

âYes, wasnât it? I remember Tommy, too. He was black with white patches and he had three lovely kittens.â

âWhat? Thomas?â

âWell, he was called Thomasâbut actually he turned out to be Thomasina. You know what cats are. But about LilyâI wonder whatâs become of her? Edith Pagett seems to have lost sight of her entirely. She didnât come from round hereâand after the breakup at St. Catherineâs she took a place in Torquay. She wrote once or twice but that was all. Edith said sheâd heard sheâd got married but she didnât know who to. If we could get hold of her we might learn a lot more.â

âAnd from LÃ©onie, the Swiss girl.â

âPerhapsâbut she was a foreigner and wouldnât catch on to much of what went on. You know, I donât remember her at all. No, itâs Lily I feel would be useful. Lily was the sharp one â¦ I know, Giles, letâs put in another advertisementâan advertisement for herâLily Abbott, her name was.â

âYes,â said Giles. âWe might try that. And weâll definitely go north tomorrow and see what we can find out about the Erskines.â

Sixteen

MOTHERâS SON

âDown, Henry,â said Mrs. Fane to an asthmatic spaniel whose liquid eyes burned with greed. âAnother scone, Miss Marple, while theyâre hot?â

âThank you. Such delicious scones. You have an excellent cook.â

âLouisa is not bad, really. Forgetful, like all of them. And no variety in her puddings. Tell me, how is Dorothy Yardeâs sciatica nowadays? She used to be a martyr to it. Largely nerves, I suspect.â

Miss Marple hastened to oblige with details of their mutual acquaintanceâs ailments. It was fortunate, she thought, that amongst her many friends and relations scattered over England, she had managed to find a woman who knew Mrs. Fane and who had written explaining that a Miss Marple was at present in Dillmouth, and would dear Eleanor be very kind and ask her to something.

Eleanor Fane was a tall, commanding woman with a steely grey eye, crisp white hair, and a baby pink and white complexion which masked the fact that there was no baby-like softness whatever about her.

They discussed Dorothyâs ailments or imagined ailments and went on to Miss Marpleâs health, the air of Dillmouth, and the general poor condition of most of the younger generation.

âNot made to eat their crusts as children,â Mrs. Fane pronounced. âNone of that allowed in my nursery.â

âYou have more than one son?â asked Miss Marple.

âThree. The eldest, Gerald, is in Singapore in the Far East Bank. Robert is in the Army.â Mrs. Fane sniffed. âMarried a Roman Catholic,â she said with significance. âYou know what that means! All the children brought up as Catholics. What Robertâs father would have said, I donât know. My husband was very low church. I hardly ever hear from Robert nowadays. He takes exception to some of the things I have said to him purely for his own good. I believe in being sincere and saying exactly what one thinks. His marriage was, in my opinion, a great misfortune. He may pretend to be happy, poor boyâbut I canât feel that it is at all satisfactory.â

âYour youngest son is not married, I believe?â

Mrs. Fane beamed.

âNo, Walter lives at home. He is slightly delicateâalways was from a childâand I have always had to look after his health very carefully. (He will be in presently.) I canât tell you what a thoughtful and devoted son he is. I am really a very lucky woman to have such a son.â

âAnd he has never thought of marrying?â enquired Miss Marple.

âWalter always says he really cannot be bothered with the modern young woman. They donât appeal to him. He and I have so much in common that Iâm afraid he doesnât go out as much as he should. He reads Thackeray to me in the evenings, and we usually have a game of picquet. Walter is a real home bird.â

âHow very nice,â said Miss Marple. âHas he always been in the firm? Somebody told me that you had a son who was out in Ceylon, as a tea-planter, but perhaps they got it wrong.â

A slight frown came over Mrs. Faneâs face. She urged walnut cake upon her guest and explained.

âThat was as a very young man. One of those youthful impulses. A boy always longs to see the world. Actually, there was a girl at the bottom of it. Girls can be so unsettling.â

âOh yes, indeed. My own nephew, I rememberââ

Mrs. Fane swept on, ignoring Miss Marpleâs nephew. She held the floor and was enjoying the opportunity to reminisce to this sympathetic friend of dear Dorothyâs.

âA most unsuitable girlâas seems always to be the way. Oh, I donât mean an actress or anything like that. The local doctorâs sisterâmore like his daughter, really, years youngerâand the poor man with no idea how to bring her up. Men are so helpless, arenât they? She ran quite wild, entangled herself first with a young man in the officeâa mere clerkâand a very unsatisfactory character, too. They had to get rid of him. Repeated confidential information. Anyway, this girl, Helen Kennedy, was, I suppose, very pretty. I didnât think so. I always thought her hair was touched up. But Walter, poor boy, fell very much in love with her. As I say, quite unsuitable, no money and no prospects, and not the kind of girl one wanted as a daughter-in-law. Still, what can a mother do? Walter proposed to her and she refused him, and then he got this silly idea into his head of going out to India and being a tea-planter. My husband said, âLet him go,â though of course he was very disappointed. He had been looking forward to having Walter with him in the firm and Walter had passed all his law exams and everything. Still, there it was. Really, the havoc these young women cause!â

âOh, I know. My nephewââ

Once again Mrs. Fane swept over Miss Marpleâs nephew.

âSo the dear boy went out to Assam or was it Bangaloreâreally I canât remember after all these years. And I felt most upset because I knew his health wouldnât stand it. And he hadnât been out there a year (doing very well, too. Walter does everything well) thanâwould you believe it?âthis impudent chit of a girl changes her mind and writes out that sheâd like to marry him after all.â

âDear, dear.â Miss Marple shook her head.

âGets together her trousseau, books her passageâand what do you think the next move is?â

âI canât imagine.â Miss Marple leaned forward in rapt attention.

âHas a love affair with a married man, if you please. On the boat going out. A married man with three children, I believe. Anyway there is Walter on the quay to meet her and the first thing she does is to say she canât marry him after all. Donât you call that a wicked thing to do?â

âOh, I do indeed. It might have completely destroyed your sonâs faith in human nature.â

âIt should have shown her to him in her true colours. But there, that type of woman gets away with anything.â

âHe didnâtââ Miss Marple hesitatedââresent her action? Some men would have been terribly angry.â

âWalter has always had wonderful self-control. However upset and annoyed Walter may be over anything, he never shows it.â

Miss Marple peered at her speculatively. Hesitantly, she put out a feeler.

âThat is because it goes really deep, perhaps? One is really astonished sometimes, with children. A sudden outburst from some child that one has thought didnât care at all. A sensitive nature that canât express itself until itâs driven absolutely beyond endurance.â

âAh, itâs very curious you should say that, Miss Marple. I remember so well. Gerald and Robert, you know, both hot-tempered and always apt to fight. Quite natural, of course, for healthy boysââ

âOh, quite natural.â

âAnd dear Walter, always so quiet and patient. And then, one day, Robert got hold of his model aeroplaneâheâd built it up himself with days of workâso patient and clever with his fingersâand Robert, who was a dear high-spirited boy but careless, smashed it. And when I came into the schoolroom there was Robert down on the floor and Walter attacking him with the poker, heâd practically knocked him outâand I simply had all I could do to drag Walter off him. He kept repeating. âHe did it on purposeâhe did it on purpose. Iâm going to kill him.â You know, I was quite frightened. Boys feel things so intensely, do they not?â

âYes, indeed,â said Miss Marple. Her eyes were thoughtful.

She reverted to the former topic.

âAnd so the engagement was finally broken off. What happened to the girl?â

âShe came home. Had another love affair on the way back, and this time married the man. A widower with one child. A man who has just lost his wife is always a fair targetâhelpless, poor fellow. She married him and they settled down here in a house the other side of the townâSt. Catherineâsânext door to the hospital. It didnât last, of courseâshe left him within the year. Went off with some man or other.â

âDear, dear!â Miss Marple shook her head. âWhat a lucky escape your son had!â

âThatâs what I always tell him.â

âAnd did he give up tea-planting because his health wouldnât stand it?â

A slight frown appeared on Mrs. Faneâs brow.

âThe life wasnât really congenial to him,â she said. âHe came home about six months after the girl did.â

âIt must have been rather awkward,â ventured Miss Marple. âIf the young woman was actually living here. In the same townââ

âWalter was wonderful,â said Walterâs mother. âHe behaved exactly as though nothing had happened. I should have thought myself (indeed I said so at the time) that it would be advisable to make a clean breakâafter all, meetings could only be awkward for both parties. But Walter insisted on going out of his way to be friendly. He used to call at the house in the most informal fashion, and play with the childâRather curious, by the way, the childâs come back here. Sheâs grown-up now, with a husband. Came into Walterâs office to make her will the other day. Reed, thatâs her name now. Reed.â

âMr. and Mrs. Reed! I know them. Such a nice unaffected young couple. Fancy that nowâand she is actually the childââ

âThe first wifeâs child. The first wife died out in India. Poor MajorâIâve forgotten his nameâHallwayâsomething like thatâwas completely broken up when that minx left him. Why the worst women should always attract the best men is something hard to fathom!â

âAnd the young man who was originally entangled with her? A clerk, I think you said, in your sonâs office. What happened to him?â

âDid very well for himself. He runs a lot of those Coach Tours. Daffodil Coaches. Afflickâs Daffodil Coaches. Painted bright yellow. Itâs a vulgar world nowadays.â

âAfflick?â said Miss Marple.

âJackie Afflick. A nasty pushing fellow. Always determined to get on, I imagine. Probably why he took up with Helen Kennedy in the first place. Doctorâs daughter and all thatâthought it would better his social position.â

âAnd this Helen has never come back again to Dillmouth?â

âNo. Good riddance. Probably gone completely to the bad by now. I was sorry for Dr. Kennedy. Not his fault. His fatherâs second wife was a fluffy little thing, years younger than he was. Helen inherited her wild blood from her, I expect. Iâve always thoughtââ

Mrs. Fane broke off.

âHere is Walter.â Her motherâs ear had distinguished certain well-known sounds in the hall. The door opened and Walter Fane came in.

âThis is Miss Marple, my son. Ring the bell, son, and weâll have some fresh tea.â

âDonât bother, Mother. I had a cup.â

âOf course we will have fresh teaâand some scones, Beatrice,â she added to the parlourmaid who had appeared to take the teapot.

âYes, madam.â

With a slow, likeable smile Walter Fane said: âMy mother spoils me, Iâm afraid.â

Miss Marple studied him as she made a polite rejoinder.

A gentle quiet-looking person, slightly diffident and apologetic in mannerâcolourless. A very nondescript personality. The devoted type of young man whom women ignore and only marry because the man they love does not return their affection. Walter, who is Always There. Poor Walter, his motherâs darling â¦ Little Walter Fane who had attacked his older brother with a poker and had tried to kill himâ¦.

Miss Marple wondered.

Seventeen

RICHARD ERSKINE

I

Anstell Manor had a bleak aspect. It was a white house, set against a background of bleak hills. A winding drive led up through dense shrubbery.

Giles said to Gwenda, âWhy have we come? What can we possibly say?â

âWeâve got it worked out.â

âYesâso far as that goes. Itâs lucky that Miss Marpleâs cousinâs sisterâs auntâs brother-in-law or whatever it was lives near here â¦ But itâs a far step from a social call to asking your host about his bygone love affairs.â

âAnd such a long time ago. Perhapsâperhaps he doesnât even remember her.â

âPerhaps he doesnât. And perhaps there never was a love affair.â

âGiles, are we making unutterable fools of ourselves?â

âI donât know â¦ Sometimes I feel that. I donât see why weâre concerning ourselves with all this. What does it matter now?â

âSo long after â¦ Yes, I know â¦ Miss Marple and Dr. Kennedy both said, âLeave it alone.â Why donât we, Giles? What makes us go on? Is it her?â

âHer?â

âHelen. Is that why I remember? Is my childish memory the only link sheâs got with lifeâwith truth? Is it Helen whoâs using meâand youâso that the truth will be known?â

âYou mean, because she died a violent deathâ?â

âYes. They sayâbooks sayâthat sometimes they canât restâ¦.â

âI think youâre being fanciful, Gwenda.â

âPerhaps I am. Anyway, we canâchoose. This is only a social call. Thereâs no need for it to be anything moreâunless we want it to beââ

Giles shook his head.

âWe shall go on. We canât help ourselves.â

âYesâyouâre right. All the same, Giles, I think Iâm rather frightenedââ

II

âLooking for a house, are you?â said Major Erskine.

He offered Gwenda a plate of sandwiches. Gwenda took one, looking up at him. Richard Erskine was a small man, five foot nine or so. His hair was grey and he had tired, rather thoughtful eyes. His voice was low and pleasant with a slight drawl. There was nothing remarkable about him, but he was, Gwenda thought, definitely attractive â¦ He was actually not nearly as good-looking as Walter Fane, but whereas most women would pass Fane without a second glance, they would not pass Erskine. Fane was nondescript. Erskine, in spite of his quietness, had personality. He talked of ordinary things in an ordinary manner, but there was somethingâthat something that women are quick to recognize and to which they react in a purely female way. Almost unconsciously Gwenda adjusted her skirt, tweaked at a side curl, retouched her lips. Nineteen years ago Helen Kennedy could have fallen in love with this man. Gwenda was quite sure of that.

She looked up to find her hostessâs eyes full upon her, and involuntarily she flushed. Mrs. Erskine was talking to Giles, but she was watching Gwenda and her glance was both appraising and suspicious. Janet Erskine was a tall woman, her voice was deepâalmost as deep as a manâs. Her build was athletic, she wore a well-cut tweed with big pockets. She looked older than her husband, but, Gwenda decided, well might not be so. There was a certain haggardness about her face. An unhappy, hungry woman, thought Gwenda.

I bet she gives him Hell, she said to herself.

Aloud she continued the conversation.

âHouse-hunting is terribly discouraging,â she said. âHouse agentsâ descriptions are always glowingâand then, when you actually get there, the place is quite unspeakable.â

âYouâre thinking of settling down in this neighbourhood?â

âWellâthis is one of the neighbourhoods we thought of. Really because itâs near Hadrianâs Wall. Giles has always been fascinated by Hadrianâs Wall. You seeâit sounds rather odd, I expect, to youâbut almost anywhere in England is the same to us. My own home is in New Zealand and I havenât any ties here. And Giles was taken in by different aunts for different holidays and so hasnât any particular ties either. The one thing we donât want is to be too near London. We want the real country.â

Erskine smiled.

âYouâll certainly find it real country all round here. Itâs completely isolated. Our neighbours are few and far between.â

Gwenda thought she detected an undercurrent of bleakness in the pleasant voice. She had a sudden glimpse of a lonely lifeâof short dark winter days with the wind whistling in the chimneysâthe curtains drawnâshut inâshut in with that woman with the hungry, unhappy eyesâand neighbours few and far between.

Then the vision faded. It was summer again, with the french windows open to the gardenâwith the scent of roses and the sounds of summer drifting in.

She said: âThis is an old house, isnât it?â

Erskine nodded.

âQueen Anne. My people have lived here for nearly three hundred years.â

âItâs a lovely house. You must be very proud of it.â

âItâs rather a shabby house now. Taxation makes it difficult to keep anything up properly. However, now the children are out in the world, the worst strain is over.â

âHow many children have you?â

âTwo boys. Oneâs in the Army. The otherâs just come down from Oxford. Heâs going into a publishing firm.â

His glance went to the mantelpiece and Gwendaâs eyes followed his. There was a photograph there of two boysâpresumably about eighteen and nineteen, taken a few years ago, she judged. There was pride and affection in his expression.

âTheyâre good lads,â he said, âthough I say it myself.â

âThey look awfully nice,â said Gwenda.

âYes,â said Erskine. âI think itâs worth itâreally. Making sacrifices for oneâs children, I mean,â he added in answer to Gwendaâs enquiring look.

âI supposeâoftenâone has to give up a good deal,â said Gwenda.

âA great deal sometimesâ¦.â

Again she caught a dark undercurrent, but Mrs. Erskine broke in, saying in her deep authoritative voice, âAnd you are really looking for a house in this part of the world? Iâm afraid I donât know of anything at all suitable round here.â

And wouldnât tell me if you did, thought Gwenda, with a faint spurt of mischief. That foolish old woman is actually jealous, she thought. Jealous because Iâm talking to her husband and because Iâm young and attractive!

âIt depends how much of a hurry youâre in,â said Erskine.

âNo hurry at all really,â said Giles cheerfully. âWe want to be sure of finding something we really like. At the moment weâve got a house in Dillmouthâon the south coast.â

Major Erskine turned away from the tea table. He went to get a cigarette box from a table by the window.

âDillmouth,â said Mrs. Erskine. Her voice was expressionless. Her eyes watched the back of her husbandâs head.

âPretty little place,â said Giles. âDo you know it at all?â

There was a momentâs silence, then Mrs. Erskine said in that same expressionless voice, âWe spent a few weeks there one summerâmany, many years ago. We didnât care for itâfound it too relaxing.â

âYes,â said Gwenda. âThatâs just what we find. Giles and I feel weâd prefer more bracing air.â

Erskine came back with the cigarettes. He offered the box to Gwenda.

âYouâll find it bracing enough round here,â he said. There was a certain grimness in his voice.

Gwenda looked up at him as he lighted her cigarette for her.

âDo you remember Dillmouth at all well?â she asked artlessly.

His lips twitched in what she guessed to be a sudden spasm of pain. In a noncommittal voice he answered, âQuite well, I think. We stayedâlet me seeâat the Royal Georgeâno, Royal Clarence Hotel.â

âOh yes, thatâs the nice old-fashioned one. Our house is quite near there. Hillside itâs called, but it used to be called St.âSt.âMaryâs, was it, Giles?â

âSt. Catherineâs,â said Giles.

