Agatha Christie

Three Act Tragedy

A Hercule Poirot Mystery

Dedicated to
My Friends, Geoffrey and Violet Shipston

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Directed by

Sir Charles Cartwright

Assistant Directors

Mr. Satterthwaite

Miss Hermione Lytton Gore

Clothes by

Ambrosine Ltd

Illumination by

Hercule Poirot

FIRST ACT

SUSPICION

One

CROWâS NEST

Mr. Satterthwaite sat on the terrace of âCrowâs Nestâ and watched his host, Sir Charles Cartwright, climbing up the path from the sea.

Crowâs Nest was a modern bungalow of the better type. It had no half-timbering, no gables, no excrescences dear to a third-class builderâs heart. It was a plain white solid buildingâdeceptive as to size, since it was a good deal bigger than it looked. It owed its name to its position, high up, overlooking the harbour of Loomouth. Indeed from one corner of the terrace, protected by a strong balustrade, there was a sheer drop to the sea below. By road Crowâs Nest was a mile from the town. The road ran inland and then zigzagged high up above the sea. On foot it was accessible in seven minutes by the steep fishermanâs path that Sir Charles Cartwright was ascending at this minute.

Sir Charles was a well-built, sunburnt man of middle age. He wore old grey flannel trousers and a white sweater. He had a slight rolling gait, and carried his hands half closed as he walked. Nine people out of ten would say, âRetired Naval manâcanât mistake the type.â The tenth, and more discerning, would have hesitated, puzzled by something indefinable that did not ring true. And then perhaps a picture would rise, unsought: the deck of a shipâbut not a real shipâa ship curtailed by hanging curtains of thick rich materialâa man, Charles Cartwright, standing on that deck, light that was not sunlight streaming down on him, the hands half clenched, the easy gait and a voiceâthe easy pleasant voice of an English sailor and gentleman, a great deal magnified in tone.

âNo, sir,â Charles Cartwright was saying, âIâm afraid I canât give you any answer to that question.â

And swish fell the heavy curtains, up sprang the lights, an orchestra plunged into the latest syncopated measure, girls with exaggerated bows in their hair said, âChocolates? Lemonade?â The first act of The Call of the Sea, with Charles Cartwright as Commander Vanstone, was over.

From his post of vantage, looking down, Mr. Satterthwaite smiled.

A dried-up little pipkin of a man, Mr. Satterthwaite, a patron of art and the drama, a determined but pleasant snob, always included in the more important house parties and social functions (the words âand Mr. Satterthwaiteâ appeared invariably at the tail of a list of guests). Withal a man of considerable intelligence and a very shrewd observer of people and things.

He murmured now, shaking his head, âI wouldnât have thought it. No, really, I wouldnât have thought it.â

A step sounded on the terrace and he turned his head. The big grey-haired man who drew a chair forward and sat down had his profession clearly stamped on his keen, kindly, middle-aged face. âDoctorâ and âHarley Street.â Sir Bartholomew Strange had succeeded in his profession. He was a well-known specialist in nervous disorders, and had recently received a knighthood in the Birthday Honours list.

He drew his chair forward beside that of Mr. Satterthwaite and said:

âWhat wouldnât you have thought? Eh? Letâs have it.â

With a smile Mr. Satterthwaite drew attention to the figure below rapidly ascending the path.

âI shouldnât have thought Sir Charles would have remained contented so long inâerâexile.â

âBy Jove, no more should I!â The other laughed, throwing back his head. âIâve known Charles since he was a boy. We were at Oxford together. Heâs always been the sameâa better actor in private life than on the stage! Charles is always acting. He canât help itâitâs second nature to him. Charles doesnât go out of a roomâhe âmakes an exitââand he usually has to have a good line to make it on. All the same, he likes a change of partânone better. Two years ago he retired from the stageâsaid he wanted to live a simple country life, out of the world, and indulge his old fancy for the sea. He comes down here and builds this place. His idea of a simple country cottage. Three bathrooms and all the latest gadgets! I was like you, Satterthwaite, I didnât think it would last. After all, Charles is humanâhe needs his audience. Two or three retired captains, a bunch of old women and a parsonâthatâs not much of a house to play to. I thought the âsimple fellow, with his love of the sea,â would run for six months. Then, frankly, I thought heâd tire of the part. I thought the next thing to fill the bill would be the weary man of the world at Monte Carlo, or possibly a laird in the Highlandsâheâs versatile, Charles is.â

The doctor stopped. It had been a long speech. His eyes were full of affection and amusement as he watched the unconscious man below. In a couple of minutes he would be with them.

âHowever,â Sir Bartholomew went on, âit seems we were wrong. The attraction of the simple life holds.â

âA man who dramatises himself is sometimes misjudged,â pointed out Mr. Satterthwaite. âOne does not take his sincerities seriously.â

The doctor nodded.

âYes,â he said thoughtfully. âThatâs true.â

With a cheerful halloo Charles Cartwright ran up the steps onto the terrace.

âMirabelle surpassed herself,â he said. âYou ought to have come, Satterthwaite.â

Mr. Satterthwaite shook his head. He had suffered too often crossing the Channel to have any illusions about the strength of his stomach afloat. He had observed the Mirabelle from his bedroom window that morning. There had been a stiff sailing breeze and Mr. Satterthwaite had thanked heaven devoutly for dry land.

Sir Charles went to the drawing room window and called for drinks.

âYou ought to have come, Tollie,â he said to his friend. âDonât you spend half your life sitting in Harley Street telling your patients how good life on the ocean wave would be for them?â

âThe great merit of being a doctor,â said Sir Bartholomew, âis that you are not obliged to follow your own advice.â

Sir Charles laughed. He was still unconsciously playing his partâthe bluff breezy Naval man. He was an extraordinarily good-looking man, beautifully proportioned, with a lean humorous face, and the touch of grey at his temples gave him a kind of added distinction. He looked what he wasâa gentleman first and an actor second.

âDid you go alone?â asked the doctor.

âNo,â Sir Charles turned to take his drink from a smart parlourmaid who was holding a tray. âI had a âhand.â The girl Egg, to be exact.â

There was something, some faint trace of self-consciousness in his voice which made Mr. Satterthwaite look up sharply.

âMiss Lytton Gore? She knows something about sailing, doesnât she?â

Sir Charles laughed rather ruefully.

âShe succeeds in making me feel a complete landlubber; but Iâm coming onâthanks to her.â

Thoughts slipped quickly in and out of Mr. Satterthwaiteâs mind.

âI wonderâEgg Lytton Goreâperhaps thatâs why he hasnât tiredâthe ageâa dangerous ageâitâs always a young girl at that time of lifeâ¦.â

Sir Charles went on: âThe seaâthereâs nothing like itâsun and wind and seaâand a simple shanty to come home to.â

And he looked with pleasure at the white building behind him, equipped with three bathrooms, hot and cold water in all the bedrooms, the latest system of central heating, the newest electrical fittings and a staff of parlourmaid, housemaid, chef, and kitchenmaid. Sir Charlesâs interpretation of simple living was, perhaps, a trifle exaggerated.

A tall and exceedingly ugly woman issued from the house and bore down upon them.

âGood morning, Miss Milray.â

âGood morning, Sir Charles. Good morningâ (a slight inclination of the head towards the other two). âThis is the menu for dinner. I donât know whether you would like it altered in any way?â

Sir Charles took it and murmured:

âLetâs see. Melon Cantaloupe, Borscht Soup, Fresh Mackerel, Grouse, SoufflÃ© Surprise, CanapÃ© Dianeâ¦No, I think that will do excellently, Miss Milray. Everyone is coming by the four thirty train.â

âI have already given Holgate his orders. By the way, Sir Charles, if you will excuse me, it would be better if I dined with you tonight.â

Sir Charles looked startled, but said courteously:

âDelighted, I am sure, Miss Milrayâbutâerââ

Miss Milray proceeded calmly to explain.

âOtherwise, Sir Charles, it would make thirteen at table; and so many people are superstitious.â

From her tone it could be gathered that Miss Milray would have sat down thirteen to dinner every night of her life without the slightest qualm. She went on:

âI think everything is arranged. I have told Holgate the car is to fetch Lady Mary and the Babbingtons. Is that right?â

âAbsolutely. Just what I was going to ask you to do.â

With a slightly superior smile on her rugged countenance, Miss Milray withdrew.

âThat,â said Sir Charles reverently, âis a very remarkable woman. Iâm always afraid sheâll come and brush my teeth for me.â

âEfficiency personified,â said Strange.

âSheâs been with me for six years,â said Sir Charles. âFirst as my secretary in London, and here, I suppose, sheâs a kind of glorified housekeeper. Runs this place like clockwork. And now, if you please, sheâs going to leave.â

âWhy?â

âShe saysââSir Charles rubbed his nose dubiouslyââshe says sheâs got an invalid mother. Personally I donât believe it. That kind of woman never had a mother at all. Spontaneously generated from a dynamo. No, thereâs something else.â

âQuite probably,â said Sir Bartholomew, âpeople have been talking.â

âTalking?â The actor stared. âTalkingâwhat about?â

âMy dear Charles. You know what talking means.â

âYou mean talking about herâand me? With that face? And at her age?â

âSheâs probably under fifty.â

âI suppose she is,â Sir Charles considered the matter. âBut seriously, Tollie, have you noticed her face? Itâs got two eyes, a nose and a mouth, but itâs not what you would call a faceânot a female face. The most scandal-loving old cat in the neighbourhood couldnât seriously connect sexual passion with a face like that.â

âYou underrate the imagination of the British spinster.â

Sir Charles shook his head.

âI donât believe it. Thereâs a kind of hideous respectability about Miss Milray that even a British spinster must recognize. She is virtue and respectability personifiedâand a damned useful woman. I always choose my secretaries plain as sin.â

âWise man.â

Sir Charles remained deep in thought for some minutes. To distract him, Sir Bartholomew asked: âWhoâs coming this afternoon?â

âAngie, for one.â

âAngela Sutcliffe? Thatâs good.â

Mr. Satterthwaite leaned forward interestedly, keen to know the composition of the house party. Angela Sutcliffe was a well-known actress, no longer young, but with a strong hold on the public and celebrated for her wit and charm. She was sometimes spoken of as Ellen Terryâs successor.

âThen there are the Dacres.â

Again Mr. Satterthwaite nodded to himself. Mrs. Dacres was Ambrosine, Ltd, that successful dressmaking establishment. You saw it on programmesââMiss Blankâs dresses in the first act by Ambrosine Ltd, Brook Street.â Her husband, Captain Dacres, was a dark horse in his own racing parlance. He spent a lot of time on race coursesâhad ridden himself in the Grand National in years gone by. There had been some troubleânobody knew exactlyâthough rumours had been spread about. There had been no inquiryânothing overt, but somehow at mention of Freddie Dacres peopleâs eyebrows went up a little.

âThen thereâs Anthony Astor, the playwright.â

âOf course,â said Mr. Satterthwaite. âShe wrote One-Way Traffic. I saw it twice. It made a great hit.â

He rather enjoyed showing that he knew that Anthony Astor was a woman.

âThatâs right,â said Sir Charles. âI forget what her real name isâWills, I think. Iâve only met her once. I asked her to please Angela. Thatâs the lotâof the house party, I mean.â

âAnd the locals?â asked the doctor.

âOh, the locals! Well, there are the Babbingtonsâheâs the parson, quite a good fellow, not too parsonical, and his wifeâs a really nice woman. Lectures me on gardening. Theyâre comingâand Lady Mary and Egg. Thatâs all. Oh, yes, thereâs a young fellow called Manders, heâs a journalist, or something. Good-looking young fellow. That completes the party.â

Mr. Satterthwaite was a man of methodical nature. He counted heads.

âMiss Sutcliffe, one, the Dacres, three, Anthony Astor, four, Lady Mary and her daughter, six, the parson and his wife, eight, the young fellow nine, ourselves twelve. Either you or Miss Milray must have counted wrong, Sir Charles.â

âIt couldnât be Miss Milray,â said Sir Charles with assurance. âThat womanâs never wrong. Let me see: Yes, by Jove, youâre right. I have missed out one guest. Heâd slipped my memory.â

He chuckled. âWouldnât be best pleased at that, either. The fellow is the most conceited little devil I ever met.â

Mr. Satterthwaiteâs eyes twinkled. He had always been of the opinion that the vainest men in creation were actors. He did not exempt Sir Charles Cartwright. This instance of the pot calling the kettle black amused him.

âWho is the egoist?â he asked.

âRum little beggar,â said Sir Charles. âRather a celebrated little beggar, though. You may have heard of him. Hercule Poirot. Heâs a Belgian.â

âThe detective,â said Mr. Satterthwaite. âI have met him. Rather a remarkable personage.â

âHeâs a character,â said Sir Charles.

âIâve never met him,â said Sir Bartholomew, âbut Iâve heard a good deal about him. He retired some time ago, though, didnât he? Probably most of what Iâve heard is legend. Well, Charles, I hope we shanât have a crime this weekend.â

âWhy? Because weâve got a detective in the house? Rather putting the cart before the horse, arenât you, Tollie?â

âWell, itâs by way of being a theory of mine.â

âWhat is your theory, doctor?â asked Mr. Satterthwaite.

âThat events come to peopleânot people to events. Why do some people have exciting lives and other people dull ones? Because of their surroundings? Not at all. One man may travel to the ends of the earth and nothing will happen to him. There will be a massacre a week before he arrives, and an earthquake the day after he leaves, and the boat that he nearly took will be shipwrecked. And another man may live at Balham and travel to the City every day, and things will happen to him. He will be mixed up with blackmailing gangs and beautiful girls and motor bandits. There are people with a tendency to shipwrecksâeven if they go on a boat on an ornamental lake something will happen to it. In the same way men like your Hercule Poirot donât have to look for crimeâit comes to them.â

âIn that case,â said Mr. Satterthwaite, âperhaps it is as well that Miss Milray is joining us, and that we are not sitting down thirteen to dinner.â

âWell,â said Sir Charles handsomely, âyou can have your murder, Tollie, if youâre so keen on it. I make only one stipulationâthat I shanât be the corpse.â

And, laughing, the three men went into the house.

Two

INCIDENT BEFORE DINNER

The principal interest of Mr. Satterthwaiteâs life was people.

He was on the whole more interested in women than men. For a manly man, Mr. Satterthwaite knew far too much about women. There was a womanish strain in his character which lent him insight into the feminine mind. Women all his life had confided in him, but they had never taken him seriously. Sometimes he felt a little bitter about this. He was, he felt, always in the stalls watching the play, never on the stage taking part in the drama. But in truth the rÃ´le of onlooker suited him very well.

This evening, sitting in the large room giving onto the terrace, cleverly decorated by a modern firm to resemble a shipâs cabin de luxe, he was principally interested in the exact shade of hair dye attained by Cynthia Dacres. It was an entirely new toneâstraight from Paris, he suspectedâa curious and rather pleasing effect of greenish bronze. What Mrs. Dacres really looked like it was impossible to tell. She was a tall woman with a figure perfectly disciplined to the demands of the moment. Her neck and arms were her usual shade of summer tan for the countryâwhether naturally or artificially produced it was impossible to tell. The greenish bronze hair was set in a clever and novel style that only Londonâs best hairdresser could achieve. Her plucked eyebrows, darkened lashes, exquisitively made-up face, and mouth lipsticked to a curve that its naturally straight line did not possess, seemed all adjuncts to the perfection of her evening gown of a deep and unusual blue, cut very simply it seemed (though this was ludicrously far from the case) and of an unusual materialâdull, but with hidden lights in it.

âThatâs a clever woman,â said Mr. Satterthwaite, eyeing her with approval. âI wonder what sheâs really like.â

But this time he meant in mind, not in body.

Her words came drawlingly, in the mode of the moment.

âMy dear, it wasnât possible. I mean, things either are possible or theyâre not. This wasnât. It was simply penetrating.â

That was the new word just nowâeverything was âpenetrating.â

Sir Charles was vigorously shaking cocktails and talking to Angela Sutcliffe, a tall, grey-haired woman with a mischievous mouth and fine eyes.

Dacres was talking to Bartholomew Strange.

âEveryone knows whatâs wrong with old Ladisbourne. The whole stable knows.â

He spoke in a high clipped voiceâa little red, foxy man with a short moustache and slightly shifty eyes.

Beside Mr. Satterthwaite sat Miss Wills, whose play, One-Way Traffic, had been acclaimed as one of the most witty and daring seen in London for some years. Miss Wills was tall and thin, with a receding chin and very badly waved fair hair. She wore pince-nez, and was dressed in exceedingly limp green chiffon. Her voice was high and undistinguished.

âI went to the South of France,â she said. âBut, really, I didnât enjoy it very much. Not friendly at all. But of course itâs useful to me in my workâto see all the goings-on, you know.â

Mr. Satterthwaite thought: âPoor soul. Cut off by success from her spiritual homeâa boardinghouse in Bournemouth. Thatâs where sheâd like to be.â He marvelled at the difference between written works and their authors. That cultivated âman-of-the-worldâ tone that Anthony Astor imparted to his playsâwhat faintest spark of it could be perceived in Miss Wills? Then he noticed that the pale blue eyes behind the pince-nez were singularly intelligent. They were turned on him now with an appraising look that slightly disconcerted him. It was as though Miss Wills were painstakingly learning him by heart.

Sir Charles was just pouring out the cocktails.

âLet me get you a cocktail,â said Mr. Satterthwaite, springing up.

Miss Wills giggled.

âI donât mind if I do,â she said.

The door opened and Temple announced Lady Mary Lytton Gore and Mr. and Mrs. Babbington and Miss Lytton Gore.

Mr. Satterthwaite supplied Miss Wills with her cocktail and then sidled into the neighbourhood of Lady Mary Lytton Gore. As has been stated before, he had a weakness for titles.

Also, apart from snobbishness, he liked a gentlewoman, and that Lady Mary most undeniably was.

Left as a widow very badly off with a child of three, she had come to Loomouth and taken a small cottage where she had lived with one devoted maid ever since. She was a tall thin woman, looking older than her fifty-five years. Her expression was sweet and rather timid. She adored her daughter, but was a little alarmed by her.

Hermione Lytton Gore, usually known for some obscure reason as Egg, bore little resemblance to her mother. She was of a more energetic type. She was not, Mr. Satterthwaite decided, beautiful, but she was undeniably attractive. And the cause of that attraction, he thought, lay in her abounding vitality. She seemed twice as alive as anyone in that room. She had dark hair, and grey eyes and was of medium height. It was something in the way the hair curled crisply in her neck, in the straight glance of the grey eyes, in the curve of the cheek, in the infectious laugh that gave one that impression of riotous youth and vitality.

She stood talking to Oliver Manders, who had just arrived.

âI canât think why sailing bores you so much. You used to like it.â

âEggâmy dear. One grows up.â

He drawled the words, raising his eyebrows.

A handsome young fellow, twenty-five at a guess. Something, perhaps, a little sleek about his good looks. Something elseâsomethingâwas it foreign? Something unEnglish about him.

Somebody else was watching Oliver Manders. A little man with an egg-shaped head and very foreign-looking moustaches. Mr. Satterthwaite had recalled himself to M. Hercule Poirotâs memory. The little man had been very affable. Mr. Satterthwaite suspected him of deliberately exaggerating his foreign mannerisms. His small twinkly eyes seemed to say, âYou expect me to be the buffoon? To play the comedy for you? Bienâit shall be as you wish!â

But there was no twinkle now in Hercule Poirotâs eyes. He looked grave and a little sad.

The Rev. Stephen Babbington, rector of Loomouth, came and joined Lady Mary and Mr. Satterthwaite. He was a man of sixty odd, with kind faded eyes and a disarming diffident manner. He said to Mr. Satterthwaite:

âWe are very lucky to have Sir Charles living among us. He has been most kindâmost generous. A very pleasant neighbour to have. Lady Mary agrees, I am sure.â

Lady Mary smiled.

âI like him very much. His success hasnât spoilt him. In many ways he is,â her smile deepened, âa child still.â

The parlourmaid approached with the tray of cocktails as Mr. Satterthwaite reflected how unendingly maternal women were. Being of the Victorian generation, he approved that trait.

âYou can have a cocktail, Mums,â said Egg, flashing up to them, glass in hand. âJust one.â

âThank you, dear,â said Lady Mary meekly.

âI think,â said Mr. Babbington, âthat my wife would allow me to have one.â

And he laughed a little gentle clerical laugh.

Mr. Satterthwaite glanced over at Mrs. Babbington, who was talking earnestly to Sir Charles on the subject of manure.

âSheâs got fine eyes,â he thought.

Mrs. Babbington was a big untidy woman. She looked full of energy and likely to be free from petty-mindedness. As Charles Cartwright had saidâa nice woman.

âTell me,â Lady Mary leaned forward. âWho is the young woman you were talking to when we came inâthe one in green?â

âThatâs the playwrightâAnthony Astor.â

âWhat? Thatâthat anaemic-looking young woman? Oh!â She caught herself up. âHow dreadful of me. But it was a surprise. She doesnât lookâI mean she looks exactly like an inefficient nursery governess.â

It was such an apt description of Miss Willsâ appearance that Mr. Satterthwaite laughed. Mr. Babbington was peering across the room with amiable shortsighted eyes. He took a sip of his cocktail and choked a little. He was unused to cocktails, thought Mr. Satterthwaite amusedlyâprobably they represented modernity to his mindâbut he didnât like them. Mr. Babbington took another determined mouthful with a slightly wry face and said:

âIs it the lady over there? Oh dearââ

His hand went to his throat.

Egg Lytton Goreâs voice rang out:

âOliverâyou slippery Shylockââ

âOf course,â thought Mr. Satterthwaite, âthatâs itânot foreignâJew!â

What a handsome pair they made. Both so young and good-lookingâ¦and quarrelling, tooâalways a healthy signâ¦.

He was distracted by a sound at his side. Mr. Babbington had risen to his feet and was swaying to and fro. His face was convulsed.

It was Eggâs clear voice that drew the attention of the room, though Lady Mary had risen and stretched out an anxious hand.

âLook,â said Eggâs voice. âMr. Babbington is ill.â

Sir Bartholomew Strange came forward hurriedly, supporting the stricken man and half lifting him to a couch at one side of the room. The others crowded round, anxious to help, but impotentâ¦.

Two minutes later Strange straightened himself and shook his head. He spoke bluntly, aware that it was no use to beat about the bush.

âIâm sorry,â he said. âHeâs deadâ¦.â

Three

SIR CHARLES WONDERS

âCome in here a minute, Satterthwaite, will you?â

Sir Charles poked his head out of the door.

An hour and a half had passed. To confusion had succeeded peace. Lady Mary had led the weeping Mrs. Babbington out of the room and had finally gone home with her to the vicarage. Miss Milray had been efficient with the telephone. The local doctor had arrived and taken charge. A simplified dinner had been served, and by mutual consent the house party had retired to their rooms after it. Mr. Satterthwaite had been making his own retreat when Sir Charles had called to him from the door of the Ship room where the death had taken place.

Mr. Satterthwaite passed in, repressing a slight shiver as he did so. He was old enough not to like the sight of deathâ¦For soon, perhaps, he himselfâ¦But why think of that?

âIâm good for another twenty years,â said Mr. Satterthwaite robustly to himself.

The only other occupant of the Ship room was Bartholomew Strange. He nodded approval at the sight of Mr. Satterthwaite.

âGood man,â he said. âWe can do with Satterthwaite. He knows life.â

A little surprised, Mr. Satterthwaite sat down in an armchair near the doctor. Sir Charles was pacing up and down. He had forgotten the semi-clenching of his hands and looked definitely less naval.

âCharles doesnât like it,â said Sir Bartholomew. âPoor old Babbingtonâs death, I mean.â

Mr. Satterthwaite thought the sentiment ill expressed. Surely nobody could be expected to âlikeâ what had occurred. He realized that Strange had quite another meaning from the bald one the words conveyed.

âIt was very distressing,â said Mr. Satterthwaite, cautiously feeling his way. âVery distressing indeed,â he added with a reminiscent shiver.

âHâm, yes, it was rather painful,â said the physician, the professional accent creeping for a moment into his voice.

Cartwright paused in his pacing.

âEver see anyone die quite like that before, Tollie?â

âNo,â said Sir Bartholomew thoughtfully. âI canât say that I have.

âBut,â he added in a moment or two, âI havenât really seen as many deaths as you might suppose. A nerve specialist doesnât kill off many of his patients. He keeps âem alive and makes his income out of them. MacDougal has seen far more deceases than I have, I donât doubt.â

Dr. MacDougal was the principal doctor in Loomouth, whom Miss Milray had summoned.

âMacDougal didnât see this man die. He was dead when he arrived. There was only what we could tell him, what you could tell him. He said it was some kind of seizure, said Babbington was elderly, and his health was none too good. That doesnât satisfy me.â

âProbably didnât satisfy him,â grunted the other. âBut a doctor has to say something. Seizure is a good wordâmeans nothing at all, but satisfies the lay mind. And, after all, Babbington was elderly, and his health had been giving him trouble lately; his wife told us so. There may have been some unsuspected weakness somewhere.â

âWas that a typical fit or seizure, or whatever you call it?â

âTypical of what?â

âOf any known disease?â

âIf youâd ever studied medicine,â said Sir Bartholomew, âyouâd know that there is hardly any such thing as a typical case.â

âWhat, precisely, are you suggesting, Sir Charles?â asked Mr. Satterthwaite.

Cartwright did not answer. He made a vague gesture with his hand. Strange gave a slight chuckle.

âCharles doesnât know himself,â he said. âItâs just his mind turning naturally to the dramatic possibilities.â

Sir Charles made a reproachful gesture. His face was absorbedâthoughtful. He shook his head slightly in an abstracted manner.

An elusive resemblance teased Mr. Satterthwaiteâthen he got it. Aristide Duval, the head of the Secret Service, unravelling the tangled plot of âUnderground Wires.â In another minute he was sure. Sir Charles was limping unconsciously as he walked. Aristide Duval had been known as The Man With a Limp.

Sir Bartholomew continued to apply ruthless common sense to Sir Charlesâs unformulated suspicions.

âYes, what do you suspect, Charles? Suicide? Murder? Who wants to murder a harmless old clergyman? Itâs fantastic. Suicide? Well, I suppose that is a point. One might perhaps imagine a reason for Babbington wanting to make away with himselfââ

âWhat reason?â

Sir Bartholomew shook his head gently.

âHow can we tell the secrets of the human mind? Just one suggestionâsuppose that Babbington had been told he suffered from an incurable diseaseâsuch as cancer. Something of that kind might supply a motive. He might wish to spare his wife the pain of watching his own long-drawn-out suffering. Thatâs only a suggestion, of course. Thereâs nothing on earth to make us think that Babbington did want to put an end to himself.â

âI wasnât thinking so much of suicide,â began Sir Charles.

Bartholomew Strange again gave his low chuckle.

âExactly. Youâre not out for probability. You want sensationânew and untraceable poison in the cocktails.â

Sir Charles made an expressive grimace.

âIâm not so sure I do want that. Damn it all, Tollie, remember I mixed those cocktails.â

âSudden attack of homicidal mania, eh? I suppose the symptoms are delayed in our case, but weâll all be dead before morning.â

âDamn it all, you joke, butââ Sir Charles broke off irritably.

âIâm not really joking,â said the physician.

His voice had altered. It was grave, and not unsympathetic.

âIâm not joking about poor old Babbingtonâs death. Iâm casting fun at your suggestions, Charles, becauseâwellâbecause I donât want you, thoughtlessly, to do harm.â

âHarm?â demanded Sir Charles.

âPerhaps you understand what Iâm driving at, Mr. Satterthwaite?â

âI think, perhaps, I can guess,â said Mr. Satterthwaite.

âDonât you see, Charles,â went on Sir Bartholomew, âthat those idle suspicions of yours might be definitely harmful? These things get about. A vague suggestion of foul play, totally unfounded, might cause serious trouble and pain to Mrs. Babbington. Iâve known things of that kind happen once or twice. A sudden deathâa few idle tongues waggingârumours flying all round the placeârumours that go on growingâand that no one can stop. Damn it all, Charles, donât you see how cruel and unnecessary it would be? Youâre merely indulging your vivid imagination in a gallop over a wholly speculative course.â

A look of irresolution appeared on the actorâs face.

âI hadnât thought of it like that,â he admitted.

âYouâre a thundering good chap, Charles, but you do let your imagination run away with you. Come now: do you seriously believe anyone, anyone at all, would want to murder that perfectly harmless old man?â

âI suppose not,â said Sir Charles. âNo, as you say, itâs ridiculous. Sorry, Tollie, but it wasnât really a mere âstuntâ on my part. I did genuinely have a âhunchâ that something was wrong.â

Mr. Satterthwaite gave a little cough.

âMay I make a suggestion? Mr. Babbington was taken ill a very few moments after entering the room and just after drinking his cocktail. Now, I did happen to notice he made a wry face when drinking. I imagined because he was unused to the taste. But supposing that Sir Bartholomewâs tentative suggestion is correctâthat Mr. Babbington may for some reason have wished to commit suicide. That does strike me as just possible, whereas the suggestion of murder seems quite ridiculous.

âI feel that it is possible, though not probable, that Mr. Babbington introduced something into that glass unseen by us.

âNow I see that nothing has yet been touched in this room. The cocktail glasses are exactly where they were. This is Mr. Babbingtonâs. I know, because I was sitting here talking to him. I suggest that Sir Bartholomew should get the glass analysedâthat can be done quite quietly and without causing any âtalk.ââ

Sir Bartholomew rose and picked up the glass.

âRight,â he said. âIâll humour you so far, Charles, and Iâll bet you ten pounds to one that thereâs nothing in it but honest-to-God gin and vermouth.â

âDone,â said Sir Charles.

Then he added with a rueful smile:

âYou know, Tollie, you are partly responsible for my flights of fancy.â

âI?â

âYes, with your talk of crime this morning. You said this man, Hercule Poirot, was a kind of stormy petrel, that where he went crimes followed. No sooner does he arrive than we have a suspiciously sudden death. Of course my thoughts fly to murder at once.â

âI wonder,â said Mr. Satterthwaite, and stopped.

âYes,â said Charles Cartwright. âIâd thought of that. What do you think, Tollie? Could we ask him what he thinks of it all? Is it etiquette, I mean?â

âA nice point,â murmured Mr. Satterthwaite.

âI know medical etiquette, but Iâm hanged if I know anything about the etiquette of detection.â

âYou canât ask a professional singer to sing,â murmured Mr. Satterthwaite. âCan one ask a professional detective to detect? Yes, a very nice point.â

âJust an opinion,â said Sir Charles.

There was a gentle tap on the door, and Hercule Poirotâs face appeared, peering in with an apologetic expression.

âCome in, man,â cried Sir Charles, springing up. âWe were just talking of you.â

âI thought perhaps I might be intruding.â

âNot at all. Have a drink.â

âI thank you, no. I seldom drink the whisky. A glass of sirop, nowââ

But sirop was not included in Sir Charlesâs conception of drinkable fluids. Having settled his guest in a chair, the actor went straight to the point.

âIâm not going to beat about the bush,â he said. âWe were just talking of you, M. Poirot, andâandâof what happened tonight. Look here, do you think thereâs anything wrong about it?â

Poirotâs eyebrows rose. He said:

âWrong? How do you mean thatâwrong?â

Bartholomew Strange said, âMy friend has got an idea into his head that old Babbington was murdered.â

âAnd you do not think soâeh?â

âWeâd like to know what you think.â

Poirot said thoughtfully:

âHe was taken ill, of course, very suddenlyâvery suddenly indeed.â

âJust so.â

Mr. Satterthwaite explained the theory of suicide and his own suggestion of having a cocktail glass analysed.

Poirot nodded approval.

âThat, at any rate, can do no harm. As a judge of human nature, it seems to me unlikely in the extreme that anyone could wish to do away with a charming and harmless old gentleman. Still less does the solution of suicide appeal to me. However, the cocktail glass will tell us one way or another.â

âAnd the result of the analysis, you think, will beâwhat?â

Poirot shrugged his shoulders.

âMe? I can only guess. You ask me to guess what will be the result of the analysis?â

âYesâ?â

âThen I guess that they will find only the remains of a very excellent dry Martini.â (He bowed to Sir Charles.) âTo poison a man in a cocktail, one of many handed round on a trayâwell, it would be a technique veryâveryâdifficult. And if that charming old clergyman wanted to commit suicide, I do not think he would do it at a party. That would show a very decided lack of consideration for others, and Mr. Babbington struck me as a very considerate person.â He paused. âThat, since you ask me, is my opinion.â

There was a momentâs silence. Then Sir Charles gave a deep sigh. He opened one of the windows and looked out.

âWindâs gone round a point,â he said.

The sailor had come back and the Secret Service detective had disappeared.

But to the observant Mr. Satterthwaite it seemed as though Sir Charles hankered slightly after the part he was not, after all, to play.

Four

A MODERN ELAINE

âYes, but what do you think, Mr. Satterthwaite? Really think?â

Mr. Satterthwaite looked this way and that. There was no escape. Egg Lytton Gore had got him securely cornered on the fishing quay. Merciless, these modern young womenâand terrifyingly alive.

âSir Charles has put this idea into your head,â he said.

âNo, he hasnât. It was there already. Itâs been there from the beginning. It was so frightfully sudden.â

âHe was an old man, and his health wasnât very goodââ

Egg cut the recital short.

âThatâs all tripe. He had neuritis and a touch of rheumatoid arthritis. That doesnât make you fall down in a fit. He never had fits. He was the sort of gentle creaking gate that would have lived to be ninety. What did you think of the inquest?â

âIt all seemed quiteâerânormal.â

âWhat did you think of Dr. MacDougalâs evidence? Frightfully technical, and all thatâclose description of the organsâbut didnât it strike you that behind all that bombardment of words he was hedging? What he said amounted to this: that there was nothing to show death had not arisen from natural causes. He didnât say it was the result of natural causes.â

âArenât you splitting hairs a little, my dear?â

âThe point is that he didâhe was puzzled, but he had nothing to go upon, so he had to take refuge in medical caution. What did Sir Bartholomew Strange think?â

Mr. Satterthwaite repeated some of the physicianâs dictums.

âPooh-poohed it, did he?â said Egg thoughtfully. âOf course, heâs a cautious manâI suppose a Harley Street big bug has to be.â

âThere was nothing in the cocktail glass but gin and vermouth,â Mr. Satterthwaite reminded her.

âThat seems to settle it. All the same, something that happened after the inquest made me wonderââ

âSomething Sir Bartholomew said to you?â

Mr. Satterthwaite began to feel a pleasant curiosity.