This time there was no mistaking the reaction. Erskine turned sharply away, Mrs. Erskineâs cup clattered on her saucer.

âPerhaps,â she said abruptly, âyou would like to see the garden.â

âOh yes, please.â

They went out through the french windows. It was a well-kept, well-stocked garden, with a long border and flagged walks. The care of it was principally Major Erskineâs, so Gwenda gathered. Talking to her about roses, about herbaceous plants, Erskineâs dark, sad face lit up. Gardening was clearly his enthusiasm.

When they finally took their leave, and were driving away in the car, Giles asked hesitantly, âDid youâdid you drop it?â

Gwenda nodded.

âBy the second clump of delphiniums.â She looked down at her finger and twisted the wedding ring on it absently.

âAnd supposing you never find it again?â

âWell, itâs not my real engagement ring. I wouldnât risk that.â

âIâm glad to hear it.â

âIâm very sentimental about that ring. Do you remember what you said when you put it on my finger? A green emerald because I was an intriguing green-eyed little cat.â

âI dare say,â said Giles dispassionately, âthat our peculiar form of endearments might sound odd to someone of, say, Miss Marpleâs generation.â

âI wonder what sheâs doing now, the dear old thing. Sitting in the sun on the front?â

âUp to somethingâif I know her! Poking here, or prying there, or asking a few questions. I hope she doesnât ask too many one of these days.â

âItâs quite a natural thing to doâfor an old lady, I mean. Itâs not as noticeable as though we did it.â

Gilesâs face sobered again.

âThatâs why I donât likeââ He broke off. âItâs you having to do it that I mind. I canât bear the feeling that I sit at home and send you out to do the dirty work.â

Gwenda ran a finger down his worried cheek.

âI know, darling, I know. But you must admit, itâs tricky. Itâs impertinent to catechize a man about his past love affairsâbut itâs the kind of impertinence a woman can just get away withâif sheâs clever. And I mean to be clever.â

âI know youâre clever. But if Erskine is the man we are looking forââ

Gwenda said meditatively: âI donât think he is.â

âYou mean weâre barking up the wrong tree?â

âNot entirely. I think he was in love with Helen all right. But heâs nice, Giles, awfully nice. Not the strangling kind at all.â

âYou havenât an awful lot of experience of the strangling kind, have you, Gwenda?â

âNo. But Iâve got my womanâs instinct.â

âI dare say thatâs what a stranglerâs victims often say. No, Gwenda, joking apart, do be careful, wonât you?â

âOf course. I feel so sorry for the poor manâthat dragon of a wife. I bet heâs had a miserable life.â

âSheâs an odd woman â¦ Rather alarming somehow.â

âYes, quite sinister. Did you see how she watched me all the time?â

âI hope the plan will go off all right.â

III

The plan was put into execution the following morning.

Giles, feeling, as he put it, rather like a shady detective in a divorce suit, took up his position at a point of vantage overlooking the front gate of Anstell Manor. About half past eleven he reported to Gwenda that all had gone well. Mrs. Erskine had left in a small Austin car, clearly bound for the market town three miles away. The coast was clear.

Gwenda drove up to the front door and rang the bell. She asked for Mrs. Erskine and was told she was out. She then asked for Major Erskine. Major Erskine was in the garden. He straightened up from operations on a flowerbed as Gwenda approached.

âIâm so sorry to bother you,â said Gwenda. âBut I think I must have dropped a ring somewhere out here yesterday. I know I had it when we came out from tea. Itâs rather loose, but I couldnât bear to lose it because itâs my engagement ring.â

The hunt was soon under way. Gwenda retraced her steps of yesterday, tried to recollect where she had stood and what flowers she had touched. Presently the ring came to light near a large clump of delphiniums. Gwenda was profuse in her relief.

âAnd now can I get you a drink, Mrs. Reed? Beer? A glass of sherry? Or would you prefer coffee, or something like that?â

âI donât want anythingâno, really. Just a cigaretteâthanks.â

She sat down on a bench and Erskine sat down beside her.

They smoked for a few minutes in silence. Gwendaâs heart was beating rather fast. No two ways about it. She had to take the plunge.

âI want to ask you something,â she said. âPerhaps youâll think it terribly impertinent of me. But I want to know dreadfullyâand youâre probably the only person who could tell me. I believe you were once in love with my stepmother.â

He turned an astonished face towards her.

âWith your stepmother?â

âYes. Helen Kennedy. Helen Halliday as she became afterwards.â

âI see.â The man beside her was very quiet. His eyes looked out across the sunlit lawn unseeingly. The cigarette between his fingers smouldered. Quiet as he was, Gwenda sensed a turmoil within that taut figure, the arm of which touched her own.

As though answering some question he had put to himself, Erskine said: âLetters, I suppose.â

Gwenda did not answer.

âI never wrote her manyâtwo, perhaps three. She said she had destroyed themâbut women never do destroy letters, do they? And so they came into your hands. And you want to know.â

âI want to know more about her. I wasâvery fond of her. Although I was such a small child whenâshe went away.â

âShe went away?â

âDidnât you know?â

His eyes, candid and surprised, met hers.

âIâve no news of her,â he said, âsinceâsince that summer in Dillmouth.â

âThen you donât know where she is now?â

âHow should I? Itâs years agoâyears. All finished and done with. Forgotten.â

âForgotten?â

He smiled rather bitterly.

âNo, perhaps not forgotten â¦ Youâre very perceptive, Mrs. Reed. But tell me about her. Sheâs notâdead, is she?â

A small cold wind sprang up suddenly, chilled their necks and passed.

âI donât know if she is dead or not,â said Gwenda. âI donât know anything about her. I thought perhaps you might know?â

She went on as he shook his head: âYou see, she went away from Dillmouth that summer. Quite suddenly one evening. Without telling anyone. And she never came back.â

âAnd you thought I might have heard from her?â

âYes.â

He shook his head.

âNo. Never a word. But surely her brotherâdoctor chapâlives in Dillmouth. He must know. Or is he dead too?â

âNo, heâs alive. But he doesnât know either. You seeâthey all thought she went awayâwith somebody.â

He turned his head to look at her. Deep sorrowful eyes.

âThey thought she went away with me?â

âWell, it was a possibility.â

âWas it a possibility? I donât think so. It was never that. Or were we foolsâconscientious fools who passed up our chance of happiness?â

Gwenda did not speak. Again Erskine turned his head and looked at her.

âPerhaps youâd better hear about it. There isnât really very much to hear. But I wouldnât like you to misjudge Helen. We met on a boat going out to India. One of the children had been ill, and my wife was following on the next boat. Helen was going out to marry a man in the Woods and Forests or something of that kind. She didnât love him. He was just an old friend, nice and kind, and she wanted to get away from home where she wasnât happy. We fell in love.â

He paused.

âAlways a bald kind of statement. But it wasnâtâI want to make that quite clearâjust the usual shipboard love affair. It was serious. We were bothâwellâshattered by it. And there wasnât anything to be done. I couldnât let Janet and the children down. Helen saw it the same way as I did. If it had been only Janetâbut there were the boys. It was all hopeless. We agreed to say good-bye and try and forget.â

He laughed, a short mirthless laugh.

âForget? I never forgotânot for one moment. Life was just a living Hell. I couldnât stop thinking about Helenâ¦.

âWell, she didnât marry the chap she had been going out to marry. At the last moment, she just couldnât face it. She went home to England and on the way home she met this other manâyour father, I suppose. She wrote to me a couple of months later telling me what she had done. He was very unhappy over the loss of his wife, she said, and there was a child. She thought that she could make him happy and that it was the best thing to do. She wrote from Dillmouth. About eight months later my father died and I came into this place. I sent in my papers and came back to England. We wanted a few weeksâ holiday until we could get into this house. My wife suggested Dillmouth. Some friend had mentioned it as a pretty place and quiet. She didnât know, of course, about Helen. Can you imagine the temptation? To see her again. To see what this man she had married was like.â

There was a short silence, then Erskine said:

âWe came and stayed at the Royal Clarence. It was a mistake. Seeing Helen again was Hell â¦ She seemed happy enough, on the wholeâI didnât know whether she cared still, or whether she didnât â¦ Perhaps sheâd got over it. My wife, I think, suspected something â¦ Sheâsâsheâs a very jealous womanâalways has been.â

He added brusquely, âThatâs all there is to it. We left Dillmouthââ

âOn August 17th,â said Gwenda.

âWas that the date? Probably. I canât remember exactly.â

âIt was a Saturday,â said Gwenda.

âYes, youâre right. I remember Janet said it might be a crowded day to travel northâbut I donât think it wasâ¦.â

âPlease try and remember, Major Erskine. When was the last time you saw my stepmotherâHelen?â

He smiled, a gentle, tired smile.

âI donât need to try very hard. I saw her the evening before we left. On the beach. Iâd strolled down there after dinnerâand she was there. There was no one else about. I walked up with her to her house. We went through the gardenââ

âWhat time?â

âI donât know â¦ Nine oâclock, I suppose.â

âAnd you said good-bye?â

âAnd we said good-bye.â Again he laughed. âOh, not the kind of good-bye youâre thinking of. It was very brusque and curt. Helen said: âPlease go away now. Go quickly. Iâd rather notââ She stopped thenâand IâI just went.â

âBack to the hotel?â

âYes, yes, eventually. I walked a long way firstâright out into the country.â

Gwenda said, âItâs difficult with datesâafter so many years. But I think that that was the night she went awayâand didnât come back.â

âI see. And as I and my wife left the next day, people gossiped and said sheâd gone away with me. Charming minds people have.â

âAnyway,â said Gwenda bluntly, âshe didnât go away with you?â

âGood Lord, no, there was never any question of such a thing.â

âThen why do you think,â asked Gwenda, âthat she went away?â

Erskine frowned. His manner changed, became interested.

âI see,â he said. âThat is a bit of a problem. She didnâtâerâleave any explanation?â

Gwenda considered. Then she voiced her own belief.

âI donât think she left any word at all. Do you think she went away with someone else?â

âNo, of course she didnât.â

âYou seem rather sure about that.â

âI am sure.â

âThen why did she go?â

âIf she went offâsuddenlyâlike thatâI can only see one possible reason. She was running away from me.â

âFrom you?â

âYes. She was afraid, perhaps, that Iâd try to see her againâthat Iâd pester her. She must have seen that I was stillâcrazy about her â¦ Yes, that must have been it.â

âIt doesnât explain,â said Gwenda, âwhy she never came back. Tell me, did Helen say anything to you about my father? That she was worried about him? Orâor afraid of him? Anything like that?â

âAfraid of him? Why? Oh I see, you thought he might have been jealous. Was he a jealous man?â

âI donât know. He died when I was a child.â

âOh, I see. Noâlooking backâhe always seemed normal and pleasant. He was fond of Helen, proud of herâI donât think more. No, I was the one who was jealous of him.â

âThey seemed to you reasonably happy together?â

âYes, they did. I was gladâand yet, at the same time, it hurt, to see it â¦ No, Helen never discussed him with me. As I tell you, we were hardly ever alone, never confidential together. But now that you have mentioned it, I do remember thinking that Helen was worriedâ¦.â

âWorried?â

âYes. I thought perhaps it was because of my wifeââ He broke off. âBut it was more than that.â

He looked again sharply at Gwenda.

âWas she afraid of her husband? Was he jealous of other men where she was concerned?â

âYou seem to think not.â

âJealousy is a very queer thing. It can hide itself sometimes so that youâd never suspect it.â He gave a short quick shiver. âBut it can be frighteningâvery frighteningâ¦.â

âAnother thing I would like to knowââ Gwenda broke off.

A car had come up the drive. Major Erskine said, âAh, my wife has come back from shopping.â

In a moment, as it were, he became a different person. His tone was easy yet formal, his face expressionless. A slight tremor betrayed that he was nervous.

Mrs. Erskine came striding round the corner of the house.

Her husband went towards her.

âMrs. Reed dropped one of her rings in the garden yesterday,â he said.

Mrs. Erskine said abruptly: âIndeed?â

âGood morning,â said Gwenda. âYes, luckily I have found it.â

âThatâs very fortunate.â

âOh, it is. I should have hated to lose it. Well, I must be going.â

Mrs. Erskine said nothing. Major Erskine said: âIâll see you to your car.â

He started to follow Gwenda along the terrace. His wifeâs voice came sharply.

âRichard. If Mrs. Reed will excuse you, there is a very important callââ

Gwenda said hastily, âOh, thatâs quite all right. Please donât bother.â

She ran quickly along the terrace and round the side of the house to the drive.

Then she stopped. Mrs. Erskine had drawn up her car in such a way that Gwenda doubted whether she could get her own car past and down the drive. She hesitated, then slowly retraced her steps to the terrace.

Just short of the french windows she stopped dead. Mrs. Erskineâs voice, deep and resonant, came distinctly to her ears.

âI donât care what you say. You arranged itâarranged it yesterday. You fixed it up with that girl to come here whilst I was in Daith. Youâre always the sameâany pretty girl. I wonât stand it, I tell you. I wonât stand it.â

Erskineâs voice cut inâquiet, almost despairing.

âSometimes, Janet, I really think youâre insane.â

âIâm not the one whoâs insane. Itâs you! You canât leave women alone.â

âYou know thatâs not true, Janet.â

âIt is true! Even long agoâin the place where this girl comes fromâDillmouth. Do you dare tell me that you werenât in love with that yellow-haired Halliday woman?â

âCan you never forget anything? Why must you go on harping on these things? You simply work yourself up andââ

âItâs you! You break my heart â¦ I wonât stand it, I tell you! I wonât stand it! Planning assignations! Laughing at me behind my back! You donât care for meâyouâve never cared for me. Iâll kill myself! Iâll throw myself over a cliffâI wish I were deadââ

âJanetâJanetâfor Godâs sakeâ¦.â

The deep voice had broken. The sound of passionate sobbing floated out into the summer air.

On tip-toe Gwenda crept away and round into the drive again. She cogitated for a moment, then rang the front doorbell.

âI wonder,â she said, âif there is anyone whoâerâcould move this car. I donât think I can get out.â

The servant went into the house. Presently a man came round from what had been the stable yard. He touched his cap to Gwenda, got into the Austin and drove it into the yard. Gwenda got into her car and drove rapidly back to the hotel where Giles was waiting for her.

âWhat a time youâve been,â he greeted her. âGet anything?â

âYes. I know all about it now. Itâs really rather pathetic. He was terribly in love with Helen.â

She narrated the events of the morning.

âI really think,â she ended, âthat Mrs. Erskine is a bit insane. She sounded quite mad. I see now what he meant by jealousy. It must be awful to feel like that. Anyway, we know now that Erskine wasnât the man who went away with Helen, and that he knows nothing about her death. She was alive that evening when he left her.â

âYes,â said Giles. âAt leastâthatâs what he says.â

Gwenda looked indignant.

âThat,â repeated Giles firmly, âis what he says.â

Eighteen

BINDWEED

Miss Marple bent down on the terrace outside the french window and dealt with some insidious bindweed. It was only a minor victory, since beneath the surface the bindweed remained in possession as always. But at least the delphiniums knew a temporary deliverance.

Mrs. Cocker appeared in the drawing room window.

âExcuse me, madam, but Dr. Kennedy has called. He is anxious to know how long Mr. and Mrs. Reed will be away, and I told him I couldnât take it upon myself to say exactly, but that you might know. Shall I ask him to come out here?â

âOh. Oh, yes please, Mrs. Cocker.â

Mrs. Cocker reappeared shortly afterwards with Dr. Kennedy.

Rather flutteringly, Miss Marple introduced herself.

ââand I arranged with dear Gwenda that I would come round and do a little weeding while she was away. I think, you know, that my young friends are being imposed upon by their jobbing gardener, Foster. He comes twice a week, drinks a great many cups of tea, does a lot of talking, and notâso far as I can seeâvery much work.â

âYes,â said Dr. Kennedy rather absently. âYes. Theyâre all alikeâall alike.â

Miss Marple looked at him appraisingly. He was an older man than she had thought from the Reedsâ description of him. Prematurely old, she guessed. He looked, too, both worried and unhappy. He stood there, his fingers caressing the long, pugnacious line of his jaw.

âTheyâve gone away,â he said. âDo you know for how long?â

âOh, not for long. They have gone to visit some friends in the North of England. Young people seem to me so restless, always dashing about here and there.â

âYes,â said Dr. Kennedy. âYesâthatâs true enough.â

He paused and then said rather diffidently, âYoung Giles Reed wrote and asked me for some papersâerâletters, if I could find themââ

He hesitated, and Miss Marple said quietly, âYour sisterâs letters?â

He shot her a quick, shrewd glance.

âSoâyouâre in their confidence, are you? A relation?â

âOnly a friend,â said Miss Marple. âI have advised them to the best of my capacity. But people seldom take advice â¦ A pity, perhaps, but there it isâ¦.â

âWhat was your advice?â he asked curiously.

âTo let sleeping murder lie,â said Miss Marple firmly.

Dr. Kennedy sat down heavily on an uncomfortable rustic seat.

âThatâs not badly put,â he said. âIâm fond of Gwennie. She was a nice small child. I should judge that sheâs grown up to be a nice young woman. Iâm afraid that sheâs heading for trouble.â

âThere are so many kinds of trouble,â said Miss Marple.

âEh? Yesâyesâtrue enough.â

He sighed. Then he said, âGiles Reed wrote and asked me if I could let him have my sisterâs letters, written after she left hereâand also some authentic specimen of her handwriting.â He shot a keen glance at her. âYou see what that means?â

Miss Marple nodded. âI think so.â

âTheyâre harking back to the idea that Kelvin Halliday, when he said he had strangled his wife, was speaking neither more nor less than the truth. They believe that the letters my sister Helen wrote after she went away werenât written by her at allâthat they were forgeries. They believe that she never left this house alive.â

Miss Marple said gently, âAnd you are not, by now, so very sure yourself?â

âI was at the time.â Kennedy still stared ahead of him. âIt seemed absolutely clear. Pure hallucination on Kelvinâs part. There was no body, a suitcase and clothes were takenâwhat else could I think?â

âAnd your sister had beenârecentlyâratherâahemââ Miss Marple coughed delicatelyââinterested inâin a certain gentleman?â

Dr. Kennedy looked at her. There was deep pain in his eyes.

âI loved my sister,â he said, âbut I have to admit that, with Helen, there was always some man in the offing. There are women who are made that wayâthey canât help it.â

âIt all seemed clear to you at the time,â said Miss Marple. âBut it does not seem so clear now. Why?â

âBecause,â said Kennedy with frankness, âit seems incredible to me that, if Helen is still alive, she has not communicated with me all these years. In the same way, if she is dead, it is equally strange that I have not been notified of the fact. Wellââ

He got up. He took a packet from his pocket.

âHere is the best I can do. The first letter I received from Helen I must have destroyed. I can find no trace of it. But I did keep the second oneâthe one that gave the poste restante address. And here, for comparison, is the only bit of Helenâs handwriting Iâve been able to find. Itâs a list of bulbs, etc., for planting. A copy that she had kept of some order. The handwriting of the order and the letter look alike to me, but then Iâm no expert. Iâll leave them here for Giles and Gwenda when they return. Itâs probably not worth forwarding.â

âOh no, I believe they expect to return tomorrowâor the next day.â

The doctor nodded. He stood, looking along the terrace, his eyes still absent. He said suddenly, âYou know whatâs worrying me? If Kelvin Halliday did kill his wife, he must have concealed the body or got rid of it in some wayâand that means (I donât know what else it can mean) that his story to me was a cleverly made-up taleâthat heâd already hidden a suitcase full of clothes to give colour to the idea that Helen had gone awayâthat heâd even arranged for letters to arrive from abroad â¦ It means, in fact, that it was a cold-blooded premeditated murder. Little Gwennie was a nice child. It would be bad enough for her to have a father whoâs a paranoiac, but itâs ten times worse to have a father whoâs a deliberate murderer.â

He swung round to the open window. Miss Marple arrested his departure by a swift question.

âWho was your sister afraid of, Dr. Kennedy?â

He turned back to her and stared.

âAfraid of? No one, as far as I know.â

âI only wondered â¦ Pray excuse me if I am asking indiscreet questionsâbut there was a young man, wasnât there?âI mean, some entanglementâwhen she was very young. Somebody called Afflick, I believe.â

âOh, that. Silly business most girls go through. An undesirable young fellow, shiftyâand of course not her class, not her class at all. He got into trouble here afterwards.â

âI just wondered if he could have beenârevengeful.â

Dr. Kennedy smiled rather sceptically.

âOh, I donât think it went deep. Anyway, as I say, he got into trouble here, and left the place for good.â

âWhat sort of trouble?â

âOh, nothing criminal. Just indiscretions. Blabbed about his employerâs affairs.â

âAnd his employer was Mr. Walter Fane?â

Dr. Kennedy looked a little surprised.

âYesâyesânow you say so, I remember, he did work in Fane and Watchmanâs. Not articled. Just an ordinary clerk.â

Just an ordinary clerk? Miss Marple wondered, as she stooped again to the bindweed, after Dr. Kennedy had goneâ¦.

Nineteen

MR. KIMBLE SPEAKS

âI dunno, Iâm sure,â said Mrs. Kimble.

Her husband, driven into speech by what was neither more nor less than an outrage, became vocal.

He shoved his cup forward.

âWhat you thinking of, Lily?â he demanded. âNo sugar!â

Mrs. Kimble hastily remedied the outrage, and then proceeded to elaborate on her own theme.

âThinking about this advert, I am,â she said. âLily Abbott, it says, plain as plain. And âformerly house-parlourmaid at St. Catherineâs Dillmouth.â Thatâs me, all right.â

âAr,â agreed Mr. Kimble.

âAfter all these yearsâyou must agree itâs odd, Jim.â

âAr,â said Mr. Kimble.

âWell, what am I going to do, Jim?â

âLeave it be.â

âSuppose thereâs money in it?â

There was a gurgling sound as Mr. Kimble drained his teacup to fortify himself for the mental effort of embarking on a long speech. He pushed his cup along and prefaced his remarks with a laconic: âMore.â Then he got under way.

âYou went on a lot at one time about what âappened at St. Catherineâs. I didnât take much account of itâreckoned as it was mostly foolishnessâwomenâs chatter. Maybe it wasnât. Maybe something did âappen. If so itâs police business and you donât want to be mixed up in it. All over and done with, ainât it? You leave well alone, my girl.â

âAll very well to say that. It may be money as has been left me in a will. Maybe Mrs. Hallidayâs alive all the time and now sheâs dead and left me something in âer will.â

âLeft you something in âer will? What for? Ar!â said Mr. Kimble, reverting to his favourite monosyllable to express scorn.

âEven if itâs police â¦ You know, Jim, thereâs a big reward sometimes for anyone as can give information to catch a murderer.â

âAnd what could you give? All you know you made up yourself in your head!â

âThatâs what you say. But Iâve been thinkingââ

âAr,â said Mr. Kimble disgustedly.

âWell, I have. Ever since I saw that first piece in the paper. Maybe I got things a bit wrong. That Layonee, she was a bit stupid like all foreigners, couldnât understand proper what you said to herâand her English was something awful. If she didnât mean what I thought she meant â¦ Iâve been trying to remember the name of that man â¦ Now if it was him she saw â¦ Remember that picture I told you about? Secret Lover. Ever so exciting. They tracked him down in the end through his car. Fifty thousand dollars he paid the garage man to forget he filled up with petrol that night. Dunno what that is in pounds â¦ And the other one was there, too, and the husband crazy with jealousy. All mad about her, they were. And in the endââ

Mr. Kimble pushed back his chair with a grating sound. He rose to his feet with slow and ponderous authority. Preparatory to leaving the kitchen, he delivered an ultimatumâthe ultimatum of a man who, though usually inarticulate, had a certain shrewdness.

âYou leave the whole thing alone, my girl,â he said. âOr else, likely as not, youâll be sorry.â

He went into the scullery, put on his boots (Lily was particular about her kitchen floor) and went out.

Lily sat on at the table, her sharp foolish little brain working things out. Of course she couldnât exactly go against what her husband said, but all the same â¦ Jim was so hidebound, so stick-in-the-mud. She wished there was somebody else she could ask. Someone who would know all about rewards and the police and what it all meant. Pity to turn up a chance of good money.

That wireless set â¦ the home perm â¦ that cherry-coloured coat in Russellâs (ever so smart)â¦ even, maybe, a whole Jacobean suite for the sitting roomâ¦.

Eager, greedy, shortsighted, she went on dreaming â¦ What exactly had Layonee said all those years ago?

Then an idea came to her. She got up and fetched the bottle of ink, the pen, and a pad of writing paper.

âKnow what Iâll do,â she said to herself. âIâll write to the doctor, Mrs. Hallidayâs brother. Heâll tell me what I ought to doâif heâs alive still, that is. Anyway, itâs on my conscience I never told him about Layoneeâor about that car.â

There was silence for some time apart from the laborious scratching of Lilyâs pen. It was very seldom that she wrote a letter and she found the composition of it a considerable effort.

However it was done at last and she put it into an envelope and sealed it up.

But she felt less satisfied than she had expected. Ten to one the doctor was dead or had gone away from Dillmouth.

Was there anyone else?

What was the name, now, of that fellow?

If she could only remember thatâ¦.

Twenty

THE GIRL HELEN

Giles and Gwenda had just finished breakfast on the morning after their return from Northumberland when Miss Marple was announced. She came rather apologetically.

âIâm afraid this is a very early call. Not a thing I am in the habit of doing. But there was something I wanted to explain.â

âWeâre delighted to see you,â said Giles, pulling out a chair for her. âDo have a cup of coffee.â

âOh no, no, thank youânothing at all. I have breakfasted most adequately. Now let me explain. I came in whilst you were away, as you kindly said I might, to do a little weedingââ

âAngelic of you,â said Gwenda.

âAnd it really did strike me that two days a week is not quite enough for this garden. In any case I think Foster is taking advantage of you. Too much tea and too much talk. I found out that he couldnât manage another day himself, so I took it upon myself to engage another man just for one day a weekâWednesdaysâtoday, in fact.â

Giles looked at her curiously. He was a little surprised. It might be kindly meant, but Miss Marpleâs action savoured, very faintly, of interference. And interference was unlike her.

He said slowly: âFosterâs far too old, I know, for really hard work.â

âIâm afraid, Mr. Reed, that Manning is even older. Seventy-five, he tells me. But you see, I thought employing him, just for a few odd days, might be quite an advantageous move, because he used, many years ago, to be employed at Dr. Kennedyâs. The name of the young man Helen got engaged to was Afflick, by the way.â

âMiss Marple,â said Giles, âI maligned you in thought. You are a genius. You know Iâve got those specimens of Helenâs handwriting from Kennedy?â

âI know. I was here when he brought them.â

âIâm posting them off today. I got the address of a good handwriting expert last week.â

âLetâs go into the garden and see Manning,â said Gwenda.

Manning was a bent, crabbed-looking old man with a rheumy and slightly cunning eye. The pace at which he was raking a path accelerated noticeably as his employers drew near.

âMorning, sir. Morning, mâam. The lady said as how you could do with a little extra help of a Wednesday. Iâll be pleased. Shameful neglected, this place looks.â

âIâm afraid the gardenâs been allowed to run down for some years.â

âIt has that. Remember it, I do, in Mrs. Findeysonâs time. A picture it were, then. Very fond of her garden she was, Mrs. Findeyson.â

Giles leaned easily against a roller. Gwenda snipped off some rose heads. Miss Marple, retreating a little up stage, bent to the bindweed. Old Manning leant on his rake. All was set for a leisurely morning discussion of old times and gardening in the good old days.

âI suppose you know most of the gardens round here, said Giles encouragingly.

âAr, I know this place moderate well, I do. And the fancies people went in for. Mrs. Yule, up at Niagra, she had a yew hedge used to be clipped like a squirrel. Silly, I thought it. Peacocks is one thing and squirrels is another. Then Colonel Lampard, he was a great man for begoniasâlovely beds of begonias he used to have. Bedding out now, thatâs going out of fashion. I wouldnât like to tell you how often Iâve had to fill up beds in the front lawns and turf âem over in the last six years. Seems people ainât got no eye for geraniums and a nice bit of lobelia edging no more.â

âYou worked at Dr. Kennedyâs, didnât you?â

âAr. Long time ago, that were. Must have been 1920 and on. Heâs moved nowâgiven up. Young Dr. Brentâs up at Crosby Lodge now. Funny ideas, he hasâlittle white tablets and so on. Vittapins he calls âem.â

âI suppose you remember Miss Helen Kennedy, the doctorâs sister.â

âAr, I remember Miss Helen right enough. Prettymaid, she was, with her long yellow hair. The doctor set a lot of store by her. Come back and lived in this very house here, she did, after she was married. Army gentleman from India.â

âYes,â said Gwenda. âWe know.â

âAr. I did âearâSaturday night it wasâas you and your âusband was some kind of relations. Pretty as a picter, Miss Helen was, when she first come back from school. Full of fun, too. Wanting to go everywhereâdances and tennis and all that. âAd to mark the tennis court, I âadâhadnât been used for nigh twenty years, Iâd say. And the shrubs overgrowing it cruel. âAd to cut âem back, I did. And get a lot of whitewash and mark out the lines. Lot of work it madeâand in the end hardly played on. Funny thing I always thought that was.â

âWhat was a funny thing?â asked Giles.

âBusiness with the tennis court. Someone come along one nightâand cut it to ribbons. Just to ribbons it was. Spite, as you might say. That was what it wasânasty bit of spite.â

âBut who would do a thing like that?â

âThatâs what the doctor wanted to know. Proper put out about it he wasâand I donât blame him. Just paid for it, he had. But none of us could tell whoâd done it. We never did know. And he said he wasnât going to get anotherâquite right, too, for if itâs spite one time, it would be spite again. But Miss Helen, she was rare and put out. She didnât have no luck, Miss Helen didnât. First that netâand then her bad foot.â

âA bad foot?â asked Gwenda.

âYesâfell over a scraper or somesuch and cut it. Not much more than a graze, it seemed, but it wouldnât heal. Fair worried about it, the doctor was. He was dressing it and treating it, but it didnât get well. I remember him saying âI canât understand itâthere must have been something specticâor some word like thatâon that scraper. And anyway,â he says, âwhat was the scraper doing out in the middle of the drive?â Because thatâs where it was when Miss Helen fell over it, walking home on a dark night. The poor maid, there she was, missing going to dances and sitting about with her foot up. Seemed as though there was nothing but bad luck for her.â

The moment had come, Giles thought. He asked casually, âDo you remember somebody called Afflick?â

âAr. You mean Jackie Afflick? As was in Fane and Watchmanâs office?â

âYes. Wasnât he a friend of Miss Helenâs?â

âThat were just a bit of nonsense. Doctor put a stop to it and quite right too. He wasnât any class, Jackie Afflick. And he was the kind thatâs too sharp by half. Cut themselves in the end, that kind do. But he werenât here long. Got himself into hot water. Good riddance. Us donât want the likes of he in Dillmouth. Go and be smart somewhere else, thatâs what he were welcome to do.â

Gwenda said: âWas he here when that tennis net was cut up?â

âAr. I see what youâre thinking. But he wouldnât do a senseless thing like that. He were smart, Jackie Afflick were. Whoever did that it was just spite.â

âWas there anybody who had a down on Miss Helen? Who would be likely to feel spiteful?â

Old Manning chuckled softly.

âSome of the young ladies might have felt spiteful all right. Not a patch on Miss Helen to look at, most of âem werenât. No, Iâd say that was done just in foolishness. Some tramp with a grudge.â

âWas Helen very upset about Jackie Afflick?â asked Gwenda.

âDonât think as Miss Helen cared much about any of the young fellows. Just liked to enjoy herself, thatâs all. Very devoted some of them wereâyoung Mr. Walter Fane, for one. Used to follow her round like a dog.â

âBut she didnât care for him at all?â

âNot Miss Helen. Just laughedâthatâs all she did. Went abroad to foreign parts, he did. But he come back later. Top one in the firm he is now. Never married. I donât blame him. Women causes a lot of trouble in a manâs life.â

âAre you married?â asked Gwenda.

âBuried two, I have,â said old Manning. âAr, well, I canât complain. Smoke me pipe in peace where I likes now.â

In the ensuing silence, he picked up his rake again.

Giles and Gwenda walked back up the path towards the house and Miss Marple desisting from her attack on bindweed joined them.

âMiss Marple,â said Gwenda. âYou donât look well. Is there anythingââ

âItâs nothing, my dear.â The old lady paused for a moment before saying with a strange kind of insistence, âYou know, I donât like that bit about the tennis net. Cutting it to ribbons. Even thenââ

She stopped. Giles looked at her curiously.

âI donât quite understandââ he began.

âDonât you? It seems so horribly plain to me. But perhaps itâs better that you shouldnât understand. And anywayâperhaps I am wrong. Now do tell me how you got on in Northumberland.â

They gave her an account of their activities, and Miss Marple listened attentively.

âItâs really all very sad,â said Gwenda. âQuite tragic, in fact.â

âYes, indeed. Poor thingâpoor thing.â

âThatâs what I felt. How that man must sufferââ

âHe? Oh yes. Yes, of course.â

âBut you meantââ

âWell, yesâI was thinking of herâof the wife. Probably very deeply in love with him, and he married her because she was suitable, or because he was sorry for her, or for one of those quite kindly and sensible reasons that men often have, and which are actually so terribly unfair.â

âI know a hundred ways of love,

And each one makes the loved one rue,â

quoted Giles softly.

Miss Marple turned to him.

âYes, that is so true. Jealousy, you know, is usually not an affair of causes. It is much moreâhow shall I say?âfundamental than that. Based on the knowledge that oneâs love is not returned. And so one goes on waiting, watching, expecting â¦ that the loved one will turn to someone else. Which, again, invariably happens. So this Mrs. Erskine has made life a hell for her husband, and he, without being able to help it, has made life a hell for her. But I think she has suffered most. And yet, you know, I dare say he is really quite fond of her.â

âHe canât be,â cried Gwenda.

âOh, my dear, you are very young. He has never left his wife, and that means something, you know.â

âBecause of the children. Because it was his duty.â

âThe children, perhaps,â said Miss Marple. âBut I must confess that gentlemen do not seem to me to have a great regard for duty in so far as their wives are concernedâpublic service is another matter.â

Giles laughed.