âNot to meâto Oliver. Oliver Mandersâhe was at dinner that night, but perhaps you donât remember him.â

âYes, I remember him very well. Is he a great friend of yours?â

âUsed to be. Now we scrap most of the time. Heâs gone into his uncleâs office in the city, and heâs gettingâwell, a bit oily, if you know what I mean. Always talks of chucking it and being a journalistâhe writes rather well. But I donât think itâs any more than talk now. He wants to get rich. I think everybody is rather disgusting about money, donât you, Mr. Satterthwaite?â

Her youth came home to him thenâthe crude, arrogant childishness of her.

âMy dear,â he said, âso many people are disgusting about so many things.â

âMost people are swine, of course,â agreed Egg cheerfully. âThatâs why Iâm really cut up about old Mr. Babbington. Because you see, he really was rather a pet. He prepared me for confirmation and all that, and though of course a lot of that business is all bunkum, he really was rather sweet about it. You see, Mr. Satterthwaite, I really believe in Christianityânot like Mother does, with little books and early service, and thingsâbut intelligently and as a matter of history. The Church is all clotted up with the Pauline traditionâin fact the Church is a messâbut Christianity itself is all right. Thatâs why I canât be a communist like Oliver. In practice our beliefs would work out much the same, things in common and ownership by all, but the differenceâwell, I neednât go into that. But the Babbingtons really were Christians; they didnât poke and pry and condemn, and they were never unkind about people or things. They were petsâand there was Robinâ¦.â

âRobin?â

âTheir sonâ¦He was out in India and got killedâ¦IâI had rather a pash on Robinâ¦.â

Egg blinked. Her gaze went out to seaâ¦.

Then her attention returned to Mr. Satterthwaite and the present.

âSo, you see, I feel rather strongly about this. Supposing it wasnât a natural deathâ¦.â

âMy dear child!â

âWell, itâs damned odd! You must admit itâs damned odd.â

âBut surely you yourself have just practically admitted that the Babbingtons hadnât an enemy in the world.â

âThatâs whatâs so queer about it. I canât think of any conceivable motiveâ¦.â

âFantastic! There was nothing in the cocktail.â

âPerhaps someone jabbed him with a hypodermic.â

âContaining the arrow poison of the South American Indians,â suggested Mr. Satterthwaite, gently ridiculing.

Egg grinned.

âThatâs it. The good old untraceable stuff. Oh, well, youâre all very superior about it. Someday, perhaps, youâll find out we are right.â

âWe?â

âSir Charles and I.â She flushed slightly.

Mr. Satterthwaite thought in the words and metre of his generation when Quotations for All Occasions was to be found in every bookcase.

âOf more than twice her years,

Seamâd with an ancient swordcut on the cheek,

And bruised and bronzed, she lifted up her eyes

And loved him, with that love which was her doom.â

He felt a little ashamed of himself for thinking in quotationsâTennyson, too, was very little thought of nowadays. Besides, though Sir Charles was bronzed, he was not scarred, and Egg Lytton Gore, though doubtless capable of a healthy passion, did not look at all likely to perish of love and drift about rivers on a barge. There was nothing of the lily maid of Astolat about her.

âExcept,â thought Mr. Satterthwaite, âher youthâ¦.â

Girls were always attracted to middle-aged men with interesting pasts. Egg seemed to be no exception to this rule.

âWhy hasnât he ever married?â she asked abruptly.

âWellâ¦â Mr. Satterthwaite paused. His own answer, put bluntly, would have been, âCaution,â but he realized that such a word would be unacceptable to Egg Lytton Gore.

Sir Charles Cartwright had had plenty of affairs with women, actresses and others, but he had always managed to steer clear of matrimony. Egg was clearly seeking for a more romantic explanation.

âThat girl who died of consumptionâsome actress, name began with an Mâwasnât he supposed to be very fond of her?â

Mr. Satterthwaite remembered the lady in question. Rumour had coupled Charles Cartwrightâs name with hers, but only very slightly, and Mr. Satterthwaite did not for a moment believe that Sir Charles had remained unmarried in order to be faithful to her memory. He conveyed as much tactfully.

âI suppose heâs had lots of affairs,â said Egg.

âErâhâmâprobably,â said Mr. Satterthwaite, feeling Victorian.

âI like men to have affairs,â said Egg. âIt shows theyâre not queer or anything.â

Mr. Satterthwaiteâs Victorianism suffered a further pang. He was at a loss for a reply. Egg did not notice his discomfiture. She went on musingly.

âYou know, Sir Charles is really cleverer than youâd think. He poses a lot, of course, dramatises himself; but behind all that heâs got brains. Heâs far better sailing a boat than youâd ever think, to hear him talk. Youâd think, to listen to him, that it was all pose, but it isnât. Itâs the same about this business. You think itâs all done for effectâthat he wants to play the part of the great detective. All I say is: I think heâd play it rather well.â

âPossibly,â agreed Mr. Satterthwaite.

The inflection of his voice showed his feelings clearly enough. Egg pounced on them and expressed them in words.

âBut your view is that âDeath of a Clergymanâ isnât a thriller. Itâs merely âRegrettable Incident at a Dinner Party.â Purely a social catastrophe. What did M. Poirot think? He ought to know.â

âM. Poirot advised us to wait for the analysis of the cocktail; but in his opinion everything was quite all right.â

âOh, well,â said Egg, âheâs getting old. Heâs a back number.â Mr. Satterthwaite winced. Egg went on, unconscious of brutality: âCome home and have tea with Mother. She likes you. She said so.â

Delicately flattered, Mr. Satterthwaite accepted the invitation.

On arrival Egg volunteered to ring up Sir Charles and explain the nonappearance of his guest.

Mr. Satterthwaite sat down in the tiny sitting room with its faded chintzes and its well-polished pieces of old furniture. It was a Victorian room, what Mr. Satterthwaite called in his own mind a ladyâs room, and he approved of it.

His conversation with Lady Mary was agreeable, nothing brilliant, but pleasantly chatty. They spoke of Sir Charles. Did Mr. Satterthwaite know him well? Not intimately, Mr. Satterthwaite said. He had a financial interest in one of Sir Charlesâs plays some years ago. They had been friends ever since.

âHe has great charm,â said Lady Mary, smiling. âI feel it as well as Egg. I suppose youâve discovered that Egg is suffering badly from hero-worship?â

Mr. Satterthwaite wondered if, as a mother, Lady Mary was not made slightly uneasy by that hero-worship. But it did not seem so.

âEgg sees so little of the world,â she said, sighing. âWe are so badly off. One of my cousins presented her and took her to a few things in town, but since then she has hardly been away from here, except for an occasional visit. Young people, I feel, should see plenty of people and placesâespecially people. Otherwiseâwell, propinquity is sometimes a dangerous thing.â

Mr. Satterthwaite agreed, thinking of Sir Charles and the sailing, but that this was not what was in Lady Maryâs mind, she showed a moment or two later.

âSir Charlesâs coming has done a lot for Egg. It has widened her horizon. You see, there are very few young people down hereâespecially men. Iâve always been afraid that Egg might marry someone simply from being thrown with one person only and seeing no one else.â

Mr. Satterthwaite had a quick intuition.

âAre you thinking of young Oliver Manders?â

Lady Mary blushed in ingenuous surprise.

âOh, Mr. Satterthwaite, I donât know how you knew! I was thinking of him. He and Egg were together a lot at one time, and I know Iâm old-fashioned, but I donât like some of his ideas.â

âYouth must have its fling,â said Mr. Satterthwaite.

Lady Mary shook her head.

âIâve been so afraidâitâs quite suitable, of course, I know all about him, and his uncle, who has recently taken him into his firm, is a very rich man; itâs not thatâitâs silly of meâbutââ

She shook her head, unable to express herself further.

Mr. Satterthwaite felt curiously intimate. He said quietly and plainly:

âAll the same, Lady Mary, you wouldnât like your girl to marry a man twice her own age.â

Her answer surprised him.

âIt might be safer so. If you do that, at least you know where you are. At that age a manâs follies and sins are definitely behind him; they are notâstill to comeâ¦.â

Before Mr. Satterthwaite could say any more, Egg rejoined them.

âYouâve been a long time, darling,â said her mother.

âI was talking to Sir Charles, my sweet. Heâs all alone in his glory.â She turned reproachfully to Mr. Satterthwaite. âYou didnât tell me the house party had flitted.â

âThey went back yesterdayâall but Sir Bartholomew Strange. He was staying till tomorrow, but he was recalled to London by an urgent telegram this morning. One of his patients was in a critical condition.â

âItâs a pity,â said Egg. âBecause I meant to study the house party. I might have got a clue.â

âA clue to what, darling?â

âMr. Satterthwaite knows. Oh, well, it doesnât matter. Oliverâs still here. Weâll rope him in. Heâs got brains when he likes.â

When Mr. Satterthwaite arrived back at Crowâs Nest he found his host sitting on the terrace overlooking the sea.

âHullo, Satterthwaite. Been having tea with the Lytton Gores?â

âYes. You donât mind?â

âOf course not. Egg telephonedâ¦Odd sort of girl, Eggâ¦.â

âAttractive,â said Mr. Satterthwaite.

âHâm, yes, I suppose she is.â

He got up and walked a few aimless steps.

âI wish to God,â he said suddenly and bitterly, âthat Iâd never come to this cursed place.â

Five

FLIGHT FROM A LADY

Mr. Satterthwaite thought to himself: âHeâs got it badly.â

He felt a sudden pity for his host. At the age of fifty-two, Charles Cartwright, the gay debonair breaker of hearts, had fallen in love. And, as he himself realized, his case was doomed to disappointment. Youth turns to youth.

âGirls donât wear their hearts on their sleeves,â thought Mr. Satterthwaite. âEgg makes a great parade of her feeling for Sir Charles. She wouldnât if it really meant anything. Young Manders is the one.â

Mr. Satterthwaite was usually fairly shrewd in his assumptions.

Still, there was probably one factor that he did not take into account, because he was unaware of it himself. That was the enhanced value placed by age on youth. To Mr. Satterthwaite, an elderly man, the fact that Egg might prefer a middle-aged man to a young one was frankly incredible. Youth was to him so much the most magical of all gifts.

He felt strengthened in his beliefs when Egg rang up after dinner and demanded permission to bring Oliver along and âhave a consultation.â

Certainly a handsome lad, with his dark, heavy-lidded eyes and easy grace of movement. He had, it seemed, permitted himself to be broughtâa tribute to Eggâs energy; but his general attitude was lazily sceptical.

âCanât you talk her out of it, sir?â he said to Sir Charles. âItâs this appallingly healthy bucolic life she leads that makes her so energetic. You know, Egg, you really are detestably hearty. And your tastes are childishâcrimeâsensationâand all that bunk.â

âYouâre a sceptic, Manders?â

âWell, sir, really. That dear old bleating fellow. Itâs fantastic to think of anything else but natural causes.â

âI expect youâre right,â said Sir Charles.

Mr. Satterthwaite glanced at him. What part was Charles Cartwright playing tonight. Not the ex-Naval manânot the international detective. No, some new and unfamiliar rÃ´le.

It came as a shock to Mr. Satterthwaite when he realized what that rÃ´le was. Sir Charles was playing second fiddle. Second fiddle to Oliver Manders.

He sat back with his head in shadow watching those two, Egg and Oliver, as they disputedâEgg hotly, Oliver languidly.

Sir Charles looked older than usualâold and tired.

More than once Egg appealed to himâhotly and confidentlyâbut his response was lacking.

It was eleven oâclock when they left. Sir Charles went out on the terrace with them and offered the loan of an electric torch to help them down the stony path.

But there was no need of a torch. It was a beautiful moonlit night. They set off together, their voices growing fainter as they descended.

Moonlight or no moonlight, Mr. Satterthwaite was not going to risk a chill. He returned to the Ship room. Sir Charles stayed out on the terrace a little while longer.

When he came in he latched the window behind him, and striding to a side table poured himself out a whisky and soda.

âSatterthwaite,â he said, âIâm leaving here tomorrow for good.â

âWhat?â cried Mr. Satterthwaite, astonished.

A kind of melancholy pleasure at the effect he had produced showed for a minute on Charles Cartwrightâs face.

âItâs the Only Thing To Do,â he said, obviously speaking in capital letters. âI shall sell this place. What it has meant to me no one will ever know.â His voice dropped, lingeringlyâ¦effectively.

After an evening of second fiddle, Sir Charlesâs egoism was taking its revenge. This was the great Renunciation Scene, so often played by him in sundry and divers dramas. Giving Up the Other Manâs Wife, Renouncing the Girl he Loved.

There was a brave flippancy in his voice as he went on.

âCut your lossesâitâs the only wayâ¦Youth to youthâ¦Theyâre made for each other, those twoâ¦I shall clear outâ¦.â

âWhere to?â asked Mr. Satterthwaite.

The actor made a careless gesture.

âAnywhere. What does it matter?â He added with a slight change of voice, âProbably Monte Carlo.â And then, retrieving what his sensitive taste could not but feel to be a slight anticlimax, âIn the heart of the desert or the heart of the crowdâwhat does it matter? The inmost core of man is solitaryâalone. I have always beenâa lonely soulâ¦.â

It was clearly an exit line.

He nodded to Mr. Satterthwaite and left the room.

Mr. Satterthwaite got up and prepared to follow his host to bed.

âBut it wonât be the heart of a desert,â he thought to himself with a slight chuckle.

On the following morning Sir Charles begged Mr. Satterthwaite to forgive him if he went up to town that day.

âDonât cut your visit short, my dear fellow. You were staying till tomorrow, and I know youâre going on to the Harbertons at Tavistock. The car will take you there. What I feel is that, having come to my decision, I mustnât look back. No, I mustnât look back.â

Sir Charles squared his shoulders with manly resolution, wrung Mr. Satterthwaiteâs hand with fervour and delivered him over to the capable Miss Milray.

Miss Milray seemed prepared to deal with the situation as she had dealt with any other. She expressed no surprise or emotion at Sir Charlesâs overnight decision. Nor could Mr. Satterthwaite draw her out on the point. Neither sudden deaths nor sudden changes of plan could excite Miss Milray. She accepted whatever happened as a fact and proceeded to cope with it in an efficient way. She telephoned to the house agents, despatched wires abroad, and wrote busily on her typewriter. Mr. Satterthwaite escaped from the depressing spectacle of so much efficiency by strolling down to the quay. He was walking aimlessly along when he was seized by the arm from behind, and turned to confront a white-faced girl.

âWhatâs all this?â demanded Egg fiercely.

âAll what?â parried Mr. Satterthwaite.

âItâs all over the place that Sir Charles is going awayâthat heâs going to sell Crowâs Nest.â

âQuite true.â

âHe is going away?â

âHeâs gone.â

âOh!â Egg relinquished his arm. She looked suddenly like a very small child who has been cruelly hurt.

Mr. Satterthwaite did not know what to say.

âWhere has he gone?â

âAbroad. To the South of France.â

âOh!â

Still he did not know what to say. For clearly there was more than hero-worship hereâ¦.

Pitying her, he was turning over various consolatory words in his mind when she spoke againâand startled him.

âWhich of those damned bitches is it?â asked Egg fiercely.

Mr. Satterthwaite stared at her, his mouth fallen open in surprise. Egg took him by the arm again and shook him violently.

âYou must know,â she cried. âWhich of them? The grey-haired one or the other?â

âMy dear, I donât know what youâre talking about.â

âYou do. You must. Of course itâs some woman. He liked meâI know he liked me. One of those women the other night must have seen it, too, and determined to get him away from me. I hate women. Lousy cats. Did you see her clothesâthat one with the green hair? They made me gnash my teeth with envy. A woman who has clothes like that has a pullâyou canât deny it. Sheâs quite old and ugly as sin, really, but what does it matter. She makes everyone else look like a dowdy curateâs wife. Is it her? Or is it the other one with the grey hair? Sheâs amusingâyou can see that. Sheâs got masses of S.A. And he called her Angie. It canât be the one like a wilted cabbage. Is it the smart one or is it Angie?â

âMy dear, youâve got the most extraordinary ideas into your head. HeâerâCharles Cartwright isnât the least interested in either of those women.â

âI donât believe you. Theyâre interested in him, anywayâ¦.â

âNo, no, no, youâre making a mistake. This is all imagination.â

âBitches,â said Egg. âThatâs what they are!â

âYou mustnât use that word, my dear.â

âI can think of a lot worse things to say than that.â

âPossibly, possibly, but pray donât do so. I can assure you that you are labouring under a misapprehension.â

âThen why has he gone awayâlike this?â

Mr. Satterthwaite cleared his throat.

âI fancy heâerâthought it best.â

Egg stared at him piercingly.

âDo you meanâbecause of me?â

âWellâsomething of the kind, perhaps.â

âAnd so heâs legged it. I suppose I did show my hand a bit plainlyâ¦Men do hate being chased, donât they? Mums is right, after allâ¦Youâve no idea how sweet she is when she talks about men. Always in the third personâso Victorian and polite. âA man hates being run after; a girl should always let the man make the running.â Donât you think itâs a sweet expressionâmake the running? Sounds the opposite of what it means. Actually thatâs just what Charles has doneâmade the running. Heâs running away from me. Heâs afraid. And the devil of it is, I canât go after him. If I did I suppose heâd take a boat to the wilds of Africa or somewhere.â

âHermione,â said Mr. Satterthwaite, âare you serious about Sir Charles?â

The girl flung him an impatient glance.

âOf course I am.â

âWhat about Oliver Manders?â

Egg dismissed Oliver Manders with an impatient whisk of the head. She was following out a train of thought of her own.

âDo you think I might write to him? Nothing alarming. Just chatty girlish stuffâ¦you know, put him at his ease, so that heâd get over his scare?â

She frowned.

âWhat a fool Iâve been. Mums would have managed it much better. They knew how to do the trick, those Victorians. All blushing retreat. Iâve been all wrong about it. I actually thought he needed encouraging. He seemedâwell, he seemed to need a bit of help. Tell me,â she turned abruptly on Mr. Satterthwaite, âdid he see me do my kissing act with Oliver last night?â

âNot that I know of. Whenâ?â

âAll in the moonlight. As we were going down the path. I thought he was still looking from the terrace. I thought perhaps if he saw me and Oliverâwell, I thought it might wake him up a bit. Because he did like me. I could swear he liked me.â

âWasnât that a little hard on Oliver?â

Egg shook her head decisively.

âNot in the least. Oliver thinks itâs an honour for any girl to be kissed by him. It was damned bad for his conceit, of course; but one canât think of everything. I wanted to ginger up Charles. Heâs been different latelyâmore standoffish.â

âMy dear child,â said Mr. Satterthwaite, âI donât think you realize quite why Sir Charles went away so suddenly. He thought that you cared for Oliver. He went away to save himself further pain.â

Egg whisked round. She caught hold of Mr. Satterthwaite by the shoulders and peered into his face.

âIs that true? Is that really true? The mutt! The boob! Ohâ!â

She released Mr. Satterthwaite suddenly and moved along beside him with a skipping motion.

âThen heâll come back,â she said. âHeâll come back. If he doesnâtââ

âWell, if he doesnât?â

Egg laughed.

âIâll get him back somehow. You see if I donât.â

It seemed as though allowing for difference of language Egg and the lily maid of Astolat had much in common, but Mr. Satterthwaite felt that Eggâs methods would be more practical than those of Elaine, and that dying of a broken heart would form no part of them.

SECOND ACT

CERTAINTY

One

SIR CHARLES RECEIVES A LETTER

Mr. Satterthwaite had come over for the day to Monte Carlo. His round of house parties was over, and the Riviera in September was rather a favourite haunt of his.

He was sitting in the gardens enjoying the sun and reading a two-days-old Daily Mail.

Suddenly a name caught his attention. Strange. Death of Sir Bartholomew Strange. He read the paragraph through:

We much regret having to announce the death of Sir Bartholomew Strange, the eminent nerve specialist. Sir Bartholomew was entertaining a party of friends at his house in Yorkshire. Sir Bartholomew appeared to be in perfect health and spirits, and his demise occurred quite suddenly at the end of dinner. He was chatting with his friends and drinking a glass of port when he had a sudden seizure and died before medical aid could be summoned. Sir Bartholomew will be deeply regretted. He wasâ¦.

Here followed a description of Sir Bartholomewâs career and work.

Mr. Satterthwaite let the paper slip from his hand. He was very disagreeably impressed. A vision of the physician as he had seen him last flashed across his mindâbig, jocund, in the pink of condition. And nowâdead. Certain words detached themselves from their context and floated about disagreeably in Mr. Satterthwaiteâs mind. âDrinking a glass of port.â âSudden seizureâ¦Died before medical aid could be summonedâ¦.â

Port, not a cocktail, but otherwise curiously reminiscent of that death in Cornwall. Mr. Satterthwaite saw again the convulsed face of the mild old clergymanâ¦.

Supposing that after allâ¦.

He looked up to see Sir Charles Cartwright coming towards him across the grass.

âSatterthwaite, by all thatâs wonderful! Just the man Iâd have chosen to see. Have you seen about poor old Tollie?â

âI was just reading it now.â

Sir Charles dropped into a chair beside him. He was immaculately got up in yachting costume. No more grey flannels and old sweaters. He was the sophisticated yachtsman of the South of France.

âListen, Satterthwaite, Tollie was as sound as a bell. Never had anything wrong with him. Am I being a complete fanciful ass, or does this business remind you ofâofâ?â

âOf that business at Loomouth? Yes, it does. But of course we may be mistaken. The resemblance may be only superficial. After all, sudden deaths occur the whole time from a variety of causes.â

Sir Charles nodded his head impatiently. Then he said:

âIâve just got a letterâfrom Egg Lytton Gore.â

Mr. Satterthwaite concealed a smile.

âThe first youâve had from her?â

Sir Charles was unsuspecting.

âNo. I had a letter soon after I got here. It followed me about a bit. Just giving me the news and all that. I didnât answer itâ¦Dash it all, Satterthwaite, I didnât dare answer itâ¦The girl had no idea, of course, but I didnât want to make a fool of myself.â

Mr. Satterthwaite passed his hand over his mouth where the smile still lingered.

âAnd this one?â he asked.

âThis is different. Itâs an appeal for helpâ¦.â

âHelp?â Mr. Satterthwaiteâs eyebrows went up.

âShe was thereâyou seeâin the houseâwhen it happened.â

âYou mean she was staying with Sir Bartholomew Strange at the time of his death?â

âYes.â

âWhat does she say about it?â

Sir Charles had taken a letter from his pocket. He hesitated for a moment, then he handed it to Mr. Satterthwaite.

âYouâd better read it for yourself.â

Mr. Satterthwaite opened out the sheet with lively curiosity.

âDear Sir Charles,âI donât know when this will get to you. I do hope soon. Iâm so worried, I donât know what to do. Youâll have seen, I expect, in the papers that Sir Bartholomew Strange is dead. Well, he died just the same way as Mr. Babbington. It canât be a coincidenceâit canâtâit canâtâ¦Iâm worried to deathâ¦.

âLook here, canât you come home and do something? It sounds a bit crude put like that, but you did have suspicions before, and nobody would listen to you, and now itâs your own friend whoâs been killed; and perhaps if you donât come back nobody will ever find out the truth, and Iâm sure you could. I feel it in my bonesâ¦.

âAnd thereâs something else. Iâm worried, definitely, about someoneâ¦He had absolutely nothing to do with it, I know that, but things might look a bit odd. Oh, I canât explain in a letter. But wonât you come back? You could find out the truth. I know you could.

âYours in haste,
âEGG.â

âWell?â demanded Sir Charles impatiently. âA bit incoherent of course; she wrote it in a hurry. But what about it?â

Mr. Satterthwaite folded the letter slowly to give himself a minute or two before replying.

He agreed that the letter was incoherent, but he did not think it had been written in a hurry. It was, in his view, a very careful production. It was designed to appeal to Sir Charlesâs vanity, to his chivalry, and to his sporting instincts.

From what Mr. Satterthwaite knew of Sir Charles, that letter was a certain draw.

âWho do you think she means by âsomeone,â and âheâ?â he asked.

âManders, I suppose.â

âWas he there, then?â

âMust have been. I donât know why. Tollie never met him except on that one occasion at my house. Why he should ask him to stay, I canât imagine.â

âDid he often have those big house parties?â

âThree or four times a year. Always one for the St. Leger.â

âDid he spend much time in Yorkshire?â

âHad a big sanatoriumânursing home, whatever you like to call it. He bought Melfort Abbey (itâs an old place), restored it and built a sanatorium in the grounds.â

âI see.â

Mr. Satterthwaite was silent for a minute or two. Then he said:

âI wonder who else there was in the house party?â

Sir Charles suggested that it might be in one of the other newspapers, and they went off to institute a newspaper hunt.

âHere we are,â said Sir Charles.

He read aloud:

âSir Bartholomew Strange is having his usual house party for the St. Leger. Amongst the guests are Lord and Lady Eden, Lady Mary Lytton Gore, Sir Jocelyn and Lady Campbell, Captain and Mrs. Dacres, and Miss Angela Sutcliffe, the well-known actress.â

He and Mr. Satterthwaite looked at each other.

âThe Dacres and Angela Sutcliffe,â said Sir Charles. âNothing about Oliver Manders.â

âLetâs get todayâs Continental Daily Mail,â said Mr. Satterthwaite. âThere might be something in that.â

Sir Charles glanced over the paper. Suddenly he stiffened.

âMy God, Satterthwaite, listen to this:

âSIR BARTHOLOMEW STRANGE.

âAt the inquest today on the late Sir Bartholomew Strange, a verdict of Death by Nicotine Poisoning was returned, there being no evidence to show how or by whom the poison was administered.â

He frowned.

âNicotine poisoning. Sounds mild enoughânot the sort of thing to make a man fall down in a fit. I donât understand all this.â

âWhat are you going to do?â

âDo? Iâm going to book a berth on the Blue Train tonight.â

âWell,â said Mr. Satterthwaite, âI might as well do the same.â

âYou?â Sir Charles wheeled round on him, surprised.

âThis sort of thing is rather in my line,â said Mr. Satterthwaite modestly. âIâveâerâhad a little experience. Besides, I know the Chief Constable in that part of the world rather wellâColonel Johnson. That will come in useful.â

âGood man,â cried Sir Charles. âLetâs go round to the Wagon Lits offices.â

Mr. Satterthwaite thought to himself:

âThe girlâs done it. Sheâs got him back. She said she would. I wonder just exactly how much of her letter was genuine.â

Decidedly, Egg Lytton Gore was an opportunist.

When Sir Charles had gone off to the Wagon Lits offices, Mr. Satterthwaite strolled slowly through the gardens. His mind was still pleasantly engaged with the problem of Egg Lytton Gore. He admired her resource and her driving power, and stifled that slightly Victorian side of his nature which disapproved of a member of the fairer sex taking the initiative in affairs of the heart.

Mr. Satterthwaite was an observant man. In the midst of his cogitations on the female sex in general, and Egg Lytton Gore in particular, he was unable to resist saying to himself:

âNow where have I seen that particular shaped head before?â

The owner of the head was sitting on a seat gazing thoughtfully ahead of him. He was a little man whose moustaches were out of proportion to his size.

A discontented-looking English child was standing nearby, standing first on one foot, then the other, and occasionally meditatively kicking the lobelia edging.

âDonât do that, darling,â said her mother, who was absorbed in a fashion paper.

âI havenât anything to do,â said the child.

The little man turned his head to look at her, and Mr. Satterthwaite recognized him.

âM. Poirot,â he said. âThis is a very pleasant surprise.â M. Poirot rose and bowed.

âEnchantÃ©, monsieur.â

They shook hands, and Mr. Satterthwaite sat down.

âEveryone seems to be in Monte Carlo. Not half an hour ago I ran across Sir Charles Cartwright, and now you.â

âSir Charles, he also is here?â

âHeâs been yachting. You know that he gave up his house at Loomouth?â

âAh, no, I did not know it. I am surprised.â

âI donât know that I am. I donât think Cartwright is really the kind of man who likes to live permanently out of the world.â

âAh, no, I agree with you there. I was surprised for another reason. It seemed to me that Sir Charles had a particular reason for staying in Loomouthâa very charming reason, eh? Am I not right? The little demoiselle who calls herself, so amusingly, the egg?â

His eyes were twinkling gently.

âOh, so you noticed that?â

âAssuredly I noticed. I have the heart very susceptible to loversâyou too, I think. And la jeunesse, it is always touching.â

He sighed.

âI think,â said Mr. Satterthwaite, âthat actually you have hit on Sir Charlesâs reason for leaving Loomouth. He was running away.â

âFrom Mademoiselle Egg? But it is obvious that he adores her. Why, then, run?â

âAh,â said Mr. Satterthwaite, âyou donât understand our Anglo-Saxon complexes.â

M. Poirot was following his own line of reasoning.

âOf course,â he said, âit is a good move to pursue. Run from a womanâimmediately she follows. Doubtless Sir Charles, a man of much experience, knows that.â

Mr. Satterthwaite was rather amused.

âI donât think it was quite that way,â he said. âTell me, what are you doing out here? A holiday?â

âMy time is all holidays nowadays. I have succeeded. I am rich. I retire. Now I travel about seeing the world.â

âSplendid,â said Mr. Satterthwaite.

âNâest-ce pas?â

âMummy,â said the English child, âisnât there anything to do?â

âDarling,â said her mother reproachfully, âisnât it lovely to have come abroad and to be in the beautiful sunshine?â

âYes, but thereâs nothing to do.â

âRun aboutâamuse yourself. Go and look at the sea.â

âMaman,â said a French child, suddenly appearing. âJoue avec moi.â

A French mother looked up from her book.

âAmuse toi avec ta balle, Marcelle.â

Obediently the French child bounced her ball with a gloomy face.

âJe mâamuse,â said Hercule Poirot; and there was a very curious expression on his face.

Then, as if in answer to something he read in Mr. Satterthwaiteâs face, he said:

âBut yet, you have the quick perceptions. It is as you thinkââ

He was silent for a minute or two, then he said:

âSee you, as a boy I was poor. There were many of us. We had to get on in the world. I entered the Police Force. I worked hard. Slowly I rose in that Force. I began to make a name for myself. I made a name for myself. I began to acquire an international reputation. At last, I was due to retire. There came the War. I was injured. I came, a sad and weary refugee, to England. A kind lady gave me hospitality. She diedânot naturally; no, she was killed. Eh bien, I set my wits to work. I employed my little grey cells. I discovered her murderer. I found that I was not yet finished. No, indeed, my powers were stronger than ever. Then began my second career, that of a private inquiry agent in England. I have solved many fascinating and baffling problems. Ah, monsieur, I have lived! The psychology of human nature, it is wonderful. I grew rich. Someday, I said to myself, I will have all the money I need. I will realize all my dreams.â

He laid a hand on Mr. Satterthwaiteâs knee.

âMy friend, beware of the day when your dreams come true. That child near us, doubtless she too has dreamt of coming abroadâof the excitementâof how different everything would be. You understand?â

âI understand,â said Mr. Satterthwaite, âthat you are not amusing yourself.â

Poirot nodded.

âExactly.â

There were moments when Mr. Satterthwaite looked like Puck. This was one of them. His little wrinkled face twitched impishly. He hesitated. Should he? Should he not?

Slowly he unfolded the newspaper he was still carrying.

âHave you seen this, M. Poirot?â

With his forefinger he indicated the paragraph he meant.

The little Belgian took the paper. Mr. Satterthwaite watched him as he read. No change came over his face, but the Englishman had the impression that his body stiffened, as does that of a terrier when it sniffs a rat hole.

Hercule Poirot read the paragraph twice, then he folded the paper and returned it to Mr. Satterthwaite.

âThat is interesting,â he said.

âYes. It looks, does it not, as though Sir Charles Cartwright had been right and we had been wrong.â

âYes,â said Poirot. âIt seems as though we had been wrongâ¦I will admit it, my friend, I could not believe that so harmless, so friendly an old man could have been murderedâ¦Well, it may be that I was wrongâ¦Although, see you, this other death may be coincidence. Coincidences do occurâthe most amazing coincidences. I, Hercule Poirot, have known coincidences that would surprise youâ¦.â

He paused, and went on:

âSir Charles Cartwrightâs instinct may have been right. He is an artistâsensitiveâimpressionableâhe feels things, rather than reasons about themâ¦Such a method in life is often disastrousâbut it is sometimes justified. I wonder where Sir Charles is now.â

Mr. Satterthwaite smiled.

âI can tell you that. He is in the office of the Wagon Lits Co. He and I are returning to England tonight.â

âAha!â Poirot put immense meaning into the exclamation. His eyes, bright, inquiring, roguish, asked a question. âWhat zeal he has, our Sir Charles. He is determined, then, to play this rÃ´le, the rÃ´le of the amateur policeman? Or is there another reason?â

Mr. Satterthwaite did not reply, but from his silence Poirot seemed to deduce an answer.

âI see,â he said. âThe bright eyes of Mademoiselle are concerned in this. It is not only crime that calls?â

âShe wrote to him,â said Mr. Satterthwaite, âbegging him to return.â

Poirot nodded.

âI wonder now,â he said. âI do not quite understandââ

Mr. Satterthwaite interrupted.

âYou do not understand the modern English girl? Well, that is not surprising. I do not always understand them myself. A girl like Miss Lytton Goreââ

In his turn Poirot interrupted.

âPardon. You have misunderstood me. I understand Miss Lytton Gore very well. I have met such anotherâmany such others. You call the type modern; but it isâhow shall I say?âagelong.â

Mr. Satterthwaite was slightly annoyed. He felt that heâand only heâunderstood Egg. This preposterous foreigner knew nothing about young English womanhood.

Poirot was still speaking. His tone was dreamyâbrooding.

âA knowledge of human natureâwhat a dangerous thing it can be.â

âA useful thing,â corrected Mr. Satterthwaite.

âPerhaps. It depends upon the point of view.â

âWellââ Mr. Satterthwaite hesitatedâgot up. He was a little disappointed. He had cast the bait and the fish had not risen. He felt that his own knowledge of human nature was at fault. âI will wish you a pleasant holiday.â

âI thank you.â

âI hope that when you are next in London you will come and see me.â He produced a card. âThis is my address.â

âYou are most amiable, Mr. Satterthwaite. I shall be charmed.â

âGood-bye for the present, then.â

âGood-bye, and bon voyage.â

Mr. Satterthwaite moved away. Poirot looked after him for a moment or two, then once more he stared straight ahead of him, looking out over the blue Mediterranean.

So he sat for at least ten minutes.

The English child reappeared.

âIâve looked at the sea, Mummy. What shall I do next?â

âAn admirable question,â said Hercule Poirot under his breath.

He rose and walked slowly awayâin the direction of the Wagon Lits offices.

Two

THE MISSING BUTLER

Sir Charles and Mr. Satterthwaite were sitting in Colonel Johnsonâs study. The chief constable was a big red-faced man with a barrack-room voice and a hearty manner.

He had greeted Mr. Satterthwaite with every sign of pleasure and was obviously delighted to make the acquaintance of the famous Charles Cartwright.