âWhat a wonderful cynic you are, Miss Marple.â

âOh dear, Mr. Reed, I do hope not that. One always has hope for human nature.â

âI still donât feel it can have been Walter Fane,â said Gwenda thoughtfully. âAnd Iâm sure it wasnât Major Erskine. In fact I know it wasnât.â

âOneâs feelings are not always reliable guides,â said Miss Marple. âThe most unlikely people do thingsâquite a sensation there was in my own little village when the Treasurer of the Christmas Club was found to have put every penny of the funds on a horse. He disapproved of horse racing and indeed any kind of betting or gambling. His father had been a Turf Agent and had treated his mother very badlyâso, intellectually speaking, he was quite sincere. But he chanced one day to be motoring near Newmarket and saw some horses training. And then it all came over himâblood does tell.â

âThe antecedents of both Walter Fane and Richard Erskine seem above suspicion,â said Giles gravely but with a slight amused twist to his mouth. âBut then murder is by way of being an amateur crime.â

âThe important thing is,â said Miss Marple, âthat they were there. On the spot. Walter Fane was here in Dillmouth. Major Erskine, by his own account, must actually have been with Helen Halliday very shortly before her deathâand he did not return to his hotel for some time that night.â

âBut he was quite frank about it. Heââ

Gwenda broke off. Miss Marple was looking at her very hard.

âI only want to emphasize,â said Miss Marple, âthe importance of being on the spot.â She looked from one to the other of them.

Then she said, âI think you will have no trouble in finding out J. J. Afflickâs address. As proprietor of the Daffodil Coaches, it should be easy enough.â

Giles nodded. âIâll get on to it. Probably in the telephone directory.â He paused. âYou think we should go and see him?â

Miss Marple waited for a moment or two, then she said: âIf you doâyou must be very careful. Remember what that old gardener just saidâJackie Afflick is smart. Pleaseâplease be carefulâ¦.â

Twenty-one

J. J. AFFLICK

I

J. J. Afflick, Daffodil Coaches, Devon & Dorset Tours, etc. had two numbers listed in the telephone book. An office address in Exeter and a private address on the outskirts of that town.

An appointment was made for the following day.

Just as Giles and Gwenda were leaving in the car, Mrs. Cocker ran out and gesticulated. Giles put on the brake and stopped.

âItâs Dr. Kennedy on the telephone, sir.â

Giles got out and ran back. He picked up the receiver.

âGiles Reed here.â

âMorning. Iâve just received rather an odd letter. From a woman called Lily Kimble. Iâve been racking my brains to remember who she is. Thought of a patient firstâthat put me off the scent. But I rather fancy she must be a girl who was in service once at your house. House-parlourmaid at the time we know of. Iâm almost sure her name was Lily, though I donât recollect her last name.â

âThere was a Lily. Gwenda remembers her. She tied a bow on the cat.â

âGwennie must have a very remarkable memory.â

âOh, she has.â

âWell, Iâd like to have a word with you about this letterânot over the phone. Will you be in if I come over?â

âWeâre just on our way to Exeter. We could drop in on you, if you prefer, sir. Itâs all on our way.â

âGood. Thatâll do splendidly.â

âI donât like to talk too much about all this over the phone,â explained the doctor when they arrived. âI always have an idea the local exchanges listen in. Hereâs the womanâs letter.â

He spread the letter on the table. It was written on cheap lined paper in an uneducated hand.

Dear sir (Lily Kimble had written)

Iâd be grateful if you could give me advise about the enclosed wot i cut out of paper. I been thinking and i talked it over with mr. Kimble, but i donât know wots best to do about it. Do you think as it means money or a reward becos i could do with the money im sure but woodnt want the police or anything like that, i often hav been thinking about that nite wen mrs. Halliday went away and i donât think sir she ever did becos the clothes was wrong. i thort at first the master done it but now im not so sure becos of the car i saw out of the window. A posh car it was and i seen it before but i woodnt like to do anything without asking you first if it was all rite and not police becos i never hav been mixed up with police and mr. Kimble woodnt like it. I could come and see you sir if i may next thursday as its market day and mr. Kimble will be out. id be very grateful if you could.

yours respectfully,

Lily Kimble.

âIt was addressed to my old house in Dillmouth,â said Kennedy, âand forwarded on to me here. The cutting is your advertisement.â

âItâs wonderful,â said Gwenda. âThis Lilyâyou seeâshe doesnât think it was my father who did it!â

She spoke with jubilation. Dr. Kennedy looked at her with tired, kindly eyes.

âGood for you, Gwennie,â he said gently. âI hope youâre right. Now this is what I think weâd better do. Iâll answer her letter and tell her to come here on Thursday. The train connection is quite good. By changing at Dillmouth Junction she can get here shortly after 4.30. If you two will come over that afternoon, we can tackle her all together.â

âSplendid,â said Giles. He glanced at his watch. âCome on, Gwenda, we must hurry. Weâve got an appointment,â he explained. âWith Mr. Afflick of the Daffodil Coaches, and, so he told us, heâs a busy man.â

âAfflick?â Kennedy frowned. âOf course! Devon Tours in Daffodil Coaches, horrible great butter-coloured brutes. But the name seemed familiar in some other way.â

âHelen,â said Gwenda.

âMy goodnessânot that chap?â

âYes.â

âBut he was a miserable little rat. So heâs come up in the world?â

âWill you tell me something, sir?â said Giles. âYou broke up some funny business between him and Helen. Was that simply because of hisâwell, social position?â

Dr. Kennedy gave him a dry glance.

âIâm old-fashioned, young man. In the modern gospel, one man is as good as another. That holds morally, no doubt. But Iâm a believer in the fact that there is a state of life into which you are bornâand I believe youâre happiest staying in it. Besides,â he added, âI thought the fellow was a wrong âun. As he proved to be.â

âWhat did he do exactly?â

âThat I canât remember now. It was a case, as far as I can recall, of his trying to cash in on some information obtained through his employment with Fane. Some confidential matter relating to one of their clients.â

âWas heâsore about his dismissal?â

Kennedy gave him a sharp glance and said briefly: âYes.â

âAnd there wasnât any other reason at all for your disliking his friendship with your sister? You didnât think he wasâwellâodd in any way.â

âSince you have brought the matter up, I will answer you frankly. It seemed to me, especially after his dismissal from his employment, that Jackie Afflick displayed certain signs of an unbalanced temperament. Incipient persecution mania, in fact. But that does not seem to have been borne out by his subsequent rise in life.â

âWho dismissed him? Walter Fane?â

âI have no idea if Walter Fane was concerned. He was dismissed by the firm.â

âAnd he complained that he had been victimized?â

Kennedy nodded.

âI see â¦ Well, we must drive like the wind. Till Thursday, sir.â

II

The house was newly built. It was of Snowcrete, heavily curved, with a big expanse of window. They were shown in through an opulent hall to a study, half of which was taken up by a big chromium-plated desk.

Gwenda murmured nervously to Giles, âReally, I donât know what we should have done without Miss Marple. We lean upon her at every turn. First her friends in Northumberland and now her Vicarâs wifeâs Boysâ Club Annual Outing.â

Giles raised an admonitory hand as the door opened and J. J. Afflick surged into the room.

He was a stout man of middle age, dressed in a rather violently checked suit. His eyes were dark and shrewd, his face rubicund and good-natured. He looked like the popular idea of a successful bookmaker.

âMr. Reed? Good morning. Pleased to meet you.â

Giles introduced Gwenda. She felt her hand taken in a rather over-zealous grip.

âAnd what can I do for you, Mr. Reed?â

Afflick sat down behind his huge desk. He offered cigarettes from an onyx box.

Giles entered upon the subject of the Boysâ Club Outing. Old friends of his ran the show. He was anxious to arrange for a couple of daysâ touring in Devon.

Afflick replied promptly in a businesslike mannerâquoting prices and making suggestions. But there was a faintly puzzled look on his face.

Finally he said: âWell, thatâs all clear enough, Mr. Reed, and Iâll send you a line to confirm it. But this is strictly office business. I understood from my clerk that you wanted a private appointment at my private address.â

âWe did, Mr. Afflick. There were actually two matters on which I wanted to see you. Weâve disposed of one. The other is a purely private matter. My wife here is very anxious to get in touch with her stepmother whom she has not seen for many years, and we wondered if you could possibly help us.â

âWell, if you tell me the ladyâs nameâI gather that Iâm acquainted with her?â

âYou were acquainted with her at one time. Her name is Helen Halliday and before her marriage she was Miss Helen Kennedy.â

Afflick sat quite still. He screwed up his eyes and tilted his chair slowly backwards.

âHelen HallidayâI donât recall â¦ Helen Kennedyâ¦.â

âFormerly of Dillmouth,â said Gwenda.

The legs of Afflickâs chair came down sharply.

âGot it,â he said. âOf course.â His round rubicund face beamed with pleasure. âLittle Helen Kennedy! Yes, I remember her. But itâs a long time ago. Must be twenty years.â

âEighteen.â

âIs it really? Time flies, as the saying goes. But Iâm afraid youâre going to be disappointed, Mrs. Reed. I havenât seen anything of Helen since that time. Never heard of her, even.â

âOh dear,â said Gwenda. âThatâs very disappointing. We did so hope you could help.â

âWhatâs the trouble?â His eyes flickered quickly from one face to another. âQuarrel? Left home? Matter of money?â

Gwenda said: âShe went awayâsuddenlyâfrom Dillmouthâeighteen years ago withâwith someone.â

Jackie Afflick said amusedly: âAnd you thought she might have gone away with me? Now why?â

Gwenda spoke boldly: âBecause we heard that youâand sheâhad onceâbeenâwell, fond of each other.â

âMe and Helen? Oh, but there was nothing in that. Just a boy and girl affair. Neither of us took it seriously.â He added drily, âWe werenât encouraged to do so.â

âYou must think us dreadfully impertinent,â began Gwenda, but he interrupted her.

âWhatâs the odds? Iâm not sensitive. You want to find a certain person and you think I may be able to help. Ask me anything you pleaseâIâve nought to conceal.â He looked at her thoughtfully. âSo youâre Hallidayâs daughter?â

âYes. Did you know my father?â

He shook his head.

âI dropped in to see Helen once when I was over at Dillmouth on business. Iâd heard she was married and living there. She was civil enoughââ he pausedââbut she didnât ask me to stay to dinner. No, I didnât meet your father.â

Had there, Gwenda wondered, been a trace of rancour in that âShe didnât ask me to stay to dinner?â

âDid sheâif you rememberâseem happy?â

Afflick shrugged his shoulders.

âHappy enough. But there, itâs a long time ago. Iâd have remembered if sheâd looked unhappy.â

He added with what seemed a perfectly natural curiosity: âDo you mean to say youâve never heard anything of her since Dillmouth eighteen years ago?â

âNothing.â

âNoâletters?â

âThere were two letters,â said Giles. âBut we have some reason to think that she didnât write them.â

âYou think she didnât write them?â Afflick seemed faintly amused. âSounds like a mystery on the flicks.â

âThatâs rather what it seems like to us.â

âWhat about her brother, the doctor chap, doesnât he know where she is?â

âNo.â

âI see. Regular mystery, isnât it? Why not advertise?â

âWe have.â

Afflick said casually: âLooks as though sheâs dead. You mightnât have heard.â

Gwenda shivered.

âCold, Mrs. Reed?â

âNo. I was thinking of Helen dead. I donât like to think of her dead.â

âYouâre right there. I donât like to think of it myself. Stunning looks she had.â

Gwenda said impulsively: âYou knew her. You knew her well. Iâve only got a childâs memory of her. What was she like? What did people feel about her? What did you feel?â

He looked at her for a moment or two.

âIâll be honest with you, Mrs. Reed. Believe it or not, as you like. I was sorry for the kid.â

âSorry?â She turned a puzzled stare on him.

âJust that. There she wasâjust home from school. Longing for a bit of fun like any girl might, and there was that stiff middle-aged brother of hers with his ideas about what a girl could do and couldnât do. No fun at all, that kid hadnât. Well, I took her about a bitâshowed her a bit of life. I wasnât really keen on her and she wasnât really keen on me. She just liked the fun of being a daredevil. Then of course they found out we were meeting and he put a stop to it. Donât blame him, really. Cut above me, she was. We werenât engaged or anything of that kind. I meant to marry sometimeâbut not till I was a good bit older. And I meant to get on and to find a wife whoâd help me get on. Helen hadnât any money, and it wouldnât have been a suitable match in any way. We were just good friends with a bit of flirtation thrown in.â

âBut you must have been angry with the doctorââ

Gwenda paused and Afflick said: âI was riled, I admit. You donât fancy being told youâre not good enough. But there, itâs no good being thin-skinned.â

âAnd then,â said Giles, âyou lost your job.â

Afflickâs face was not quite so pleasant.

âFired, I was. Out of Fane and Watchmanâs. And Iâve a very good idea who was responsible for that.â

âOh?â Giles made his tone interrogative, but Afflick shook his head.

âIâm not saying anything. Iâve my own ideas. I was framedâthatâs allâand Iâve a very fair idea of who did it. And why!â The colour suffused his cheeks. âDirty work,â he said. âSpying on a manâlaying traps for himâlying about him. Oh, Iâve had my enemies all right. But Iâve never let them get me down. Iâve always given as good as I got. And I donât forget.â

He stopped. Suddenly his manner changed back again. He was genial once more.

âSo I canât help you, Iâm afraid. A little bit of fun between me and Helenâthat was all. It didnât go deep.â

Gwenda stared at him. It was a clear enough storyâbut was it true? she wondered. Something jarredâit came to the surface of her mind what that something was.

âAll the same,â she said, âyou looked her up when you came to Dillmouth later.â

He laughed.

âYouâve got me there, Mrs. Reed. Yes, I did. Wanted to show her perhaps that I wasnât down and out just because a long-faced lawyer had pushed me out of his office. I had a nice business and I was driving a posh car and Iâd done very well for myself.â

âYou came to see her more than once, didnât you?â

He hesitated a moment.

âTwiceâperhaps three times. Just dropped in.â He nodded with sudden finality. âSorry I canât help you.â

Giles got up.

âWe must apologize for taking up so much of your time.â

âThatâs all right. Quite a change to talk about old times.â

The door opened and a woman looked in and apologized swiftly.

âOh, Iâm so sorryâI didnât know you had anyoneââ

âCome in, my dear, come in. Meet my wife. This is Mr. and Mrs. Reed.â

Mrs. Afflick shook hands. She was a tall, thin, depressed-looking woman, dressed in rather unexpectedly well-cut clothes.

âBeen talking over old times, we have,â said Mr. Afflick. âOld times before I met you, Dorothy.â

He turned to them.

âMet my wife on a cruise,â he said. âShe doesnât come from this part of the world. Cousin of Lord Polterhamâs, she is.â

He spoke with prideâthe thin woman flushed.

âTheyâre very nice, these cruises,â said Giles.

âVery educational,â said Afflick. âNow, I didnât have any education to speak of.â

âI always tell my husband we must go on one of those Hellenic cruises,â said Mrs. Afflick.

âNo time. Iâm a busy man.â

âAnd we mustnât keep you,â said Giles. âGood-bye and thank you. Youâll let me know about the quotation for the outing?â

Afflick escorted them to the door. Gwenda glanced back over her shoulder. Mrs. Afflick was standing in the doorway of the study. Her face, fastened on her husbandâs back, was curiously and rather unpleasantly apprehensive.

Giles and Gwenda said good-bye again and went towards their car.

âBother, Iâve left my scarf,â said Gwenda.

âYouâre always leaving something,â said Giles.

âDonât looked martyred. Iâll get it.â

She ran back into the house. Through the open door of the study she heard Afflick say loudly: âWhat do you want to come butting in for? Never any sense.â

âIâm sorry, Jackie. I didnât know. Who are those people and why have they upset you so?â

âThey havenât upset me. Iââ He stopped as he saw Gwenda standing in the doorway.

âOh, Mr. Afflick, did I leave a scarf?â

âScarf? No, Mrs. Reed, itâs not here.â

âStupid of me. It must be in the car.â

She went out again.

Giles had turned the car. Drawn up by the kerb was a large yellow limousine resplendent with chromium.

âSome car,â said Giles.

ââA posh car,ââ said Gwenda. âDo you remember, Giles? Edith Pagett when she was telling us what Lily said? Lily had put her money on Captain Erskine, not âour mystery man in the flashy car.â Donât you see, the mystery man in the flashy car was Jackie Afflick?â

âYes,â said Giles. âAnd in her letter to the doctor Lily mentioned a âposh car.ââ

They looked at each other.

âHe was thereââon the spot,â as Miss Marple would sayâon that night. Oh Giles, I can hardly wait until Thursday to hear what Lily Kimble says.â

âSuppose she gets cold feet and doesnât turn up after all?â

âOh, sheâll come. Giles, if that flashy car was there that nightââ

âThink it was a yellow peril like this?â

âAdmiring my bus?â Mr. Afflickâs genial voice made them jump. He was leaning over the neatly clipped hedge behind them. âLittle Buttercup, thatâs what I call her. Iâve always liked a nice bit of bodywork. Hits you in the eye, doesnât she?â

âShe certainly does,â said Giles.

âFond of flowers, I am,â said Mr. Afflick. âDaffodils, buttercups, calceolariasâtheyâre all my fancy. Hereâs your scarf, Mrs. Reed. It had slipped down behind the table. Good-bye. Pleased to have met you.â

âDo you think he heard us calling his car a yellow peril?â asked Gwenda as they drove away.

âOh, I donât think so. He seemed quite amiable, didnât he?â

Giles looked slightly uneasy.

âYe-esâbut I donât think that means much â¦ Giles, that wife of hisâsheâs frightened of him, I saw her face.â

âWhat? That jovial pleasant chap?â

âPerhaps he isnât so jovial and pleasant underneath â¦ Giles, I donât think I like Mr. Afflick â¦ I wonder how long heâd been there behind us listening to what we were saying â¦ Just what did we say?â

âNothing much,â said Giles.

But he still looked uneasy.

Twenty-two

LILY KEEPS AN APPOINTMENT

I

âWell, Iâm damned,â exclaimed Giles.

He had just torn open a letter that had arrived by the after-lunch post and was staring in complete astonishment at its contents.

âWhatâs the matter?â

âItâs the report of the handwriting experts.â

Gwenda said eagerly: âAnd she didnât write that letter from abroad?â

âThatâs just it, Gwenda. She did.â

They stared at each other.

Gwenda said incredulously: âThen those letters werenât a fake. They were genuine. Helen did go away from the house that night. And she did write from abroad. And she wasnât strangled at all?â

Giles said slowly: âIt seems so. But it really is very upsetting. I donât understand it. Just as everything seems to be pointing the other way.â

âPerhaps the experts are wrong?â

âI suppose they might be. But they seem quite confident. Gwenda, I really donât understand a single thing about all this. Have we been making the most colossal idiots of ourselves?â

âAll based on my silly behaviour at the theatre? I tell you what, Giles, letâs call round on Miss Marple. Weâll have time before we get to Dr. Kennedyâs at four thirty.â

Miss Marple, however, reacted rather differently from the way they had expected. She said it was very nice indeed.

âBut darling Miss Marple,â said Gwenda, âwhat do you mean by that?â

âI mean, my dear, that somebody hasnât been as clever as they might have been.â

âBut howâin what way?â

âSlipped up,â said Miss Marple, nodding her head with satisfaction.

âBut how?â

âWell, dear Mr. Reed, surely you can see how it narrows the field.â

âAccepting the fact that Helen actually wrote the lettersâdo you mean that she might still have been murdered?â

âI mean that it seemed very important to someone that the letters should actually be in Helenâs handwriting.â

âI see â¦ At least I think I see. There must be certain possible circumstances in which Helen could have been induced to write those particular letters â¦ That would narrow things down. But what circumstances exactly?â

âOh, come now, Mr. Reed. Youâre not really thinking. Itâs perfectly simple, really.â

Giles looked annoyed and mutinous.

âItâs not obvious to me, I can assure you.â

âIf youâd just reflect a littleââ

âCome on, Giles,â said Gwenda. âWeâll be late.â

They left Miss Marple smiling to herself.

âThat old woman annoys me sometimes,â said Giles. âI donât know now what the hell she was driving at.â

They reached Dr. Kennedyâs house in good time.

The doctor himself opened the door to them.

âIâve let my housekeeper go out for the afternoon,â he explained. âIt seemed to be better.â

He led the way into the sitting room where a tea tray with cups and saucers, bread and butter and cakes was ready.

âCup of teaâs a good move, isnât it?â he asked rather uncertainly of Gwenda. âPut this Mrs. Kimble at her ease and all that.â

âYouâre absolutely right,â said Gwenda.

âNow what about you two? Shall I introduce you straight away? Or will it put her off?â

Gwenda said slowly: âCountry people are very suspicious. I believe it would be better if you received her alone.â

âI think so too,â said Giles.

Dr. Kennedy said, âIf you were to wait in the room next door, and if this communicating door were slightly ajar, you would be able to hear what went on. Under the circumstances of the case, I think that you would be justified.â

âI suppose itâs eavesdropping, but I really donât care,â said Gwenda.

Dr. Kennedy smiled faintly and said: âI donât think any ethical principle is involved. I do not propose, in any case, to give a promise of secrecyâthough I am willing to give my advice if I am asked for it.â

He glanced at his watch.

âThe train is due at Woodleigh Road at four thirty-five. It should arrive in a few minutes now. Then it will take her about five minutes to walk up the hill.â

He walked restlessly up and down the room. His face was lined and haggard.

âI donât understand,â he said. âI donât understand in the least what it all means. If Helen never left that house, if her letters to me were forgeries.â Gwenda moved sharplyâbut Giles shook his head at her. The doctor went on: âIf Kelvin, poor fellow, didnât kill her, then what on earth did happen?â

âSomebody else killed her,â said Gwenda.

âBut my dear child, if somebody else killed her, why on earth should Kelvin insist that he had done so?â

âBecause he thought he had. He found her there on the bed and he thought he had done it. That could happen, couldnât it?â

Dr. Kennedy rubbed his nose irritably.

âHow should I know? Iâm not a psychiatrist. Shock? Nervous condition already? Yes, I suppose itâs possible. But who would want to kill Helen?â

âWe think one of three people,â said Gwenda.

âThree people? What three people? Nobody could have any possible reason for killing Helenâunless they were completely off their heads. Sheâd no enemies. Everybody liked her.â

He went to the desk drawer and fumbled through its contents.

He held out a faded snapshot. It showed a tall schoolgirl in a gym tunic, her hair tied back, her face radiant. Kennedy, a younger, happy-looking Kennedy, stood beside her, holding a terrier puppy.

âIâve been thinking a lot about her lately,â he said indistinctly. âFor many years I hadnât thought about her at allâalmost managed to forget â¦ Now I think about her all the time. Thatâs your doing.â

His words sounded almost accusing.

âI think itâs her doing,â said Gwenda.

He wheeled round on her sharply.

âWhat do you mean?â

âJust that. I canât explain. But itâs not really us. Itâs Helen herself.â

The faint melancholy scream of an engine came to their ears. Dr. Kennedy stepped out of the window and they followed him. A trail of smoke showed itself retreating slowly along the valley.

âThere goes the train,â said Kennedy.

âComing into the station?â

âNo, leaving it.â He paused. âSheâll be here any minute now.â

But the minutes passed and Lily Kimble did not come.

II

Lily Kimble got out of the train at Dillmouth Junction and walked across the bridge to the siding where the little local train was waiting. There were few passengersâa half-dozen at most. It was a slack time of day and in any case it was market day at Helchester.

Presently the train startedâpuffing its way importantly along a winding valley. There were three stops before the terminus at Lonsbury Bay: Newton Langford, Matchings Halt (for Woodleigh Camp) and Woodleigh Bolton.

Lily Kimble looked out of the window with eyes that did not see the lush countryside, but saw instead a Jacobean suite upholstered in jade greenâ¦.

She was the only person to alight at the tiny station of Matchings Halt. She gave up her ticket and went out through the booking office. A little way along the road a signpost with âTo Woodleigh Campâ indicated a footpath leading up a steep hill.

Lily Kimble took the footpath and walked briskly uphill. The path skirted the side of a wood, on the other side the hill rose steeply covered with heather and gorse.

Someone stepped out from the trees and Lily Kimble jumped.

âMy, you did give me a start,â she exclaimed. âI wasnât expecting to meet you here.â

âGave you a surprise, did I? Iâve got another surprise for you.â

It was very lonely in among the trees. There was no one to hear a cry or a struggle. Actually there was no cry and the struggle was very soon over.

A wood-pigeon, disturbed, flew out of the woodâ¦.

III

âWhat can have become of the woman?â demanded Dr. Kennedy irritably.

The hands of the clock pointed to ten minutes to five.

âCould she have lost her way coming from the station?â

âI gave her explicit directions. In any case itâs quite simple. Turn to the left when she got out of the station and then take the first road to the right. As I say, itâs only a few minutesâ walk.â

âPerhaps sheâs changed her mind,â said Giles.

âIt looks like it.â

âOr missed the train,â suggested Gwenda.

Kennedy said slowly, âNo, I think itâs more likely that she decided not to come after all. Perhaps her husband stepped in. All these country people are quite incalculable.â

He walked up and down the room.

Then he went to the telephone and asked for a number.

âHullo? Is that the station? This is Dr. Kennedy speaking. I was expecting someone by the four thirty-five. Middle-aged country woman. Did anyone ask to be directed to me? Orâwhat do you say?â

The others were near enough to hear the soft lazy accent of Woodleigh Boltonâs one porter.

âDonât think as there could be anyone for you, Doctor. Werenât no strangers on the four thirty-five. Mr. Narracotts from Meadows, and Johnnie Lawes, and old Bensonâs daughter. Werenât no other passengers at all.â

âSo she changed her mind,â said Dr. Kennedy. âWell, I can offer you tea. The kettleâs on. Iâll go out and make it.â

He returned with the teapot and they sat down.

âItâs only a temporary check,â he said more cheerfully. âWeâve got her address. Weâll go over and see her, perhaps.â

The telephone rang and the doctor got up to answer.

âDr. Kennedy?â

âSpeaking.â

âThis is Inspector Last, Longford police station. Were you expecting a woman called Lily KimbleâMrs. Lily Kimbleâto call upon you this afternoon?â

âI was. Why? Has there been an accident?â

âNot what youâd call an accident exactly. Sheâs dead. We found a letter from you on the body. Thatâs why I rang you up. Can you make it convenient to come along to Longford police station as soon as possible?â

âIâll come at once.â

IV

âNow letâs get this quite clear,â Inspector Last was saying.

He looked from Kennedy to Giles and Gwenda who had accompanied the doctor. Gwenda was very pale and held her hands tightly clasped together. âYou were expecting this woman by the train that leaves Dillmouth Junction at four-five? And gets to Woodleigh Bolton at four thirty-five?â

Dr. Kennedy nodded.

Inspector Last looked down at the letter he had taken from the dead womanâs body. It was quite clear.

Dear Mrs. Kimble (Dr. Kennedy had written)

I shall be glad to advise you to the best of my power. As you will see from the heading of this letter I no longer live in Dillmouth. If you will take the train leaving Coombeleigh at 3.30, change at Dillmouth Junction, and come by the Lonsbury Bay train to Woodleigh Bolton, my house is only a few minutesâ walk. Turn to the left as you come out of the station, then take the first road on the right. My house is at the end of it on the right. The name is on the gate.

Yours truly,

James Kennedy.

âThere was no question of her coming by an earlier train?â

âAn earlier train?â Dr. Kennedy looked astonished.

âBecause thatâs what she did. She left Coombeleigh, not at three thirty but at one thirtyâcaught the two-five from Dillmouth Junction and got out, not at Woodleigh Bolton, but at Matchings Halt, the station before it.â

âBut thatâs extraordinary!â

âWas she consulting you professionally, Doctor?â

âNo. I retired from practice some years ago.â

âThatâs what I thought. You knew her well?â

Kennedy shook his head.

âI hadnât seen her for nearly twenty years.â

âBut youâerârecognized her just now?â

Gwenda shivered, but dead bodies did not affect a doctor and Kennedy replied thoughtfully: âUnder the circumstances it is hard to say if I recognized her or not. She was strangled, I presume?â

âShe was strangled. The body was found in a copse a short way along the track leading from Matchings Halt to Woodleigh Camp. It was found by a hiker coming down from the Camp at about ten minutes to four. Our police surgeon puts the time of death at between two fifteen and three oâclock. Presumably she was killed shortly after she left the station. No other passenger got out at Matchings Halt. She was the only person to get out of the train there.

âNow why did she get out at Matchings Halt? Did she mistake the station? I hardly think so. In any case she was two hours early for her appointment with you, and had not come by the train you suggested, although she had your letter with her.

âNow just what was her business with you, Doctor?â

Dr. Kennedy felt in his pocket and brought out Lilyâs letter.

âI brought this with me. The enclosed cutting and the insertion put in the local paper by Mr. and Mrs. Reed here.â

Inspector Last read Lily Kimbleâs letter and the enclosure. Then he looked from Dr. Kennedy to Giles and Gwenda.

âCan I have the story behind all this? It goes back a long way, I gather?â

âEighteen years,â said Gwenda.

Piecemeal, with additions, and parentheses, the story came out. Inspector Last was a good listener. He let the three people in front of him tell things in their own way. Kennedy was dry, and factual, Gwenda was slightly incoherent, but her narrative had imaginative power. Giles gave, perhaps, the most valuable contribution. He was clear and to the point, with less reserve than Kennedy, and with more coherence than Gwenda. It took a long time.

Then Inspector Last sighed and summed up.

âMrs. Halliday was Dr. Kennedyâs sister and your stepmother, Mrs. Reed. She disappeared from the house you are at present living in eighteen years ago. Lily Kimble (whose maiden name was Abbott) was a servant (house-parlourmaid) in the house at the time. For some reason Lily Kimble inclines (after the passage of years) to the theory that there was foul play. At the time it was assumed that Mrs. Halliday had gone away with a man (identity unknown). Major Halliday died in a mental establishment fifteen years ago still under the delusion that he had strangled his wifeâif it was a delusionââ

He paused.

âThese are all interesting but somewhat unrelated facts. The crucial point seems to be, is Mrs. Halliday alive or dead? If dead, when did she die? And what did Lily Kimble know?â

âIt seems, on the face of it, that she must have known something rather important. So important that she was killed in order to prevent her talking about it.â

Gwenda cried, âBut how could anyone possibly know she was going to talk about itâexcept us?â

Inspector Last turned his thoughtful eyes on her.

âIt is a significant point, Mrs. Reed, that she took the two-five instead of the four-five train from Dillmouth Junction. There must be some reason for that. Also, she got out at the station before Woodleigh Bolton. Why? It seems possible to me that, after writing to the doctor, she wrote to someone else, suggesting a rendezvous at Woodleigh Camp, perhaps, and that she proposed after that rendezvous, if it was unsatisfactory, to go on to Dr. Kennedy and ask his advice. It is possible that she had suspicions of some definite person, and she may have written to that person hinting at her knowledge and suggesting a rendezvous.â

âBlackmail,â said Giles bluntly.

âI donât suppose she thought of it that way,â said Inspector Last. âShe was just greedy and hopefulâand a little muddled about what she could get out of it all. Weâll see. Maybe the husband can tell us more.â

V

âWarned her, I did,â said Mr. Kimble heavily. ââDonât have nought to do with it,â them were my words. Went behind my back, she did. Thought as she knew best. That were Lily all over. Too smart by half.â

Questioning revealed that Mr. Kimble had little to contribute.

Lily had been in service at St. Catherineâs before he met her and started walking out with her. Fond of the pictures, she was, and told him that likely as not, sheâd been in a house where thereâd been a murder.

âDidnât pay much account, I didnât. All imagination, I thought. Never content with plain fact, Lily wasnât. Long rigmarole she told me, about the master doing in the missus and maybe putting the body in the cellarâand something about a French girl what had looked out of the window and seen something or somebody. âDonât you pay no attention to foreigners, my girl,â I said. âOne and all theyâre liars. Not like us.â And when she run on about it, I didnât listen because, mark you, she was working it all up out of nothing. Liked a bit of crime, Lily did. Used to take the Sunday News what was running a series about Famous Murderers. Full of it, she was, and if she liked to think sheâd been in a house where there was a murder, well, thinking donât hurt nobody. But when she was on at me about answering this advertisementââYou leave it alone,â I says to her. âItâs no good stirring up trouble.â And if sheâd done as I telled her, sheâd be alive today.â

He thought for a moment or two.

âAr,â he said. âSheâd be alive right now. Too smart by half, that was Lily.â

Twenty-three

WHICH OF THEM?

Giles and Gwenda had not gone with Inspector Last and Dr. Kennedy to interview Mr. Kimble. They arrived home about seven oâclock. Gwenda looked white and ill. Dr. Kennedy had said to Giles: âGive her some brandy and make her eat something, then get her to bed. Sheâs had a bad shock.â

âItâs so awful, Giles,â Gwenda kept saying. âSo awful. That silly woman, making an appointment with the murderer, and going along so confidentlyâto be killed. Like a sheep to the slaughter.â

âWell, donât think about it, darling. After all, we did know there was someoneâa killer.â

âNo, we didnât. Not a killer now. I mean, it was thenâeighteen years ago. It wasnât, somehow, quite real â¦ It might all have been a mistake.â

âWell, this proves that it wasnât a mistake. You were right all the time, Gwenda.â

Giles was glad to find Miss Marple at Hillside. She and Mrs. Cocker between them fussed over Gwenda who refused brandy because she said it always reminded her of Channel steamers, but accepted some hot whisky and lemon, and then, coaxed by Mrs. Cocker, sat down and ate an omelette.

Giles would have talked determinedly of other things, but Miss Marple, with what Giles admitted to be superior tactics, discussed the crime in a gentle aloof manner.

âVery dreadful, my dear,â she said. âAnd of course a great shock, but interesting, one must admit. And of course I am so old that death doesnât shock me as much as it does youâonly something lingering and painful like cancer really distresses me. The really vital thing is that this proves definitely and beyond any possible doubt that poor young Helen Halliday was killed. Weâve thought so all along and now we know.â

âAnd according to you we ought to know where the body is,â said Giles. âThe cellar, I suppose.â

âNo, no, Mr. Reed. You remember Edith Pagett said she went down there on the morning after because she was disturbed by what Lily had said, and she found no signs of anything of the kindâand there would be signs, you know, if somebody was really looking for them.â

âThen what happened to it? Taken away in a car and thrown over a cliff into the sea?â

âNo. Come now, my dears, what struck you first of all when you came hereâstruck you, Gwenda, I should say. The fact that from the drawing room window, you had no view down to the sea. Where you felt, very properly, that steps should lead down to the lawnâthere was instead a plantation of shrubs. The steps, you found subsequently, had been there originally, but had at some time been transferred to the end of the terrace. Why were they moved?â

Gwenda stared at her with dawning comprehension.

âYou mean that thatâs whereââ

âThere must have been a reason for making the change, and there doesnât really seem to be a sensible one. It is, frankly, a stupid place to have steps down to the lawn. But that end of the terrace is a very quiet placeâitâs not overlooked from the house except by one windowâthe window of the nursery, on the first floor. Donât you see, that if you want to bury a body the earth will be disturbed and there must be a reason for its being disturbed. The reason was that it had been decided to move the steps from in front of the drawing room to the end of the terrace. Iâve learnt already from Dr. Kennedy that Helen Halliday and her husband were very keen on the garden, and did a lot of work in it. The daily gardener they employed used merely to carry out their orders, and if he arrived to find that this change was in progress and some of the flags had already been moved, he would only have thought that the Hallidays had started on the work when he wasnât there. The body, of course, could have been buried at either place, but we can be quite certain, I think, that it is actually buried at the end of the terrace and not in front of the drawing room window.â

âWhy can we be sure?â asked Gwenda.