âMy missus is a great playgoer. Sheâs one of yourâwhat do the Americans call it?âfans. Thatâs itâfans. I like a good play myselfâgood clean stuff that is, some of the things they put on the stage nowadaysâfaugh!â

Sir Charles, conscious of rectitude in this respectâhe had never put on âdaringâ plays, responded suitably with all his easy charm of manner. When they came to mention the object of their visit Colonel Johnson was only too ready to tell them all he could.

âFriend of yours, you say? Too badâtoo bad. Yes, he was very popular round here. That sanatorium of his is very highly spoken of, and by all accounts Sir Bartholomew was a first-rate fellow, as well as being at the top of his profession. Kind, generous, popular all round. Last man in the world youâd expect to be murderedâand murder is what it looks like. Thereâs nothing to indicate suicide, and anything like accident seems out of the question.â

âSatterthwaite and I have just come back from abroad,â said Sir Charles. âWeâve only seen snippets here and there in the papers.â

âAnd naturally you want to know all about it. Well, Iâll tell you exactly how the matter stands. I think thereâs no doubt the butlerâs the man weâve got to look for. He was a new manâSir Bartholomew had only had him a fortnight, and the moment after the crime he disappearsâvanishes into thin air. That looks a bit fishy, doesnât it? Eh, what?â

âYouâve no notion where he went?â

Colonel Johnsonâs naturally red face got a little redder.

âNegligence on our part, you think. I admit it damnâ well looks like it. Naturally the fellow was under observationâjust the same as everyone else. He answered our questions quite satisfactorilyâgave the London agency which obtained him the place. Last employer, Sir Horace Bird. All very civil spoken, no signs of panic. Next thing was heâd goneâand the house under observation. Iâve hauled my men over the coals, but they swear they didnât bat an eyelid.â

âVery remarkable,â said Mr. Satterthwaite.

âApart from everything else,â said Sir Charles thoughtfully, âit seems a damnâ fool thing to do. As far as he knew, the man wasnât suspected. By bolting he draws attention to himself.â

âExactly. And not a hope of escape. His descriptionâs been circulated. Itâs only a matter of days before heâs pulled in.â

âVery odd,â said Sir Charles. âI donât understand it.â

âOh, the reasonâs clear enough. He lost his nerve. Got the wind up suddenly.â

âWouldnât a man who had the nerve to commit murder have the nerve to sit still afterward?â

âDepends. Depends. I know criminals. Chicken-livered, most of them. He thought he was suspected, and he bolted.â

âHave you verified his own account of himself?â

âNaturally, Sir Charles. Thatâs plain routine work. London Agency confirms his story. He had a written reference from Sir Horace Bird, recommending him warmly. Sir Horace himself is in East Africa.â

âSo the reference might have been forged?â

âExactly,â said Colonel Johnson, beaming upon Sir Charles, with the air of a schoolmaster congratulating a bright pupil. âWeâve wired to Sir Horace, of course, but it may be some little time before we get a reply. Heâs on safari.â

âWhen did the man disappear?â

âMorning after the death. There was a doctor present at the dinnerâSir Jocelyn Campbellâbit of a toxicologist, I understand; he and Davis (local man) agreed over the case, and our people were called in immediately. We interviewed everybody that night. Ellis (thatâs the butler) went to his room as usual and was missing in the morning. His bed hadnât been slept in.â

âHe slipped away under cover of the darkness?â

âSeems so. One of the ladies staying there, Miss Sutcliffe, the actressâyou know her, perhaps?â

âVery well, indeed.â

âMiss Sutcliffe has made a suggestion to us. She suggested that the man had left the house through a secret passage.â He blew his nose apologetically. âSounds rather Edgar Wallace stuff, but it seems there was such a thing. Sir Bartholomew was rather proud of it. He showed it to Miss Sutcliffe. The end of it comes out among some fallen masonry about half a mile away.â

âThat would be a possible explanation, certainly,â agreed Sir Charles. âOnlyâwould the butler know of the existence of such a passage?â

âThatâs the point, of course. My missus always says servants know everything. Daresay sheâs right.â

âI understand the poison was nicotine,â said Mr. Satterthwaite.

âThatâs right. Most unusual stuff to use, I believe. Comparatively rare. I understand if a manâs a heavy smoker, such as the doctor was, it would tend to complicate matters. I mean, he might have died of nicotine poisoning in a natural way. Only, of course, this business was too sudden for that.â

âHow was it administered?â

âWe donât know,â admitted Colonel Johnson. âThatâs going to be the weak part of the case. According to medical evidence, it could only have been swallowed a few minutes previous to death.â

âThey were drinking port, I understand?â

âExactly. Seems as though the stuff was in the port; but it wasnât. We analysed his glass. That glass had contained port, and nothing but port. The other wine glasses had been cleared, of course, but they were all on a tray in the pantry, unwashed, and not one of them contained anything it shouldnât. As for what he ate, it was the same as everybody else had. Soup, grilled sole, pheasant and chipped potatoes, chocolate soufflÃ©, soft roes on toast. His cookâs been with him fifteen years. No, there doesnât seem to be any way he could have been given the stuff, and yet there it is in the stomach. Itâs a nasty problem.â

Sir Charles wheeled round on Mr. Satterthwaite.

âThe same thing,â he said excitedly. âExactly the same as before.â

He turned apologetically to the chief constable.

âI must explain. A death occurred at my house in Cornwallââ

Colonel Johnson looked interested.

âI think Iâve heard about that. From a young ladyâMiss Lytton Gore.â

âYes, she was there. She told you about it?â

âShe did. She was very set on her theory. But, you know, Sir Charles, I canât believe thereâs anything in that theory. It doesnât explain the flight of the butler. Your man didnât disappear by any chance?â

âHavenât got a manâonly a parlourmaid.â

âShe couldnât have been a man in disguise?â

Thinking of the smart and obviously feminine Temple, Sir Charles smiled.

Colonel Johnson also smiled apologetically.

âJust an idea,â he said. âNo, I canât say I put much reliance in Miss Lytton Goreâs theory. I understand the death in question was an elderly clergyman. Who would want to put an old clergyman out of the way?â

âThatâs just the puzzling part of it,â said Sir Charles.

âI think youâll find itâs just coincidence. Depend on it, the butlerâs our man. Very likely heâs a regular criminal. Unluckily we canât find any of his fingerprints. We had a fingerprint expert go over his bedroom and the butlerâs pantry, but he had no luck.â

âIf it was the butler, what motive can you suggest?â

âThat, of course, is one of our difficulties,â admitted Colonel Johnson. âThe man might have been there with intent to steal, and Sir Bartholomew might have caught him out.â

Both Sir Charles and Mr. Satterthwaite remained courteously silent. Colonel Johnson himself seemed to feel that the suggestion lacked plausibility.

âThe fact of the matter is, one can only theorize. Once weâve got John Ellis under lock and key and have found out who he is, and whether heâs ever been through our hands beforeâwell, the motive may be as clear as day.â

âYouâve been through Sir Bartholomewâs papers, I suppose?â

âNaturally, Sir Charles. Weâve given that side of the case every attention. I must introduce you to Superintendent Crossfield, who has charge of the case. A most reliable man. I pointed out to him, and he was quick to agree with me, that Sir Bartholomewâs profession might have had something to do with the crime. A doctor knows many professional secrets. Sir Bartholomewâs papers were all neatly filed and docketedâhis secretary, Miss Lyndon, went through them with Crossfield.â

âAnd there was nothing?â

âNothing at all suggestive, Sir Charles.â

âWas anything missing from the houseâsilver, jewellery, anything like that?â

âNothing whatsoever.â

âWho exactly was staying in the house?â

âIâve got a listânow where is it? Ah, I think Crossfield has it. You must meet Crossfield; as a matter of fact, Iâm expecting him any minute now to reportââas a bell wentââthatâs probably the man now.â

Superintendent Crossfield was a large, solid-looking man, rather slow of speech, but with a fairly keen blue eye.

He saluted his superior officer, and was introduced to the two visitors.

It is possible that had Mr. Satterthwaite been alone he would have found it hard to make Crossfield unbend. Crossfield didnât hold with gentlemen from Londonâamateurs coming down with âideas.â Sir Charles, however, was a different matter. Superintendent Crossfield had a childish reverence for the glamour of the stage. He had twice seen Sir Charles act, and the excitement and rapture of seeing this hero of the footlights in a flesh-and-blood manner made him as friendly and loquacious as could be wished.

âI saw you in London, sir, I did. I was up with the wife. Lord Aintreeâs Dilemmaâthatâs what the play was. In the pit, I wasâand the house was crowded outâwe had to stand two hours beforehand. But nothing else would do for the wife. âI must see Sir Charles Cartwright in Lord Aintreeâs Dilemma,â she said. At the Pall Mall Theatre, it was.â

âWell,â said Sir Charles, âIâve retired from the stage now, as you know. But they still know my name at the Pall Mall.â He took out a card and wrote a few words on it. âYou give this to the people at the box office next time you and Mrs. Crossfield are having a jaunt to town, and theyâll give you a couple of the best seats going.â

âI take that very kindly of you, Sir Charlesâvery kindly, indeed. My wife will be all worked up when I tell her about this.â

After this Superintendent Crossfield was as wax in the exactorâs hands.

âItâs an odd case, sir. Never come across a case of nicotine poisoning before in all my experience. No more has our Doctor Davis.â

âI always thought it was a kind of disease you got from oversmoking.â

âTo tell the truth, so did I, sir. But the doctor says that the pure alkaloid is an odourless liquid, and that a few drops of it are enough to kill a man almost instantaneously.â

Sir Charles whistled.

âPotent stuff.â

âAs you say, sir. And yet itâs in common use, as you might say. Solutions are used to spray roses with. And of course it can be extracted from ordinary tobacco.â

âRoses,â said Sir Charles. âNow, where have I heardâ?â

He frowned, then shook his head.

âAnything fresh to report, Crossfield?â asked Colonel Johnson.

âNothing definite, sir. Weâve had reports that our man Ellis has been seen at Durham, at Ipswich, at Balham, at Landâs End, and a dozen other places. Thatâs all got to be sifted out for what itâs worth.â He turned to the other two. âThe moment a manâs description is circulated as wanted, heâs seen by someone all over England.â

âWhat is the manâs description?â asked Sir Charles.

Johnson took up a paper.

âJohn Ellis, medium height, say five-foot seven, stoops slightly, grey hair, small side whiskers, dark eyes, husky voice, tooth missing in upper jaw, visible when he smiles, no special marks or characteristics.â

âHâm,â said Sir Charles. âVery nondescript, bar the side whiskers and the tooth, and the first will be off by now, and you canât rely on his smiling.â

âThe trouble is,â said Crossfield, âthat nobody observes anything. The difficulty I had in getting anything but the vaguest description out of the maids at the Abbey. Itâs always the same. Iâve had descriptions of one and the same man, and heâs been called tall, thin, short, stout, medium height, thickset, slenderânot one in fifty really uses their eyes properly.â

âYouâre satisfied in your own mind, Superintendent, that Ellis is the man?â¦â

âWhy else did he bolt, sir? You canât get away from that.â

âThatâs the stumbling block,â said Sir Charles thoughtfully.

Crossfield turned to Colonel Johnson and reported the measures that were being taken. The Colonel nodded approval and then asked the Superintendent for the list of inmates of the Abbey on the night of the crime. This was handed to the two new inquirers. It ran as follows:

MARTHA LECKIE, cook.

BEATRICE CHURCH, upper-housemaid.

DORIS COKER, under-housemaid.

VICTORIA BALL, between-maid.

ALICE WEST, parlourmaid.

VIOLET BASSINGTON, kitchenmaid.

(Above have all been in service of deceased for some time and bear good character. Mrs. Leckie has been there for fifteen years.)

GLADYS LYNDONâsecretary, thirty-three, has been secretary to Sir Bartholomew Strange for three years, can give no information as to likely motive.

Guests:

LORD AND LADY EDEN, 187 Cadogan Square.

SIR JOCELYN and LADY CAMPBELL, 1256 Harley Street.

MISS ANGELA SUTCLIFFE, 28 Cantrell Mansions, S.W.3.

CAPTAIN and MRS. DACRES, 3 St. Johnâs House, W.1.

(Mrs. Dacres carries on business as Ambrosine, Ltd, Brook Street.)

LADY MARY and MISS HERMIONE LYTTON GORE, Rose Cottage, Loomouth.

MISS MURIEL WILLS, 5 Upper Cathcart Road, Tooting.

MR. OLIVER MANDERS, Messrs Speier & Ross, Old Broad Street, E.C.2.

âHâm,â said Sir Charles. âThe Tooting touch was omitted by the papers. I see young Manders was there, too.â

âThatâs by way of being an accident, sir,â said Superintendent Crossfield. âThe young gentleman ran his car into a wall just by the Abbey, and Sir Bartholomew, who I understood was slightly acquainted with him, asked him to stay the night.â

âCareless thing to do,â said Sir Charles cheerfully.

âIt was that, sir,â said the Superintendent. âIn fact, I fancy myself the young gentleman must have had one over the eight, as the saying goes. What made him ram the wall just where he did I canât imagine, if he was sober at the time.â

âJust high spirits, I expect,â said Sir Charles.

âSpirits it was, in my opinion, sir.â

âWell, thank you very much, Superintendent. Any objection to our going and having a look at the Abbey, Colonel Johnson?â

âOf course not, my dear sir. Though Iâm afraid you wonât learn much more there than I can tell you.â

âAnybody there?â

âOnly the domestic staff, sir,â said Crossfield. âThe house party left immediately after the inquest, and Miss Lyndon has returned to Harley Street.â

âWe might, perhaps, see Dr.âerâDavis, too?â suggested Mr. Satterthwaite.

âGood idea.â

They obtained the doctorâs address, and having thanked Colonel Johnson warmly for his kindness, they left.

Three

WHICH OF THEM?

As they walked along the street, Sir Charles said:

âAny ideas, Satterthwaite?â

âWhat about you?â asked Mr. Satterthwaite. He liked to reserve judgment until the last possible moment.

Not so Sir Charles. He spoke emphatically:

âTheyâre wrong, Satterthwaite. Theyâre all wrong. Theyâve got the butler on the brain. The butlerâs done a bunkâergo, the butlerâs the murderer. It doesnât fit. No, it doesnât fit. You canât leave that other death out of accountâthe one down at my place.â

âYouâre still of the opinion that the two are connected?â

Mr. Satterthwaite asked the question, though he had already answered it in the affirmative in his own mind.

âMan, they must be connected. Everything points to itâ¦Weâve got to find the common factorâsomeone who was present on both occasionsââ

âYes,â said Mr. Satterthwaite. âAnd thatâs not going to be as simple a matter as one might think, on the face of it. Weâve got too many common factors. Do you realize, Cartwright, that practically every person who was present at the dinner at your house was present here?â

Sir Charles nodded.

âOf course Iâve realized thatâbut do you realize what deduction one can draw from it?â

âI donât quite follow you, Cartwright?â

âDash it all, man, do you suppose thatâs coincidence? No, it was meant. Why are all the people who were at the first death present at the second? Accident? Not on your life. It was planâdesignâTollieâs plan.â

âOh!â said Mr. Satterthwaite. âYes, itâs possibleâ¦.â

âItâs certain. You didnât know Tollie as well as I did, Satterthwaite. He was a man who kept his own counsel, and a very patient man. In all the years Iâve known him Iâve never known Tollie give utterance to a rash opinion or judgment.

âLook at it this way: Babbingtonâs murderedâyes, murderedâIâm not going to hedge, or mince termsâmurdered one evening in my house. Tollie ridicules me gently for my suspicions in the matter, but all the time heâs got suspicions of his own. He doesnât talk about themâthatâs not his way. But quietly, in his own mind, heâs building up a case. I donât know what he had to build upon. It canât, I think, be a case against any one particular person. He believed that one of those people was responsible for the crime, and he made a plan, a test of some kind to find out which person it was.â

âWhat about the other guests, the Edens and the Campbells?â

âCamouflage. It made the whole thing less obvious.â

âWhat do you think the plan was?â

Sir Charles shrugged his shouldersâan exaggerated foreign gesture. He was Aristide Duval, that mastermind of the Secret Service. His left foot limped as he walked.

âHow can we know? I am not a magician. I cannot guess. But there was a planâ¦It went wrong, because the murderer was just one degree cleverer than Tollie thoughtâ¦He struck firstâ¦.â

âHe?â

âOr she. Poison is as much a womanâs weapon as a manâsâmore so.â

Mr. Satterthwaite was silent. Sir Charles said:

âCome now, donât you agree? Or are you on the side of public opinion? âThe butlerâs the man. He done it.ââ

âWhatâs your explanation of the butler?â

âI havenât thought about him. In my view he doesnât matterâ¦I could suggest an explanation.â

âSuch as?â

âWell, say that the police are right so farâEllis is a professional criminal, working in, shall we say, with a gang of burglars. Ellis obtains this post with false credentials. Then Tollie is murdered. What is Ellisâs position? A man is killed, and in the house is a man whose fingerprints are at Scotland Yard, and who is known to the police. Naturally he gets the wind up and bolts.â

âBy the secret passage?â

âSecret passage be damned. He dodged out of the house while one of the fatheaded constables who were watching the house was taking forty winks.â

âIt certainly seems more probable.â

âWell, Satterthwaite, whatâs your view?â

âMine?â said Mr. Satterthwaite. âOh, itâs the same as yours. It has been all along. The butler seems to me a very clumsy red herring. I believe that Sir Bartholomew and poor old Babbington were killed by the same person.â

âOne of the house party?â

âOne of the house party.â

There was silence for a minute or two, and then Mr. Satterthwaite asked casually:

âWhich of them do you think it was?â

âMy God, Satterthwaite, how can I tell?â

âYou canât tell, of course,â said Mr. Satterthwaite mildly. âI just thought you might have some ideaâyou know, nothing scientific or reasoned. Just an ordinary guess.â

âWell, I havenâtâ¦â He thought for a minute and then burst out: âYou know, Satterthwaite, the moment you begin to think it seems impossible that any of them did it.â

âI suppose your theory is right,â mused Mr. Satterthwaite. âAs to the assembling of the suspects, I mean. Weâve got to take it into account that there were certain definite exclusions. Yourself and myself and Mrs. Babbington, for instance. Young Manders, too, he was out of it.â

âManders?â

âYes, his arrival on the scene was an accident. He wasnât asked or expected. That lets him out of the circle of suspects.â

âThe dramatist woman, tooâAnthony Astor.â

âNo, no, she was there. Miss Muriel Wills of Tooting.â

âSo she wasâIâd forgotten the womanâs name was Wills.â

He frowned. Mr. Satterthwaite was fairly good at reading peopleâs thoughts. He estimated with fair accuracy what was passing through the actorâs mind. When the other spoke, Mr. Satterthwaite mentally patted himself on the back.

âYou know, Satterthwaite, youâre right. I donât think it was definitely suspected people that he askedâbecause, after all, Lady Mary and Egg were thereâ¦No, he wanted to stage some reproduction of the first business, perhapsâ¦He suspected someone, but he wanted other eyewitnesses there to confirm matters. Something of that kindâ¦.â

âSomething of the kind,â agreed Mr. Satterthwaite. âOne can only generalize at this stage. Very well, the Lytton Gores are out of it, you and I and Mrs. Babbington and Oliver Manders are out of it. Who is left? Angela Sutcliffe?â

âAngie? My dear fellow. Sheâs been a friend of Tollieâs for years.â

âThen it boils down to the Dacresâ¦In fact, Cartwright, you suspect the Dacres. You might just as well have said so when I asked you.â

Sir Charles looked at him. Mr. Satterthwaite had a mildly triumphant air.

âI suppose,â said Cartwright slowly, âthat I do. At least, I donât suspect themâ¦They just seem rather more possible than anyone else. I donât know them very well, for one thing. But for the life of me, I canât see why Freddie Dacres, who spends his life on the racecourse, or Cynthia, who spends her time designing fabulously expensive clothes for women, should have any desire to remove a dear, insignificant old clergymanâ¦.â

He shook his head, then his face brightened.

âThereâs the Wills woman. I forgot her again. What is there about her that continually makes you forget her? Sheâs the most damnably nondescript creature Iâve ever seen.â

Mr. Satterthwaite smiled.

âI rather fancy she might embody Burnsâs famous lineââA chielâs amang ye takinâ notes.â I rather fancy that Miss Wills spends her time taking notes. There are sharp eyes behind that pair of glasses. I think youâll find that anything worth noticing in this affair has been noticed by Miss Wills.â

âDo you?â said Sir Charles doubtfully.

âThe next thing to do,â said Mr. Satterthwaite, âis to have some lunch. After that, weâll go out to the Abbey and see what we can discover on the spot.â

âYou seem to be taking very kindly to this, Satterthwaite,â said Sir Charles, with a twinkle of amusement.

âThe investigation of crime is not new to me,â said Mr. Satterthwaite. âOnce when my car broke down and I was staying at a lonely innââ

He got no further.

âI remember,â said Sir Charles, in his high, clear carrying actorâs voice, âwhen I was touring in 1921â¦.â

Sir Charles won.

Four

THE EVIDENCE OF THE SERVANTS

Nothing could have been more peaceful than the grounds and building of Melfort Abbey as the two men saw it that afternoon in the September sunshine. Portions of the Abbey were fifteenth century. It had been restored and a new wing added onto it. The new Sanatorium was out of sight of the house, with grounds of its own.

Sir Charles and Mr. Satterthwaite were received by Mrs. Leckie, the cook, a portly lady, decorously gowned in black, who was tearful and voluble. Sir Charles she already knew, and it was to him she addressed most of her conversation.

âYouâll understand, Iâm sure, sir, what itâs meant to me. The masterâs death and all. Policemen all over the place, poking their noses here and thereâwould you believe it, even the dustbins they had to have their noses in, and questions!âthey wouldnât have done with asking questions. Oh, that I should have lived to see such a thingâthe doctor, such a quiet gentleman as he always was, and made Sir Bartholomew, too, which a proud day it was to all of us, as Beatrice and I well remember, though sheâs been here two years less than I have. And such questions as that police fellow (for gentleman I will not call him, having been accustomed to gentlemen and their ways and knowing whatâs what), fellow, I say, whether or not he is a superintendentââ Mrs. Leckie paused, took breath and extricated herself from the somewhat complicated conversational morass into which she had fallen. âQuestions, thatâs what I say, about all the maids in the house, and good girls they are, every one of themânot that Iâd say that Doris gets up when she should do in the morning. I have to speak about it at least once a week, and Vickie, sheâs inclined to be impertinent, but, there, with the young ones you canât expect the trainingâtheir mothers donât give it to them nowadaysâbut good girls they are, and no police superintendent shall make me say otherwise. âYes,â I said to him, âyou neednât think Iâm going to say anything against my girls. Theyâre good girls, they are, and as to having anything to do with murder, why itâs right down wicked to suggest such a thing.ââ

Mrs. Leckie paused.

âMr. Ellis, nowâthatâs different. I donât know anything about Mr. Ellis, and couldnât answer for him in any way, he having been brought from London, and strange to the place, while Mr. Baker was on holiday.â

âBaker?â asked Mr. Satterthwaite.

âMr. Baker had been Sir Bartholomewâs butler for the last seven years, sir. He was in London most of the time, in Harley Street. Youâll remember him, sir?â She appealed to Sir Charles, who nodded. âSir Bartholomew used to bring him up here when he had a party. But he hadnât been so well in his health, so Sir Bartholomew said, and he gave him a couple of monthsâ holiday, paid for him, too, in a place near the sea down near Brightonâa real kind gentleman the doctor wasâand he took Mr. Ellis on temporary for the time being, and so, as I said to that superintendent, I canât say anything about Mr. Ellis, though, from all he said himself, he seems to have been with the best families, and he certainly had a gentlemanly way with him.â

âYou didnât find anythingâunusual about him?â asked Sir Charles hopefully.

âWell, itâs odd your saying that, sir, because, if you know what I mean, I did and I didnât.â

Sir Charles looked encouraging, and Mrs. Leckie went on:

âI couldnât exactly say what it was, sir, but there was somethingââ

There always isâafter the eventâthought Mr. Satterthwaite to himself grimly. However much Mrs. Leckie had despised the police, she was not proof against suggestion. If Ellis turned out to be the criminal, well, Mrs. Leckie would have noticed something.

âFor one thing, he was standoffish. Oh, quite polite, quite the gentlemanâas I said, heâd been used to good houses. But he kept himself to himself, spent a lot of time in his own room; and he wasâwell, I donât know how to describe it, Iâm sureâhe was, well, there was somethingââ

âYou didnât suspect he wasnâtânot really a butler?â suggested Mr. Satterthwaite.

âOh, heâd been in service, right enough, sir. The things he knewâand about well-known people in society, too.â

âSuch as?â suggested Sir Charles gently.

But Mrs. Leckie became vague, and noncommittal. She was not going to retail servantsâ hall gossip. Such a thing would have offended her sense of fitness.

To put her at her ease, Mr. Satterthwaite said:

âPerhaps you can describe his appearance.â

Mrs. Leckie brightened.

âYes, indeed, sir. He was a very respectable-looking manâside-whiskers and grey hair, stooped a little, and he was growing stoutâit worried him, that did. He had a rather shaky hand, too, but not from the cause you might imagine. He was a most abstemious manânot like many Iâve known. His eyes were a bit weak, I think, sir, the light hurt themâespecially a bright light, used to make them water something cruel. Out with us he wore glasses, but not when he was on duty.â

âNo special distinguishing marks?â asked Sir Charles. âNo scars? Or broken fingers? Or birthmarks?â

âOh, no, sir, nothing of that kind.â

âHow superior detective stories are to life,â sighed Sir Charles. âIn fiction there is always some distinguishing characteristic.â

âHe had a tooth missing,â said Mr. Satterthwaite.

âI believe so, sir; I never noticed it myself.â

âWhat was his manner on the night of the tragedy?â asked Mr. Satterthwaite in a slightly bookish manner.

âWell, really, sir, I couldnât say. I was busy, you see, in my kitchen. I hadnât time for noticing things.â

âNo, no, quite so.â

âWhen the news came out that the master was dead we were struck all of a heap. I cried and couldnât stop, and so did Beatrice. The young ones, of course, were excited like, though very upset. Mr. Ellis naturally wasnât so upset as we were, he being new, but he behaved very considerate, and insisted on Beatrice and me taking a little glass of port to counteract the shock. And to think that all the time it was heâthe villainââ

Words failed Mrs. Leckie, her eyes shone with indignation.

âHe disappeared that night, I understand?â

âYes, sir, went to his room like the rest of us, and in the morning he wasnât there. Thatâs what set the police on him, of course.â

âYes, yes, very foolish of him. Have you any idea how he left the house?â

âNot the slightest. It seems the police were watching the house all night, and they never saw him goâbut, there, thatâs what the police are, human like anyone else, in spite of the airs they give themselves, coming into a gentlemanâs house and nosing round.â

âI hear thereâs some question of a secret passage,â Sir Charles said.

Mrs. Leckie sniffed.

âThatâs what the police say.â

âIs there such a thing?â

âIâve heard mention of it,â Mrs. Leckie agreed cautiously.

âDo you know where it starts from?â

âNo, I donât, sir. Secret passages are all very well, but theyâre not things to be encouraged in the servantsâ hall. It gives the girls ideas. They might think of slipping out that way. My girls go out by the back door and in by the back door, and then we know where we are.â

âSplendid, Mrs. Leckie. I think youâre very wise.â

Mrs. Leckie bridled in the sun of Sir Charlesâs approval.

âI wonder,â he went on, âif we might just ask a few questions of the other servants?â

âOf course, sir; but they canât tell you anything more than I can.â

âOh, I know. I didnât mean so much about Ellis as about Sir Bartholomew himselfâhis manner that night, and so on. You see, he was a friend of mine.â

âI know, sir. I quite understand. Thereâs Beatrice, and thereâs Alice. She waited at table, of course.â

âYes, Iâd like to see Alice.â

Mrs. Leckie, however, had a belief in seniority. Beatrice Church, the upper-housemaid, was the first to appear.

She was a tall thin woman, with a pinched mouth, who looked aggressively respectable.

After a few unimportant questions, Sir Charles led the talk to the behaviour of the house party on the fatal evening. Had they all been terribly upset? What had they said or done?

A little animation entered into Beatriceâs manner. She had the usual ghoulish relish for tragedy.

âMiss Sutcliffe, she quite broke down. A very warmhearted lady, sheâs stayed here before. I suggested bringing her a little drop of brandy, or a nice cup of tea, but she wouldnât hear of it. She took some aspirin, though. Said she was sure she couldnât sleep. But she was sleeping like a little child the next morning when I brought her her early tea.â

âAnd Mrs. Dacres?â

âI donât think anything would upset that lady much.â

From Beatriceâs tone, she had not liked Cynthia Dacres.

âJust anxious to get away, she was. Said her business would suffer. Sheâs a big dressmaker in London, so Mr. Ellis told us.â

A big dressmaker, to Beatrice, meant âtrade,â and trade she looked down upon.

âAnd her husband?â

Beatrice sniffed.

âSteadied his nerves with brandy, he did. Or unsteadied them, some would say.â

âWhat about Lady Mary Lytton Gore?â

âA very nice lady,â said Beatrice, her tone softening. âMy great aunt was in service with her father at the Castle. A pretty young girl she was, so Iâve always heard. Poor she may be, but you can see sheâs someoneâand so considerate, never giving trouble and always speaking so pleasant. Her daughterâs a nice young lady, too. They didnât know Sir Bartholomew well, of course, but they were very distressed.â

âMiss Wills?â

Some of Beatriceâs rigidity returned.

âIâm sure I couldnât say, sir, what Miss Wills thought about it.â

âOr what you thought about her?â asked Sir Charles. âCome now, Beatrice, be human.â

An unexpected smile dinted Beatriceâs wooden cheeks. There was something appealingly schoolboyish in Sir Charlesâs manner. She was not proof against the charm that nightly audiences had felt so strongly.

âReally, sir, I donât know what you want me to say.â

âJust what you thought and felt about Miss Wills.â

âNothing, sir, nothing at all. She wasnât, of courseââ

Beatrice hesitated.

âGo on, Beatrice.â

âWell, she wasnât quite the âclassâ of the others, sir. She couldnât help it, I know,â went on Beatrice kindly. âBut she did things a real lady wouldnât have done. She pried, if you know what I mean, sir, poked and pried about.â

Sir Charles tried hard to get this statement amplified, but Beatrice remained vague. Miss Wills had poked and pried, but asked to produce a special instance of the poking, Beatrice seemed unable to do so. She merely repeated that Miss Wills pried into things that were no business of hers.

They gave it up at last, and Mr. Satterthwaite said:

âYoung Mr. Manders arrived unexpectedly, didnât he?â

âYes, sir, he had an accident with his carâjust by the lodge gates, it was. He said it was a bit of luck its happening just here. The house was full, of course, but Miss Lyndon had a bed made up for him in the little study.â

âWas everyone very surprised to see him?â

âOh, yes, sir, naturally, sir.â

Asked her opinion of Ellis, Beatrice was noncommittal. Sheâd seen very little of him. Going off the way he did looked bad, though why he should want to harm the master she couldnât imagine. Nobody could.

âWhat was he like, the doctor, I mean? Did he seem to be looking forward to the house party? Had he anything on his mind?â

âHe seemed particularly cheerful, sir. Smiled to himself, he did, as though he had some joke on. I even heard him make a joke with Mr. Ellis, a thing heâd never done with Mr. Baker. He was usually a bit brusque with the servants, kind always, but not speaking to them much.â

âWhat did he say?â asked Mr. Satterthwaite eagerly.

âWell, I forget exactly now, sir. Mr. Ellis had come up with a telephone message, and Sir Bartholomew asked him if he was sure heâd got the names right, and Mr. Ellis said quite sureâspeaking respectful, of course. And the doctor he laughed and said, âYouâre a good fellow, Ellis, a first-class butler. Eh, Beatrice, what do you think?â And I was so surprised, sir, at the master speaking like thatâquite unlike his usual selfâthat I didnât know what to say.â

âAnd Ellis?â

âHe looked kind of disapproving, sir, as though it was the kind of thing he hadnât been used to. Stiff like.â

âWhat was the telephone message?â asked Sir Charles.

âThe message, sir? Oh, it was from the Sanatoriumâabout a patient who had arrived there and had stood the journey well.â

âDo you remember the name?â

âIt was a queer name, sir.â Beatrice hesitated. âMrs. de Rushbridgerâsomething like that.â

âAh, yes,â said Sir Charles soothingly. âNot an easy name to get right on the telephone. Well, thank you very much, Beatrice. Perhaps we could see Alice now.â

When Beatrice had left the room Sir Charles and Mr. Satterthwaite compared notes by an interchange of glances.

âMiss Wills poked and pried, Captain Dacres got drunk, Mrs. Dacres displayed no emotion. Anything there? Precious little.â

âVery little indeed,â agreed Mr. Satterthwaite.

âLetâs pin our hopes on Alice.â

Alice was a demure, dark-eyed young woman of thirty. She was only too pleased to talk.

She herself didnât believe Mr. Ellis had anything to do with it. He was too much the gentleman. The police had suggested he was just a common crook. Alice was sure he was nothing of the sort.

âYouâre quite certain he was an ordinary honest-to-God butler?â asked Sir Charles.

âNot ordinary, sir. He wasnât like any butler Iâve ever worked with before. He arranged the work different.â

âBut you donât think he poisoned your master.â

âOh, sir, I donât see how he could have done. I was waiting at table with him, and he couldnât have put anything in the masterâs food without my seeing him.â

âAnd the drink?â

âHe went round with the wine, sir. Sherry first, with the soup, and then hock and claret. But what could he have done, sir? If thereâd been anything in the wine heâd have poisoned everybodyâor all those who took it. Itâs not as though the master had anything that nobody else had. The same thing with the port. All the gentlemen had port, and some of the ladies.â

âThe wine glasses were taken out on a tray?â

âYes, sir, I held the tray and Mr. Ellis put the glasses on it, and I carried the tray out to the pantry, and there they were, sir, when the police came to examine them. The port glasses were still on the table. And the police didnât find anything.â

âYouâre quite sure that the doctor didnât have anything to eat or drink at dinner that nobody else had?â

âNot that I saw, sir. In fact, Iâm sure he didnât.â

âNothing that one of the guests gave himââ

âOh, no, sir.â

âDo you know anything about a secret passage, Alice?â

âOne of the gardeners told me something about it. Comes out in the wood where thereâs some old walls and things tumbled down. But Iâve never seen any opening to it in the house.â

âEllis never said anything about it?â

âOh, no, sir, he wouldnât know anything about it, Iâm sure.â

âWho do you really think killed your master, Alice?â

âI donât know, sir. I canât believe anyone didâ¦I feel it must have been some kind of accident.â

âHâm. Thank you, Alice.â

âIf it wasnât for the death of Babbington,â said Sir Charles as the girl left the room, âwe could make her the criminal. Sheâs a good-looking girlâ¦And she waited at tableâ¦No, it wonât do. Babbington was murdered; and anyway Tollie never noticed good-looking girls. He wasnât made that way.â

âBut he was fifty-five,â said Mr. Satterthwaite thoughtfully.