âBecause of what poor Lily Kimble said in her letterâthat she changed her mind about the body being in the cellar because of what LÃ©onie saw when she looked out of the window. That makes it very clear, doesnât it? The Swiss girl looked out of the nursery window at some time during the night and saw the grave being dug. Perhaps she actually saw who it was digging it.â

âAnd never said anything to the police?â

âMy dear, there was no question at the time of a crime having occurred. Mrs. Halliday had run away with a loverâthat was all that LÃ©onie would grasp. She probably couldnât speak much English anyway. She did mention to Lily, perhaps not at the time, but later, a curious thing she had observed from her window that night, and that stimulated Lilyâs belief in a crime having occurred. But Iâve no doubt that Edith Pagett told Lily off for talking nonsense, and the Swiss girl would accept her point of view and would certainly not wish to be mixed-up with the police. Foreigners always seem to be particularly nervous about the police when they are in a strange country. So she went back to Switzerland and very likely never thought of it again.â

Giles said: âIf sheâs alive nowâif she can be tracedââ

Miss Marple nodded her head. âPerhaps.â

Giles demanded: âHow can we set about it?â

Miss Marple said: âThe police will be able to do that much better than you can.â

âInspector Last is coming over here tomorrow morning.â

âThen I think I should tell himâabout the steps.â

âAnd about what I sawâor think I sawâin the hall?â asked Gwenda nervously.

âYes, dear. Youâve been very wise to say nothing of that until now. Very wise. But I think the time has come.â

Giles said slowly: âShe was strangled in the hall, and then the murderer carried her upstairs and put her on the bed. Kelvin Halliday came in, passed out with doped whisky, and in his turn was carried upstairs to the bedroom. He came to, and thought he had killed her. The murderer must have been watching somewhere near at hand. When Kelvin went off to Dr. Kennedyâs, the murderer took away the body, probably hid it in the shrubbery at the end of the terrace and waited until everybody had gone to bed and was presumably asleep, before he dug the grave and buried the body. That means he must have been here, hanging about the house, pretty well all that night?â

Miss Marple nodded.

âHe had to beâon the spot. I remember your saying that that was important. Weâve got to see which of our three suspects fits in best with the requirements. Weâll take Erskine first. Now he definitely was on the spot. By his own admission he walked up here with Helen Kennedy from the beach at round about nine oâclock. He said good-bye to her. But did he say good-bye to her? Letâs say instead that he strangled her.â

âBut it was all over between them,â cried Gwenda. âLong ago. He said himself that he was hardly ever alone with Helen.â

âBut donât you see, Gwenda, that the way we must look at it now, we canât depend on anything anyone says.â

âNow Iâm so glad to hear you say that,â said Miss Marple. âBecause Iâve been a little worried, you know, by the way you two have seemed willing to accept, as actual fact, all the things that people have told you. Iâm afraid I have a sadly distrustful nature, but, especially in a matter of murder, I make it a rule to take nothing that is told to me as true, unless it is checked. For instance, it does seem quite certain that Lily Kimble mentioned the clothes packed and taken away in a suitcase were not the ones Helen Halliday would herself have taken, because not only did Edith Pagett tell us that Lily said so to her, but Lily herself mentioned the fact in her letter to Dr. Kennedy. So that is one fact. Dr. Kennedy told us that Kelvin Halliday believed that his wife was secretly drugging him, and Kelvin Halliday in his diary confirms thatâso there is another factâand a very curious fact it is, donât you think? However, we will not go into that now.

âBut I would like to point out that a great many of the assumptions you have made have been based upon what has been told youâpossibly told you very plausibly.â

Giles stared hard at her.

Gwenda, her colour restored, sipped coffee, and leaned across the table.

Giles said: âLetâs check up now on what three people have said to us. Take Erskine first. He saysââ

âYouâve got a down on him,â said Gwenda. âItâs waste of time going on about him, because now heâs definitely out of it. He couldnât have killed Lily Kimble.â

Giles went on imperturbly: âHe says that he met Helen on the boat going out to India and they fell in love, but that he couldnât bring himself to leave his wife and children, and that they agreed they must say good-bye. Suppose it wasnât quite like that. Suppose he fell desperately in love with Helen, and that it was she who wouldnât run off with him. Supposing he threatened that if she married anyone else he would kill her.â

âMost improbable,â said Gwenda.

âThings like that do happen. Remember what you overheard his wife say to him. You put it all down to jealousy, but it may have been true. Perhaps she has had a terrible time with him where women are concernedâhe may be a little bit of a sex maniac.â

âI donât believe it.â

âNo, because heâs attractive to women. I think, myself, that there is something a little queer about Erskine. However, letâs go on with my case against him. Helen breaks off her engagement to Fane and comes home and marries your father and settles down here. And then suddenly, Erskine turns up. He comes down ostensibly on a summer holiday with his wife. Thatâs an odd thing to do, really. He admits he came here to see Helen again. Now letâs take it that Erskine was the man in the drawing room with her that day when Lily overheard her say she was afraid of him. âIâm afraid of youâIâve always been afraid of youâI think youâre mad.â

âAnd, because sheâs afraid, she makes plans to go and live in Norfolk, but sheâs very secretive about it. No one is to know. No one is to know, that is, until the Erskines have left Dillmouth. So far that fits. Now we come to the fatal night. What the Hallidays were doing earlier that evening we donât knowââ

Miss Marple coughed.

âAs a matter of fact, I saw Edith Pagett again. She remembers that there was early supper that nightâseven oâclockâbecause Major Halliday was going to some meetingâGolf Club, she thinks it was, or some Parish meeting. Mrs. Halliday went out after supper.â

âRight. Helen meets Erskine, by appointment, perhaps, on the beach. He is leaving the following day. Perhaps he refuses to go. He urges Helen to go away with him. She comes back here and he comes with her. Finally, in a fit of frenzy he strangles her. The next bit is as we have already agreed. Heâs slightly mad, he wants Kelvin Halliday to believe it is he who has killed her. Later, Erskine buries the body. You remember, he told Gwenda that he didnât go back to the hotel until very late because he was walking about Dillmouth.â

âOne wonders,â said Miss Marple, âwhat his wife was doing?â

âProbably frenzied with jealousy,â said Gwenda. âAnd gave him hell when he did get in.â

âThatâs my reconstruction,â said Giles. âAnd itâs possible.â

âBut he couldnât have killed Lily Kimble,â said Gwenda, âbecause he lives in Northumberland. So thinking about him is just waste of time. Letâs take Walter Fane.â

âRight. Walter Fane is the repressed type. He seems gentle and mild and easily pushed around. But Miss Marple has brought us one valuable bit of testimony. Walter Fane was once in such a rage that he nearly killed his brother. Admittedly he was a child at the time, but it was startling because he had always seemed of such a gentle forgiving nature. Anyway, Walter Fane falls in love with Helen Halliday. Not merely in love, heâs crazy about her. She wonât have him and he goes off to India. Later she writes him that she will come out and marry him. She starts. Then comes the second blow. She arrives and promptly jilts him. She has âmet someone on the boat.â She goes home and marries Kelvin Halliday. Possibly Walter Fane thinks that Kelvin Halliday was the original cause of her turning him down. He broods, nurses a crazy jealous hate and comes home. He behaves in a most forgiving, friendly manner, is often at this house, has become apparently a tame cat around the house, the faithful Dobbin. But perhaps Helen realizes that this isnât true. She gets a glimpse of what is going on below the surface. Perhaps, long ago, she sensed something disturbing in quiet young Walter Fane. She says to him, âI think Iâve always been afraid of you.â She makes plans, secretly, to go right away from Dillmouth and live in Norfolk. Why? Because sheâs afraid of Walter Fane.

âNow we come again to the fatal evening. Here, weâre not on very sure ground. We donât know what Walter Fane was doing that night, and I donât see any probability of ever finding out. But he fulfils Miss Marpleâs requirement of being âon the spotâ to the extent of living in a house that is only two or three minutesâ walk away. He may have said he was going to bed early with a headache, or shut himself into his study with work to doâsomething of that kind. He could have done all the things weâve decided the murderer did do, and I think that heâs the most likely of the three to have made mistakes in packing a suitcase. He wouldnât know enough about what women wear to do it properly.â

âIt was queer,â said Gwenda. âIn his office that day I had an odd sort of feeling that he was like a house with its blinds pulled down â¦ and I even had a fanciful idea thatâthat there was someone dead in the house.â

She looked at Miss Marple.

âDoes that seem very silly to you?â she asked.

âNo, my dear. I think that perhaps you were right.â

âAnd now,â said Gwenda, âwe come to Afflick. Afflickâs Tours. Jackie Afflick who was always too smart by half. The first thing against him is that Dr. Kennedy believed he had incipient persecution mania. That isâhe was never really normal. Heâs told us about himself and Helenâbut weâll agree now that that was all a pack of lies. He didnât just think she was a cute kidâhe was madly, passionately in love with her. But she wasnât in love with him. She was just amusing herself. She was man mad, as Miss Marple says.â

âNo, dear. I didnât say that. Nothing of the kind.â

âWell, a nymphomaniac if you prefer the term. Anyway, she had an affair with Jackie Afflick and then wanted to drop him. He didnât want to be dropped. Her brother got her out of her scrape, but Jackie Afflick never forgave or forgot. He lost his jobâaccording to him through being framed by Walter Fane. That shows definite signs of persecution mania.â

âYes,â agreed Giles. âBut on the other hand, if it was true, itâs another point against Faneâquite a valuable point.â

Gwenda went on.

âHelen goes abroad, and he leaves Dillmouth. But he never forgets her, and when she returns to Dillmouth, married, he comes over and visits her. He said first of all, he came once, but later on, he admits that he came more than once. And, oh Giles, donât you remember? Edith Pagett used a phrase about âour mystery man in a flashy car.â You see, he came often enough to make the servants talk. But Helen took pains not to ask him to a mealânot to let him meet Kelvin. Perhaps she was afraid of him. Perhapsââ

Giles interrupted.

âThis might cut both ways. Supposing Helen was in love with himâthe first man she ever was in love with, and supposing she went on being in love with him. Perhaps they had an affair together and she didnât let anyone know about it. But perhaps he wanted her to go away with him, and by that time she was tired of him, and wouldnât go, and soâand soâhe killed her. And all the rest of it. Lily said in her letter to Dr. Kennedy there was a posh car standing outside that night. It was Jackie Afflickâs car. Jackie Afflick was âon the spot,â too.

âItâs an assumption,â said Giles. âBut it seems to me a reasonable one. But there are Helenâs letters to be worked into our reconstruction. Iâve been puzzling my brains to think of the âcircumstances,â as Miss Marple put it, under which she could have been induced to write those letters. It seems to me that to explain them, weâve got to admit that she actually had a lover, and that she was expecting to go away with him. Weâll test our three possibles again. Erskine first. Say that he still wasnât prepared to leave his wife or break up his home, but that Helen had agreed to leave Kelvin Halliday and go somewhere where Erskine could come and be with her from time to time. The first thing would be to disarm Mrs. Erskineâs suspicions, so Helen writes a couple of letters to reach her brother in due course which will look as though she has gone abroad with someone. That fits in very well with her being so mysterious about who the man in question is.â

âBut if she was going to leave her husband for him, why did he kill her?â asked Gwenda.

âPerhaps because she suddenly changed her mind. Decided that she did really care for her husband after all. He just saw red and strangled her. Then, he took the clothes and suitcase and used the letters. Thatâs a perfectly good explanation covering everything.â

âThe same might apply to Walter Fane. I should imagine that scandal might be absolutely disastrous to a country solicitor. Helen might have agreed to go somewhere nearby where Fane could visit her but pretend that she had gone abroad with someone else. Letters all prepared and then, as you suggested, she changed her mind. Walter went mad and killed her.â

âWhat about Jackie Afflick?â

âItâs more difficult to find a reason for the letters with him. I shouldnât imagine that scandal would affect him. Perhaps Helen was afraid, not of him, but of my fatherâand so thought it would be better to pretend sheâd gone abroadâor perhaps Afflickâs wife had the money at that time, and he wanted her money to invest in his business. Oh yes, there are lots of possibilities for the letters.â

âWhich one do you fancy, Miss Marple?â asked Gwenda. âI donât really think Walter Faneâbut thenââ

Mrs. Cocker had just come in to clear away the coffee cups.

âThere now, madam,â she said. âI quite forgot. All this about a poor woman being murdered and you and Mr. Reed mixed up in it, not at all the right thing for you, madam, just now. Mr. Fane was here this afternoon, asking for you. He waited quite half an hour. Seemed to think you were expecting him.â

âHow strange,â said Gwenda. âWhat time?â

âIt must have been about four oâclock or just after. And then, after that, there was another gentleman, came in a great big yellow car. He was positive you were expecting him. Wouldnât take no for an answer. Waited twenty minutes. I wondered if youâd had some idea of a tea party and forgotten it.â

âNo,â said Gwenda. âHow odd.â

âLetâs ring up Fane now,â said Giles. âHe wonât have gone to bed.â

He suited the action to the word.

âHullo, is that Fane speaking? Giles Reed here. I hear you came round to see us this afternoonâWhat?âNoâno, Iâm sure of itâno, how very odd. Yes, I wonder, too.â

He laid down the receiver.

âHereâs an odd thing. He was rung up in his office this morning. A message left would he come round and see us this afternoon. It was very important.â

Giles and Gwenda stared at each other. Then Gwenda said, âRing up Afflick.â

Again Giles went to the telephone, found the number and rang through. It took a little longer, but presently he got the connection.

âMr. Afflick? Giles Reed, Iââ

Here he was obviously interrupted by a flow of speech from the other end.

At last he was able to say:

âBut we didnâtâno, I assure youânothing of the kindâYesâyes, I know youâre a busy man. I wouldnât have dreamed ofâYes, but look here, who was it rang youâa man?âNo, I tell you it wasnât me. Noâno, I see. Well, I agree, itâs quite extraordinary.â

He replaced the receiver and came back to the table.

âWell, there it is,â he said. âSomebody, a man who said he was me, rang up Afflick and asked him to come over here. It was urgentâbig sum of money involved.â

They looked at each other.

âIt could have been either of them,â said Gwenda. âDonât you see, Giles? Either of them could have killed Lily and come on here as an alibi.â

âHardly an alibi, dear,â put in Miss Marple.

âI donât mean quite an alibi, but an excuse for being away from their office. What I mean is, one of them is speaking the truth and one is lying. One of them rang up the other and asked him to come hereâto throw suspicion on himâbut we donât know which. Itâs a clear issue now between the two of them. Fane or Afflick. I sayâJackie Afflick.â

âI think Walter Fane,â said Giles.

They both looked at Miss Marple.

She shook her head.

âThereâs another possibility,â she said.

âOf course. Erskine.â

Giles fairly ran across to the telephone.

âWhat are you going to do?â asked Gwenda.

âPut through a trunk call to Northumberland.â

âOh Gilesâyou canât really thinkââ

âWeâve got to know. If heâs thereâhe canât have killed Lily Kimble this afternoon. No private aeroplanes or silly stuff like that.â

They waited in silence until the telephone bell rang.

Giles picked up the receiver.

âYou were asking for a personal call to Major Erskine. Go ahead, please. Major Erskine is waiting.â

Clearing his throat nervously, Giles said, âErâErskine? Giles Reed hereâReed, yes.â

He cast a sudden agonized glance at Gwenda which said as plainly as possible, âWhat the hell do I say now?â

Gwenda got up and took the receiver from him.

âMajor Erskine? This is Mrs. Reed here. Weâve heard ofâof a house. Linscott Brake. Isâis itâdo you know anything about it? Itâs somewhere near you, I believe.â

Erskineâs voice said: âLinscott Brake? No, I donât think Iâve ever heard of it. Whatâs the postal town?â

âItâs terribly blurred,â said Gwenda. âYou know those awful typescripts agents send out. But it says fifteen miles from Daith so we thoughtââ

âIâm sorry. I havenât heard of it. Who lives there?â

âOh, itâs empty. But never mind, actually weâveâweâve practically settled on a house. Iâm so sorry to have bothered you. I expect you were busy.â

âNo, not at all. At least only busy domestically. My wifeâs away. And our cook had to go off to her mother, so Iâve been dealing with domestic routine. Iâm afraid Iâm not much of a hand at it. Better in the garden.â

âIâd always rather do gardening than housework. I hope your wife isnât ill?â

âOh no, she was called away to a sister. Sheâll be back tomorrow.â

âWell, good night, and so sorry to have bothered you.â

She put down the receiver.

âErskine is out of it,â she said triumphantly. âHis wifeâs away and heâs doing all the chores. So that leaves it between the two others. Doesnât it, Miss Marple?â

Miss Marple was looking grave.

âI donât think, my dears,â she said, âthat you have given quite enough thought to the matter. Oh dearâI am really very worried. If only I knew exactly what to doâ¦.â

Twenty-four

THE MONKEYâS PAWS

I

Gwenda leaned her elbows on the table and cupped her chin in her hands while her eyes roamed dispassionately over the remains of a hasty lunch. Presently she must deal with them, carry them out to the scullery, wash up, put things away, see what there would be, later, for supper.

But there was no wild hurry. She felt she needed a little time to take things in. Everything had been happening too fast.

The events of the morning, when she reviewed them, seemed to be chaotic and impossible. Everything had happened too quickly and too improbably.