âWhy do you say that?â

âItâs the age a man loses his head badly about a girlâeven if he hasnât done so before.â

âDash it all, Satterthwaite, Iâmâerâgetting on for fifty-five.â

âI know,â said Satterthwaite.

And before his gentle twinkling gaze Sir Charlesâs eyes fell.

Unmistakably he blushedâ¦.

Five

IN THE BUTLERâS ROOM

âHow about an examination of Ellisâs room?â asked Mr. Satterthwaite, having enjoyed the spectacle of Sir Charlesâs blush to the full.

The actor seized at the diversion.

âExcellent, excellent. Just what I was about to suggest myself.â

âOf course the police have already searched it thoroughly.â

âThe policeââ

Aristide Duval waved the police away scornfully. Anxious to forget his momentary discomfiture, he flung himself with renewed vigour into his part.

âThe police are blockheads,â he said sweepingly. âWhat have they looked for in Ellisâs room? Evidences of his guilt. We shall look for evidences of his innocenceâan entirely different thing.â

âYouâre completely convinced of Ellisâs innocence?â

âIf weâre right about Babbington, he must be innocent.â

âYes, besidesââ

Mr. Satterthwaite did not finish his sentence. He had been about to say that if Ellis was a professional criminal who had been detected by Sir Bartholomew and had murdered him in consequence the whole affair would become unbearably dull. Just in time he remembered that Sir Bartholomew had been a friend of Sir Charles Cartwrightâs and was duly appalled by the callousness of the sentiments he had nearly revealed.

At first sight Ellisâs room did not seem to offer much promise of discovery. The clothes in the drawers and hanging in the cupboard were all neatly arranged. They were well cut, and bore different tailorsâ marks. Clearly castoffs given him in different situations. The underclothing was on the same scale. The boots were neatly polished and arranged on trees.

Mr. Satterthwaite picked up a boot and murmured, âNines, just so, nines.â But, since there were no footprints in the case, that didnât seem to lead anywhere.

It seemed clear from its absence that Ellis had departed in his butlerâs kit, and Mr. Satterthwaite pointed out to Sir Charles that that seemed rather a remarkable fact.

âAny man in his senses would have changed into an ordinary suit.â

âYes, itâs odd thatâ¦Looks almost, though thatâs absurd, as if he hadnât gone at allâ¦Nonsense, of course.â

They continued their search. No letters, no papers, except a cutting from a newspaper regarding a cure for corns, and a paragraph relating to the approaching marriage of a dukeâs daughter.

There was a small blotting book and a penny bottle of ink on a side tableâno pen. Sir Charles held up the blotting book to the mirror, but without result. One page of it was very much usedâa meaningless jumble, and the ink looked to both men old.

âEither he hasnât written any letters since he was here, or he hasnât blotted them,â deduced Mr. Satterthwaite. âThis is an old blotter. Ah, yesââ With some gratification he pointed to a barely decipherable âL. Bakerâ amidst the jumble.

âI should say Ellis hadnât used this at all.â

âThatâs rather odd, isnât it?â said Sir Charles slowly.

âWhat do you mean?â

âWell, a man usually writes lettersâ¦.â

âNot if heâs a criminal.â

âNo, perhaps youâre rightâ¦There must have been something fishy about him to make him bolt as he didâ¦All we say is that he didnât murder Tollie.â

They hunted round the floor, raising the carpet, looking under the bed. There was nothing anywhere, except a splash of ink beside the fireplace. The room was disappointingly bare.

They left it in a somewhat disconcerted fashion. Their zeal as detectives was momentarily damped.

Possibly the thought passed through their minds that things were arranged better in books.

They had a few words with the other members of the staff, scared-looking juniors in awe of Mrs. Leckie and Beatrice Church, but they elicited nothing further.

Finally they took their leave.

âWell, Satterthwaite,â said Sir Charles as they strolled across the park (Mr. Satterthwaiteâs car had been instructed to pick them up at the lodge) âanything strike youâanything at all?â

Mr. Satterthwaite thought. He was not to be hurried into an answerâespecially as he felt something ought to have struck him. To confess that the whole expedition had been a waste of time was an unwelcome idea. He passed over in his mind the evidence of one servant after anotherâthe information was extraordinarily meagre.

As Sir Charles had summed it up just now, Miss Wills had poked and pried, Miss Sutcliffe had been very upset, Mrs. Dacres had not been upset at all, and Captain Dacres had got drunk. Very little there, unless Freddie Dacresâs indulgence showed the deadening of a guilty conscience. But Freddie Dacres, Mr. Satterthwaite knew, quite frequently got drunk.

âWell?â repeated Sir Charles impatiently.

âNothing,â confessed Mr. Satterthwaite reluctantly. âExceptâwell, I think we are entitled to assume from the clipping we found that Ellis suffered from corns.â

Sir Charles gave a wry smile.

âThat seems quite a reasonable deduction. Does itâerâget us anywhere?â

Mr. Satterthwaite confessed that it did not.

âThe only other thingââ he said and then stopped.

âYes? Go on, man. Anything may help.â

âIt struck me as a little odd the way that Sir Bartholomew chaffed his butlerâyou know what the housemaid told us. It seems somehow uncharacteristic.â

âIt was uncharacteristic,â said Sir Charles with emphasis. âI knew Tollie wellâbetter than you didâand I can tell you that he wasnât a facetious sort of man. Heâd never have spoken like that unlessâwell, unless for some reason he wasnât quite normal at the time. Youâre right, Satterthwaite, that is a point. Now where does it get us?â

âWell,â began Mr. Satterthwaite; but it was clear that Sir Charlesâs question had been merely a rhetorical one. He was anxious, not to hear Mr. Satterthwaiteâs views, but to air his own.

âYou remember when that incident occurred, Satterthwaite? Just after Ellis had brought him a telephone message. I think itâs a fair deduction to assume that it was that telephone message which was the cause of Tollieâs sudden unusual hilarity. You may remember I asked the housemaid woman what that message had been.â

Mr. Satterthwaite nodded.

âIt was to say that a woman named Mrs. de Rushbridger had arrived at the Sanatorium,â he said, to show that he, too, had paid attention to the point. âIt doesnât sound particularly thrilling.â

âIt doesnât sound so, certainly. But, if our reasoning is correct, there must be some significance in that message.â

âYe-es,â said Mr. Satterthwaite doubtfully.

âIndubitably,â said Sir Charles. âWeâve got to find out what that significance was. It just crosses my mind that it may have been a code message of some kindâa harmless sounding natural thing, but which really meant something entirely different. If Tollie had been making inquiries into Babbingtonâs death, this may have had something to do with those inquiries. Say, even, that he employed a private detective to find out a certain fact. He may have told him in the event of this particular suspicion being justified to ring up and use that particular phrase which would convey no hint of the truth to anyone taking it. That would explain his jubilation, it might explain his asking Ellis if he was sure of the nameâhe himself knowing well there was no such person, really. In fact, the slight lack of balance a person shows when they have brought off what can be described as a long shot.â

âYou think thereâs no such person as Mrs. de Rushbridger?â

âWell, I think we ought to find out for certain.â

âHow?â

âWe might run along to the Sanatorium now and ask the Matron.â

âShe may think it rather odd.â

Sir Charles laughed.

âYou leave it to me,â he said.

They turned aside from the drive and walked in the direction of the Sanatorium.

Mr. Satterthwaite said:

âWhat about you, Cartwright? Does anything strike you at all? Arising out of our visit to the house, I mean.â

Sir Charles answered slowly.

âYes, there is somethingâthe devil of it is, I canât remember what.â

Mr. Satterthwaite stared at him in surprise. The other frowned.

âHow can I explain? There was somethingâsomething which at the moment struck me as wrongâas unlikelyâonlyâI hadnât the time to think about it then. I put it aside in my own mind.â

âAnd now you canât remember what it was?â

âNoâonly that at some moment I said to myself, âThatâs odd.ââ

âWas it when we were questioning the servants? Which servant?â

âI tell you I canât remember. And the more I think the less I shall rememberâ¦If I leave it alone, it may come back to me.â

They came into view of the Sanatorium, a big white modern building, divided from the park by palings. There was a gate through which they passed, and they rang the front doorbell and asked for the Matron.

The Matron, when she came, was a tall, middle-aged woman, with an intelligent face and a capable manner. Sir Charles she clearly knew by name as a friend of the late Sir Bartholomew Strange.

Sir Charles explained that he had just come back from abroad, had been horrified to hear of his friendâs death and of the terrible suspicions entertained, and had been up to the house to learn as many details as he could. The Matron spoke in moving terms of the loss Sir Bartholomew would be to them, and of his fine career as a doctor. Sir Charles professed himself anxious to know what was going to happen to the Sanatorium. The Matron explained that Sir Bartholomew had had two partners, both capable doctors, one was in residence at the Sanatorium.

âBartholomew was very proud of this place, I know,â said Sir Charles.

âYes, his treatments were a great success.â

âMostly nerve cases, isnât it?â

âYes.â

âThat reminds meâfellow I met out at Monte had some kind of relation coming here. I forget her name nowâodd sort of nameâRushbridgerâRusbriggerâsomething like that.â

âMrs. de Rushbridger, you mean?â

âThatâs it. Is she here now?â

âOh, yes. But Iâm afraid she wonât be able to see youânot for some time yet. Sheâs having a very strict rest cure.â The Matron smiled just a trifle archly. âNo letters, no exciting visitorsâ¦.â

âI say, sheâs not very bad, is she?â

âRather a bad nervous breakdownâlapses of memory, and severe nervous exhaustion. Oh, we shall get her right in time.â

The Matron smiled reassuringly.

âLet me see, havenât I heard TollieâSir Bartholomewâspeak of her? She was a friend of his as well as a patient, wasnât she?â

âI donât think so, Sir Charles. At least the doctor never said so. She has recently arrived from the West Indiesâreally, it was very funny, I must tell you. Rather a difficult name for a servant to rememberâthe parlourmaid here is rather stupid. She came and said to me, âMrs. West India has come,â and of course I suppose Rushbridger does sound rather like West Indiaâbut it was rather a coincidence her having just come from the West Indies.â

âRatherâratherâmost amusing. Her husband over, too?â

âHeâs still out there.â

âAh, quiteâquite. I must be mixing her up with someone else. It was a case the doctor was specially interested in?â

âCases of amnesia are fairly common, but theyâre always interesting to a medical manâthe variations, you know. Two cases are seldom alike.â

âSeems all very odd to me. Well, thank you, Matron, Iâm glad to have had a little chat with you. I know how much Tollie thought of you. He often spoke about you,â finished Sir Charles mendaciously.

âOh, Iâm glad to hear that.â The Matron flushed and bridled. âSuch a splendid manâsuch a loss to us all. We were absolutely shockedâwell, stunned would describe it better. Murder! Who ever would murder Dr. Strange, I said. Itâs incredible. That awful butler. I hope the police catch him. And no motive or anything.â

Sir Charles shook his head sadly and they took their departure, going round by the road to the spot where the car awaited them.

In revenge for his enforced quiescence during the interview with the Matron, Mr. Satterthwaite displayed a lively interest in the scene of Oliver Mandersâ accident, plying the lodge keeper, a slow-witted man of middle age, with questions.

Yes, that was the place, where the wall was broken away. On a motorcycle the young gentleman was. No, he didnât see it happen. He heard it, though, and come out to see. The young gentleman was standing thereâjust where the other gentleman was standing now. He didnât seem to be hurt. Just looking rueful-like at his bikeâand a proper mess that was. Just asked what the name of the place might be, and when he heard it was Sir Bartholomew Strangeâs he said, âThatâs a piece of luck,â and went on up to the house. A very calm young gentleman he seemed to beâtired like. How he come to have such an accident, the lodge keeper couldnât see, but he supposed them things went wrong sometimes.

âIt was an odd accident,â said Mr. Satterthwaite thoughtfully.

He looked at the wide straight road. No bends, no dangerous crossroads, nothing to cause a motor cyclist to swerve suddenly into a ten-foot wall. Yes, an odd accident.

âWhatâs in your mind, Satterthwaite?â asked Sir Charles curiously.

âNothing,â said Mr. Satterthwaite, ânothing.â

âItâs odd, certainly,â said Sir Charles, and he, too, stared at the scene of the accident in a puzzled manner.

They got into the car and drove off.

Mr. Satterthwaite was busy with his thoughts. Mrs. de RushbridgerâCartwrightâs theory wouldnât workâit wasnât a code messageâthere was such a person. But could there be something about the woman herself? Was she perhaps a witness of some kind, or was it just because she was an interesting case that Bartholomew Strange had displayed this unusual elation? Was she, perhaps, an attractive woman? To fall in love at the age of fifty-five did (Mr. Satterthwaite had observed it many a time) change a manâs character completely. It might, perhaps, make him facetious, where before he had been aloofâ

His thoughts were interrupted. Sir Charles leant forward.

âSatterthwaite,â he said, âdo you mind if we turn back?â

Without waiting for a reply, he took up the speaking tube and gave the order. The car slowed down, stopped, and the chauffeur began to reverse into a convenient lane. A minute or two later they were bowling along the road in the opposite direction.

âWhat is it?â asked Mr. Satterthwaite.

âIâve remembered,â said Sir Charles, âwhat struck me as odd. It was the ink stain on the floor in the butlerâs room.â

Six

CONCERNING AN INK STAIN

Mr. Satterthwaite stared at his friend in surprise.

âThe ink stain? What do you mean, Cartwright?â

âYou remember it?â

âI remember there was an ink stain, yes.â

âYou remember its position?â

âWellânot exactly.â

âIt was close to the skirting board near the fireplace.â

âYes, so it was. I remember now.â

âHow do you think that stain was caused, Satterthwaite?â

âIt wasnât a big stain,â he said at last. âIt couldnât have been an upset ink bottle. I should say in all probability that the man dropped his fountain pen thereâthere was no pen in the room, you remember.â (He shall see I notice things just as much as he does, thought Mr. Satterthwaite.) âSo it seems clear the man must have had a fountain pen if he ever wrote at allâand thereâs no evidence that he ever did.â

âYes, there is, Satterthwaite. Thereâs the ink stain.â

âHe maynât have been writing,â snapped Satterthwaite. âHe may have just dropped the pen on the floor.â

âBut there wouldnât have been a stain unless the top had been off the pen.â

âI daresay youâre right,â said Mr. Satterthwaite. âBut I canât see whatâs odd about it.â

âPerhaps there isnât anything odd,â said Sir Charles. âI canât tell till I get back and see for myself.â

They were turning in at the lodge gates. A few minutes later they had arrived at the house and Sir Charles was allaying the curiosity caused by his return by inventing a pencil left behind in the butlerâs room.

âAnd now,â said Sir Charles, shutting the door of Ellisâs room behind them, having with some skill shaken off the helpful Mrs. Leckie, âletâs see if Iâm making an infernal fool of myself, or whether thereâs anything in my idea.â

In Mr. Satterthwaiteâs opinion the former alternative was by far the more probable, but he was much too polite to say so. He sat down on the bed and watched the other.

âHereâs our stain,â said Sir Charles, indicating the mark with his foot. âRight up against the skirting board at the opposite side of the room to the writing table. Under what circumstances would a man drop a pen just there?â

âYou can drop a pen anywhere,â said Mr. Satterthwaite.

âYou can hurl it across the room, of course,â agreed Sir Charles. âBut one doesnât usually treat oneâs pen like that. I donât know, though. Fountain pens are damned annoying things. Dry up and refuse to write just when you want them to. Perhaps thatâs the solution of the matter. Ellis lost his temper, said, âDamn the thing,â and hurled it across the room.â

âI think there are plenty of explanations,â said Mr. Satterthwaite. âHe may have simply laid the pen on the mantelpiece and it rolled off.â

Sir Charles experimented with a pencil. He allowed it to roll off the corner of the mantelpiece. The pencil struck the ground at least a foot from the mark and rolled inwards towards the gas fire.

âWell,â said Mr. Satterthwaite. âWhatâs your explanation?â

âIâm trying to find one.â

From his seat on the bed Mr. Satterthwaite now witnessed a thoroughly amusing performance.

Sir Charles tried dropping the pencil from his hand as he walked in the direction of the fireplace. He tried sitting on the edge of the bed and writing there and then dropping the pencil. To get the pencil to fall on the right spot it was necessary to stand or sit jammed up against the wall in a most unconvincing attitude.

âThatâs impossible,â said Sir Charles aloud. He stood considering the wall, the stain and the prim little gas fire.

âIf he were burning papers, now,â he said thoughtfully. âBut one doesnât burn papers in a gas fireââ

Suddenly he drew in his breath.

A minute later Mr. Satterthwaite was realizing Sir Charlesâs profession to the full.

Charles Cartwright had become Ellis the butler. He sat writing at the writing table. He looked furtive, every now and then he raised his eyes, shooting them shiftily from side to side. Suddenly he seemed to hear somethingâMr. Satterthwaite could even guess what that something wasâfootsteps along the passage. The man had a guilty conscience. He attached a certain meaning to those footsteps. He sprang up, the paper on which he had been writing in one hand, his pen in the other. He darted across the room to the fireplace, his head half turned, still alertâlisteningâafraid. He tried to shove the papers under the gas fireâin order to use both hands he cast down the pen impatiently. Sir Charlesâs pencil, the âpenâ of the drama, fell accurately on the ink stainâ¦.

âBravo,â said Mr. Satterthwaite, applauding generously.

So good had the performance been that he was left with the impression that so and only so could Ellis have acted.

âYou see?â said Sir Charles, resuming his own personality and speaking with modest elation. âIf the fellow heard the police or what he thought was the police coming and had to hide what he was writingâwell, where could he hide it? Not in a drawer or under the mattressâif the police searched the room, that would be found at once. He hadnât time to take up a floorboard. No, behind the gas fire was the only chance.â

âThe next thing to do,â said Mr. Satterthwaite, âis to see whether there is anything hidden behind the gas fire.â

âExactly. Of course, it may have been a false alarm, and he may have got the things out again later. But weâll hope for the best.â

Removing his coat and turning up his shirt sleeves, Sir Charles lay down on the floor and applied his eye to the crack under the gas fire.

âThereâs something under there,â he reported. âSomething white. How can we get it out? We want something like a womanâs hatpins.â

âWomen donât have hatpins anymore,â said Mr. Satterthwaite sadly. âPerhaps a penknife.â

But a penknife proved unavailing.

In the end Mr. Satterthwaite went out and borrowed a knitting needle from Beatrice. Though extremely curious to know what he wanted it for, her sense of decorum was too great to permit her to ask.

The knitting needle did the trick. Sir Charles extracted half a dozen sheets of crumpled writing paper, hastily crushed together and pushed in.

With growing excitement he and Mr. Satterthwaite smoothed them out. They were clearly several different drafts of a letterâwritten in a small, neat clerkly handwriting.

This is to say (began the first) that the writer of this does not wish to cause unpleasantness, and may possibly have been mistaken in what he thought he saw tonight, butâ

Here the writer had clearly been dissatisfied, and had broken off to start afresh.

John Ellis, butler, presents his compliments, and would be glad of a short interview touching the tragedy tonight before going to the police with certain information in his possessionâ

Still dissatisfied, the man had tried again.

John Ellis, butler, has certain facts concerning the death of the doctor in his possession. He has not yet given these facts to the policeâ

In the next one the use of the third person had been abandoned.

I am badly in need of money. A thousand pounds would make all the difference to me. There are certain things I could tell the police, but do not want to make troubleâ

The last one was even more unreserved.

I know how the doctor died. I havenât said anything to the policeâyet. If you will meet meâ

This letter broke off in a different wayâafter the âmeâ the pen had tailed off in a scrawl, and the last five words were all blurred and blotchy. Clearly it was when writing this that Ellis had heard something that alarmed him. He had crumpled up the papers and dashed to conceal them.

Mr. Satterthwaite drew a deep breath.

âI congratulate you, Cartwright,â he said. âYour instinct about that ink stain was right. Good work. Now letâs see exactly where we stand.â

He paused a minute.

âEllis, as we thought, is a scoundrel. He wasnât the murderer, but he knew who the murderer was, and he was preparing to blackmail him or herââ

âHim or her,â interrupted Sir Charles. âAnnoying we donât know which. Why couldnât the fellow begin one of his effusions Sir or Madam, then weâd know where we are. Ellis seems to have been an artistic sort of fellow. He was taking a lot of trouble over his blackmailing letter. If only heâd given us one clueâas to whom that letter was addressed.â

âNever mind,â said Mr. Satterthwaite. âWe are getting on. You remember you said that what we wanted to find in this room was a proof of Ellisâs innocence. Well, weâve found it. These letters show that he was innocentâof the murder, I mean. He was a thorough-paced scoundrel in other ways. But he didnât murder Sir Bartholomew Strange. Somebody else did that. Someone who murdered Babbington also. I think even the police will have to come round to our view now.â

âYouâre going to tell them about this?â

Sir Charlesâs voice expressed dissatisfaction.

âI donât see that we can do otherwise. Why?â

âWellââ Sir Charles sat down on the bed. His brow furrowed itself in thought. âHow can I put it best? At the moment we know something that nobody else does. The police are looking for Ellis. They think heâs the murderer. Everyone knows that they think heâs the murderer. So the real criminal must be feeling pretty good. He (or she) will be not exactly off his or her guard, but feelingâwell, comfortable. Isnât it a pity to upset that state of things? Isnât that just our chance? I mean our chance of finding a connection between Babbington and one of these people. They donât know that anyone has connected this death with Babbingtonâs death. Theyâll be unsuspicious. Itâs a chance in a hundred.â

âI see what you mean,â said Mr. Satterthwaite. âAnd I agree with you. It is a chance. But, all the same, I donât think we can take it. It is our duty as citizens to report this discovery of ours to the police at once. We have no right to withhold it from them.â

Sir Charles looked at him quizzically.

âYouâre the pattern of a good citizen, Satterthwaite. Iâve no doubt the orthodox thing must be doneâbut Iâm not nearly such a good citizen as you are. I should have no scruples in keeping this find to myself for a day or twoâonly a day or twoâeh? No? Well, I give in. Let us be pillars of law and order.â

âYou see,â explained Mr. Satterthwaite, âJohnson is a friend of mine, and he was very decent about it allâlet us into all the police were doingâgave us full information, and all that.â

âOh, youâre right,â sighed Sir Charles. âQuite right. Only, after all, no one but me thought of looking under that gas stove. The idea never occurred to one of those thickheaded policemenâ¦But have it your own way. I say, Satterthwaite, where do you think Ellis is now?â

âI presume,â said Mr. Satterthwaite, âthat he got what he wanted. He was paid to disappear, and he did disappearâmost effectually.â

âYes,â said Sir Charles. âI suppose that is the explanation.â

He gave a slight shiver.

âI donât like this room, Satterthwaite. Come out of it.â

Seven

PLAN OF CAMPAIGN

Sir Charles and Mr. Satterthwaite arrived back in London the following evening.

The interview with Colonel Johnson had had to be very tactfully conducted. Superintendent Crossfield had not been too pleased that mere âgentlemenâ should have found what he and his assistants had missed. He was at some pains to save his face.

âVery creditable, indeed, sir. I confess I never thought of looking under the gas fire. As a matter of fact, it beats me what set you looking there.â

The two men had not gone into a detailed account of how theorizing from an inkblot had led to the discovery. âJust nosing around,â was how Sir Charles had put it.

âStill, look you did,â continued the Superintendent, âand were justified. Not that what youâve found is much surprise to me. You see, it stands to reason that if Ellis wasnât the murderer, he must have disappeared for some reason or other, and itâs been in the back of my mind all along that blackmail might have been his line of business.â

One thing did arise from their discovery. Colonel Johnson was going to communicate with the Loomouth police. The death of Stephen Babbington ought certainly to be investigated.

âAnd if they find he died from nicotine poisoning, even Crossfield will admit the two deaths are connected,â said Sir Charles when they were speeding towards London.

He was still a little disgruntled at having had to hand over his discovery to the police.

Mr. Satterthwaite had soothed him by pointing out that the information was not to be made public or given to the press.

âThe guilty person will have no misgivings. The search for Ellis will still be continued.â

Sir Charles admitted that that was true.

On arrival in London, he explained to Mr. Satterthwaite, he proposed to get in touch with Egg Lytton Gore. Her letter had been written from an address in Belgrave Square. He hoped that she might still be there.

Mr. Satterthwaite gravely approved this course. He himself was anxious to see Egg. It was arranged that Sir Charles should ring her up as soon as they reached London.

Egg proved to be still in town. She and her mother were staying with relatives and were not returning to Loomouth for about a week. Egg was easily prevailed upon to come out and dine with the two men.

âShe canât come here very well, I suppose,â said Sir Charles, looking round his luxurious flat. âHer mother mightnât like it, eh? Of course we could have Miss Milray, tooâbut Iâd rather not. To tell the truth, Miss Milray cramps my style a bit. Sheâs so efficient that she gives me an inferiority complex.â

Mr. Satterthwaite suggested his house. In the end it was arranged to dine at the Berkeley. Afterwards, if Egg liked, they could adjourn elsewhere.

Mr. Satterthwaite noticed at once that the girl was looking thinner. Her eyes seemed larger and more feverish, her chin more decided. She was pale and had circles under her eyes. But her charm was as great as ever, her childish eagerness just as intense.

She said to Sir Charles, âI knew youâd comeâ¦.â

Her tone implied: âNow that youâve come everything will be all rightâ¦.â

Mr. Satterthwaite thought to himself: âBut she wasnât sure heâd comeâshe wasnât sure at all. Sheâs been on tenterhooks. Sheâs been fretting herself to death.â And he thought: âDoesnât the man realize? Actors are usually vain enoughâ¦Doesnât he know the girlâs head over ears in love with him?â

It was, he thought, an odd situation. That Sir Charles was overwhelmingly in love with the girl, he had no doubt whatever. She was equally in love with him. And the link between themâthe link to which each of them clung frenziedlyâwas a crimeâa double crime of a revolting nature.

During dinner little was said. Sir Charles talked about his experiences abroad. Egg talked about Loomouth. Mr. Satterthwaite encouraged them both whenever the conversation seemed likely to flag. When dinner was over they went to Mr. Satterthwaiteâs house.

Mr. Satterthwaiteâs house was on Chelsea Embankment. It was a large house, and contained many beautiful works of art. There were pictures, sculpture, Chinese porcelain, prehistoric pottery, ivories, miniatures and much genuine Chippendale and Hepplewhite furniture. It had an atmosphere about it of mellowness and understanding.

Egg Lytton Gore saw nothing, noticed nothing. She flung off her evening coat onto a chair and said:

âAt last. Now tell me all about it.â

She listened with vivid interest whilst Sir Charles narrated their adventures in Yorkshire, drawing in her breath sharply when he described the discovery of the blackmailing letters.

âWhat happened after that we can only conjecture,â finished Sir Charles. âPresumably Ellis was paid to hold his tongue and his escape was facilitated.â

But Egg shook her head.

âOh, no,â she said. âDonât you see? Ellis is dead.â

Both men were startled, but Egg reiterated her assertion.

âOf course heâs dead. Thatâs why heâs disappeared so successfully that no one can find a trace of him. He knew too much, and so he was killed. Ellis is the third murder.â

Although neither of the two men had considered the possibility before, they were forced to admit that it did not entirely ring false.

âBut look here, my dear girl,â argued Sir Charles, âitâs all very well to say Ellis is dead. Whereâs the body? Thereâs twelve stone or so of solid butler to be accounted for.â

âI donât know where the body is,â said Egg. âThere must be lots of places.â

âHardly,â murmured Mr. Satterthwaite. âHardlyâ¦.â

âLots,â reiterated Egg. âLet me seeâ¦â She paused for a moment. âAttics, there are masses of attics that no one ever goes into. Heâs probably in a trunk in the attic.â

âRather unlikely,â said Sir Charles. âBut possible, of course. It might evade discoveryâforâerâa time.â

It was not Eggâs way to avoid unpleasantness. She dealt immediately with the point in Sir Charlesâs mind.

âSmell goes up, not down. Youâd notice a decaying body in the cellar much sooner than in the attic. And, anyway, for a long time people would think it was a dead rat.â

âIf your theory were correct, it would point definitely to a man as the murderer. A woman couldnât drag a body round the house. In fact, it would be a pretty good feat for a man.â

âWell, there are other possibilities. Thereâs a secret passage there, you know. Miss Sutcliffe told me so, and Sir Bartholomew told me he would show it to me. The murderer might have given Ellis the money and shown him the way to get out of the houseâgone down the passage with him and killed him there. A woman could do that. She could stab him, or something, from behind. Then sheâd just leave the body there and go back, and no one would ever know.â

Sir Charles shook his head doubtfully, but he no longer disputed Eggâs theory.

Mr. Satterthwaite felt sure that the same suspicion had come to him for a moment in Ellisâs room when they had found the letters. He remembered Sir Charlesâs little shiver. The idea that Ellis might be dead had come to him thenâ¦.

Mr. Satterthwaite thought: âIf Ellis is dead, then weâre dealing with a very dangerous personâ¦Yes, a very dangerous personâ¦â And suddenly he felt a cold chill of fear down his spineâ¦.

A person who had killed three times wouldnât hesitate to kill againâ¦.

They were in danger, all three of themâSir Charles, and Egg, and heâ¦.

If they found out too muchâ¦.

He was recalled by the sound of Sir Charlesâs voice.

âThereâs one thing I didnât understand in your letter, Egg. You spoke of Oliver Manders being in dangerâof the police suspecting him. I canât see that they attach the least suspicion to him.â

It seemed to Mr. Satterthwaite that Egg was very slightly discomposed. He even fancied that she blushed.

âAha,â said Mr. Satterthwaite to himself. âLetâs see how you get out of this, young lady.â

âIt was silly of me,â said Egg. âI got confused. I thought that Oliver arriving as he did, with what might have been a trumped-up excuseâwell, I thought the police were sure to suspect him.â

Sir Charles accepted the explanation easily enough.

âYes,â he said. âI see.â

Mr. Satterthwaite spoke.

âWas it a trumped-up excuse?â he said.

Egg turned on him.

âWhat do you mean?â

âIt was an odd sort of accident,â said Mr. Satterthwaite. âI thought if it was a trumped-up excuse you might know.â

Egg shook her head.

âI donât know. I never thought about it. But why should Oliver pretend to have an accident if he didnât?â

âHe might have had reasons,â said Sir Charles. âQuite natural ones.â

He was smiling at her. Egg blushed crimson.

âOh, no,â she said. âNo.â

Sir Charles sighed. It occurred to Mr. Satterthwaite that his friend had interpreted that blush quite wrongly. Sir Charles seemed a sadder and older man when he spoke again.

âWell,â he said, âif our young friend is in no danger, where do I come in?â

Egg came forward quickly and caught him by the coat sleeve.

âYouâre not going away again. Youâre not going to give up? Youâre going to find out the truthâthe truth. I donât believe anybody but you could find out the truth. You can. You will.â

She was tremendously in earnest. The waves of her vitality seemed to surge and eddy in the old-world air of the room.

âYou believe in me?â said Sir Charles. He was moved.

âYes, yes, yes. Weâre going to get at the truth. You and I together.â

âAnd Satterthwaite.â

âOf course, and Mr. Satterthwaite,â said Egg without interest.

Mr. Satterthwaite smiled covertly. Whether Egg wanted to include him or not, he had no intention of being left out. He was fond of mysteries, and he liked observing human nature, and he had a soft spot for lovers. All three tastes seemed likely to be gratified in this affair.

Sir Charles sat down. His voice changed. He was in command, directing a production.

âFirst of all weâve got to clarify the situation. Do we, or do we not, believe that the same person killed Babbington and Bartholomew Strange?â

âYes,â said Egg.

âYes,â said Mr. Satterthwaite.

âDo we believe that the second murder sprang directly from the first? I mean, do we believe that Bartholomew Strange was killed in order to prevent his revealing the facts of the first murder, or his suspicion about it?â

âYes,â said Egg and Mr. Satterthwaite again, but in unison this time.

âThen it is the first murder we must investigate, not the secondââ

Egg nodded.

âIn my mind, until we discover the motive for the first murder, we can hardly hope to discover the murderer. The motive presents extraordinary difficulty. Babbington was a harmless, pleasant, gentle old man without, one would say, an enemy in the world. Yet he was killedâand there must have been some reason for the killing. Weâve got to find that reason.â

He paused and then said in his ordinary everyday voice:

âLetâs get down to it. What reasons are there for killing people? First, I suppose, gain.â

âRevenge,â said Egg.

âHomicidal mania,â said Mr. Satterthwaite. âThe crime passionel would hardly apply in this case. But thereâs fear.â

Charles Cartwright nodded. He was scribbling on a piece of paper.

âThat about covers the ground,â he said. âFirst, Gain. Does anyone gain by Babbingtonâs death? Has he any moneyâor expectation of money?â

âI should think it very unlikely,â said Egg.

âSo should I, but weâd better approach Mrs. Babbington on the point.â

âThen thereâs revenge. Did Babbington do any injury to anyoneâperhaps in his young days? Did he marry the girl that some other man wanted? Weâll have to look into that, too.â

âThen homicidal mania. Were both Babbington and Tollie killed by a lunatic? I donât think that theory will hold water. Even a lunatic has some kind of reasonableness in his crimes. I mean a lunatic might think himself divinely appointed to kill doctors, or to kill clergymen, but not to kill both. I think we can wash out the theory of homicidal mania. There remains fear.

âNow, frankly, that seems to me far the most likely solution. Babbington knew something about somebodyâor he recognized somebody. He was killed to prevent him telling what that something was.â

âI canât see what someone like Mr. Babbington could know that was damaging about anybody who was there that night.â

âPerhaps,â said Sir Charles, âit was something that he didnât know that he knew.â

He went on, trying to make his meaning clear.

âItâs difficult to say just what I mean. Suppose, for instance (this is only an instance) that Babbington saw a certain person in a certain place at a certain time. As far as he knows, thereâs no reason why that person shouldnât be there. But suppose also that that person had concocted a very clever alibi for some reason showing that at that particular time he was somewhere else a hundred miles away. Well, at any minute old Babbington, in the most innocent way in the world, might give the show away.â

âI see,â said Egg. âSay thereâs a murder committed in London, and Babbington sees the man who did it at Paddington Station, but the man has proved that he didnât do it by having an alibi showing that he was at Leeds at the time. Then Babbington might give the whole show away.â

âThatâs what I mean exactly. Of course thatâs only an instance. It might be anything. Someone he saw that evening whom heâd known under a different nameââ

âIt might be something to do with a marriage,â said Egg. âClergymen do lots of marriages. Somebody whoâd committed bigamy.â

âOr it might have to do with a birth or a death,â suggested Mr. Satterthwaite.

âItâs a very wide field,â said Egg, frowning. âWeâll have to get at it the other way. Work back from the people who were there. Letâs make a list. Who was at your house, and who was at Sir Bartholomewâs.â

She took the paper and pencil from Sir Charles.

âThe Dacres, they were at both. That woman like a wilted cabbage, whatâs her nameâWills. Miss Sutcliffe.â

âYou can leave Angela out of it,â said Sir Charles. âIâve known her for years.â

Egg frowned mutinously.

âWe canât do that sort of thing,â she said. âLeave people out because we know them. Weâve got to be businesslike. Besides, I donât know anything about Angela Sutcliffe. Sheâs just as likely to have done it as anyone else, so far as I can seeâmore likely. All actresses have pasts. I think, on the whole, sheâs the most likely person.â

She gazed defiantly at Sir Charles. There was an answering spark in his eyes.

âIn that case we mustnât leave out Oliver Manders.â

âHow could it be Oliver? Heâd met Mr. Babbington ever so many times before.â

âHe was at both places, and his arrival is a littleâopen to suspicion.â

âVery well,â said Egg. She paused, and then added: âIn that case Iâd better put down Mother and myself as wellâ¦That makes six suspects.â

âI donât thinkââ

âWeâll do it properly, or not at all.â Her eyes flashed.

Mr. Satterthwaite made peace by offering refreshment. He rang for drinks.

Sir Charles strolled off into a far corner to admire a head of Negro sculpture. Egg came over to Mr. Satterthwaite and slipped a hand through his arm.

âStupid of me to have lost my temper,â she murmured. âI am stupidâbut why should the woman be excepted? Why is he so keen she should be? Oh, dear, why the devil am I so disgustingly jealous?â

Mr. Satterthwaite smiled and patted her hand.

âJealousy never pays, my dear,â he said. âIf you feel jealous, donât show it. By the way, did you really think young Manders might be suspected?â

Egg grinnedâa friendly childish grin.

âOf course not. I put that in so as not to alarm the man.â She turned her head. Sir Charles was still moodily studying Negro sculpture. âYou knowâI didnât want him to think I really have a pash for Oliverâbecause I havenât. How difficult everything is! Heâs gone back now to his âBless you, my children,â attitude. I donât want that at all.â

âHave patience,â counselled Mr. Satterthwaite. âEverything comes right in the end, you know.â

âIâm not patient,â said Egg. âI want to have things at once, or even quicker.â

Mr. Satterthwaite laughed, and Sir Charles turned and came towards them.

As they sipped their drinks, they arranged a plan of campaign. Sir Charles should return to Crowâs Nest, for which he had not yet found a purchaser. Egg and her mother would return to Rose Cottage rather sooner than they had meant to do. Mrs. Babbington was still living in Loomouth. They would get what information they could from her and then proceed to act upon it.

âWeâll succeed,â said Egg. âI know weâll succeed.â

She leaned forward to Sir Charles, her eyes glowing. She held out her glass to touch his.

âDrink to our success,â she commanded.

Slowly, very slowly, his eyes fixed on hers, he raised his glass to his lips.

âTo success,â he said, âand to the Futureâ¦.â

THIRD ACT

DISCOVERY

One

MRS. BABBINGTON

Mrs. Babbington had moved into a small fishermanâs cottage not far from the harbour. She was expecting a sister home from Japan in about six months. Until her sister arrived she was making no plans for the future. The cottage chanced to be vacant, and she took it for six months. She felt too bewildered by her sudden loss to move away from Loomouth. Stephen Babbington had held the living of St. Petroch, Loomouth, for seventeen years. They had been, on the whole, seventeen happy and peaceful years, in spite of the sorrow occasioned by the death of her son Robin. Of her remaining children, Edward was in Ceylon, Lloyd was in South Africa, and Stephen was third officer on the Angolia. They wrote frequently and affectionately, but they could offer neither a home nor companionship to their mother.

Margaret Babbington was very lonelyâ¦.

Not that she allowed herself much time for thinking. She was still active in the parishâthe new vicar was unmarried, and she spent a good deal of time working in the tiny plot of ground in front of the cottage. She was a woman whose flowers were part of her life.

She was working there one afternoon when she heard the latch of the gate click, and looked up to see Sir Charles Cartwright and Egg Lytton Gore.

Margaret was not surprised to see Egg. She knew that the girl and her mother were due to return shortly. But she was surprised to see Sir Charles. Rumour had insisted that he had left the neighbourhood for good. There had been paragraphs copied from other papers about his doings in the South of France. There had been a board âTO BE SOLDâ stuck up in the garden of Crowâs Nest. No one had expected Sir Charles to return. Yet return he had.

Mrs. Babbington shook the untidy hair back from her hot forehead and looked ruefully at her earth-stained hands.

âIâm not fit to shake hands,â she said. âI ought to garden in gloves, I know. I do start in them sometimes; but I always tear them off sooner or later. One can feel things so much better with bare hands.â

She led the way into the house. The tiny sitting room had been made cosy with chintz. There were photographs and bowls of chrysanthemums.

âItâs a great surprise seeing you, Sir Charles. I thought you had given up Crowâs Nest for good.â

âI thought I had,â said the actor frankly. âBut sometimes, Mrs. Babbington, our destiny is too strong for us.â

Mrs. Babbington did not reply. She turned towards Egg, but the girl forestalled the words on her lips.

âLook here, Mrs. Babbington. This isnât just a call. Sir Charles and I have got something very serious to say. OnlyâIâI should hate to upset you.â

Mrs. Babbington looked from the girl to Sir Charles. Her face had gone rather grey and pinched.

âFirst of all,â said Sir Charles, âI would like to ask you if you have had any communication from the Home Office?â

Mrs. Babbington bowed her head.

âI seeâwell, perhaps that makes what we are about to say easier.â

âIs that what you have come aboutâthis exhumation order?â

âYes. Is itâIâm afraid it must beâvery distressing to you.â

She softened to the sympathy in his voice.

âPerhaps I do not mind as much as you think. To some people the idea of exhumation is very dreadfulânot to me. It is not the dead clay that matters. My dear husband is elsewhereâat peaceâwhere no one can trouble his rest. No, it is not that. It is the idea that is a shock to meâthe idea, a terrible one, that Stephen did not die a natural death. It seems so impossibleâutterly impossible.â

âIâm afraid it must seem so to you. It did to meâto usâat first.â

âWhat do you mean by at first, Sir Charles?â

âBecause the suspicion crossed my mind on the evening of your husbandâs death, Mrs. Babbington. Like you, however, it seemed to me so impossible that I put it aside.â

âI thought so, too,â said Egg.

âYou too,â Mrs. Babbington looked at her wonderingly. âYou thought someone could have killedâStephen?â

The incredulity in her voice was so great that neither of her visitors knew quite how to proceed. At last Sir Charles took up the tale.

âAs you know, Mrs. Babbington, I went abroad. When I was in the South of France I read in the paper of my friend Bartholomew Strangeâs death in almost exactly similar circumstances. I also got a letter from Miss Lytton Gore.â

Egg nodded.

âI was there, you know, staying with him at the time. Mrs. Babbington, it was exactly the sameâexactly. He drank some port and his face changed, andâandâwell, it was just the same. He died two or three minutes later.â

Mrs. Babbington shook her head slowly.

âI canât understand it. Stephen! Sir Bartholomewâa kind and clever doctor! Who could want to harm either of them? It must be a mistake.â

âSir Bartholomew was proved to have been poisoned, remember,â said Sir Charles.

âThen it must have been the work of a lunatic.â

Sir Charles went on:

âMrs. Babbington, I want to get to the bottom of this. I want to find out the truth. And I feel there is no time to lose. Once the news of the exhumation gets about our criminal will be on the alert. I am assuming, for the sake of saving time, what the result of the autopsy on your husbandâs body will be. I am taking it that he, too, died of nicotine poisoning. To begin with, did you or he know anything about the use of pure nicotine?â

âI always use a solution of nicotine for spraying roses. I didnât know it was supposed to be poisonous.â

âI should imagine (I was reading up the subject last night) that in both cases the pure alkaloid must have been used. Cases of poisoning by nicotine are most unusual.â

Mrs. Babbington shook her head.

âI really donât know anything about nicotine poisoningâexcept that I suppose inveterate smokers might suffer from it.â

âDid your husband smoke?â

âYes.â

âNow tell me, Mrs. Babbington, you have expressed the utmost surprise that anyone should want to do away with your husband. Does that mean that as far as you know he had no enemies?â

âI am sure Stephen had no enemies. Everyone was fond of him. People tried to hustle him sometimes,â she smiled a little tearfully. âHe was getting on, you know, and rather afraid of innovations, but everybody liked him. You couldnât dislike Stephen, Sir Charles.â

âI suppose, Mrs. Babbington, that your husband didnât leave very much money?â

âNo. Next to nothing. Stephen was not good at saving. He gave away far too much. I used to scold him about it.â

âI suppose he had no expectations from anyone? He wasnât the heir to any property?â

âOh, no. Stephen hadnât many relations. He has a sister who is married to a clergyman in Northumberland, but they are very badly off, and all his uncles and aunts are dead.â

âThen it does not seem as though there were anyone who could benefit by Mr. Babbingtonâs death?â

âNo, indeed.â

âLet us come back to the question of enemies for a minute. Your husband had no enemies, you say; but he may have had as a young man.â

Mrs. Babbington looked sceptical.

âI should think it very unlikely. Stephen hadnât a quarrelsome nature. He always got on well with people.â

âI donât want to sound melodramatic,â Sir Charles coughed a little nervously. âButâerâwhen he got engaged to you, for instance, there wasnât any disappointed suitor in the offing?â

A momentary twinkle came into Mrs. Babbingtonâs eyes.

âStephen was my fatherâs curate. He was the first young man I saw when I came home from school. I fell in love with him and he with me. We were engaged for four years, and then he got a living down in Kent, and we were able to get married. Ours was a very simple love story, Sir Charlesâand a very happy one.â

Sir Charles bowed his head. Mrs. Babbingtonâs simple dignity was very charming.

Egg took up the rÃ´le of questioner.

âMrs. Babbington, do you think your husband had met any of the guests at Sir Charlesâs that night before?â

Mrs. Babbington looked slightly puzzled.

âWell, there were you and your mother, my dear, and young Oliver Manders.â

âYes, but any of the others?â

âWe had both seen Angela Sutcliffe in a play in London five years ago. Both Stephen and I were very excited that we were actually going to meet her.â

âYou had never actually met her before?â

âNo. Weâve never met any actressesâor actors, for the matter of thatâuntil Sir Charles came to live here. And that,â added Mrs. Babbington, âwas a great excitement. I donât think Sir Charles knows what a wonderful thing it was to us. Quite a breath of romance in our lives.â

âYou hadnât met Captain and Mrs. Dacres?â

âWas he the little man, and the woman with the wonderful clothes?â

âYes.â

âNo. Nor the other womanâthe one who wrote plays. Poor thing, she looked rather out of it, I thought.â

âYouâre sure youâd never seen any of them before?â

âIâm quite sure I hadnâtâand so Iâm fairly sure Stephen hadnât, either. You see, we do everything together.â

âAnd Mr. Babbington didnât say anything to youâanything at all,â persisted Egg, âabout the people you were going to meet, or about them, when he saw them?â

âNothing beforehandâexcept that he was looking forward to an interesting evening. And when we got thereâwell, there wasnât much timeââ Her face twisted suddenly.

Sir Charles broke in quickly.

âYou must forgive us badgering you like this. But, you see, we feel that there must be something, if only we could get at it. There must be some reason for an apparently brutal and meaningless murder.â

âI see that,â said Mrs. Babbington. âIf it was murder, there must be some reasonâ¦But I donât knowâI canât imagineâwhat that reason could be.â

There was silence for a minute or two, then Sir Charles said:

âCan you give me a slight biographical sketch of your husbandâs career?â

Mrs. Babbington had a good memory for dates. Sir Charlesâs final notes ran thus:

âStephen Babbington, born Islington, Devon, 1868. Educated St. Paulâs School and Oxford. Ordained Deacon and received a title to the Parish of Hoxton, 1891. Priested 1892. Was Curate Eslington, Surrey, to Rev. Vernon Lorrimer, 1894â1899. Married Margaret Lorrimer, 1899, and presented to the living of Gilling, Kent. Transferred to living of St. Petroch, Loomouth, 1916.â

âThat gives us something to go upon,â said Sir Charles. âOur best chance seems to me the time during which Mr. Babbington was Vicar of St. Maryâs, Gilling. His earlier history seems rather far back to concern any of the people who were at my house that evening.â

Mrs. Babbington shuddered.

âDo you really thinkâthat one of themâ?â

âI donât know what to think,â said Sir Charles. âBartholomew saw something or guessed something, and Bartholomew Strange died the same way, and fiveââ

âSeven,â said Egg.

ââof these people were also present. One of them must be guilty.â

âBut why?â cried Mrs. Babbington. âWhy? What motive could there be for anyone killing Stephen?â

âThat,â said Sir Charles, âis what we are going to find out.â

Two

LADY MARY

Mr. Satterthwaite had come down to Crowâs Nest with Sir Charles. Whilst his host and Egg Lytton Gore were visiting Mrs. Babbington, Mr. Satterthwaite was having tea with Lady Mary.

Lady Mary liked Mr. Satterthwaite. For all her gentleness of manner, she was a woman who had very definite views on the subject of whom she did or did not like.

Mr. Satterthwaite sipped China tea from a Dresden cup, and ate a microscopic sandwich and chatted. On his last visit they had found many friends and acquaintances in common. Their talk today began on the same subject, but gradually drifted into more intimate channels. Mr. Satterthwaite was a sympathetic personâhe listened to the troubles of other people and did not intrude his own. Even on his last visit it had seemed natural to Lady Mary to speak to him of her preoccupation with her daughterâs future. She talked now as she would have talked to a friend of many yearsâ standing.

âEgg is so headstrong,â she said. âShe flings herself into a thing heart and soul. You know, Mr. Satterthwaite, I do not like the way she isâwell, mixing herself up in this distressing business. ItâEgg would laugh at me, I knowâbut it doesnât seem to be ladylike.â

She flushed as she spoke. Her brown eyes, gentle and ingenuous, looked with childish appeal at Mr. Satterthwaite.

âI know what you mean,â he said. âI confess that I donât quite like it myself. I know that itâs simply an old-fashioned prejudice, but there it is. All the same,â he twinkled at her, âwe canât expect young ladies to sit at home and sew and shudder at the idea of crimes of violence in these enlightened days.â

âI donât like to think of murder,â said Lady Mary. âI never, never dreamed that I should be mixed up in anything of that kind. It was dreadful.â She shivered. âPoor Sir Bartholomew.â

âYou didnât know him very well?â hazarded Mr. Satterthwaite.

âI think Iâd only met him twice. The first time about a year ago, when he came down to stay with Sir Charles for a weekend, and the second time was on that dreadful evening when poor Mr. Babbington died. I was really most surprised when his invitation arrived. I accepted because I thought Egg would enjoy it. She hasnât many treats, poor child, andâwell, she had seemed a little down in the mouth, as though she didnât take any interest in anything. I thought a big house party might cheer her up.â

Mr. Satterthwaite nodded.

âTell me something about Oliver Manders,â he said. âThe young fellow rather interests me.â

âI think heâs clever,â said Lady Mary. âOf course, things have been difficult for himâ¦.â

She flushed, and then in answer to the plain inquiry of Mr. Satterthwaiteâs glance she went on.

âYou see, his father wasnât married to his motherâ¦.â

âReally? I had no idea of that.â

âEveryone knows about it down here, otherwise I wouldnât have said anything about it. Old Mrs. Manders, Oliverâs grandmother, lives at Dunboyne, that biggish house on the Plymouth road. Her husband was a lawyer down here. Her son went into a city firm and did very well. Heâs quite a rich man. The daughter was a good-looking girl, and she became absolutely infatuated with a married man. I blame him very much indeed. Anyway, in the end, after a lot of scandal, they went off together. His wife wouldnât divorce him. The girl died not long after Oliver was born. His uncle in London took charge of him. He and his wife had no children of their own. The boy divided his time between them and his grandmother. He always came down here for his summer holidays.â

She paused and then went on:

âI always felt sorry for him. I still do. I think that terribly conceited manner of his is a good deal put on.â

âI shouldnât be surprised,â said Mr. Satterthwaite. âItâs a very common phenomenon. If I ever see anyone who appears to think a lot of themselves and boasts unceasingly, I always know that thereâs a secret sense of inferiority somewhere.â

âIt seems very odd.â

âAn inferiority complex is a very peculiar thing. Crippen, for instance, undoubtedly suffered from it. Itâs at the back of a lot of crimes. The desire to assert oneâs personality.â

âIt seems very strange to me,â murmured Lady Mary.

She seemed to shrink a little. Mr. Satterthwaite looked at her with an almost sentimental eye. He liked her graceful figure with the sloping shoulders, the soft brown of her eyes, her complete absence of makeup. He thought:

âShe must have been a beauty when she was youngâ¦.â

Not a flaunting beauty, not a roseâno, a modest, charming violet, hiding its sweetnessâ¦.

His thoughts ran serenely in the idiom of his young daysâ¦.

He remembered incidents in his own youth.

Presently he found himself telling Lady Mary about his own love affairâthe only love affair he had ever had. Rather a poor love affair by the standards of today, but very dear to Mr. Satterthwaite.

He told her about the Girl, and how pretty she was, and of how they had gone together to see the bluebells at Kew. He had meant to propose to her that day. He had imagined (so he put it) that she reciprocated his sentiments. And then, as they were standing looking at the bluebells, she had confided in himâ¦He had discovered that she loved another. And he had hidden the thoughts surging in his breast and had taken up the rÃ´le of the faithful Friend.

It was not, perhaps, a very full-blooded romance, but it sounded well in the dim-faded chintz and eggshell china atmosphere of Lady Maryâs drawing room.

Afterwards Lady Mary spoke of her own life, of her married life, which had not been very happy.

âI was such a foolish girlâgirls are foolish, Mr. Satterthwaite. They are so sure of themselves, so convinced they know best. People write and talk a lot of a âwomanâs instinct.â I donât believe, Mr. Satterthwaite, that there is any such thing. There doesnât seem to be anything that warns girls against a certain type of man. Nothing in themselves, I mean. Their parents warn them, but thatâs no goodâone doesnât believe. It seems dreadful to say so, but there is something attractive to a girl in being told anyone is a bad man. She thinks at once that her love will reform him.â

Mr. Satterthwaite nodded gently.

âOne knows so little. When one knows more, it is too late.â

She sighed.

âIt was all my own fault. My people didnât want me to marry Ronald. He was well born, but he had a bad reputation. My father told me straight out that he was a wrong âun. I didnât believe it. I believed that, for my sake, he would turn over a new leafâ¦.â

She was silent a moment or two, dwelling on the past.

âRonald was a very fascinating man. My father was quite right about him. I soon found that out. Itâs an old-fashioned thing to sayâbut he broke my heart. Yes, he broke my heart. I was always afraidâof what might come out next.â

Mr. Satterthwaite, always intensely interested in other peopleâs lives, made a cautious sympathetic noise.

âIt may seem a very wicked thing to say, Mr. Satterthwaite, but it was a relief when he got pneumonia and diedâ¦Not that I didnât care for himâI loved him up to the endâbut I had no illusions about him any longer. And there was Eggââ

Her voice softened.

âSuch a funny little thing she was. A regular little roly-poly, trying to stand up and falling overâjust like an egg; thatâs how that ridiculous nickname startedâ¦.â

She paused again.

âSome books that Iâve read these last few years have brought a lot of comfort to me. Books on psychology. It seems to show that in many ways people canât help themselves. A kind of kink. Sometimes, in the most carefully brought up families you get it. As a boy Ronald stole money at schoolâmoney that he didnât need. I can feel now that he couldnât help himselfâ¦He was born with a kinkâ¦.â

Very gently, with a small handkerchief, Lady Mary wiped her eyes.

âIt wasnât what I was brought up to believe,â she said apologetically. âI was taught that everyone knew the difference between right and wrong. But somehowâI donât always think that is so.â

âThe human mind is a great mystery,â said Mr. Satterthwaite gently. âAs yet, we are going groping our way to understanding. Without acute mania it may nevertheless occur that certain natures lack what I should describe as braking power. If you or I were to say, âI hate someoneâI wish he were dead,â the idea would pass from our minds as soon as the words were uttered. The brakes would work automatically. But, in some people the idea, or obsession, holds. They see nothing but the immediate gratification of the idea formed.â

âIâm afraid,â said Lady Mary, âthat thatâs rather too clever for me.â

âI apologize. I was talking rather bookishly.â

âDid you mean that young people have too little restraint nowadays? It sometimes worries me.â

âNo, no, I didnât mean that at all. Less restraint is, I think, a good thingâwholesome. I suppose you are thinking of MissâerâEgg.â

âI think youâd better call her Egg,â said Lady Mary, smiling.

âThank you. Miss Egg does sound rather ridiculous.â

âEggâs very impulsive, and once she has set her mind on a thing nothing will stop her. As I said before, I hate her mixing herself up in all this, but she wonât listen to me.â

Mr. Satterthwaite smiled at the distress in Lady Maryâs tone. He thought to himself:

âI wonder if she realizes for one minute that Eggâs absorption in crime is neither more nor less than a new variant of that old, old gameâthe pursuit of the male by the female? No, sheâd be horrified at the thought.â

âEgg says that Mr. Babbington was poisoned also. Do you think that is true, Mr. Satterthwaite? Or do you think it is just one of Eggâs sweeping statements?â

âWe shall know for certain after the exhumation.â

âThere is to be an exhumation, then?â Lady Mary shivered. âHow terrible for poor Mrs. Babbington. I can imagine nothing more awful for any woman.â

âYou knew the Babbingtons fairly intimately, I suppose, Lady Mary?â

âYes, indeed. They areâwereâvery dear friends of ours.â

âDo you know of anyone who could possibly have had a grudge against the vicar?â

âNo, indeed.â

âHe never spoke of such a person?â

âNo.â

âAnd they got on well together?â

âThey were perfectly matedâhappy in each other and in their children. They were badly off, of course, and Mr. Babbington suffered from rheumatoid arthritis. Those were their only troubles.â

âHow did Oliver Manders get on with the vicar?â

âWellââ Lady Mary hesitated, âthey didnât hit it off very well. The Babbingtons were sorry for Oliver, and he used to go to the vicarage a good deal in the holidays to play with the Babbington boysâthough I donât think he got on very well with them. Oliver wasnât exactly a popular boy. He boasted too much of the money he had and the tuck he took back to school, and all the fun he had in London. Boys are rather merciless about that sort of thing.â

âYes, but laterâsince heâs been grown up?â

âI donât think he and the vicarage people have seen much of each other. As a matter of fact Oliver was rather rude to Mr. Babbington one day here, in my house. It was about two years ago.â

âWhat happened?â

âOliver made a rather ill-bred attack on Christianity. Mr. Babbington was very patient and courteous with him. That only seemed to make Oliver worse. He said, âAll you religious people look down your noses because my father and mother werenât married. I suppose youâd call me the child of sin. Well, I admire people who have the courage of their convictions and donât care what a lot of hypocrites and parsons think.â Mr. Babbington didnât answer, but Oliver went on: âYou wonât answer that. Itâs ecclesiasticism and superstition thatâs got the whole world into the mess itâs in. Iâd like to sweep away the churches all over the world.â Mr. Babbington smiled and said, âAnd the clergy, too?â I think it was his smile that annoyed Oliver. He felt he was not being taken seriously. He said, âI hate everything the Church stands for. Smugness, security and hypocrisy. Get rid of the whole canting tribe, I say!â And Mr. Babbington smiledâhe had a very sweet smileâand he said, âMy dear boy, if you were to sweep away all the churches ever built or planned, you would still have to reckon with God.ââ

âWhat did young Manders say to that?â

âHe seemed taken aback, and then he recovered his temper and went back to his usual sneering tired manner.

âHe said, âIâm afraid the things Iâve been saying are rather bad form, padre, and not very easily assimilated by your generation.ââ

âYou donât like young Manders, do you, Lady Mary?â

âIâm sorry for him,â said Lady Mary defensively.

âBut you wouldnât like him to marry Egg.â

âOh, no.â

âI wonder why, exactly?â

âBecauseâbecause, he isnât kindâ¦and becauseââ

âYes?â

âBecause thereâs something in him, somewhere, that I donât understand. Something coldââ

Mr. Satterthwaite looked at her thoughtfully for a minute or two, then he said:

âWhat did Sir Bartholomew Strange think of him? Did he ever mention him?â

âHe said, I remember, that he found young Manders an interesting study. He said that he reminded him of a case he was treating at the moment in his nursing home. I said that I thought Oliver looked particularly strong and healthy, and he said, âYes, his healthâs all right, but heâs riding for a fall.ââ

She paused and then said:

âI suppose Sir Bartholomew was a very clever nerve specialist.â

âI believe he was very highly thought of by his own colleagues.â

âI liked him,â said Lady Mary.

âDid he ever say anything to you about Babbingtonâs death?â

âNo.â

âHe never mentioned it at all?â

âI donât think so.â

âDo you thinkâitâs difficult for you to tell, not knowing him wellâbut do you think he had anything on his mind?â

âHe seemed in very good spiritsâeven amused by somethingâsome private joke of his own. He told me at dinner that night that he was going to spring a surprise on me.â

âOh, he did, did he?â

On his way home, Mr. Satterthwaite pondered that statement.

What had been the surprise Sir Bartholomew had intended to spring on his guests?

Would it, when it came, have been as amusing as he pretended?

Or did that gay manner mask a quiet but indomitable purpose? Would anyone ever know?

Three

REENTER HERCULE POIROT

âFrankly,â said Sir Charles, âare we any forrader?â

It was a council of war. Sir Charles, Mr. Satterthwaite and Egg Lytton Gore were sitting in the Ship room. A fire burned in the grate, and outside an equinoctial gale was howling.

Mr. Satterthwaite and Egg answered the question simultaneously.

âNo,â said Mr. Satterthwaite.

âYes,â said Egg.

Sir Charles looked from one to the other of them. Mr. Satterthwaite indicated gracefully that the lady should speak first.

Egg was silent a moment or two, collecting her ideas.

âWe are further on,â she said at last. âWe are further on because we havenât found out anything. That sounds nonsense, but it isnât. What I mean is that we had certain vague sketchy ideas; we know now that certain of those ideas are definitely washouts.â

âProgress by elimination,â said Sir Charles.

âThatâs it.â

Mr. Satterthwaite cleared his throat. He liked to define things.

âThe idea of gain we can now put definitely away,â he said. âThere does not seem to be anybody who (in detective story parlance) could benefit by Stephen Babbingtonâs death. Revenge seems equally out of the question. Apart from his naturally amiable and peace-loving disposition, I doubt if he were important enough to make enemies. So we are back at our last rather sketchy ideaâfear. By the death of Stephen Babbington, someone gains security.â

âThatâs rather well put,â said Egg.

Mr. Satterthwaite looked modestly pleased with himself. Sir Charles looked a little annoyed. His was the star part, not Satterthwaiteâs.

âThe point is,â said Egg, âwhat are we going to do nextâactually do, I mean. Are we going to sleuth people, or what? Are we going to disguise ourselves and follow them?â

âMy dear child,â said Sir Charles, âI always did set my face against playing old men in beards, and Iâm not going to begin now.â

âThen whatâ?â began Egg.

But she was interrupted. The door opened, and Temple announced:

âMr. Hercule Poirot.â M. Poirot walked in with a beaming face and greeted three highly astonished people.

âIt is permitted,â he said with a twinkle, âthat I assist at this conference? I am right, am I notâit is a conference?â

âMy dear fellow, weâre delighted to see you.â Sir Charles, recovering from his surprise, shook his guest warmly by the hand and pushed him into a large armchair. âWhere have you sprung from so suddenly?â

âI went to call upon my good friend Mr. Satterthwaite in London. They tell me he is awayâin Cornwall. Eh bien, it leaps to the eye where he has gone. I take the first train to Loomouth, and here I am.â

âYes,â said Egg. âBut why have you come?â

âI mean,â she went on, flushing a little as she realized the possible discourtesy of her words, âyou have come for some particular reason?â

âI have come,â said Hercule Poirot, âto admit an error.â

With an engaging smile he turned to Sir Charles and spread out his hands in a foreign gesture.

âMonsieur, it was in this very room that you declared yourself not satisfied. And IâI thought it was your dramatic instinctâI said to myself, he is a great actor, at all costs he must have drama. It seemed, I will admit it, incredible that a harmless old gentleman should have died anything but a natural death. Even now I do not see how poison could have been administered to him, nor can I guess at any motive. It seems absurdâfantastic. And yetâsince then, there has been another death, a death under similar circumstances. One cannot attribute it to coincidence. No, there must be a link between the two. And so, Sir Charles, I have come to you to apologizeâto say I, Hercule Poirot, was wrong, and to ask you to admit me to your councils.â

Sir Charles cleared his throat rather nervously. He looked a little embarrassed.

âThatâs extraordinarily handsome of you, M. Poirot. I donât knowâtaking up a lot of your timeâIââ

He stopped, somewhat at a loss. His eyes consulted Mr. Satterthwaite.

âIt is very good of youââ began Mr. Satterthwaite.

âNo, no, it is not good of me. It is the curiosityâand, yes, the hurt to my pride. I must repair my fault. My timeâthat is nothingâwhy voyage after all? The language may be different, but everywhere human nature is the same. But of course if I am not welcome, if you feel that I intrudeââ

Both men spoke at once.

âNo, indeed.â

âRather not.â

Poirot turned his eyes to the girl.

âAnd Mademoiselle?â

For a minute or two Egg was silent, and on all three men the same impression was produced. Egg did not want the assistance of M. Poirotâ¦.

Mr. Satterthwaite thought he knew why. This was the private ploy of Charles Cartwright and Egg Lytton Gore. Mr. Satterthwaite had been admittedâon sufferanceâon the clear understanding that he was a negligible third party. But Hercule Poirot was different. His would be the leading rÃ´le. Perhaps, even, Sir Charles might retire in his favour. And then Eggâs plans would come to naught.

He watched the girl, sympathizing with her predicament. These men did not understand, but he, with his semi-feminine sensitiveness, realized her dilemma. Egg was fighting for her happinessâ¦.

What would she say?

After all what could she say? How could she speak the thoughts in her mind? âGo awayâgo awayâyour coming may spoil everythingâI donât want you hereâ¦.â

Egg Lytton Gore said the only thing she could say.

âOf course,â she said with a little smile. âWeâd love to have you.â

Four

A WATCHING BRIEF

âGood,â said Poirot. âWe are colleagues. Eh bien, you will put me, if you please, au courant of the situation.â

He listened with close attention whilst Mr. Satterthwaite outlined the steps they had taken since returning to England. Mr. Satterthwaite was a good narrator. He had the faculty of creating an atmosphere, of painting a picture. His description of the Abbey, of the servants, of the Chief Constable was admirable. Poirot was warm in his appreciation of the discovery by Sir Charles of the unfinished letters under the gas fire.

âAh, mais câest magnifique, Ã§a!â he exclaimed ecstatically. âThe deduction, the reconstructionâperfect! You should have been a great detective, Sir Charles, instead of a great actor.â

Sir Charles received these plaudits with becoming modestyâhis own particular brand of modesty. He had not received compliments on his stage performances for many years without perfecting a manner of acknowledging them.

âYour observation, too, it was very just,â said Poirot, turning to Mr. Satterthwaite. âThat point of yours about his sudden familiarity with the butler.â

âDo you think there is anything in this Mrs. de Rushbridger idea?â asked Sir Charles eagerly.

âIt is an idea. It suggestsâwell, it suggests several things, does it not?â

Nobody was quite sure about the several things, but nobody liked to say so, so there was merely an assenting murmur.

Sir Charles took up the tale next. He described his and Eggâs visit to Mrs. Babbington and its rather negative result.

âAnd now youâre up to date,â he said. âYou know what we do. Tell us: how does it all strike you?â

He leaned forward, boyishly eager.

Poirot was silent for some minutes. The other three watched him.

He said at last:

âCan you remember at all, mademoiselle, what type of port glass Sir Bartholomew had on his table?â

Sir Charles interposed just as Egg was shaking her head vexedly.

âI can tell you that.â

He got up and went to a cupboard, where he took out some heavy cut glass sherry glasses.

âThey were a slightly different shape, of courseâmore roundedâproper port shape. He got them at old Lammersfieldâs saleâa whole set of table glass. I admired them, and as there were more than he needed, he passed some of them onto me. Theyâre good, arenât they?â

Poirot took the glass and turned it about in his hand.

âYes,â he said. âThey are fine specimens. I thought something of that kind had been used.â

âWhy?â cried Egg.

Poirot merely smiled at her.

âYes,â he went on, âthe death of Sir Bartholomew Strange could be explained easily enough; but the death of Stephen Babbington is more difficult. Ah, if only it had been the other way about!â

âWhat do you mean, the other way about?â asked Mr. Satterthwaite.

Poirot turned to him.

âConsider, my friend. Sir Bartholomew is a celebrated doctor. There might be many reasons for the death of a celebrated doctor. A doctor knows secrets, my friend, important secrets. A doctor has certain powers. Imagine a patient on the borderline of sanity. A word from the doctor, and he will be shut away from the worldâwhat a temptation to an unbalanced brain! A doctor may have suspicions about the sudden death of one of his patientsâoh, yes, we can find plenty of motives for the death of a doctor.

âNow, as I say, if only it had been the other way about. If Sir Bartholomew Strange had died first and then Stephen Babbington. For Stephen Babbington might have seen somethingâmight have suspected something about the first death.â

He sighed and then resumed.

âBut one cannot have a case as one would like to have it. One must take a case as it is. Just one little idea I should like to suggest. I suppose it is not possible that Stephen Babbingtonâs death was an accidentâthat the poison (if poison there was) was intended for Sir Bartholomew Strange, and that, by mistake, the wrong man was killed.â

âThatâs an ingenious idea,â said Sir Charles. His face, which had brightened, fell again. âBut I donât believe it will work. Babbington came into this room about four minutes before he was taken ill. During that time the only thing that passed his lips was half a cocktailâthere was nothing in that cocktailââ

Poirot interrupted him.

âThat you have already told meâbut suppose, for the sake of argument, that there was something in that cocktail. Could it have been intended for Sir Bartholomew Strange and did Mr. Babbington drink it by mistake?â

Sir Charles shook his head.

âNobody who knew Tollie at all well would have tried poisoning him in a cocktail.â

âWhy?â

âBecause he never drank them.â

âNever?â

âNever.â

Poirot made a gesture of annoyance.