Inspector Last had appeared earlyâat half past nine. With him had come Detective Inspector Primer from headquarters and the Chief Constable of the County. The latter had not stayed long. It was Inspector Primer who was now in charge of the case of Lily Kimble deceased and all the ramifications arising therefrom.

It was Inspector Primer, a man with a deceptively mild manner and a gentle apologetic voice, who had asked her if it would inconvenience her very much if his men did some digging in the garden.

From the tone of his voice, it might have been a case of giving his men some healthful exercise, rather than of seeking for a dead body which had been buried for eighteen years.

Giles had spoken up then. He had said: âI think, perhaps, we could help you with a suggestion or two.â

And he told the Inspector about the shifting of the steps leading down to the lawn, and took the Inspector out on to the terrace.

The Inspector had looked up at the barred window on the first floor at the corner of the house and had said: âThat would be the nursery, I presume.â

And Giles said that it would.

Then the Inspector and Giles had come back into the house, and two men with spades had gone out into the garden, and Giles, before the Inspector could get down to questions, had said:

âI think, Inspector, you had better hear something that my wife has so far not mentioned to anyone except myselfâandâerâone other person.â

The gentle, rather compelling gaze of Inspector Primer came to rest on Gwenda. It was faintly speculative. He was asking himself, Gwenda thought: âIs this a woman who can be depended upon, or is she the kind who imagines things?â

So strongly did she feel this, that she started in a defensive way: âI may have imagined it. Perhaps I did. But it seems awfully real.â

Inspector Primer said softly and soothingly:

âWell, Mrs. Reed, letâs hear about it.â

And Gwenda had explained. How the house had seemed familiar to her when she first saw it. How she had subsequently learned that she had, in fact, lived there as a child. How she had remembered the nursery wallpaper, and the connecting door, and the feeling she had had that there ought to be steps down to the lawn.

Inspector Primer nodded. He did not say that Gwendaâs childish recollections were not particularly interesting, but Gwenda wondered whether he were thinking it.

Then she nerved herself to the final statement. How she had suddenly remembered, when sitting in a theatre, looking through the banisters at Hillside and seeing a dead woman in the hall.

âWith a blue face, strangled, and golden hairâand it was HelenâBut it was so stupid, I didnât know at all who Helen was.â

âWe think thatââ Giles began, but Inspector Primer, with unexpected authority, held up a restraining hand.

âPlease let Mrs. Reed tell me in her own words.â

And Gwenda had stumbled on, her face flushed, with Inspector Primer gently helping her out, using a dexterity that Gwenda did not appreciate as the highly technical performance it was.

âWebster?â he said thoughtfully. âHm, Duchess of Malfi. Monkeyâs paws?â

âBut that was probably a nightmare,â said Giles.

âPlease, Mr. Reed.â

âIt may all have been a nightmare,â said Gwenda.

âNo, I donât think it was,â said Inspector Primer. âIt would be very hard to explain Lily Kimbleâs death, unless we assume that there was a woman murdered in this house.â

That seemed so reasonable and almost comforting, that Gwenda hurried on.

âAnd it wasnât my father who murdered her. It wasnât, really. Even Dr. Penrose says he wasnât the right type, and that he couldnât have murdered anybody. And Dr. Kennedy was quite sure he hadnât done it, but only thought he had. So you see it was someone who wanted it to seem as though my father had done it, and we think we know whoâat least itâs one of two peopleââ

âGwenda,â said Giles. âWe canât reallyââ

âI wonder, Mr. Reed,â said the Inspector, âif you would mind going out into the garden and seeing how my men are getting on. Tell them I sent you.â

He closed the french windows after Giles and latched them and came back to Gwenda.

âNow just tell me all your ideas, Mrs. Reed. Never mind if they are rather incoherent.â

And Gwenda had poured out all her and Gilesâs speculations and reasonings, and the steps they had taken to find out all they could about the three men who might have figured in Helen Hallidayâs life, and the final conclusions they had come toâand how both Walter Fane and J. J. Afflick had been rung up, as though by Giles, and had been summoned to Hillside the preceding afternoon.

âBut you do see, donât you, Inspectorâthat one of them might be lying?â

And in a gentle, rather tired voice, the Inspector said: âThatâs one of the principal difficulties in my kind of work. So many people may be lying. And so many people usually are â¦ Though not always for the reasons that youâd think. And some people donât even know theyâre lying.â

âDo you think Iâm like that?â Gwenda asked apprehensively.

And the Inspector had smiled and said: âI think youâre a very truthful witness, Mrs. Reed.â

âAnd you think Iâm right about who murdered her?â

The Inspector sighed and said: âItâs not a question of thinkingânot with us. Itâs a question of checking up. Where everybody was, what account everybody gives of their movements. We know accurately enough, to within ten minutes or so, when Lily Kimble was killed. Between two twenty and two forty-five. Anyone could have killed her and then come on here yesterday afternoon. I donât see, myself, any reason for those telephone calls. It doesnât give either of the people you mention an alibi for the time of the murder.â

âBut you will find out, wonât you, what they were doing at the time? Between two twenty and two forty-five. You will ask them.â

Inspector Primer smiled.

âWe shall ask all the questions necessary, Mrs. Reed, you may be sure of that. All in good time. Thereâs no good in rushing things. Youâve got to see your way ahead.â

Gwenda had a sudden vision of patience and quiet unsensational work. Unhurried, remorselessâ¦.

She said: âI see â¦ yes. Because youâre professional. And Giles and I are just amateurs. We might make a lucky hitâbut we wouldnât really know how to follow it up.â

âSomething of the kind, Mrs. Reed.â

The Inspector smiled again. He got up and unfastened the french windows. Then, just as he was about to step through them, he stopped. Rather, Gwenda thought, like a pointing dog.

âExcuse me, Mrs. Reed. That lady wouldnât be a Miss Jane Marple, would she?â

Gwenda had come to stand beside him. At the bottom of the garden Miss Marple was still waging a losing war with bindweed.

âYes, thatâs Miss Marple. Sheâs awfully kind in helping us with the garden.â

âMiss Marple,â said the Inspector. âI see.â

And as Gwenda looked at him enquiringly and said, âSheâs rather a dear,â he replied:

âSheâs a very celebrated lady, is Miss Marple. Got the Chief Constables of at least three counties in her pocket. Sheâs not got my Chief yet, but I dare say that will come. So Miss Marpleâs got her finger in this pie.â

âSheâs made an awful lot of helpful suggestions,â said Gwenda.

âI bet she has,â said the Inspector. âWas it her suggestion where to look for the deceased Mrs. Halliday?â

âShe said that Giles and I ought to know quite well where to look,â said Gwenda. âAnd it did seem stupid of us not to have thought of it before.â

The Inspector gave a soft little laugh, and went down to stand by Miss Marple. He said: âI donât think weâve been introduced, Miss Marple. But you were pointed out to me once by Colonel Melrose.â

Miss Marple stood up, flushed and grasping a handful of clinging green.

âOh yes. Dear Colonel Melrose. He has always been most kind. Ever sinceââ

âEver since a churchwarden was shot in the Vicarâs study. Quite a while ago. But youâve had other successes since then. A little poison pen trouble down near Lymstock.â

âYou seem to know quite a lot about me, Inspectorââ

âPrimer, my name is. And youâve been busy here, I expect.â

âWell, I try to do what I can in the garden. Sadly neglected. This bindweed, for instance, such nasty stuff. Its roots,â said Miss Marple, looking very earnestly at the Inspector, âgo down underground a long way. A very long wayâthey run along underneath the soil.â

âI think youâre right about that,â said the Inspector. âA long way down. A long way back â¦ this murder, I mean. Eighteen years.â

âAnd perhaps before that,â said Miss Marple. âRunning underground â¦ And terribly harmful, Inspector, squeezing the life out of the pretty growing flowersâ¦.â

One of the police constables came along the path. He was perspiring and had a smudge of earth on his forehead.

âWeâve come toâsomething, sir. Looks as though itâs her all right.â

II

And it was then, Gwenda reflected, that the nightmarish quality of the day had begun. Giles coming in, his face rather pale, saying: âItâsâsheâs there all right, Gwenda.â

Then one of the constables had telephoned and the police surgeon, a short, bustling man, had arrived.

And it was then that Mrs. Cocker, the calm and imperturbable Mrs. Cocker, had gone out into the gardenânot led, as might have been expected, by ghoulish curiosity, but solely in the quest of culinary herbs for the dish she was preparing for lunch. And Mrs. Cocker, whose reaction to the news of a murder on the preceding day had been shocked censure and an anxiety for the effect upon Gwendaâs health (for Mrs. Cocker had made up her mind that the nursery upstairs was to be tenanted after the due number of months), had walked straight in upon the gruesome discovery, and had been immediately âtaken queerâ to an alarming extent.

âToo horrible, madam. Bones is a thing I never could abide. Not skeleton bones, as one might say. And here in the garden, just by the mint and all. And my heartâs beating at such a rateâpalpitationsâI can hardly get my breath. And if I might make so bold, just a thimbleful of brandyâ¦.â

Alarmed by Mrs. Cockerâs gasps and her ashy colour, Gwenda had rushed to the sideboard, poured out some brandy and brought it to Mrs. Cocker to sip.

And Mrs. Cocker had said: âThatâs just what I needed, madamââ when, quite suddenly, her voice had failed, and she had looked so alarming, that Gwenda had screamed for Giles, and Giles had yelled to the police surgeon.

âAnd itâs fortunate I was on the spot,â the latter said afterwards. âIt was touch and go anyway. Without a doctor, that woman would have died then and there.â

And then Inspector Primer had taken the brandy decanter, and then he and the doctor had gone into a huddle over it, and Inspector Primer had asked Gwenda when she and Giles had last had any brandy out of it.

Gwenda said she thought not for some days. Theyâd been awayâup North, and the last few times theyâd had a drink, theyâd had gin. âBut I nearly had some brandy yesterday,â said Gwenda. âOnly it makes me think of Channel steamers, so Giles opened a new bottle of whisky.â

âThat was very lucky for you, Mrs. Reed. If youâd drunk brandy yesterday, I doubt if you would be alive today.â

âGiles nearly drank someâbut in the end he had whisky with me.â

Gwenda shivered.

Even now, alone in the house, with the police gone and Giles gone with them after a hasty lunch scratched up out of tins (since Mrs. Cocker had been removed to hospital), Gwenda could hardly believe in the morning turmoil of events.

One thing stood out clearly: the presence in the house yesterday of Jackie Afflick and Walter Fane. Either of them could have tampered with the brandy, and what was the purpose of the telephone calls unless it was to afford one or other of them the opportunity to poison the brandy decanter? Gwenda and Giles had been getting too near the truth. Or had a third person come in from outside, through the open dining room window perhaps, whilst she and Giles had been sitting in Dr. Kennedyâs house waiting for Lily Kimble to keep her appointment? A third person who had engineered the telephone calls to steer suspicion on the other two?

But a third person, Gwenda thought, didnât make sense. For a third person, surely, would have telephoned to only one of the two men. A third person would have wanted one suspect, not two. And anyway, who could the third person be? Erskine had definitely been in Northumberland. No, either Walter Fane had telephoned to Afflick and had pretended to be telephoned to himself. Or else Afflick had telephoned Fane, and had made the same pretence of receiving a summons. One of those two, and the police, who were cleverer and had more resources than she and Giles had, would find out which. And in the meantime both of those men would be watched. They wouldnât be able toâto try again.

Again Gwenda shivered. It took a little getting used toâthe knowledge that someone had tried to kill you. âDangerous,â Miss Marple had said long ago. But she and Giles had not really taken the idea of danger seriously. Even after Lily Kimble had been killed, it still hadnât occurred to her that anyone would try and kill her and Giles. Just because she and Giles were getting too near the truth of what had happened eighteen years ago. Working out what must have happened thenâand who had made it happen.

Walter Fane and Jackie Afflickâ¦.

Which?

Gwenda closed her eyes, seeing them afresh in the light of her new knowledge.

Quiet Walter Fane, sitting in his officeâthe pale spider in the centre of its web. So quiet, so harmless-looking. A house with its blinds down. Someone dead in the house. Someone dead eighteen years agoâbut still there. How sinister the quiet Walter Fane seemed now. Walter Fane who had once flung himself murderously upon his brother. Walter Fane whom Helen had scornfully refused to marry, once here at home, and once again in India. A double rebuff. A double ignominy. Walter Fane, so quiet, so unemotional, who could express himself, perhaps, only in sudden murderous violenceâas, possibly, quiet Lizzie Borden had once doneâ¦.

Gwenda opened her eyes. She had convinced herself, hadnât she, that Walter Fane was the man?

One might, perhaps, just consider Afflick. With her eyes open, not shut.

His loud check suit, his domineering mannerâjust the opposite to Walter Faneânothing repressed or quiet about Afflick. But possibly he had put that manner on because of an inferiority complex. It worked that way, experts said. If you werenât sure of yourself, you had to boast and assert yourself, and be overbearing. Turned down by Helen because he wasnât good enough for her. The sore festering, not forgotten. Determination to get on in the world. Persecution. Everyone against him. Discharged from his employment by a faked charge made up by an âenemy.â Surely that did show that Afflick wasnât normal. And what a feeling of power a man like that would get out of killing. That good-natured, jovial face of his, it was a cruel face really. He was a cruel manâand his thin pale wife knew it and was afraid of him. Lily Kimble had threatened him and Lily Kimble had died. Gwenda and Giles had interferedâthen Gwenda and Giles must die, too, and he would involve Walter Fane who had sacked him long ago. That fitted in very nicely.

Gwenda shook herself, came out of her imaginings, and returned to practicality. Giles would be home and want his tea. She must clear away and wash up lunch.

She fetched a tray and took the things out to the kitchen. Everything in the kitchen was exquisitely neat. Mrs. Cocker was really a treasure.

By the side of the sink was a pair of surgical rubber gloves. Mrs. Cocker always wore a pair for washing up. Her niece, who worked in a hospital, got them at a reduced price.

Gwenda fitted them on over her hands and began to wash up the dishes. She might as well keep her hands nice.

She washed the plates and put them in the rack, washed and dried the other things and put everything neatly away.

Then, still lost in thought, she went upstairs. She might as well, she thought, wash out those stockings and a jumper or two. Sheâd keep the gloves on.

These things were in the forefront of her mind. But somewhere, underneath them, something was nagging at her.

Walter Fane or Jackie Afflick, she had said. One or the other of them. And she had made out quite a good case against either of them. Perhaps that was what really worried her. Because, strictly speaking, it would be much more satisfactory if you could only make out a good case against one of them. One ought to be sure, by now, which. And Gwenda wasnât sure.

If only there was someone else â¦ But there couldnât be anyone else. Because Richard Erskine was out of it. Richard Erskine had been in Northumberland when Lily Kimble was killed and when the brandy in the decanter had been tampered with. Yes, Richard Erskine was right out of it.

She was glad of that, because she liked Richard Erskine. Richard Erskine was attractive, very attractive. How sad for him to be married to that megalith of a woman with her suspicious eyes and deep bass voice. Just like a manâs voiceâ¦.

Like a manâs voiceâ¦.

The idea flashed through her mind with a queer misgiving.

A manâs voice â¦ Could it have been Mrs. Erskine, not her husband, who had replied to Giles on the telephone last night?

Noâno, surely not. No, of course not. She and Giles would have known. And anyway, to begin with, Mrs. Erskine could have had no idea of who was ringing up. No, of course it was Erskine speaking, and his wife, as he said, was away.

His wife was away â¦

Surelyâno, that was impossible â¦ Could it have been Mrs. Erskine? Mrs. Erskine, driven insane by jealousy? Mrs. Erskine to whom Lily Kimble had written? Was it a woman LÃ©onie had seen in the garden that night when she looked out of the window?

There was a sudden bang in the hall below. Somebody had come in through the front door.

Gwenda came out from the bathroom on to the landing and looked over the banisters. She was relieved to see it was Dr. Kennedy. She called down:

âIâm here.â

Her hands were held out in front of herâwet, glistening, a queer pinkish greyâthey reminded her of somethingâ¦.

Kennedy looked up, shading his eyes.

âIs that you, Gwennie? I canât see your face â¦ My eyes are dazzledââ

And then Gwenda screamedâ¦.

Looking at those smooth monkeyâs paws and hearing that voice in the hallâ

âIt was you,â she gasped. âYou killed her â¦ killed Helen â¦ Iâknow now. It was you â¦ all along â¦ Youâ¦.â

He came up the stairs towards her. Slowly. Looking up at her.

âWhy couldnât you leave me alone?â he said. âWhy did you have to meddle? Why did you have to bringâHerâback? Just when Iâd begun to forgetâto forget. You brought her back againâHelenâmy Helen. Bringing it all up again. I had to kill Lilyânow Iâll have to kill you. Like I killed Helen â¦ Yes, like I killed Helenâ¦.â

He was close upon her nowâhis hands out towards herâreaching, she knew, for her throat. That kind, quizzical faceâthat nice, ordinary, elderly faceâthe same still, but for the eyesâthe eyes were not saneâ¦.

Gwenda retreated before him, slowly, the scream frozen in her throat. She had screamed once. She could not scream again. And if she did scream no one would hear.

Because there was no one in the houseânot Giles, and not Mrs. Cocker, not even Miss Marple in the garden. Nobody. And the house next door was too far away to hear if she screamed. And anyway, she couldnât scream â¦ Because she was too frightened to scream. Frightened of those horrible reaching handsâ¦.

She could back away to the nursery door and thenâand thenâthose hands would fasten round her throatâ¦.

A pitiful little stifled whimper came from between her lips.