âAhâthis businessâit goes all wrong. It does not make senseâ¦.â

âBesides,â went on Sir Charles, âI donât see how any one glass could have been mistaken for anotherâor anything of that kind. Temple carried them round on a tray and everyone helped themselves to any glass they fancied.â

âTrue,â murmured Poirot. âOne cannot force a cocktail like one forces a card. What is she like, this Temple of yours? She is the maid who admitted me tonightâyes?â

âThatâs right. Iâve had her three or four yearsânice steady girlâknows her work. I donât know where she came fromâMiss Milray would know all about that.â

âMiss Milray, that is your secretary? The tall womanâsomewhat of the Grenadier?â

âVery much of the Grenadier,â agreed Sir Charles.

âI have dined with you before on various occasions, but I do not think I met her until that night.â

âNo, she doesnât usually dine with us. It was a question of thirteen, you see.â

Sir Charles explained the circumstances, to which Poirot listened very attentively.

âIt was her own suggestion that she should be present? I see.â

He remained lost in thought a minute, then he said:

âMight I speak to this parlourmaid of yours, this Temple?â

âCertainly, my dear fellow.â

Sir Charles pressed a bell. It was answered promptly.

âYou rang, sir?â

Temple was a tall girl of thirty-two or three. She had a certain smartnessâher hair was well brushed and glossy, but she was not pretty. Her manner was calm and efficient.

âM. Poirot wants to ask you a few questions,â said Sir Charles.

Temple transferred her superior gaze to Poirot.

âWe are talking of the night when Mr. Babbington died here,â said Poirot. âYou remember that night?â

âOh, yes, sir.â

âI want to know exactly how cocktails were served.â

âI beg your pardon, sir.â

âI want to know about the cocktails. Did you mix them?â

âNo, sir, Sir Charles likes doing that himself. I brought in the bottlesâthe vermouth, the gin, and all that.â

âWhere did you put them?â

âOn the table there, sir.â

She indicated a table by the wall.

âThe tray with the glasses stood here, sir. Sir Charles, when he had finished mixing and shaking, poured out the cocktails into the glasses. Then I took the tray round and handed it to the ladies and gentlemen.â

âWere all the cocktails on the tray you handed?â

âSir Charles gave one to Miss Lytton Gore, sir; he was talking to her at the time, and he took his own. And Mr. Satterthwaiteââher eyes shifted to him for a momentââcame and fetched one for a ladyâMiss Wills, I think it was.â

âQuite right,â said Mr. Satterthwaite.

âThe others I handed, sir; I think everyone took one except Sir Bartholomew.â

âWill you be so very obliging, Temple, as to repeat the performance. Let us put cushions for some of the people. I stood here, I rememberâMiss Sutcliffe was there.â

With Mr. Satterthwaiteâs help, the scene was reconstructed. Mr. Satterthwaite was observant. He remembered fairly well where everyone had been in the room. Then Temple did her round. They ascertained that she had started with Mrs. Dacres, gone onto Miss Sutcliffe and Poirot, and had then come to Mr. Babbington, Lady Mary and Mr. Satterthwaite, who had been sitting together.

This agreed with Mr. Satterthwaiteâs recollection.

Finally Temple was dismissed.

âPah,â cried Poirot. âIt does not make sense. Temple is the last person to handle those cocktails, but it was impossible for her to tamper with them in any way, and, as I say, one cannot force a cocktail on a particular person.â

âItâs instinctive to take the one nearest to you,â said Sir Charles.

âPossibly that might work by handing the tray to the person firstâbut even then it would be very uncertain. The glasses are close together; one does not look particularly nearer than another. No, no, such a haphazard method could not be adopted. Tell me, Mr. Satterthwaite, did Mr. Babbington put his cocktail down, or did he retain it in his hand?â

âHe put it down on this table.â

âDid anyone come near that table after he had done so?â

âNo. I was the nearest person to him, and I assure you I did not tamper with it in any wayâeven if I could have done so unobserved.â

Mr. Satterthwaite spoke rather stiffly. Poirot hastened to apologize.

âNo, no, I am not making an accusationâquelle idÃ©e! But I want to be very sure of my facts. According to the analysis there was nothing out of the way in that cocktailânow it seems that, apart from that analysis there could have been nothing put in it. The same results from two different tests. But Mr. Babbington ate or drank nothing else, and if he was poisoned by pure nicotine, death would have resulted very rapidly. You see where that leads us?â

âNowhere, damn it all,â said Sir Charles.

âI would not say thatâno, I would not say that. It suggests a very monstrous ideaâwhich I hope and trust cannot be true. No, of course it is not trueâthe death of Sir Bartholomew proves thatâ¦And yetââ

He frowned, lost in thought. The others watched him curiously. He looked up.

âYou see my point, do you not? Mrs. Babbington was not at Melfort Abbey, therefore Mrs. Babbington is cleared of suspicion.â

âMrs. Babbingtonâbut no one has even dreamed of suspecting her.â

Poirot smiled beneficently.

âNo? It is a curious thing that. The idea occurred to me at onceâbut at once. If the poor gentleman is not poisoned by the cocktail, then he must have been poisoned a very few minutes before entering the house. What way could there be? A capsule? Something, perhaps, to prevent indigestion. But who, then, could tamper with that? Only a wife. Who might, perhaps, have a motive that no one outside could possibly suspect? Again a wife.â

âBut they were devoted to each other,â cried Egg indignantly. âYou donât understand a bit.â

Poirot smiled kindly at her.

âNo. That is valuable. You know, but I do not. I see the facts unbiased by any preconceived notions. And let me tell you something, mademoiselleâin the course of my experience I have known five cases of wives murdered by devoted husbands, and twenty-two of husbands murdered by devoted wives. Les femmes, they obviously keep up appearances better.â

âI think youâre perfectly horrid,â said Egg. âI know the Babbingtons are not like that. Itâsâitâs monstrous!â

âMurder is monstrous, mademoiselle,â said Poirot, and there was a sudden sternness in his voice.

He went on in a lighter tone.

âBut Iâwho see only the factsâagree that Mrs. Babbington did not do this thing. You see, she was not at Melfort Abbey. No, as Sir Charles has already said, the guilt must lie on a person who was present on both occasionsâone of the seven on your list.â

There was a silence.

âAnd how do you advise us to act?â asked Satterthwaite.

âYou have doubtless already your plan?â suggested Poirot.

Sir Charles cleared his throat.

âThe only feasible thing seems to be a process of elimination,â he said. âMy idea was to take each person on that list and consider them guilty until they are proved innocent. I mean that we are to feel convinced ourselves that there is a connection between that person and Stephen Babbington, and we are to use all our ingenuity to find out what that connection can be. If we find no connection, then we pass onto the next person.â

âIt is good psychology, that,â approved Poirot. âAnd your methods?â

âThat we have not yet had time to discuss. We should welcome your advice on that point, M. Poirot. Perhaps you yourselfââ

Poirot held up a hand.

âMy friend, do not ask me to do anything of an active nature. It is my lifelong conviction that any problem is best solved by thought. Let me hold what is called, I believe, the watching brief. Continue your investigations which Sir Charles is so ably directingââ

âAnd what about me?â thought Mr. Satterthwaite. âThese actors! Always in the limelight playing the star part!â

âYou will, perhaps, from time to time require what we may describe as Counselâs opinion. Me, I am the Counsel.â

He smiled at Egg.

âDoes that strike you as the sense, mademoiselle?â

âExcellent,â said Egg. âIâm sure your experience will be very useful to us.â

Her face looked relieved. She glanced at her watch and gave an exclamation.

âI must go home. Mother will have a fit.â

âIâll drive you home,â said Sir Charles.

They went out together.

Five

DIVISION OF LABOUR

âSo you see, the fish has risen,â said Hercule Poirot.

Mr. Satterthwaite, who had been looking at the door which had just closed behind the other two, gave a start as he turned to Poirot. The latter was smiling with a hint of mockery.

âYes, yes, do not deny it. Deliberately you showed me the bait that day in Monte Carlo. Is it not so? You showed me the paragraph in the paper. You hoped that it would arouse my interestâthat I should occupy myself with the affair.â

âIt is true,â confessed Mr. Satterthwaite. âBut I thought that I had failed.â

âNo, no, you did not fail. You are a shrewd judge of human nature, my friend. I was suffering from ennuiâI hadâin the words of the child who was playing near usâânothing to do.â You came at the psychological moment. (And, talking of that, how much crime depends, too, on that psychological moment. The crime, the psychology, they go hand in hand.) But let us come back to our muttons. This is a crime very intriguingâit puzzles me completely.â

âWhich crimeâthe first or the second?â

âThere is only oneâwhat you call the first and second murder are only the two halves of the same crime. The second half is simpleâthe motiveâthe means adoptedââ

Mr. Satterthwaite interrupted.

âSurely the means present an equal difficulty. There was no poison found in any of the wine, and the food was eaten by everybody.â

âNo, no, it is quite different. In the first case it does not seem as though anybody could have poisoned Stephen Babbington. Sir Charles, if he had wanted to, could have poisoned one of his guests, but not any particular guest. Temple might possibly have slipped something into the last glass on the trayâbut Mr. Babbingtonâs was not the last glass. No, the murder of Mr. Babbington seems so impossible that I still feel that perhaps it is impossibleâthat he died a natural death after allâ¦But that we shall soon know. The second case is different. Any one of the guests present, or the butler or parlourmaid, could have poisoned Bartholomew Strange. That presents no difficulty whatever.â

âI donât seeââ began Mr. Satterthwaite.

Poirot swept on:

âI will prove that to you sometime by a little experiment. Let us pass onto another and most important matter. It is vital, you see (and you will see, I am sure, you have the sympathetic heart and the delicate understanding), that I must not play the part of what you call the spoilsport.â

âYou meanââ began Mr. Satterthwaite with the beginning of a smile.

âThat Sir Charles must have the star part! He is used to it. And, moreover, it is expected of him by someone else. Am I not right? It does not please mademoiselle at all that I come to concern myself in this matter.â

âYou are what we call âquick in the uptake,â M. Poirot.â

âAh, that, it leaps to the eye! I am of a very susceptible natureâI wish to assist a love affairânot to hinder it. You and I, my friend, must work together in thisâto the honour and glory of Charles Cartwright; is it not so? When the case is solvedââ

âIfââ said Mr. Satterthwaite mildly.

âWhen! I do not permit myself to fail.â

âNever?â asked Mr. Satterthwaite searchingly.

âThere have been times,â said Poirot with dignity, âwhen for a short time, I have been what I suppose you would call slow in the takeup. I have not perceived the truth as soon as I might have done.â

âBut youâve never failed altogether?â

The persistence of Mr. Satterthwaite was curiosity, pure and simple. He wonderedâ¦.

âEh bien,â said Poirot. âOnce. Long ago, in Belgium. We will not talk of itâ¦.â

Mr. Satterthwaite, his curiosity (and his malice) satisfied, hastened to change the subject.

âJust so. You were saying that when the case is solvedââ

âSir Charles will have solved it. That is essential. I shall have been a little cog in the wheel,â he spread out his hands. âNow and then, here and there, I shall say a little wordâjust one little wordâa hint, no more. I desire no honourâno renown. I have all the renown I need.â

Mr. Satterthwaite studied him with interest. He was amused by the naÃ¯ve conceit, the immense egoism of the little man. But he did not make the easy mistake of considering it mere empty boasting. An Englishman is usually modest about what he does well, sometimes pleased with himself over something he does badly; but a Latin has a truer appreciation of his own powers. If he is clever he sees no reason for concealing the fact.

âI should like to know,â said Mr. Satterthwaite, âit would interest me very muchâjust what do you yourself hope to get out of this business? Is it the excitement of the chase?â

Poirot shook his head.

âNoânoâit is not that. Like the chien de chasse, I follow the scent, and I get excited, and once on the scent I cannot be called off it. All that is true. But there is moreâ¦It isâhow shall I put it?âa passion for getting at the truth. In all the world there is nothing so curious and so interesting and so beautiful as truthâ¦.â

There was silence for a little while after Poirotâs words.

Then he took up the paper on which Mr. Satterthwaite had carefully copied out the seven names, and read them aloud.

âMrs. Dacres, Captain Dacres, Miss Wills, Miss Sutcliffe, Lady Mary Lytton Gore, Miss Lytton Gore, Oliver Manders.

âYes,â he said, âsuggestive, is it not?â

âWhat is suggestive about it?â

âThe order in which the names occur.â

âI donât think there is anything suggestive about it. We just wrote the names down without any particular order about it.â

âExactly. The list is headed by Mrs. Dacres. I deduce from that that she is considered the most likely person to have committed the crime.â

âNot the most likely,â said Mr. Satterthwaite. âThe least unlikely would express it better.â

âAnd a third phrase would express it better still. She is perhaps the person you would all prefer to have committed the crime.â

Mr. Satterthwaite opened his lips impulsively, then met the gentle quizzical gaze of Poirotâs shining green eyes, and altered what he had been about to say.

âI wonderâperhaps, M. Poirot, you are rightâunconsciously that may be true.â

âI would like to ask you something, Mr. Satterthwaite.â

âCertainlyâcertainly,â Mr. Satterthwaite answered complacently.

âFrom what you have told me, I gather that Sir Charles and Miss Lytton Gore went together to interview Mrs. Babbington.â

âYes.â

âYou did not accompany them?â

âNo. Three would have been rather a crowd.â

Poirot smiled.

âAnd also, perhaps, your inclinations led you elsewhere. You had, as they say, different fish to fry. Where did you go, Mr. Satterthwaite?â

âI had tea with Lady Mary Lytton Gore,â said Mr. Satterthwaite stiffly.

âAnd what did you talk about?â

âShe was so good as to confide in me some of the troubles of her early married life.â

He repeated the substance of Lady Maryâs story. Poirot nodded his head sympathetically.

âThat is so true to lifeâthe idealistic young girl who marries the bad hat and will listen to nobody. But did you talk of nothing else? Did you, for instance, not speak of Mr. Oliver Manders?â

âAs a matter of fact we did.â

âAnd you learnt about himâwhat?â

Mr. Satterthwaite repeated what Lady Mary had told him. Then he said:

âWhat made you think we had talked of him?â

âBecause you went there for that reason. Oh, yes, do not protest. You may hope that Mrs. Dacres or her husband committed the crime, but you think that young Manders did.â

He stilled Mr. Satterthwaiteâs protests.

âYes, yes, you have the secretive nature. You have your ideas, but you like keeping them to yourself. I have sympathy with you. I do the same myselfâ¦.â

âI donât suspect himâthatâs absurd. But I just wanted to know more about him.â

âThat is as I say. He is your instinctive choice. I, too, am interested in that young man. I was interested in him on the night of the dinner here, because I sawââ

âWhat did you see?â asked Mr. Satterthwaite eagerly.

âI saw that there were two people at least (perhaps more) who were playing a part. One was Sir Charles.â He smiled. âHe was playing the naval officer, am I not right? That is quite natural. A great actor does not cease to act because he is not on the stage anymore. But young Manders, he too was acting. He was playing the part of the bored and blasÃ© young manâbut in reality he was neither bored nor blasÃ©âhe was very keenly alive. And therefore, my friend, I noticed him.â

âHow did you know Iâd been wondering about him?â

âIn many little ways. You had been interested in that accident of his that brought him to Melfort Abbey that night. You had not gone with Sir Charles and Miss Lytton Gore to see Mrs. Babbington. Why? Because you wanted to follow out some line of your own unobserved. You went to Lady Maryâs to find out about someone. Who? It could only be someone local. Oliver Manders. And then, most characteristic, you put his name at the bottom of the list. Who are really the least likely suspects in your mindâLady Mary and Mademoiselle Eggâbut you put his name after theirs, because he is your dark horse, and you want to keep him to yourself.â

âDear me,â said Mr. Satterthwaite. âAm I really that kind of man?â

âPrÃ©cisÃ©ment. You have shrewd judgment and observation, and you like keeping its results to yourself. Your opinions of people are your private collection. You do not display them for all the world to see.â

âI believe,â began Mr. Satterthwaite, but he was interrupted by the return of Sir Charles.

The actor came in with a springing buoyant step.

âBrrr,â he said. âItâs a wild night.â

He poured himself out a whisky and soda.

Mr. Satterthwaite and Poirot both declined.

âWell,â said Sir Charles, âletâs map out our plan of campaign. Whereâs that list, Satterthwaite? Ah, thanks. Now M. Poirot, Counselâs opinion, if you please. How shall we divide up the spadework?â

âHow would you suggest yourself, Sir Charles?â

âWell, we might divide these people upâdivision of labourâeh? First, thereâs Mrs. Dacres. Egg seems rather keen to take her on. She seems to think that anyone so perfectly turned out wonât get impartial treatment from mere males. It seems quite a good idea to approach her through the professional side. Satterthwaite and I might work the other gambit as well if it seemed advisable. Then thereâs Dacres. I know some of his racing pals. I daresay I could pick up something that way. Then thereâs Angela Sutcliffe.â

âThat also seems to be your work, Cartwright,â said Mr. Satterthwaite. âYou know her pretty well, donât you?â

âYes. Thatâs why Iâd rather somebody else tackled herâ¦Firstly,â he smiled ruefully, âI shall be accused of not putting my back into the job, and secondlyâwellâsheâs a friendâyou understand?â

âParfaitement, parfaitementâyou feel the natural delicacy. It is most understandable. This good Mr. Satterthwaiteâhe will replace you in the task.â

âLady Mary and Eggâthey donât count, of course. What about young Manders? His presence on the night of Tollieâs death was an accident; still, I suppose we ought to include him.â

âMr. Satterthwaite will look after young Manders,â said Poirot. âBut I think, Sir Charles, you have missed out a name on your list. You have passed over Miss Muriel Wills.â

âSo I have. Well, if Satterthwaite takes on Manders, Iâll take on Miss Wills. Is that settled? Any suggestions, M. Poirot?â

âNo, noâI do not think so. I shall be interested to hear your results.â

âOf courseâthat goes without saying. Another idea: If we procured photographs of these people we might use them in making inquiries in Gilling.â

âExcellent,â approved Poirot. âThere was somethingâah, yes, your friend, Sir Bartholomew, he did not drink cocktails, but he did drink the port?â

âYes, he had a particular weakness for port.â

âIt seems odd to me that he did not taste anything unusual. Pure nicotine has a most pungent and unpleasant taste.â

âYouâve got to remember,â said Sir Charles, âthat there probably wasnât any nicotine in the port. The contents of the glass were analysed, remember.â

âAh, yesâfoolish of me. But, however it was administeredânicotine has a very disagreeable taste.â

âI donât know that that would matter,â said Sir Charles slowly. âTollie had a very bad go of influenza last spring, and it left him with his sense of taste and smell a good deal impaired.â

âAh, yes,â said Poirot thoughtfully. âThat might account for it. That simplifies things considerably.â

Sir Charles went to the window and looked out.

âStill blowing a gale. Iâll send for your things, M. Poirot. The Rose and Crown is all very well for enthusiastic artists, but I think youâd prefer proper sanitation and a comfortable bed.â

âYou are extremely amiable, Sir Charles.â

âNot at all. Iâll see to it now.â

He left the room.

Poirot looked at Mr. Satterthwaite.

âIf I may permit myself a suggestion.â

âYes?â

Poirot leaned forward, and said in a low voice:

âAsk young Manders why he faked an accident. Tell him the police suspect himâand see what he says.â

Six

CYNTHIA DACRES

The showrooms of Ambrosine, Ltd, were very pure in appearance. The walls were a shade just off-whiteâthe thick pile carpet was so neutral as to be almost colourlessâso was the upholstery. Chromium gleamed here and there, and on one wall was a gigantic geometric design in vivid blue and lemon yellow. The room had been designed by Mr. Sydney Sandfordâthe newest and youngest decorator of the moment.

Egg Lytton Gore sat in an armchair of modern designâfaintly reminiscent of a dentistâs chair, and watched exquisite snakelike young women with beautiful bored faces pass sinuously before her. Egg was principally concerned with endeavouring to appear as though fifty or sixty pounds was a mere bagatelle to pay for a dress.

Mrs. Dacres, looking as usual marvellously unreal, was (as Egg put it to herself) doing her stuff.

âNow, do you like this? Those shoulder knotsârather amusing, donât you think? And the waistlineâs rather penetrating. I shouldnât have the red lead colour, thoughâI should have it in the new colourâEspanolâmost attractiveâlike mustard, with a dash of cayenne in it. How do you like Vin Ordinaire? Rather absurd, isnât it? Quite penetrating and ridiculous. Clothes simply must not be serious nowadays.â

âItâs very difficult to decide,â said Egg. âYou seeââshe became confidentialââIâve never been able to afford any clothes before. We were always so dreadfully poor. I remembered how simply marvellous you looked that night at Crowâs Nest, and I thought, âNow that Iâve got money to spend, I shall go to Mrs. Dacres and ask her to advise me.â I did admire you so much that night.â

âMy dear, how charming of you. I simply adore dressing a young girl. Itâs so important that girls shouldnât look rawâif you know what I mean.â

âNothing raw about you,â thought Egg ungratefully. âCooked to a turn, you are.â

âYouâve got so much personality,â continued Mrs. Dacres. âYou mustnât have anything at all ordinary. Your clothes must be simple and penetratingâand just faintly visible. You understand? Do you want several things?â

âI thought about four evening frocks, and a couple of day things, and a sports suit or twoâthat sort of thing.â

The honey of Mrs. Dacresâs manner became sweeter. It was fortunate that she did not know that at that moment Eggâs bank balance was exactly fifteen pounds twelve shillings, and that the said balance had got to last her until December.

More girls in gowns filed past Egg. In the intervals of technical conversation, Egg interspersed other matters.

âI suppose youâve never been to Crowâs Nest since?â she said.

âNo. My dear, I couldnât. It was so upsettingâand, anyway, I always think Cornwall is rather terribly artistyâ¦I simply cannot bear artists. Their bodies are always such a curious shape.â

âIt was a shattering business, wasnât it?â said Egg. âOld Mr. Babbington was rather a pet, too.â

âQuite a period piece, I should imagine,â said Mrs. Dacres.

âYouâd met him before somewhere, hadnât you?â

âThat dear old dug-out? Had I? I donât remember.â

âI think I remember his saying so,â said Egg. âNot in Cornwall, though. I think it was at a place called Gilling.â

âWas it?â Mrs. Dacresâs eyes were vague. âNo, MarcelleâPetite Scandale is what I wantâthe Jenny modelâand after that blue Patou.â

âWasnât it extraordinary,â said Egg, âabout Sir Bartholomew being poisoned?â

âMy dear, it was too penetrating for words! Itâs done me a world of good. All sorts of dreadful women come and order frocks from me just for the sensation. Now this Patou model would be perfect for you. Look at that perfectly useless and ridiculous frillâit makes the whole thing adorable. Young without being tiresome. Yes, poor Sir Bartholomewâs death has been rather a godsend to me. Thereâs just an off chance, you see, that I might have murdered him. Iâve rather played up to that. Extraordinary fat women come and positively goggle at me. Too penetrating. And then, you seeââ

But she was interrupted by the advent of a monumental American, evidently a valued client.

While the American was unburdening herself of her requirements, which sounded comprehensive and expensive, Egg managed to make an unobtrusive exit, telling the young lady who had succeeded Mrs. Dacres that she would think it over before making a final choice.

As she emerged into Bruton Street, Egg glanced at her watch. It was twenty minutes to one. Before very long she might be able to put her second plan into operation.

She walked as far as Berkeley Square, and then slowly back again. At one oâclock she had her nose glued to a window displaying Chinese objets dâart.

Miss Doris Sims came rapidly out into Bruton Street and turned in the direction of Berkeley Square. Just before she got there a voice spoke at her elbow.

âExcuse me,â said Egg, âbut can I speak to you a minute?â

The girl turned, surprised.

âYouâre one of the mannequins at Ambrosineâs, arenât you? I noticed you this morning. I hope you wonât be frightfully offended if I say I think youâve got simply the most perfect figure Iâve ever seen.â

Doris Sims was not offended. She was merely slightly confused.

âItâs very kind of you, Iâm sure, madam,â she said.

âYou look frightfully good-natured, too,â said Egg. âThatâs why Iâm going to ask you a favour. Will you have lunch with me at the Berkeley or the Ritz and let me tell you about it?â

After a momentâs hesitation Doris Sims agreed. She was curious and she liked good food.

Once established at a table and lunch ordered, Egg plunged into explanations.

âI hope youâll keep this to yourself,â she said. âYou see, Iâve got a jobâwriting up various professions for women. I want you to tell me all about the dressmaking business.â

Doris looked slightly disappointed, but she complied amiably enough, giving bald statements as to hours, rates of pay, conveniences and inconveniences of her employment. Egg entered particulars in a little notebook.

âItâs awfully kind of you,â she said. âIâm very stupid at this. Itâs quite new to me. You see Iâm frightfully badly off, and this little bit of journalistic work will make all the difference.â

She went on confidentially.

âIt was rather nerve on my part, walking into Ambrosineâs and pretending I could buy lots of your models. Really, Iâve got just a few pounds of my dress allowance to last me till Christmas. I expect Mrs. Dacres would be simply wild if she knew.â

Doris giggled.

âI should say she would.â

âDid I do it well?â asked Egg. âDid I look as though I had money?â

âYou did it splendidly, Miss Lytton Gore. Madam thinks youâre going to get quite a lot of things.â

âIâm afraid sheâll be disappointed,â said Egg.

Doris giggled more. She was enjoying her lunch, and she felt attracted to Egg. âShe may be a Society young lady,â she thought to herself, âbut she doesnât put on airs. Sheâs as natural as can be.â

These pleasant relations once established, Egg found no difficulty in inducing her companion to talk freely on the subject of her employer.

âI always think,â said Egg, âthat Mrs. Dacres looks a frightful cat. Is she?â

âNone of us like her, Miss Lytton Gore, and thatâs a fact. But sheâs clever, of course, and sheâs got a rare head for business. Not like some Society ladies who take up the dressmaking business and go bankrupt because their friends get clothes and donât pay. Sheâs as hard as nails, Madam isâthough I will say sheâs fair enoughâand sheâs got real tasteâshe knows whatâs what, and sheâs clever at getting people to have the style that suits them.â

âI suppose she makes a lot of money?â

A queer knowing look came into Dorisâs eye.

âItâs not for me to say anythingâor to gossip.â

âOf course not,â said Egg. âGo on.â

âBut if you ask meâthe firmâs not far off Queer Street. There was a Jewish gentleman came to see Madam, and there have been one or two thingsâitâs my belief sheâs been borrowing to keep going in the hope that trade would revive, and that sheâs got in deep. Really, Miss Lytton Gore, she looks terrible sometimes. Quite desperate. I donât know what sheâd look like without her makeup. I donât believe she sleeps of nights.â

âWhatâs her husband like?â

âHeâs a queer fish. Bit of a bad lot, if you ask me. Not that we ever see much of him. None of the other girls agree with me, but I believe sheâs very keen on him still. Of course a lot of nasty things have been saidââ

âSuch as?â asked Egg.

âWell, I donât like to repeat things. I never have been one for that.â

âOf course not. Go on, you were sayingâ?â

âWell, thereâs been a lot of talk among the girls. About a young fellowâvery rich and very soft. Not exactly balmy, if you know what I meanâsort of betwixt and between. Madamâs been running him for all she was worth. He might have put things rightâhe was soft enough for anythingâbut then he was ordered on a sea voyageâsuddenly.â

âOrdered by whomâa doctor?â

âYes, someone in Harley Street. I believe now that it was the same doctor who was murdered up in Yorkshireâpoisoned, so they said.â

âSir Bartholomew Strange?â

âThat was the name. Madam was at the house party, and we girls said among ourselvesâjust laughing, you knowâwell, we said, supposing Madam did him inâout of revenge, you know! Of course it was just funââ

âNaturally,â said Egg. âGirlish fun. I quite understand. You know, Mrs. Dacres is quite my idea of a murderessâso hard and remorseless.â

âSheâs ever so hardâand sheâs got a wicked temper! When she lets go, thereâs not one of us dares to come near her. They say her husbandâs frightened of herâand no wonder.â

âHave you ever heard her speak of anyone called Babbington or of a place in KentâGilling?â

âReally, now, I canât call to mind that I have.â

Doris looked at her watch and uttered an exclamation.

âOh, dear, I must hurry. I shall be late.â

âGood-bye, and thanks so much for coming.â

âItâs been a pleasure, Iâm sure. Good-bye, Miss Lytton Gore, and I hope the article will be a great success. I shall look out for it.â

âYouâll look in vain, my girl,â thought Egg, as she asked for her bill.

Then, drawing a line through the supposed jottings for the article, she wrote in her little notebook:

âCynthia Dacres. Believed to be in financial difficulties. Described as having a âwicked temper.â Young man (rich) with whom she was believed to be having an affair was ordered on sea voyage by Sir Bartholomew Strange. Showed no reaction at mention of Gilling or at statement that Babbington knew her.â

âThere doesnât seem much there,â said Egg to herself. âA possible motive for the murder of Sir Bartholomew, but very thin. M. Poirot may be able to make something of that. I canât.â

Seven

CAPTAIN DACRES

Egg had not yet finished her programme for the day. Her next move was to St. Johnâs House, in which building the Dacres had a flat. St. Johnâs House was a new block of extremely expensive flats. There were sumptuous window boxes and uniformed porters of such magnificence that they looked like foreign generals.

Egg did not enter the building. She strolled up and down on the opposite side of the street. After about an hour of this she calculated that she must have walked several miles. It was half past five.

Then a taxi drew up at the Mansions, and Captain Dacres alighted from it. Egg allowed three minutes to elapse, then she crossed the road and entered the building.

Egg pressed the doorbell of No. 3. Dacres himself opened the door. He was still engaged in taking off his overcoat.

âOh,â said Egg. âHow do you do? You do remember me, donât you? We met in Cornwall, and again in Yorkshire.â

âOf courseâof course. In at the death both times, werenât we? Come in, Miss Lytton Gore.â

âI wanted to see your wife. Is she in?â

âSheâs round in Bruton Streetâat her dressmaking place.â

âI know. I was there today. I thought perhaps sheâd be back by now, and that she wouldnât mind, perhaps, if I came hereâonly, of course, I suppose Iâm being a frightful botherââ

Egg paused appealingly.

Freddie Dacres said to himself:

âNice-looking filly. Damned pretty girl, in fact.â

Aloud he said:

âCynthia wonât be back till well after six. Iâve just come back from Newbury. Had a rotten day and left early. Come round to the Seventy-Two Club and have a cocktail?â

Egg accepted, though she had a shrewd suspicion that Dacres had already had quite as much alcohol as was good for him.

Sitting in the underground dimness of the Seventy-Two Club, and sipping a Martini, Egg said: âThis is great fun. Iâve never been here before.â

Freddie Dacres smiled indulgently. He liked a young and pretty girl. Not perhaps as much as he liked some other thingsâbut well enough.

âUpsettinâ sort of time, wasnât it?â he said. âUp in Yorkshire, I mean. Something rather amusinâ about a doctor being poisonedâyou see what I meanâwrong way about. A doctorâs a chap who poisons other people.â

He laughed uproariously at his own remark and ordered another pink gin.

âThatâs rather clever of you,â said Egg. âI never thought of it that way before.â

âOnly a joke, of course,â said Freddie Dacres.

âItâs odd, isnât it,â said Egg, âthat when we meet itâs always at a death.â

âBit odd,â admitted Captain Dacres. âYou mean the old clergyman chap at whatâs his nameâsâthe actor fellowâs place?â

âYes. It was very queer the way he died so suddenly.â

âDamnâ disturbinâ,â said Dacres. âMakes you feel a bit gruey, fellows popping off all over the place. You know, you think âmy turn next,â and it gives you the shivers.â

âYou knew Mr. Babbington before, didnât you, at Gilling?â

âDonât know the place. No, I never set eyes on the old chap before. Funny thing is he popped off just the same way as old Strange did. Bit odd, that. Canât have been bumped off, too, I suppose?â

âWell, what do you think?â

Dacres shook his head.

âCanât have been,â he said decisively. âNobody murders parsons. Doctors are different.â

âYes,â said Egg. âI suppose doctors are different.â

ââCourse they are. Stands to reason. Doctors are interfering devils.â He slurred the words a little. He leant forward. âWonât let well alone. Understand?â

âNo,â said Egg.

âThey monkey about with fellowsâ lives. Theyâve got a damned sight too much power. Oughtnât to be allowed.â

âI donât quite see what you mean.â

âMâ dear girl, Iâm telling you. Get a fellow shut upâthatâs what I meanâput him in hell. God, theyâre cruel. Shut him up and keep the stuff from himâand however much you beg and pray they wonât give it you. Donât care a damn what torture youâre in. Thatâs doctors for you. Iâm telling youâand I know.â

His face twitched painfully. His little pinpoint pupils stared past her.

âItâs hell, I tell youâhell. And they call it curing you! Pretend theyâre doing a decent action. Swine!â

âDid Sir Bartholomew Strangeâ?â began Egg cautiously.

He took the words out of her mouth.

âSir Bartholomew Strange. Sir Bartholomew Humbug. Iâd like to know what goes on in that precious Sanatorium of his. Nerve cases. Thatâs what they say. Youâre in there and you canât get out. And they say youâve gone of your own free will. Free will! Just because they get hold of you when youâve got the horrors.â

He was shaking now. His mouth drooped suddenly.

âIâm all to pieces,â he said apologetically. âAll to pieces.â He called to the waiter, pressed Egg to have another drink, and when she refused, ordered one himself.

âThatâs better,â he said as he drained the glass. âGot my nerve back now. Nasty business losing your nerve. Mustnât make Cynthia angry. She told me not to talk.â He nodded his head once or twice. âWouldnât do to tell the police all this,â he said. âThey might think Iâd bumped old Strange off. Eh? You realize, donât you, that someone must have done it? One of us must have killed him. Thatâs a funny thought. Which of us? Thatâs the question.â

âPerhaps you know which,â said Egg.

âWhat dâyou say that for? Why should I know?â

He looked at her angrily and suspiciously.

âI donât know anything about it, I tell you. I wasnât going to take that damnable âcureâ of his. No matter what Cynthia saidâI wasnât going to take it. He was up to somethingâthey were both up to something. But they couldnât fool me.â

He drew himself up.

âIâm a shtrong man, Mish Lytton Gore.â

âIâm sure you are,â said Egg. âTell me, do you know anything of a Mrs. de Rushbridger who is at the Sanatorium?â

âRushbridger? Rushbridger? Old Strange said something about her. Now what was it? Canât remember anything.â

He sighed, shook his head.

âMemoryâs going, thatâs what it is. And Iâve got enemiesâa lot of enemies. They may be spying on me now.â

He looked round uneasily. Then he leant across the table to Egg.