And then, suddenly, Dr. Kennedy stopped and reeled back as a jet of soapy water struck him between the eyes. He gasped and blinked and his hands went to his face.

âSo fortunate,â said Miss Marpleâs voice, rather breathless, for she had run violently up the back stairs, âthat I was just syringing the greenfly off your roses.â

Twenty-five

POSTSCRIPT AT TORQUAY

âBut, of course, dear Gwenda, I should never have dreamed of going away and leaving you alone in the house,â said Miss Marple. âI knew there was a very dangerous person at large, and I was keeping an unobtrusive watch from the garden.â

âDid you know it wasâhimâall along?â asked Gwenda.

They were all three, Miss Marple, Gwenda and Giles, sitting on the terrace of the Imperial Hotel at Torquay.

âA change of scene,â Miss Marple had said, and Giles had agreed, would be the best thing for Gwenda. So Inspector Primer had concurred and they had driven to Torquay forthwith.

Miss Marple said in answer to Gwendaâs question, âWell, he did seem indicated, my dear. Although unfortunately there was nothing in the way of evidence to go upon. Just indications, nothing more.â

Looking at her curiously, Giles said, âBut I canât see any indications even.â

âOh dear, Giles, think. He was on the spot, to begin with.â

âOn the spot?â

âBut certainly. When Kelvin Halliday came to him that night he had just come back from the hospital. And the hospital, at that time, as several people told us, was actually next door to Hillside, or St. Catherineâs as it was then called. So that, as you see, puts him in the right place at the right time. And then there were a hundred and one little significant facts. Helen Halliday told Richard Erskine she had gone out to marry Walter Fane because she wasnât happy at home. Not happy, that is, living with her brother. Yet her brother was by all accounts devoted to her. So why wasnât she happy? Mr. Afflick told you that âhe was sorry for the poor kid.â I think that he was absolutely truthful when he said that. He was sorry for her. Why did she have to go and meet young Afflick in that clandestine way? Admittedly she was not wildly in love with him. Was it because she couldnât meet young men in the ordinary normal way? Her brother was âstrictâ and âold-fashioned.â It is vaguely reminiscent, is it not, of Mr. Barrett of Wimpole Street?â

Gwenda shivered.

âHe was mad,â she said. âMad.â

âYes,â said Miss Marple. âHe wasnât normal. He adored his half-sister, and that affection became possessive and unwholesome. That kind of thing happens oftener than youâd think. Fathers who donât want their daughters to marryâor even to meet young men. Like Mr. Barrett. I thought of that when I heard about the tennis net.â

âThe tennis net?â

âYes, that seemed to me very significant. Think of that girl, young Helen, coming home from school, and eager for all a young girl wants out of life, anxious to meet young menâto flirt with themââ

âA little sex-crazy.â

âNo,â said Miss Marple with emphasis. âThat is one of the wickedest things about this crime. Dr. Kennedy didnât only kill her physically. If you think back carefully, youâll see that the only evidence for Helen Kennedyâs having been man mad or practicallyâwhat is the word you used, dear? oh yes, a nymphomaniacâcame actually from Dr. Kennedy himself. I think, myself, that she was a perfectly normal young girl who wanted to have fun and a good time and flirt a little and finally settle down with the man of her choiceâno more than that. And see what steps her brother took. First he was strict and old-fashioned about allowing her liberty. Then, when she wanted to give tennis partiesâa most normal and harmless desireâhe pretended to agree and then one night secretly cut the tennis net to ribbonsâa very significant and sadistic action. Then, since she could still go out to play tennis or to dances, he took advantage of a grazed foot which he treated, to infect it so that it wouldnât heal. Oh yes, I think he did that â¦ in fact, Iâm sure of it.

âMind you. I donât think Helen realized any of all this. She knew her brother had a deep affection for her and I donât think she knew why she felt uneasy and unhappy at home. But she did feel like that and at last she decided to go out to India and marry young Fane simply in order to get away. To get away from what? She didnât know. She was too young and guileless to know. So she went off to India and on the way she met Richard Erskine and fell in love with him. There again, she behaved not like a sex-crazy girl, but like a decent and honourable girl. She didnât urge him to leave his wife. She urged him not to do so. But when she saw Walter Fane she knew that she couldnât marry him, and because she didnât know what else to do, she wired her brother for money to go home.

âOn the way home she met your fatherâand another way of escape showed itself. This time it was one with good prospect of happiness.

âShe didnât marry your father under false pretences, Gwenda. He was recovering from the death of a dearly loved wife. She was getting over an unhappy love affair. They could both help each other. I think it is significant that she and Kelvin Halliday were married in London and then went down to Dillmouth to break the news to Dr. Kennedy. She must have had some instinct that that would be a wiser thing to do than to go down and be married in Dillmouth, which ordinarily would have been the normal thing to do. I still think she didnât know what she was up againstâbut she was uneasy, and she felt safer in presenting her brother with the marriage as a fait accompli.

âKelvin Halliday was very friendly to Kennedy and liked him. Kennedy seems to have gone out of his way to appear pleased about the marriage. The couple took a furnished house there.

âAnd now we come to that very significant factâthe suggestion that Kelvin was being drugged by his wife. There are only two possible explanations of thatâbecause there are only two people who could have had the opportunity of doing such a thing. Either Helen Halliday was drugging her husband, and if so, why? Or else the drugs were being administered by Dr. Kennedy. Kennedy was Hallidayâs physician as is clear by Hallidayâs consulting him. He had confidence in Kennedyâs medical knowledgeâand the suggestion that his wife was drugging him was very cleverly put to him by Kennedy.â

âBut could any drug make a man have the hallucination that he was strangling his wife?â asked Giles. âI mean there isnât any drug, is there, that has that particular effect?â

âMy dear Giles, youâve fallen into the trap againâthe trap of believing what is said to you. There is only Dr. Kennedyâs word for it that Halliday ever had that hallucination. He himself never says so in his diary. He had hallucinations, yes, but he does not mention their nature. But I dare say Kennedy talked to him about men who had strangled their wives after passing through a phase such as Kelvin Halliday was experiencing.â

âDr. Kennedy was really wicked,â said Gwenda.

âI think,â said Miss Marple, âthat heâd definitely passed the borderline between sanity and madness by that time. And Helen, poor girl, began to realize it. It was to her brother she must have been speaking that day when she was overheard by Lily. âI think Iâve always been afraid of you.â That was one of the things she said. And that always was very significant. And so she determined to leave Dillmouth. She persuaded her husband to buy a house in Norfolk, she persuaded him not to tell anyone about it. The secrecy about it was very illuminating. She was clearly very afraid of someone knowing about itâbut that did not fit in with the Walter Fane theory or the Jackie Afflick theoryâand certainly not with Richard Erskineâs being concerned. No, it pointed to somewhere much nearer home.

âAnd in the end, Kelvin Halliday, whom doubtless the secrecy irked and who felt it to be pointless, told his brother-in-law.

âAnd in so doing, sealed his own fate and that of his wife. For Kennedy was not going to let Helen go and live happily with her husband. I think perhaps his idea was simply to break down Hallidayâs health with drugs. But at the revelation that his victim and Helen were going to escape him, he became completely unhinged. From the hospital he went through into the garden of St. Catherineâs and he took with him a pair of surgical gloves. He caught Helen in the hall, and he strangled her. Nobody saw him, there was no one there to see him, or so he thought, and so, racked with love and frenzy, he quoted those tragic lines that were so apposite.â

Miss Marple sighed and clucked her tongue.

âI was stupidâvery stupid. We were all stupid. We should have seen at once. Those lines from The Duchess of Malfi were really the clue to the whole thing. They are said, are they not, by a brother who has just contrived his sisterâs death to avenge her marriage to the man she loved. Yes, we were stupidââ

âAnd then?â asked Giles.

âAnd then he went through with the whole devilish plan. The body carried upstairs. The clothes packed in a suitcase. A note, written and thrown in the wastepaper basket to convince Halliday later.â

âBut I should have thought,â said Gwenda, âthat it would have been better from his point of view for my father actually to have been convicted of the murder.â

Miss Marple shook her head.

âOh no, he couldnât risk that. He had a lot of shrewd Scottish common sense, you know. He had a wholesome respect for the police. The police take a lot of convincing before they believe a man guilty of murder. The police might have asked a lot of awkward questions and made a lot of awkward enquiries as to times and places. No, his plan was simpler and, I think, more devilish. He only had Halliday to convince. First, that he had killed his wife. Secondly that he was mad. He persuaded Halliday to go into a mental home, but I donât think he really wanted to convince him that it was all a delusion. Your father accepted that theory, Gwennie, mainly, I should imagine, for your sake. He continued to believe that he had killed Helen. He died believing that.â

âWicked,â said Gwenda. âWickedâwickedâwicked.â

âYes,â said Miss Marple. âThere isnât really any other word. And I think, Gwenda, that that is why your childish impression of what you saw remained so strong. It was real evil that was in the air that night.â

âBut the letters,â said Giles. âHelenâs letters? They were in her handwriting, so they couldnât be forgeries.â

âOf course they were forgeries! But that is where he overreached himself. He was so anxious, you see, to stop you and Giles making investigations. He could probably imitate Helenâs handwriting quite nicelyâbut it wouldnât fool an expert. So the sample of Helenâs handwriting he sent you with the letter wasnât her handwriting either. He wrote it himself. So naturally it tallied.â

âGoodness,â said Giles. âI never thought of that.â

âNo,â said Miss Marple. âYou believed what he said. It really is very dangerous to believe people. I never have for years.â

âAnd the brandy?â

âHe did that the day he came to Hillside with Helenâs letter and talked to me in the garden. He was waiting in the house while Mrs. Cocker came out and told me he was there. It would only take a minute.â

âGood Lord,â said Giles. âAnd he urged me to take Gwenda home and give her brandy after we were at the police station when Lily Kimble was killed. How did he arrange to meet her earlier?â

âThat was very simple. The original letter he sent her asked her to meet him at Woodleigh Camp and come to Matchings Halt by the two-five train from Dillmouth Junction. He came out of the copse of trees, probably, and accosted her as she was going up the laneâand strangled her. Then he simply substituted the letter you all saw for the letter she had with her (and which he had asked her to bring because of the directions in it) and went home to prepare for you and play out the little comedy of waiting for Lily.â

âAnd Lily really was threatening him? Her letter didnât sound as though she was. Her letter sounded as though she suspected Afflick.â

âPerhaps she did. But LÃ©onie, the Swiss girl, had talked to Lily, and LÃ©onie was the one danger to Kennedy. Because she looked out of the nursery window and saw him digging in the garden. In the morning he talked to her, told her bluntly that Major Halliday had killed his wifeâthat Major Halliday was insane, and that he, Kennedy, was hushing up the matter for the childâs sake. If, however, LÃ©onie felt she ought to go to the police, she must do so, but it would be very unpleasant for herâand so on.

âLÃ©onie took immediate fright at the mention of the police. She adored you and had implicit faith in what M. le docteur thought best. Kennedy paid her a handsome sum of money and hustled her back to Switzerland. But before she went, she hinted something to Lily as to your fatherâs having killed his wife and that she had seen the body buried. That fitted in with Lilyâs ideas at the time. She took it for granted that it was Kelvin Halliday LÃ©onie had seen digging the grave.â

âBut Kennedy didnât know that, of course,â said Gwenda.

âOf course not. When he got Lilyâs letter the words in it that frightened him were that LÃ©onie had told Lily what she had seen out of the window and the mention of the car outside.â

âThe car? Jackie Afflickâs car?â

âAnother misunderstanding. Lily remembered, or thought she remembered, a car like Jackie Afflickâs being outside in the road. Already her imagination had got to work on the Mystery Man who came over to see Mrs. Halliday. With the hospital next door, no doubt a good many cars did park along this road. But you must remember that the doctorâs car was actually standing outside the hospital that nightâhe probably leaped to the conclusion that she meant his car. The adjective posh was meaningless to him.â

âI see,â said Giles. âYes, to a guilty conscience that letter of Lilyâs might look like blackmail. But how do you know all about LÃ©onie?â

Her lips pursed close together, Miss Marple said: âHe wentâright over the edge, you know. As soon as the men Inspector Primer had left rushed in and seized him, he went over the whole crime again and againâeverything heâd done. LÃ©onie died, it seems, very shortly after her return to Switzerland. Overdose of some sleeping tablets â¦ Oh no, he wasnât taking any chances.â

âLike trying to poison me with the brandy.â

âYou were very dangerous to him, you and Giles. Fortunately you never told him about your memory of seeing Helen dead in the hall. He never knew there had been an eyewitness.â

âThose telephone calls to Fane and Afflick,â said Giles. âDid he put those through?â

âYes. If there was an enquiry as to who could have tampered with the brandy, either of them would make an admirable suspect, and if Jackie Afflick drove over in his car alone, it might tie him in with Lily Kimbleâs murder. Fane would most likely have an alibi.â

âAnd he seemed fond of me,â said Gwenda. âLittle Gwennie.â

âHe had to play his part,â said Miss Marple. âImagine what it meant to him. After eighteen years, you and Giles come along, asking questions, burrowing into the past, disturbing a murder that had seemed dead but was only sleeping â¦ Murder in retrospect â¦ A horribly dangerous thing to do, my dears. I have been sadly worried.â

âPoor Mrs. Cocker,â said Gwenda. âShe had a terribly near escape. Iâm glad sheâs going to be all right. Do you think sheâll come back to us, Giles? After all this?â

âShe will if thereâs a nursery,â said Giles gravely, and Gwenda blushed, and Miss Marple smiled a little and looked out across Torbay.

âHow very odd it was that it should happen the way it did,â mused Gwenda. âMy having those rubber gloves on, and looking at them, and then his coming into the hall and saying those words that sounded so like the others. âFaceââ¦ and then: âEyes dazzledâââ

She shuddered.

âCover her face â¦ Mine eyes dazzle â¦ she died young â¦ that might have been me â¦ if Miss Marple hadnât been there.â

She paused and said softly, âPoor Helen â¦ Poor lovely Helen, who died young â¦ You know, Giles, she isnât there anymoreâin the houseâin the hall. I could feel that yesterday before we left. Thereâs just the house. And the house is fond of us. We can go back if we likeâ¦.â

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The Witness for the Prosecution and Other Stories

Crooked House

Three Blind Mice and Other Stories

They Came to Baghdad

Destination Unknown

Ordeal by Innocence

Double Sin and Other Stories

The Pale Horse

Star over Bethlehem: Poems and Holiday Stories

Endless Night

Passenger to Frankfurt

The Golden Ball and Other Stories

The Mousetrap and Other Plays

The Harlequin Tea Set

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About the Author

Agatha Christie is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.

She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.

Many of Christieâ€™s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best-known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.

Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britainâ€™s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.

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THE AGATHA CHRISTIE COLLECTION

The Man in the Brown Suit

The Secret of Chimneys

The Seven Dials Mystery

The Mysterious Mr. Quin

The Sittaford Mystery

Parker Pyne Investigates

Why Didnâ€™t They Ask Evans?

Murder Is Easy

The Regatta Mystery and Other Stories

And Then There Were None

Towards Zero

Death Comes as the End

Sparkling Cyanide

The Witness for the Prosecution and Other Stories

Crooked House

Three Blind Mice and Other Stories

They Came to Baghdad

Destination Unknown

Ordeal by Innocence

Double Sin and Other Stories

The Pale Horse

Star over Bethlehem: Poems and Holiday Stories

Endless Night

Passenger to Frankfurt

The Golden Ball and Other Stories

The Mousetrap and Other Plays

The Harlequin Tea Set

The Hercule Poirot Mysteries

The Mysterious Affair at Styles

The Murder on the Links

Poirot Investigates

The Murder of Roger Ackroyd

The Big Four

The Mystery of the Blue Train

Peril at End House

Lord Edgware Dies

Murder on the Orient Express

Three Act Tragedy

Death in the Clouds

The A.B.C. Murders

Murder in Mesopotamia

Cards on the Table

Murder in the Mews and Other Stories

Dumb Witness

Death on the Nile

Appointment with Death

Hercule Poirotâ€™s Christmas

Sad Cypress

One, Two, Buckle My Shoe

Evil Under the Sun

Five Little Pigs

The Hollow

The Labors of Hercules

Taken at the Flood

The Underdog and Other Stories

Mrs. McGintyâ€™s Dead

After the Funeral

Hickory Dickory Dock

Dead Manâ€™s Folly

Cat Among the Pigeons

The Clocks

Third Girl

Halloweâ€™en Party

Elephants Can Remember

Curtain: Poirotâ€™s Last Case

The Miss Marple Mysteries

The Murder at the Vicarage

The Body in the Library

The Moving Finger

A Murder Is Announced

They Do It with Mirrors

A Pocket Full of Rye

4:50 from Paddington

The Mirror Crackâ€™d from Side to Side

A Caribbean Mystery

At Bertramâ€™s Hotel

Nemesis

Sleeping Murder

Miss Marple: The Complete Short Stories

The Tommy and Tuppence Mysteries

The Secret Adversary

Partners in Crime

N or M?

By the Pricking of My Thumbs

Postern of Fate

Copyright

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the authorâ€™s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

AGATHA CHRISTIEÂ® MARPLEÂ® MISS MARPLEÂ® SLEEPING MURDERâ„¢. Copyright Â© 2011 Agatha Christie Limited (a Chorion company). All rights reserved. Sleeping Murder was first published in 1976.

SLEEPING MURDER Â© 1976. Published by permission of G.P. Putnamâ€™s Sons, a member of Penguin Group (USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN 978-0-06-207370-9

EPub Edition Â© MAY 2011 ISBN: 978-0-06-175231-5

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