âWhat was that woman doing in my room that day?â

âWhat woman?â

âRabbit-faced woman. Writes plays. It was the morning afterâafter he died. Iâd just come up from breakfast. She came out of my room and went through the baize door at the end of the passageâwent through into the servantsâ quarters. Odd, eh? Why did she go into my room? What did she think sheâd find there? What did she want to go nosing about for, anyway? Whatâs it got to do with her?â He leaned forward confidentially. âOr do you think itâs true what Cynthia says?â

âWhat does Mrs. Dacres say?â

âSays I imagined it. Says I was âseeing things.ââ He laughed uncertainly. âI do see things now and again. Pink miceâsnakesâall that sort of thing. But seeinâ a womanâs differentâ¦I did see her. Sheâs a queer fish, that woman. Nasty sort of eye sheâs got. Goes through you.â

He leaned back on the soft couch. He seemed to be dropping asleep.

Egg got up.

âI must be going. Thank you very much, Captain Dacres.â

âDonât thank me. Delighted. Absolutely delightedâ¦.â

His voice tailed off.

âIâd better go before he passes out altogether,â thought Egg.

She emerged from the smoky atmosphere of the Seventy-Two Club into the cool evening air.

Beatrice, the housemaid, had said that Miss Wills poked and pried. Now came this story from Freddie Dacres. What had Miss Wills been looking for? What had she found? Was it possible that Miss Wills knew something?

Was there anything in this rather muddled story about Sir Bartholomew Strange? Had Freddie Dacres secretly feared and hated him?

It seemed possible.

But in all this no hint of any guilty knowledge in the Babbington case.

âHow odd it would be,â said Egg to herself, âif he wasnât murdered after all.â

And then she caught her breath sharply as she caught sight of the words on a newspaper placard a few feet away:

Â 

âCORNISH EXHUMATION CASEâRESULT.â

Â 

Hastily she held out a penny and snatched a paper. As she did so she collided with another woman doing the same thing. As Egg apologized she recognized Sir Charlesâs secretary, the efficient Miss Milray.

Standing side by side, they both sought the stop-press news. Yes, there it was.

Â 

âRESULT OF CORNISH EXHUMATION.â

Â 

The words danced before Eggâs eyes. Analysis of the organsâ¦Nicotineâ¦.

âSo he was murdered,â said Egg.

âOh, dear,â said Miss Milray. âThis is terribleâterribleââ

Her rugged countenance was distorted with emotion. Egg looked at her in surprise. She had always regarded Miss Milray as something less than human.

âIt upsets me,â said Miss Milray, in explanation. âYou see, Iâve known him all my life.â

âMr. Babbington?â

âYes. You see, my mother lives at Gilling, where he used to be vicar. Naturally itâs upsetting.â

âOh, of course.â

âIn fact,â said Miss Milray, âI donât know what to do.â

She flushed a little before Eggâs look of astonishment.

âIâd like to write to Mrs. Babbington,â she said quickly. âOnly it doesnât seem quiteâwell, quiteâ¦I donât know what I had better do about it.â

Somehow, to Egg, the explanation was not quite satisfying.

Eight

ANGELA SUTCLIFFE

âNow, are you a friend or are you a sleuth? I simply must know.â

Miss Sutcliffe flashed a pair of mocking eyes as she spoke. She was sitting in a straight-backed chair, her grey hair becomingly arranged, her legs were crossed and Mr. Satterthwaite admired the perfection of her beautifully shod feet and her slender ankles. Miss Sutcliffe was a very fascinating woman, mainly owing to the fact that she seldom took anything seriously.

âIs that quite fair?â asked Mr. Satterthwaite.

âMy dear man, of course itâs fair. Have you come here for the sake of my beautiful eyes, as the French say so charmingly, or have you, you nasty man, come just to pump me about murders?â

âCan you doubt that your first alternative is the correct one?â asked Mr. Satterthwaite with a little bow.

âI can and I do,â said the actress with energy. âYou are one of those people who look so mild, and really wallow in blood.â

âNo, no.â

âYes, yes. The only thing I canât make up my mind about is whether it is an insult or a compliment to be considered a potential murderess. On the whole, I think itâs a compliment.â

She cocked her head a little on one side and smiled that slow bewitching smile that never failed.

Mr. Satterthwaite thought to himself:

âAdorable creature.â

Aloud he said, âI will admit, dear lady, that the death of Sir Bartholomew Strange has interested me considerably. I have, as you perhaps know, dabbled in such doings beforeâ¦.â

He paused modestly, perhaps hoping that Miss Sutcliffe would show some knowledge of his activities. However, she merely asked:

âTell me one thingâis there anything in what that girl said?â

âWhich girl, and what did she say?â

âThe Lytton Gore girl. The one who is so fascinated by Charles. (What a wretch Charles isâhe will do it!) She thinks that that nice old man down in Cornwall was murdered, too.â

âWhat do you think?â

âWell, it certainly happened just the same wayâ¦Sheâs an intelligent girl, you know. Tell meâis Charles serious?â

âI expect your views on the subject are likely to be much more valuable than mine,â said Mr. Satterthwaite.

âWhat a tiresomely discreet man you are,â cried Miss Sutcliffe. âNow Iââshe sighedââam appallingly indiscreetâ¦.â

She fluttered an eyelash at him.

âI know Charles pretty well. I know men pretty well. He seems to me to display all the signs of settling down. Thereâs an air of virtue about him. Heâll be handing round the plate and founding a family in record timeâthatâs my view. How dull men are when they decide to settle down! They lose all their charm.â

âIâve often wondered why Sir Charles has never married,â said Mr. Satterthwaite.

âMy dear, he never showed any signs of wanting to marry. He wasnât what they call a marrying man. But he was a very attractive manâ¦â She sighed. A slight twinkle showed in her eyes as she looked at Mr. Satterthwaite. âHe and I were onceâwell, why deny what everybody knows? It was very pleasant while it lastedâ¦and weâre still the best of friends. I suppose thatâs the reason the Lytton Gore child looks at me so fiercely. She suspects I still have a tendresse for Charles. Have I? Perhaps I have. But at any rate I havenât yet written my memoirs describing all my affairs in detail as most of my friends seem to have done. If I did, you know, the girl wouldnât like it. Sheâd be shocked. Modern girls are easily shocked. Her mother wouldnât be shocked at all. You canât really shock a sweet mid-Victorian. They say so little, but always think the worstâ¦.â

Mr. Satterthwaite contented himself with saying:

âI think you are right in suspecting that Egg Lytton Gore mistrusts you.â

Miss Sutcliffe frowned.

âIâm not at all sure that Iâm not a little jealous of herâ¦we women are such cats, arenât we? Scratch, scratch, miauw, miauw, purr, purrâ¦.â

She laughed.

âWhy didnât Charles come and catechize me on this business? Too much nice feeling, I suppose. The man must think me guiltyâ¦Am I guilty, Mr. Satterthwaite? What do you think now?â

She stood up and stretched out a hand.

âAll the perfumes of Arabia will not sweeten this little handââ

She broke off.

âNo, Iâm not Lady Macbeth. Comedyâs my line.â

âThere seems also a certain lack of motive,â said Mr. Satterthwaite.

âTrue. I liked Bartholomew Strange. We were friends. I had no reason for wishing him out of the way. Because we were friends Iâd rather like to take an active part in hunting down his murderer. Tell me if I can help in any way.â

âI suppose, Miss Sutcliffe, you didnât see or hear anything that might have a bearing on the crime?â

âNothing that I havenât already told the police. The house party had only just arrived, you know. His death occurred on that first evening.â

âThe butler?â

âI hardly noticed him.â

âAny peculiar behaviour on the part of the guests?â

âNo. Of course that boyâwhatâs his name? Manders turned up rather unexpectedly.â

âDid Sir Bartholomew Strange seemed surprised?â

âYes, I think he was. He said to me just before we went in to dinner that it was an odd business, âa new method of gate crashing,â he called it. âOnly,â he said, âitâs my wall heâs crashed, not my gate.ââ

âSir Bartholomew was in good spirits?â

âVery good spirits!â

âWhat about this secret passage you mentioned to the police?â

âI believe it led out of the library. Sir Bartholomew promised to show it to meâbut of course the poor man died.â

âHow did the subject come up?â

âWe were discussing a recent purchase of hisâan old walnut bureau. I asked if it had a secret drawer in it. I told him I adored secret drawers. Itâs a secret passion of mine. And he said, âNo, there wasnât a secret drawer that he knew ofâbut he had got a secret passage in the house.ââ

âHe didnât mention a patient of his, a Mrs. de Rushbridger?â

âNo.â

âDo you know a place called Gilling, in Kent?â

âGilling? Gilling, no, I donât think I do. Why?â

âWell, you knew Mr. Babbington before, didnât you?â

âWho is Mr. Babbington?â

âThe man who died, or who was killed, at the Crowâs Nest.â

âOh, the clergyman. Iâd forgotten his name. No, Iâd never seen him before in my life. Who told you I knew him?â

âSomeone who ought to know,â said Mr. Satterthwaite boldly.

Miss Sutcliffe seemed amused.

âDear old man, did they think Iâd had an affair with him? Archdeacons are sometimes very naughty, arenât they? So why not vicars? Thereâs the man in the barrel, isnât there? But I must clear the poor manâs memory. Iâd never seen him before in my life.â

And with that statement Mr. Satterthwaite was forced to rest content.

Nine

MURIEL WILLS

Five Upper Cathcart Road, Tooting, seemed an incongruous home for a satiric playwright. The room into which Sir Charles was shown had walls of a rather drab oatmeal colour with a frieze of laburnum round the top. The curtains were of rose-coloured velvet, there were a lot of photographs and china dogs, the telephone was coyly hidden by a lady with ruffled skirts, there were a great many little tables and some suspicious-looking brasswork from Birmingham via the Far East.

Miss Wills entered the room so noiselessly that Sir Charles, who was at the moment examining a ridiculously elongated pierrot doll lying across the sofa, did not hear her. Her thin voice saying, âHow dâyou do, Sir Charles. This is really a great pleasure,â made him spin round.

Miss Wills was dressed in a limp jumper suit which hung disconsolately on her angular form. Her stockings were slightly wrinkled, and she had on very high-heeled patent leather slippers.

Sir Charles shook hands, accepted a cigarette, and sat down on the sofa by the pierrot doll. Miss Wills sat opposite him. The light from the window caught her pince-nez and made them give off little flashes.

âFancy you finding me out here,â said Miss Wills. âMy mother will be ever so excited. She just adores the theatreâespecially anything romantic. That play where you were a Prince at a Universityâsheâs often talked of it. She goes to matinÃ©es, you know, and eats chocolatesâsheâs one of that kind. And she does love it.â

âHow delightful,â said Sir Charles. âYou donât know how charming it is to be remembered. The public memory is short!â He sighed.

âSheâll be thrilled at meeting you,â said Miss Wills. âMiss Sutcliffe came the other day, and Mother was thrilled at meeting her.â

âAngela was here?â

âYes. Sheâs putting on a play of mine, you know: Little Dog Laughed.â

âOf course,â said Sir Charles. âIâve read about it. Rather intriguing title.â

âIâm so glad you think so. Miss Sutcliffe likes it, too. Itâs a kind of modern version of the nursery rhymeâa lot of froth and nonsenseâHey diddle diddle and the dish and the spoon scandal. Of course, it all revolves round Miss Sutcliffeâs partâeveryone dances to her fiddlingâthatâs the idea.â

Sir Charles said:

âNot bad. The world nowadays is rather like a mad nursery rhyme. And the little dog laughed to see such sport, eh?â And he thought suddenly: âOf course this womanâs the Little Dog. She looks on and laughs.â

The light shifted from Miss Willsâs pince-nez, and he saw her pale-blue eyes regarding him intelligently through them.

âThis woman,â thought Sir Charles, âhas a fiendish sense of humour.â

Aloud he said:

âI wonder if you can guess what errand has brought me here?â

âWell,â said Miss Wills archly, âI donât suppose it was only to see poor little me.â

Sir Charles registered for a moment the difference between the spoken and the written word. On paper Miss Wills was witty and cynical, in speech she was arch.

âIt was really Satterthwaite put the idea into my head,â said Sir Charles. âHe fancies himself as being a good judge of character.â

âHeâs very clever about people,â said Miss Wills. âItâs rather his hobby, I should say.â

âAnd he is strongly of opinion that if there were anything worth noticing that night at Melfort Abbey you would have noticed it.â

âIs that what he said?â

âYes.â

âI was very interested, I must admit,â said Miss Wills slowly. âYou see, Iâd never seen a murder at close hand before. A writerâs got to take everything as copy, hasnât she?â

âI believe thatâs a well-known axiom.â

âSo naturally,â said Miss Wills, âI tried to notice everything I could.â

This was obviously Miss Willsâs version of Beatriceâs âpoking and prying.â

âAbout the guests?â

âAbout the guests.â

âAnd what exactly did you notice?â

The pince-nez shifted.

âI didnât really find out anythingâif I had Iâd have told the police, of course,â she added virtuously.

âBut you noticed things.â

âI always do notice things. I canât help it. Iâm funny that way.â She giggled.

âAnd you noticedâwhat?â

âOh, nothingâthat isânothing that youâd call anything, Sir Charles. Just little odds and ends about peopleâs characters. I find people so very interesting. So typical, if you know what I mean.â

âTypical of what?â

âOf themselves. Oh, I canât explain. Iâm ever so silly at saying things.â

She giggled again.

âYour pen is deadlier than your tongue,â said Sir Charles, smiling.

âI donât think itâs very nice of you to say deadlier, Sir Charles.â

âMy dear Miss Wills, admit that with a pen in your hand youâre quite merciless.â

âI think youâre horrid, Sir Charles. Itâs you who are merciless to me.â

âI must get out of this bog of badinage,â said Sir Charles to himself. He said aloud:

âSo you didnât find out anything concrete, Miss Wills?â

âNoânot exactly. At least, there was one thing. Something I noticed and ought to have told the police about, only I forgot.â

âWhat was that?â

âThe butler. He had a kind of strawberry mark on his left wrist. I noticed it when he was handing me vegetables. I suppose thatâs the sort of thing which might come in useful.â

âI should say very useful indeed. The police are trying hard to track down that man Ellis. Really, Miss Wills, you are a very remarkable woman. Not one of the servants or guests mentioned such a mark.â

âMost people donât use their eyes much, do they?â said Miss Wills.

âWhere exactly was the mark? And what size was it?â

âIf youâll just stretch out your own wristââ Sir Charles extended his arm. âThank you. It was here.â Miss Wills placed an unerring finger on the spot. âIt was about the size, roughly, of a sixpence, and rather the shape of Australia.â

âThank you, thatâs very clear,â said Sir Charles, removing his hand and pulling down his cuffs again.

âYou think I ought to write to the police and tell them?â

âCertainly I do. It might be most valuable in tracing the man. Dash it all,â went on Sir Charles with feeling, âin detective stories thereâs always some identifying mark on the villain. I thought it was a bit hard that real life should prove so lamentably behindhand.â

âItâs usually a scar in stories,â said Miss Wills thoughtfully.

âA birthmarkâs just as good,â said Sir Charles.

He looked boyishly pleased.

âThe trouble is,â he went on, âmost people are so indeterminate. Thereâs nothing about them to take hold of.â

Miss Wills looked inquiringly at him.

âOld Babbington, for instance,â went on Sir Charles, âhe had a curiously vague personality. Very difficult to lay hold of.â

âHis hands were very characteristic,â said Miss Wills. âWhat I call a scholarâs hands. A little crippled with arthritis, but very refined fingers and beautiful nails.â

âWhat an observer you are. Ah, butâof course, you knew him before.â

âKnew Mr. Babbington?â

âYes, I remember his telling me soâwhere was it he said he had known you?â

Miss Wills shook her head decisively.

âNot me. You must have been mixing me up with someone elseâor he was. Iâd never met him before.â

âIt must be a mistake. I thoughtâat Gillingââ

He looked at her keenly. Miss Wills appeared quite composed.

âNo,â she said.

âDid it ever occur to you, Miss Wills, that he might have been murdered, too?â

âI know you and Miss Lytton Gore think soâor rather you think so.â

âOhâandâerâwhat do you think?â

âIt doesnât seem likely,â said Miss Wills.

A little baffled by Miss Willsâs clear lack of interest in the subject Sir Charles started on another tack.

âDid Sir Bartholomew mention a Mrs. de Rushbridger at all?â

âNo, I donât think so.â

âShe was a patient in his Home. Suffering from nervous breakdown and loss of memory.â

âHe mentioned a case of lost memory,â said Miss Wills. âHe said you could hypnotize a person and bring their memory back.â

âDid he, now? I wonderâcould that be significant?â

Sir Charles frowned and remained lost in thought. Miss Wills said nothing.

âThereâs nothing else you could tell me? Nothing about any of the guests?â

It seemed to him there was just the slightest pause before Miss Wills answered.

âNo.â

âAbout Mrs. Dacres? Or Captain Dacres? Or Miss Sutcliffe? Or Mr. Manders?â

He watched her very intently as he pronounced each name.

Once he thought he saw the pince-nez flicker, but he could not be sure.

âIâm afraid thereâs nothing I can tell you, Sir Charles.â

âOh, well!â He stood up. âSatterthwaite will be disappointed.â

âIâm so sorry,â said Miss Wills primly.

âIâm sorry, too, for disturbing you. I expect you were busy writing.â

âI was, as a matter of fact.â

âAnother play?â

âYes. To tell you the truth, I thought of using some of the characters at the house party at Melfort Abbey.â

âWhat about libel?â

âThatâs quite all right, Sir Charles, I find people never recognize themselves.â She giggled. âNot if, as you said just now, one is really merciless.â

âYou mean,â said Sir Charles, âthat we all have an exaggerated idea of our own personalities and donât recognize the truth if itâs sufficiently brutally portrayed. I was quite right, Miss Wills, you are a cruel woman.â

Miss Wills tittered.

âYou neednât be afraid, Sir Charles. Women arenât usually cruel to menâunless itâs some particular manâtheyâre only cruel to other women.â

âMeaning youâve got your analytical knife into some unfortunate female. Which one? Well, perhaps I can guess. Cynthiaâs not beloved by her own sex.â

Miss Wills said nothing. She continued to smileârather a catlike smile.

âDo you write your stuff or dictate it?â

âOh, I write it and send it to be typed.â

âYou ought to have a secretary.â

âPerhaps. Have you still got that clever MissâMiss Milray, wasnât it?â

âYes, Iâve got Miss Milray. She went away for a time to look after her mother in the country, but sheâs back again now. Most efficient woman.â

âSo I should think. Perhaps a little impulsive.â

âImpulsive? Miss Milray?â

Sir Charles stared. Never in his wildest flights of fancy had he associated impulse with Miss Milray.

âOnly on occasions, perhaps,â said Miss Wills.

Sir Charles shook his head.

âMiss Milrayâs the perfect robot. Good-bye, Miss Wills. Forgive me for bothering you, and donât forget to let the police know about that thingummybob.â

âThe mark on the butlerâs right wrist? No, I wonât forget.â

âWell, good-byeâhalf a sec.âdid you say right wrist? You said left just now.â

âDid I? How stupid of me.â

âWell, which was it?â

Miss Wills frowned and half closed her eyes.

âLet me see. I was sitting soâand heâwould you mind, Sir Charles, handing me that brass plate as though it was a vegetable dish. Left side.â

Sir Charles presented the beaten brass atrocity as directed.

âCabbage, madam?â

âThank you,â said Miss Wills, âIâm quite sure now. It was the left wrist, as I said first. Stupid of me.â

âNo, no,â said Sir Charles. âLeft and right are always puzzling.â

He said good-bye for the third time.

As he closed the door he looked back. Miss Wills was not looking at him. She was standing where he had left her. She was gazing at the fire, and on her lips was a smile of satisfied malice.

Sir Charles was startled.

âThat woman knows something,â he said to himself. âIâll swear she knows something. And she wonât sayâ¦But what the devil is it she knows?â

Ten

OLIVER MANDERS

At the office of Messrs Speier & Ross, Mr. Satterthwaite asked for Mr. Oliver Manders and sent in his card.

Presently he was ushered into a small room, where Oliver was sitting at a writing table.

The young man got up and shook hands.

âGood of you to look me up, sir,â he said.

His tone implied:

âI have to say that, but really itâs a damned bore.â

Mr. Satterthwaite, however, was not easily put off. He sat down, blew his nose thoughtfully, and, peering over the top of his handkerchief, said:

âSeen the news this morning?â

âYou mean the new financial situation? Well, the dollarââ

âNot dollars,â said Mr. Satterthwaite. âDeath. The result of the Loomouth exhumation. Babbington was poisonedâby nicotine.â

âOh, thatâyes, I saw that. Our energetic Egg will be pleased. She always insisted it was murder.â

âBut it doesnât interest you?â

âMy tastes arenât so crude. After all, murderââ he shrugged his shoulders. âSo violent and inartistic.â

âNot always inartistic,â said Mr. Satterthwaite.

âNo? Well, perhaps not.â

âIt depends, does it not, on who commits the murder. You, for instance, would, I am sure, commit a murder in a very artistic manner.â

âNice of you to say so,â drawled Oliver.

âBut frankly, my dear boy, I donât think much of the accident you faked. No more do the police, I understand.â

There was a momentâs silenceâthen a pen dropped to the floor.

Oliver said:

âExcuse me, I donât quite understand you.â

âThat rather inartistic performance of yours at Melfort Abbey. I should be interested to knowâjust why you did it.â

There was another silence, then Oliver said:

âYou say the policeâsuspect?â

Mr. Satterthwaite nodded.

âIt looks a little suspicious, donât you think?â he asked pleasantly. âBut perhaps you have a perfectly good explanation.â

âIâve got an explanation,â said Oliver slowly. âWhether itâs a good one or not, I donât know.â

âWill you let me judge?â

There was a pause, then Oliver said:

âI came thereâthe way I didâat Sir Bartholomewâs own suggestion.â

âWhat?â Mr. Satterthwaite was astonished.

âA bit odd, isnât it? But itâs true. I got a letter from him suggesting that I should have a sham accident and claim hospitality. He said he couldnât put his reasons in writing, but he would explain them to me at the first opportunity.â

âAnd did he explain?â

âNo, he didnâtâ¦I got there just before dinner. I didnât see him alone. At the end of dinner heâhe died.â

The weariness had gone out of Oliverâs manner. His dark eyes were fixed on Mr. Satterthwaite. He seemed to be studying attentively the reactions aroused by his words.

âYouâve got this letter?â

âNo, I tore it up.â

âA pity,â said Mr. Satterthwaite dryly. âAnd you said nothing to the police?â

âNo, it all seemedâwell, rather fantastic.â

âIt is fantastic.â

Mr. Satterthwaite shook his head. Had Bartholomew Strange written such a letter? It seemed highly uncharacteristic. The story had a melodramatic touch most unlike the physicianâs cheerful common sense.

He looked up at the young man. Oliver was still watching him. Mr. Satterthwaite thought: âHeâs looking to see if I swallow this story.â

He said, âAnd Sir Bartholomew gave absolutely no reason for his request?â

âNone whatever.â

âAn extraordinary story.â

Oliver did not speak.

âYet you obeyed the summons?â

Something of the weary manner returned.

âYes, it seemed refreshingly out of the way to a somewhat jaded palate. I was curious, I must confess.â

âIs there anything else?â asked Mr. Satterthwaite.

âWhat do you mean, sir, anything else?â

Mr. Satterthwaite did not really know what he meant. He was led by some obscure instinct.

âI mean,â he said, âis there anything else that might tellâagainst you?â

There was a pause. Then the young man shrugged his shoulders.

âI suppose I might as well make a clean breast of it. The woman isnât likely to hold her tongue about it.â

Mr. Satterthwaite looked a question.

âIt was the morning after the murder stuff. I was talking to the Anthony Armstrong woman. I took out my pocketbook and something fell out of it. She picked it up and handed it back to me.â

âAnd this something?â

âUnfortunately she glanced at it before returning it to me. It was a cutting from a newspaper about nicotineâwhat a deadly poison it was, and so on.â

âHow did you come to have such an interest in the subject?â

âI didnât. I suppose I must have put that cutting in my wallet sometime or other, but I canât remember doing so. Bit awkward, eh?â

Mr. Satterthwaite thought: âA thin story.â

âI suppose,â went on Oliver Manders, âshe went to the police about it?â

Mr. Satterthwaite shook his head.

âI donât think so. I fancy sheâs a woman who likesâwell, to keep things to herself. Sheâs a collector of knowledge.â

Oliver Manders leaned forward suddenly.

âIâm innocent, sir, absolutely innocent.â

âI havenât suggested that you are guilty,â said Mr. Satterthwaite mildly.

âBut someone hasâsomeone must have done. Someone has put the police onto me.â

Mr. Satterthwaite shook his head.

âNo, no.â

âThen why did you come here today?â

âPartly as the result of myâerâinvestigations on the spot.â Mr. Satterthwaite spoke a little pompously. âAnd partly at the suggestion ofâa friend.â

âWhat friend?â

âHercule Poirot.â

âThat man!â The expression burst from Oliver. âIs he back in England?â

âYes.â

âWhy has he come back?â

Mr. Satterthwaite rose.

âWhy does a dog go hunting?â he inquired.

And, rather pleased with his retort, he left the room.

Eleven

POIROT GIVES A SHERRY PARTY

I

Sitting in a comfortable armchair in his slightly florid suite at the Ritz, Hercule Poirot listened.

Egg was perched on the arm of a chair, Sir Charles stood in front of the fireplace, Mr. Satterthwaite sat a little farther away observing the group.

âItâs failure all along the line,â said Egg.

Poirot shook his head gently.

âNo, no, you exaggerate. As regards a link with Mr. Babbington, you have drawn the blankâyes; but you have collected other suggestive information.â

âThe Wills woman knows something,â said Sir Charles. âIâll swear she knows something.â

âAnd Captain Dacres, he too has not the clear conscience. And Mrs. Dacres was desperately in want of money, and Sir Bartholomew spoilt her chance of laying hold of some.â

âWhat do you think of young Mandersâs story?â asked Mr. Satterthwaite.

âIt strikes me as peculiar and as being highly uncharacteristic of the late Sir Bartholomew Strange.â

âYou mean itâs a lie?â asked Sir Charles bluntly.

âThere are so many kinds of lies,â said Hercule Poirot.

He was silent for a minute or two, then he said:

âThis Miss Wills, she has written a play for Miss Sutcliffe?â

âYes. The first night is Wednesday next.â

âAh!â

He was silent again. Egg said:

âTell us: What shall we do now?â

The little man smiled at her.

âThere is only one thing to doâthink.â

âThink?â cried Egg. Her voice was disgusted.

Poirot beamed on her.

âBut yes, exactly that. Think! With thought, all problems can be solved.â

âCanât we do something?â

âFor you the action, eh, mademoiselle? But certainly, there are still things you can do. There is, for instance, this place, Gilling, where Mr. Babbington lived for so many years. You can make inquiries there. You say that this Miss Milrayâs mother lives at Gilling and is an invalid. An invalid knows everything. She hears everything and forgets nothing. Make your inquiries of her, it may lead to somethingâwho knows?â

âArenât you going to do anything?â demanded Egg persistently.

Poirot twinkled.

âYou insist that I, too, shall be active? Eh bien. It shall be as you wish. Only me, I shall not leave this place. I am very comfortable here. But I will tell you what I will do: I will give the partyâthe Sherry Partyâthat is fashionable, is it not?â

âA Sherry Party?â

âPrÃ©cisÃ©ment, and to it I will ask Mrs. Dacres, Captain Dacres, Miss Sutcliffe, Miss Wills, Mr. Manders and your charming mother, mademoiselle.â

âAnd me?â

âNaturally, and you. The present company is included.â

âHurrah,â said Egg. âYou canât deceive me, M. Poirot. Something will happen at that party. It will, wonât it?â

âWe shall see,â said Poirot. âBut do not expect too much, mademoiselle. Now leave me with Sir Charles, for there are a few things about which I want to ask his advice.â

As Egg and Mr. Satterthwaite stood waiting for the lift, Egg said ecstatically:

âItâs lovelyâjust like detective stories. All the people will be there, and then heâll tell us which of them did it.â

âI wonder,â said Mr. Satterthwaite.

II

The Sherry Party took place on Monday evening. The invitation had been accepted by all. The charming and indiscreet Miss Sutcliffe laughed mischievously as she glanced round.

âQuite the spiderâs parlour, M. Poirot. And here all we poor little flies have walked in. Iâm sure youâre going to give us the most marvellous rÃ©sumÃ© of the case and then suddenly youâll point at me and say, âThou art the woman,â and everyone will say, âShe done it,â and I shall burst into tears and confess because Iâm too terribly suggestible for words. Oh, M. Poirot, Iâm so frightened of you.â

âQuelle histoire,â cried Poirot. He was busy with a decanter and glasses. He handed her a glass of sherry with a bow. âThis is a friendly little party. Do not let us talk of murders and bloodshed and poison. LÃ , lÃ ! these things, they spoil the palate.â

He handed a glass to the grim Miss Milray, who had accompanied Sir Charles and was standing with a forbidding expression on her face.

âVoilÃ ,â said Poirot as he finished dispensing hospitality. âLet us forget the occasion on which we first met. Let us have the party spirit. Eat, drink and be merry, for tomorrow we die. Ah, malheur, I have again mentioned death. Madame,â he bowed to Mrs. Dacres, âmay I be permitted to wish you good luck and congratulate you on your very charming gown.â

âHereâs to you, Egg,â said Sir Charles.

âCheerio,â said Freddie Dacres.

Everybody murmured something. There was an air of forced gaiety about the proceedings. Everyone was determined to appear gay and unconcerned. Only Poirot himself seemed naturally so. He rambled on happilyâ¦.

âThe sherry, I prefer it to the cocktailâand a thousand times to the whisky. Ah, quel horreur, the whisky. By drinking the whisky, you ruin, absolutely ruin, the palate. The delicate wines of France, to appreciate them, you must never neverâah quâest-ce quâil y aâ?â

A strange sound had interrupted himâa kind of choking cry. Every eye went to Sir Charles as he stood swaying, his face convulsed. The glass dropped from his hand onto the carpet, he took a few steps blindly, then collapsed.

There was a momentâs stupefied silence, then Angela Sutcliffe screamed and Egg started forward.

âCharles,â cried Egg. âCharles.â

She fought her way blindly forward. Mr. Satterthwaite gently held her back.

âOh, dear God,â cried Lady Mary. âNot another!â

Angela Sutcliffe cried out:

âHeâs been poisoned, tooâ¦This is awful. Oh, my God, this is too awfulâ¦.â

And suddenly collapsing onto a sofa, she began to sob and laughâa horrible sound.

Poirot had taken charge of the situation. He was kneeling by the prostrate man. The others drew back while he made his examination. He rose to his feet, mechanically dusting the knees of his trousers. He looked round at the assembly. There was complete silence, except for the smothered sobs of Angela Sutcliffe.

âMy friends,â began Poirot.

He got no further, for Egg spat out at him:

âYou fool. You absurd playacting little fool! Pretending to be so great and so wonderful, and to know all about everything. And now you let this happen. Another murder. Under your very noseâ¦If youâd let the whole thing alone this wouldnât have happenedâ¦Itâs you who have murdered Charlesâyouâyouâyouâ¦.â

She stopped, unable to get out the words.

Poirot nodded his head gravely and sadly.

âIt is true, mademoiselle. I confess it. It is I who have murdered Sir Charles. But I, mademoiselle, am a very special kind of murderer. I can killâand I can restore to life.â He turned and in a different tone of voice, an apologetic everyday voice, he said:

âA magnificent performance, Sir Charles, I congratulate you. Perhaps you would now like to take your curtain.â

With a laugh the actor sprang to his feet and bowed mockingly.

Egg gave a great gasp.

âM. Poirot, youâyou beast.â

âCharles,â cried Angela Sutcliffe. âYou complete devilâ¦.â

âBut whyâ?â

âHowâ?â

âWhat on earthâ?â

By means of his upraised hand, Poirot obtained silence.

âMessieurs, mesdames. I demand pardon of you all. This little farce was necessary to prove to you all, and incidentally, to prove to myself a fact which my reason already told me is true.

âListen. On this tray of glasses I placed in one glass a teaspoonful of plain water. That water represented pure nicotine. These glasses are of the same kind as those possessed by Sir Charles Cartwright and by Sir Bartholomew Strange. Owing to the heavy cut glass, a small quantity of a colourless liquid is quite undetectable. Imagine, then, the port glass of Sir Bartholomew Strange. After it was put on the table somebody introduced into it a sufficient quantity of pure nicotine. That might have been done by anybody. The butler, the parlourmaid, or one of the guests who slipped into the dining room on his or her way downstairs. Dessert arrived, the port is taken round, the glass is filled. Sir Bartholomew drinksâand dies.

âTonight we have played a third tragedyâa sham tragedyâI asked Sir Charles to play the part of the victim. This he did magnificently. Now suppose for a minute that this was not a farce, but truth. Sir Charles is dead. What will be the steps taken by the police?â

Miss Sutcliffe cried:

âWhy, the glass, of course.â She nodded to where the glass lay on the floor as it had fallen from Sir Charlesâs hand. âYou only put water in, but if it had been nicotineââ

âLet us suppose it was nicotine.â Poirot touched the glass gently with his toe. âYou are of opinion that the police would analyse the glass, and that traces of nicotine would be found?â

âCertainly.â

Poirot shook his head gently.

âYou are wrong. No nicotine would be found.â

They stared at him.

âYou see,â he smiled, âthat is not the glass from which Sir Charles drank.â With an apologetic grin he extended a glass from the tail pocket of his coat. âThis is the glass he used.â

He went on:

âIt is, you see, the simple theory of the conjuring trick. The attention cannot be in two places at once. To do my conjuring trick I need the attention focused elsewhere. Well, there is a moment, a psychological moment. When Sir Charles fallsâdeadâevery eye in the room is on his dead body. Everyone crowds forward to get near him, and no one, no one at all, looks at Hercule Poirot, and in that moment I exchange the glasses and no one seesâ¦.

âSo you see, I prove my pointâ¦There was such a moment at Crowâs Nest, there was such a moment at Melfort Abbeyâand so, there was nothing in the cocktail glass and nothing in the port glassâ¦.â

Egg cried:

âWho changed them?â

Looking at her, Poirot replied:

âThat, we have still to find outâ¦.â

âYou donât know?â

Poirot shrugged his shoulders.

Rather uncertainly, the guests made signs of departure. Their manner was a little cold. They felt they had been badly fooled.

With a gesture of the hand, Poirot arrested them.

âOne little moment, I pray of you. There is one thing more that I have to say. Tonight, admittedly, we have played the comedy. But the comedy may be played in earnestâit may become a tragedy. Under certain conditions the murderer may strike a third timeâ¦I speak now to all of you here present. If anyone of you knows somethingâsomething that may bear in any way on this crime, I implore that person to speak now. To keep knowledge to oneself at this juncture may be dangerousâso dangerous that death may be the result of silence. Therefore I beg againâif anyone knows anything, let that person speak nowâ¦.â

It seemed to Sir Charles that Poirotâs appeal was addressed especially to Miss Wills. If so, it had no result. Nobody spoke or answered.

Poirot sighed. His hand fell.

âBe it so, then. I have given warning. I can do no more. Remember, to keep silence is dangerousâ¦.â

But still nobody spoke.

Awkwardly the guests departed.

Egg, Sir Charles and Mr. Satterthwaite were left.

Egg had not yet forgiven Poirot. She sat very still, her cheeks flushed and her eyes angry. She wouldnât look at Sir Charles.

âThat was a damned clever bit of work, Poirot,â said Sir Charles appreciatively.

âAmazing,â said Mr. Satterthwaite with a chuckle. âI wouldnât have believed that I wouldnât have seen you do that exchange.â

âThat is why,â said Poirot, âI could take no one into any confidence. The experiment could only be fair this way.â

âWas that the only reason you planned thisâto see whether it could be done unnoticed?â

âWell, not quite, perhaps. I had one other aim.â

âYes?â

âI wanted to watch the expression on one personâs face when Sir Charles fell dead.â

âWhich personâs?â said Egg sharply.

âAh, that is my secret.â

âAnd you did watch that personâs face?â asked Mr. Satterthwaite.

âYes.â

âWell?â

Poirot did not reply. He merely shook his head.

âWonât you tell us what you saw there?â

Poirot said slowly:

âI saw an expression of the utmost surpriseâ¦.â

Egg drew her breath in sharply.

âYou mean,â she said, âthat you know who the murderer is?â

âYou can put it that way if you like, mademoiselle.â

âBut thenâbut thenâyou know everything?â

Poirot shook his head.

âNo; on the contrary I know nothing at all. For, you see, I do not know why Stephen Babbington was killed. Until I know that I can prove nothing, I can know nothingâ¦It all hinges on thatâthe motive for Stephen Babbingtonâs deathâ¦.â

There was a knock at the door and a page entered with a telegram on a tray.

Poirot opened it. His face changed. He handed the telegram to Sir Charles. Leaning over Sir Charlesâs shoulder, Egg read it aloud:

âPlease come and see me at once can give you valuable information as to Bartholomew Strangeâs deathâMargaret Rushbridger.â

âMrs. de Rushbridger!â cried Sir Charles. âWe were right after all. She has got something to do with the case.â

Twelve

DAY AT GILLING

I

At once an excited discussion sprang up. An A.B.C. was produced. It was decided that an early train would be better than going by car.

âAt last,â said Sir Charles, âweâre going to get that particular part of the mystery cleared up.â

âWhat do you think the mystery is?â asked Egg.

âI canât imagine. But it canât fail to throw some light on the Babbington affair. If Tollie got those people together on purpose, as I feel pretty sure he did, then the âsurpriseâ he talked of springing on them had something to do with this Rushbridger woman. I think we can assume that, donât you, M. Poirot?â

Poirot shook his head in a perplexed manner.

âThis telegram complicates the affair,â he murmured. âBut we must be quickâextremely quick.â

Mr. Satterthwaite did not see the need for extreme haste, but he agreed politely.

âCertainly, we will go by the first train in the morning. Erâthat is to say, is it necessary for us all to go?â

âSir Charles and I had arranged to go down to Gilling,â said Egg.

âWe can postpone that,â said Sir Charles.

âI donât think we ought to postpone anything,â said Egg. âThere is no need for all four of us to go to Yorkshire. Itâs absurd. Mass formation. M. Poirot and Mr. Satterthwaite go to Yorkshire and Sir Charles and I go to Gilling.â

âIâd rather like to look into this Rushbridger business,â said Sir Charles with a trace of wistfulness. âYou see, Iâerâtalked to the Matron beforeâgot my foot in, so to speak.â

âThatâs just why youâd better keep away,â said Egg. âYou involved yourself in a lot of lies, and now this Rushbridger woman has come to herself youâll be exposed as a thorough-paced liar. Itâs far far more important that you should come to Gilling. If we want to see Miss Milrayâs mother sheâll open out to you much more than she would to anyone else. Youâre her daughterâs employer, and sheâll have confidence in you.â

Sir Charles looked into Eggâs glowing, earnest face.

âIâll come to Gilling,â he said. âI think youâre quite right.â

âI know Iâm right,â said Egg.

âIn my opinion an excellent arrangement,â said Poirot briskly. âAs mademoiselle says, Sir Charles is preeminently the person to interview this Mrs. Milray. Who knows, you may learn from her facts of much more importance than those we shall learn in Yorkshire.â

Matters were arranged on this basis, and the following morning Sir Charles picked up Egg in his car at a quarter to ten. Poirot and Mr. Satterthwaite had already left London by train.

It was a lovely crisp morning, with just a touch of frost in the air. Egg felt her spirits rising as they turned and twisted through the various shortcuts which Sir Charlesâs experience had discovered south of the Thames.

At last, however, they were flying smoothly along the Folkestone road. After passing through Maidstone, Sir Charles consulted a map, and they turned off from the main road and were shortly winding through country lanes. It was about a quarter to twelve when they at last reached their objective.

Gilling was a village which the world had left behind. It had an old church, a vicarage, two or three shops, a row of cottages, three or four new council houses and a very attractive village green.

Miss Milrayâs mother lived in a tiny house on the other side of the green to the church.

As the car drew up Egg asked:

âDoes Miss Milray know you are going to see her mother?â

âOh, yes. She wrote to prepare the old lady.â

âDo you think that was a good thing?â

âMy dear child, why not?â

âOh, I donât knowâ¦You didnât bring her down with you, though.â

âAs a matter of fact, I thought she might cramp my style. Sheâs so much more efficient than I amâsheâd probably try to prompt me.â

Egg laughed.

Mrs. Milray turned out to be almost ludicrously unlike her daughter. Where Miss Milray was hard, she was soft, where Miss Milray was angular, she was round. Mrs. Milray was an immense dumpling of a woman immovably fixed in an armchair conveniently placed so that she could, from the window, observe all that went on in the world outside.

She seemed pleasurably excited by the arrival of her visitors.

âThis is very nice of you, Iâm sure, Sir Charles. Iâve heard so much about you from my Violet.â (Violet! Singularly incongruous name for Miss Milray.) âYou donât know how much she admires you. Itâs been most interesting for her working with you all these years. Wonât you sit down, Miss Lytton Gore? Youâll excuse my not getting up. Iâve lost the use of my limbs for many years now. The Lordâs will, and I donât complain, and what I say is one can get used to anything. Perhaps youâd like a little refreshment after your drive down?â

Both Sir Charles and Egg disclaimed the need of refreshment, but Mrs. Milray paid no attention. She clapped her hands in an Oriental manner, and tea and biscuits made their appearance. As they nibbled and sipped, Sir Charles came to the object of their visit.

âI expect youâve heard, Mrs. Milray, all about the tragic death of Mr. Babbington who used to be vicar here?â

The dumpling nodded its head in vigorous assent.

âYes, indeed. Iâve read all about the exhumation in the paper. And whoever can have poisoned him I canât imagine. A very nice man, he was, everyone liked him hereâand her, too. And their little children and all.â

âIt is indeed a great mystery,â said Sir Charles. âWeâre all in despair about it. In fact, we wondered if you could possibly throw any light upon the matter.â

âMe? But I havenât seen the Babbingtonsâlet me seeâit must be over fifteen years.â

âI know, but some of us have the idea that there might be something in the past to account for his death.â

âIâm sure I donât know what there could be. They led very quiet livesâvery badly off, poor things, with all those children.â

Mrs. Milray was willing enough to reminisce, but her reminiscences seemed to shed little light on the problem they had set out to solve.

Sir Charles showed her the enlargement of a snapshot which included the Dacres, also an early portrait of Angela Sutcliffe and a somewhat blurred reproduction of Miss Wills cut from a newspaper. Mrs. Milray surveyed them all with great interest, but with no signs of recognition.

âI canât say I remember any of themâof course itâs a long time ago. But this is a small place. Thereâs not much coming and going. The Agnew girls, the doctorâs daughtersâtheyâre all married and out in the world, and our present doctorâs a bachelorâheâs got a new young partner. Then there were the old Miss Cayleysâsat in the big pewâtheyâre all dead many years back. And the Richardsonsâhe died and she went to Wales. And the village people, of course. But thereâs not much change there. Violet, I expect, could tell you as much as I could. She was a young girl then and often over at the Vicarage.â

Sir Charles tried to envisage Miss Milray as a young girl and failed.

He asked Mrs. Milray if she remembered anyone of the name of Rushbridger, but the name failed to evoke any response.

Finally they took their leave.

Their next move was a scratch lunch in the bakerâs shop. Sir Charles had hankerings for fleshpots elsewhere, but Egg pointed out that they might get hold of some local gossip.

âAnd boiled eggs and scones will do you no harm for once,â she said severely. âMen are so fussy about their food.â

âI always find eggs so depressing,â said Sir Charles meekly.

The woman who served them was communicative enough. She, too, had read of the exhumation in the paper and had been proportionately thrilled by its being âold vicar.â âI were a child at the time,â she explained. âBut I remember him.â

She could not, however, tell them much about him.

After lunch they went to the church and looked through the register of births, marriages and deaths. Here again there seemed nothing hopeful or suggestive.

They came out into the churchyard and lingered. Egg read the names on the tombstones.

âWhat queer names there are,â she said. âListen, hereâs a whole family of Stavepennys and hereâs a Mary Ann Sticklepath.â

âNone of them so queer as mine,â murmured Sir Charles.

âCartwright? I donât think thatâs a queer name at all.â

âI didnât mean Cartwright. Cartwrightâs my acting name, and I finally adopted it legally.â

âWhatâs your real name?â

âI couldnât possibly tell you. Itâs my guilty secret.â

âIs it as terrible as all that?â

âItâs not so much terrible as humorous.â

âOhâtell it me.â

âCertainly not,â said Sir Charles firmly.

âPlease.â

âNo.â

âWhy not?â

âYouâd laugh.â

âI wouldnât.â

âYou wouldnât be able to help laughing.â

âOh, please tell me. Please, please, please.â

âWhat a persistent creature you are, Egg. Why do you want to know?â

âBecause you wonât tell me.â

âYou adorable child,â said Sir Charles a little unsteadily.

âIâm not a child.â

âArenât you? I wonder.â

âTell me,â whispered Egg softly.

A humorous and rueful smile twisted Sir Charlesâs mouth.

âVery well, here goes. My fatherâs name was Mugg.â

âNot really?â

âReally and truly.â

âHâm,â said Egg. âThat is a bit catastrophic. To go through life as Muggââ

âWouldnât have taken me far in my career, I agree. I remember,â went on Sir Charles dreamily, âI played with the idea (I was young then) of calling myself Ludovic Castiglioneâbut I eventually compromised on British alliteration as Charles Cartwright.â

âAre you really Charles?â

âYes, my godfathers and godmothers saw to that.â He hesitated, then said, âWhy donât you say Charlesâand drop the Sir?â

âI might.â

âYou did yesterday. Whenâwhenâyou thought I was dead.â

âOh, then.â Egg tried to make her voice nonchalant.

Sir Charles said abruptly: âEgg, somehow or other this murder business doesnât seem real anymore. Today especially, it seems fantastic. I meant to clear the thing up beforeâbefore anything else. Iâve been superstitious about it. Iâve associated success in solving problems withâwith another kind of success. Oh, damn, why do I beat about the bush? Iâve made love on the stage so often that Iâm diffident about it in real lifeâ¦Is it me or is it young Manders, Egg? I must know. Yesterday I thought it was meâ¦.â

âYou thought rightâ¦.â

âYou incredible angel,â cried Sir Charles.

âCharles, Charles, you canât kiss me in a churchyardâ¦.â

âI shall kiss you anywhere I pleaseâ¦.â

II

âWeâve found out nothing,â said Egg later, as they were speeding back to London.

âNonsense, weâve found out the only thing worth finding outâ¦What do I care about dead clergymen or dead doctors? Youâre the only thing that mattersâ¦You know, my dear, Iâm thirty years older than youâare you sure it doesnât matter?â

Egg pinched his arm gently.

âDonât be sillyâ¦I wonder if the others have found out anything?â

âTheyâre welcome to it,â said Sir Charles generously.

âCharlesâyou used to be so keen.â

But Sir Charles was no longer playing the part of the great detective.

âWell, it was my own show. Now Iâve handed over to Moustachios. Itâs his business.â

âDo you think he really knows who committed the crimes? He said he did.â

âProbably hasnât the faintest idea, but heâs got to keep up his professional reputation.â

Egg was silent. Sir Charles said:

âWhat are you thinking about, darling?â

âI was thinking about Miss Milray. She was so odd in her manner that evening I told you about. She had just bought the paper about the exhumation, and she said she didnât know what to do.â

âNonsense,â said Sir Charles cheerfully. âThat woman always knows what to do.â

âDo be serious, Charles. She soundedâworried.â

âEgg, my sweet, what do I care for Miss Milrayâs worries? What do I care for anything but you and me?â

âYouâd better pay some attention to the trams!â said Egg. âI donât want to be widowed before Iâm a wife.â

They arrived back at Sir Charlesâs flat for tea. Miss Milray came out to meet them.

âThere is a telegram for you, Sir Charles.â

âThank you, Miss Milray.â He laughed, a nervous boyish laugh. âLook here, I must tell you our news. Miss Lytton Gore and I are going to get married.â

There was a momentâs pause, and then Miss Milray said:

âOh! Iâm sureâIâm sure youâll be very happy.â

There was a queer note in her voice. Egg noticed it, but before she could formulate her impression Charles Cartwright had swung round to her with a quick exclamation.

âMy God, Egg, look at this. Itâs from Satterthwaite.â

He shoved the telegram into her hands. Egg read it, and her eyes opened wide.

Thirteen

MRS. DE RUSHBRIDGER

Before catching their train Hercule Poirot and Mr. Satterthwaite had had a brief interview with Miss Lyndon, the late Sir Bartholomew Strangeâs secretary. Miss Lyndon had been very willing to help, but had had nothing of importance to tell them. Mrs. de Rushbridger was only mentioned in Sir Bartholomewâs casebook in a purely professional fashion. Sir Bartholomew had never spoken of her save in medical terms.

The two men arrived at the Sanatorium about twelve oâclock. The maid who opened the door looked excited and flushed. Mr. Satterthwaite asked first for the Matron.

âI donât know whether she can see you this morning,â said the girl doubtfully.

Mr. Satterthwaite extracted a card and wrote a few words on it.

âPlease take her this.â

They were shown into a small waiting room. In about five minutes the door opened and the Matron came in. She was looking quite unlike her usual brisk efficient self.

Mr. Satterthwaite rose.

âI hope you remember meâ he said. âI came here with Sir Charles Cartwright just after the death of Sir Bartholomew Strange.â

âYes, indeed, Mr. Satterthwaite, of course I remember; and Sir Charles asked after poor Mrs. de Rushbridger then, and it seems such a coincidence.â

âLet me introduce M. Hercule Poirot.â

Poirot bowed and the Matron responded absently. She went on:

âI canât understand how you can have had a telegram as you say. The whole thing seems most mysterious. Surely it canât be connected with the poor doctorâs death in any way? There must be some madman aboutâthatâs the only way I can account for it. Having the police here and everything. Itâs really been terrible.â

âThe police?â said Mr. Satterthwaite, surprised.

âYes, since ten oâclock theyâve been here.â

âThe police?â said Hercule Poirot.

âPerhaps we could see Mrs. de Rushbridger now,â suggested Mr. Satterthwaite. âSince she asked us to comeââ

The Matron interrupted him.

âOh, Mr. Satterthwaite, then you donât know!â

âKnow what?â demanded Poirot sharply.

âPoor Mrs. de Rushbridger. Sheâs dead.â

âDead?â cried Poirot. âMille Tonnerres! That explains it. Yes, that explains it. I should have seenââ He broke off. âHow did she die?â

âItâs most mysterious. A box of chocolates came for herâliqueur chocolatesâby post. She ate oneâit must have tasted horrible, but she was taken by surprise, I suppose, and she swallowed it. One doesnât like spitting a thing out.â

âOui, oui, and if a liquid runs suddenly down your throat, it is difficult.â

âSo she swallowed it and called out and Nurse came rushing, but we couldnât do anything. She died in about two minutes. Then doctor sent for the police, and they came and examined the chocolates. All the top layer had been tampered with, the underneath ones were all right.â

âAnd the poison employed?â

âThey think itâs nicotine.â

âYes,â said Poirot. âAgain nicotine. What a stroke! What an audacious stroke!â

âWe are too late,â said Mr. Satterthwaite. âWe shall never know now what she had to tell us. Unlessâunlessâshe confided in someone?â He glanced interrogatively at the Matron.

Poirot shook his head.

âThere will have been no confidences, you will find.â

âWe can ask,â said Mr. Satterthwaite. âOne of the nurses, perhaps?â

âBy all means ask,â said Poirot; but he did not sound hopeful.

Mr. Satterthwaite turned to the Matron who immediately sent for the two nurses, on day and night duty respectively, who had been in attendance on Mrs. de Rushbridger, but neither of them could add any information to that already given. Mrs. de Rushbridger had never mentioned Sir Bartholomewâs death, and they did not even know of the despatching of the telegram.

On a request from Poirot, the two men were taken to the dead womanâs room. They found Superintendent Crossfield in charge, and Mr. Satterthwaite introduced him to Poirot.

Then the two men moved over to the bed and stood looking down on the dead woman. She was about forty, dark-haired and pale. Her face was not peacefulâit still showed the agony of her death.

Mr. Satterthwaite said slowly:

âPoor soulâ¦.â

He looked across at Hercule Poirot. There was a strange expression on the little Belgianâs face. Something about it made Mr. Satterthwaite shiverâ¦.

Mr. Satterthwaite said:

âSomeone knew she was going to speak, and killed herâ¦She was killed in order to prevent her speakingâ¦.â

Poirot nodded.

âYes, that is so.â

âShe was murdered to prevent her telling us what she knew.â

âOr what she did not knowâ¦But let us not waste timeâ¦There is much to be done. There must be no more deaths. We must see to that.â

Mr. Satterthwaite asked curiously:

âDoes this fit in with your idea of the murdererâs identity?â

âYes, it fitsâ¦But I realize one thing: The murderer is more dangerous than I thoughtâ¦We must be careful.â

Superintendent Crossfield followed them out of the room and learnt from them of the telegram which had been received by them. The telegram had been handed in at Melfort Post Office, and on inquiry there it was elicited that it had been handed in by a small boy. The young lady in charge remembered it, because the message had excited her very much, mentioning, as it did, Sir Bartholomew Strangeâs death.

After some lunch in company with the superintendent, and after despatching a telegram to Sir Charles, the quest was resumed.

At six oâclock that evening the small boy who had handed in the telegram was found. He told his story promptly. He had been given the telegram by a man dressed in shabby clothes. The man told him that the telegram had been given him by a âloony ladyâ in the âHouse in the Park.â She had dropped it out of the window wrapped round two half-crowns. The man was afraid to be mixed up in some funny business, and was tramping in the other direction, so he had given the boy two and six and told him to keep the change.

A search would be instituted for the man. In the meantime there seemed nothing more to be done, and Poirot and Mr. Satterthwaite returned to London.

It was close on midnight when the two men arrived back in town. Egg had gone back to her mother, but Sir Charles met them, and the three men discussed the situation.

âMon ami,â said Poirot, âbe guided by me. Only one thing will solve this caseâthe little grey cells of the brain. To rush up and down England, to hope that this person and that will tell us what we want to knowâall such methods are amateurish and absurd. The truth can only be seen from within.â

Sir Charles looked slightly sceptical.

âWhat do you want to do, then?â

âI want to think. I ask of you twenty-four hoursâin which to think.â

Sir Charles shook his head with a slight smile.

âWill thinking tell you what it was this woman could have said if she lived?â

âI believe so.â

âIt hardly seems possible. However, M. Poirot, you must have it your own way. If you can see through this mystery, itâs more than I can. Iâm beaten, and I confess it. In any case, Iâve other fish to fry.â

Perhaps he hoped to be questioned, but if so his expectation was disappointed. Mr. Satterthwaite did indeed look up alertly, but Poirot remained lost in thought.

âWell, I must be off,â said the actor. âOh, just one thing. Iâm rather worried aboutâMiss Wills.â

âWhat about her?â

âSheâs gone.â

Poirot stared at him.

âGone? Gone where?â

âNobody knowsâ¦I was thinking things over after I got your telegram. As I told you at the time, I felt convinced that that woman knew something she hadnât told us. I thought Iâd have a last shot at getting it out of her. I drove out to her houseâit was about half past nine when I got thereâand asked for her. It appears she left home this morningâwent up to London for the dayâthatâs what she said. Her people got a telegram in the evening saying she wasnât returning for a day or so and not to worry.â

âAnd were they worrying?â

âI gather they were, rather. You see, she hadnât taken any luggage with her.â

âOdd,â murmured Poirot.

âI know. It seems as thoughâI donât know. I feel uneasy.â

âI warned her,â said Poirot. âI warned everyone. You remember I said to them, âSpeak now.ââ

âYes, yes. Do you think that she, tooâ?â

âI have my ideas,â said Poirot. âFor the moment I prefer not to discuss them.â

âFirst, the butlerâEllisâthen Miss Wills. Where is Ellis? Itâs incredible that the police have never been able to lay hands on him.â

âThey have not looked for his body in the right place,â said Poirot.

âThen you agree with Egg. You think he is dead?â

âEllis will never be seen alive again.â

âMy God,â burst out Sir Charles. âItâs a nightmareâthe whole thing is utterly incomprehensible.â

âNo, no. It is sane and logical, on the contrary.â

Sir Charles stared at him.

âYou say that?â

âCertainly. You see, I have the orderly mind.â

âI donât understand you.â

Mr. Satterthwaite, too, looked curiously at the little detective.

âWhat kind of a mind have I?â demanded Sir Charles, slightly hurt.

âYou have the actorâs mind, Sir Charles, creative, original, seeing always dramatic values. Mr. Satterthwaite here, he has the playgoerâs mind, he observes the characters, he has the sense of atmosphere. But me, I have the prosaic mind. I see only the facts without any dramatic trappings or footlights.â

âThen weâre to leave you to it?â

âThat is my idea. For twenty-four hours.â

âGood luck to you, then. Goodnight.â

As they went away together Sir Charles said to Mr. Satterthwaite:

âThat chap thinks a lot of himself.â

He spoke rather coldly.

Mr. Satterthwaite smiled. The star part! So that was it. He said:

âWhat did you mean by saying you had other fish to fry, Sir Charles?â

On Sir Charlesâs face appeared the sheepish expression that Mr. Satterthwaite knew so well from attending weddings in Hanover Square.

âWell, as a matter of fact, Iâerâwell, Egg and Iââ

âIâm delighted to hear it,â said Mr. Satterthwaite. âMy best congratulations.â

âOf course Iâm years too old for her.â

âShe doesnât think soâand sheâs the best judge.â

âThatâs very nice of you, Satterthwaite. You know, Iâd got it into my head she was fond of young Manders.â

âI wonder what made you think that,â said Mr. Satterthwaite innocently.

âAnyway,â said Sir Charles firmly, âshe isnâtâ¦.â

Fourteen

MISS MILRAY

Poirot did not have quite the uninterrupted twenty-four hours for which he had stipulated.

At twenty minutes past eleven on the following morning Egg walked in unannounced. To her amazement she found the great detective engaged in building card houses. Her face showed such lively scorn that Poirot was impelled to defend himself.

âIt is not, mademoiselle, that I have become childish in my old age. No. But the building of card houses, I have always found it most stimulating to the mind. It is an old habit of mine. This morning, first thing, I go out and buy the pack of cards. Unfortunately I make an error, they are not real cards. But they do just as well.â

Egg looked more closely at the erection on the table.

She laughed.

âGood heavens, theyâve sold you Happy Families.â

âWhat is that you say, the Happy Family?â

âYes, itâs a game. Children play it in the nursery.â

âAh, well, one can compose the houses just in the same manner.â

Egg had picked up some of the cards from the table and was looking at them affectionately.

âMaster Bun, the bakerâs sonâI always loved him. And hereâs Mrs. Mug, the milkmanâs wife. Oh, dear, I suppose thatâs me.â

âWhy is that funny picture you, mademoiselle?â

âBecause of the name.â

Egg laughed at his bewildered face and then began explaining. When she had finished he said:

âAh, it was that that Sir Charles meant last night. I wonderedâ¦Muggâah, yes, one says in slang, does one not, you are a mugâa fool? Naturally you would change your name. You would not like to be the Lady Mugg, eh?â

Egg laughed. She said:

âWell, wish me happiness.â

âI do wish you happiness, mademoiselle. Not the brief happiness of youth, but the happiness that enduresâthe happiness that is built upon a rock.â

âIâll tell Charles you call him a rock,â said Egg. âAnd now for what I came to see you about. Iâve been worrying and worrying about that cutting from the paper that Oliver dropped from his wallet. You know, the one Miss Wills picked up and handed back to him. It seems to me that either Oliver is telling a downright lie when he says he doesnât remember its being there, or else it never was there. He dropped some odd bit of paper, and that woman pretended it was the nicotine cutting.â

âWhy should she have done that, mademoiselle?â

âBecause she wanted to get rid of it. She planted it on Oliver.â

âYou mean she is the criminal?â

âYes.â

âWhat was her motive?â

âItâs no good asking me that. I can only suggest that sheâs a lunatic. Clever people often are rather mad. I canât see any other reasonâin fact I canât see any motive anywhere.â

âDecidedly, that is the impasse. I should not ask you to guess at a motive. It is of myself that I ask that question without ceasing. What was the motive behind Mr. Babbingtonâs death? When I can answer that the case will be solved.â

âYou donât think just madnessâ?â suggested Egg.

âNo, mademoiselleânot madness in the sense you mean. There is a reason. I must find that reason.â

âWell, good-bye,â said Egg. âIâm sorry to have disturbed you, but the idea just occurred to me. I must hurry. Iâm going with Charles to the dress rehearsal of Little Dog Laughedâyou know, the play Miss Wills has written for Angela Sutcliffe. Itâs the first night tomorrow.â

âMon dieu!â cried Poirot.

âWhat is it? Has anything happened?â

âYes, indeed something has happened. An idea. A superb idea. Oh, but I have been blindâblindââ

Egg stared at him. As though realizing his eccentricity, Poirot took a hold on himself. He patted Egg on the shoulder.

âYou think I am mad. Not at all. I heard what you said. You go to see The Little Dog Laughed, and Miss Sutcliffe acts in it. Go then, and pay no attention to what I have said.â

Rather doubtfully Egg departed. Left to himself, Poirot strode up and down the room muttering under his breath. His eyes shone green as any catâs.

âMais ouiâthat explains everything. A curious motiveâa very curious motiveâsuch a motive as I have never come across before, and yet it is reasonable, and, given the circumstances, natural. Altogether a very curious case.â

He passed the table where his card house still reposed. With a sweep of his hands he swept the cards from the table.

âThe happy family, I need it no longer,â he said. âThe problem is solved. It only remains to act.â

He caught up his hat and put on his overcoat. Then he went downstairs and the commissionaire called him a taxi. Poirot gave the address of Sir Charlesâs flat.

Arrived there, he paid off the taxi, and stepped into the hall. The porter was absent taking up the lift. Poirot walked up the stairs. Just as he arrived on the second floor the door of Sir Charlesâs flat opened and Miss Milray came out.

She started when she saw Poirot.

âYou!â

Poirot smiled.

âMe! Or is it I? Enfin, moi!â

Miss Milray said:

âIâm afraid you wonât find Sir Charles. Heâs gone to the Babylon Theatre with Miss Lytton Gore.â

âIt is not Sir Charles I seek. It is my stick that I think I have left behind one day.â

âOh, I see. Well, if youâll ring, Temple will find it for you. Iâm sorry I canât stop. Iâm on my way to catch a train. Iâm going down to Kentâto my mother.â

âI comprehend. Do not let me delay you, mademoiselle.â

He stood aside and Miss Milray passed rapidly down the stairs. She was carrying a small attachÃ© case.

But when she had gone Poirot seemed to forget the purpose for which he had come. Instead of going on up to the landing, he turned and made his way downstairs again. He arrived at the front door just in time to see Miss Milray getting into a taxi. Another taxi was coming slowly along the kerb. Poirot raised a hand and it came to rest. He got in and directed the driver to follow the other taxi.

No surprise showed on his face when the first taxi went north and finally drew up at Paddington Station, though Paddington is an odd station from which to proceed to Kent. Poirot went to the first-class booking window and demanded a return ticket to Loomouth. The train was due to depart in five minutes. Pulling up his overcoat well about his ears, for the day was cold, Poirot ensconced himself in the corner of a first-class carriage.

They arrived at Loomouth about five oâclock. It was already growing dark. Standing back a little, Poirot heard Miss Milray being greeted by the friendly porter at the little station.

âWell, now, miss, we didnât expect you. Is Sir Charles coming down?â

Miss Milray replied:

âIâve come down here unexpectedly. I shall be going back tomorrow morning. Iâve just come to fetch some things. No, I donât want a cab, thank you. Iâll walk up by the cliff path.â

The dusk had deepened. Miss Milray walked briskly up the steep zigzag path. A good way behind came Hercule Poirot. He trod softly like a cat. Miss Milray, on arrival at Crowâs Nest, produced a key from her bag and passed through the side door, leaving it ajar. She reappeared a minute or two later. She had a rusty door key and an electric torch in her hand. Poirot drew back a little behind a convenient bush.

Miss Milray passed round behind the house and up a scrambling overgrown path. Hercule Poirot followed. Up and up went Miss Milray until she came suddenly to an old stone tower such as is found often on that coast. This one was of humble and dilapidated appearance. There was, however, a curtain over the dirty window, and Miss Milray inserted her key in the big wooden door.

The key turned with a protesting creak. The door swung with a groan on its hinges. Miss Milray and her torch passed inside.

With an increase of pace Poirot caught up. He passed, in his turn, noiselessly through the door. The light of Miss Milrayâs torch gleamed fitfully on glass retorts, a bunsen burnerâvarious apparatus.

Miss Milray had picked up a crowbar. She had raised it and was holding it over the glass apparatus when a hand caught her by the arm. She gasped and turned.

The green, catlike eyes of Poirot looked into hers.

âYou cannot do that, mademoiselle,â he said. âFor what you seek to destroy is evidence.â

Fifteen

CURTAIN

Hercule Poirot sat in a big armchair. The wall lights had been turned out. Only a rose-shaded lamp shed its glow on the figure in the armchair. There seemed something symbolic about itâhe alone in the lightâand the other three, Sir Charles, Mr. Satterthwaite and Egg Lytton GoreâPoirotâs audienceâsitting in the outer darkness.

Hercule Poirotâs voice was dreamy. He seemed to be addressing himself to space rather than to his listeners.

âTo reconstruct the crimeâthat is the aim of the detective. To reconstruct a crime you must place one fact upon another just as you place one card on another in building a house of cards. And if the facts will not fitâif the card will not balanceâwellâyou must start your house again, or else it will fallâ¦.

âAs I said the other day, there are three different types of mind: There is the dramatic mindâthe producerâs mind, which sees the effect of reality that can be produced by mechanical appliancesâthere is also the mind that reacts easily to dramatic appearancesâand there is the young romantic mindâand finally, my friends, there is the prosaic mindâthe mind that sees not blue sea and mimosa trees, but the painted backcloth of stage scenery.

âSo I come, mes amis, to the murder of Stephen Babbington in August last. On that evening Sir Charles Cartwright advanced the theory that Stephen Babbington had been murdered. I did not agree with that theory. I could not believe (a) that such a man as Stephen Babbington was likely to have been murdered, and (b) that it was possible to administer poison to a particular person under the circumstances that had obtained that evening.

âNow here I admit that Sir Charles was right and I was wrong. I was wrong because I was looking at the crime from an entirely false angle. It is only twenty-four hours ago that I suddenly perceived the proper angle of visionâand let me say that from that angle of vision the murder of Stephen Babbington is both reasonable and possible.

âBut I will pass from that point for the moment and take you step by step along the path I myself have trodden. The death of Stephen Babbington I may call the first act of our drama. The curtain fell on that act when we all departed from Crowâs Nest.

âWhat I might call the second act of the drama began in Monte Carlo when Mr. Satterthwaite showed me the newspaper account of Sir Bartholomewâs death. It was at once clear that I had been wrong and Sir Charles had been right. Both Stephen Babbington and Sir Bartholomew Strange had been murdered and the two murders formed part of one and the same crime. Later a third murder completed the seriesâthe murder of Mrs. de Rushbridger. What we need, therefore, is a reasonable commonsense theory which will link those three deaths togetherâin other words those three crimes were committed by one and the same person, and were to the advantage and benefit of that particular person.

âNow I may say at once that the principal thing that worried me was the fact that the murder of Sir Bartholomew Strange came after that of Stephen Babbington. Looking at those three murders without distinction of time and place the probabilities pointed to the murder of Sir Bartholomew Strange being what one might call the central or principal crime, and the other two murders as secondary in characterâthat is, arising from the connection of those two people with Sir Bartholomew Strange. However, as I remarked beforeâone cannot have oneâs crime as one would like to have it. Stephen Babbington had been murdered first and Sir Bartholomew Strange sometime later. It seemed, therefore, as though the second crime must necessarily arise out of the first and that accordingly it was the first crime we must examine for the clue to the whole.

âI did indeed so far incline to the theory of probability that I seriously considered the idea of a mistake having arisen. Was it possible that Sir Bartholomew Strange was intended as the first victim, and that Mr. Babbington was poisoned by mistake? I was forced, however, to abandon that idea. Anybody who knew Sir Bartholomew Strange with any degree of intimacy knew that he disliked the cocktail habit.

âAnother suggestion: Had Stephen Babbington been poisoned in mistake for any other member of the original party? I could not find any evidence of such a thing. I was therefore forced back to the conclusion that the murder of Stephen Babbington had been definitely intendedâand at once I came up against a complete stumbling blockâthe apparent impossibility of such a thing having happened.

âOne should always start an investigation with the simplest and most obvious theories. Granting that Stephen Babbington had drunk a poisoned cocktail, who had had the opportunity of poisoning that cocktail? At first sight, it seemed to me that the only two people who could have done so (e.g., who handled the drinks) were Sir Charles Cartwright himself and the parlourmaid Temple. But though either of them could presumably have introduced the poison into the glass, neither of them had had any opportunity of directing that particular glass into Mr. Babbingtonâs hand. Temple might have done so by adroit handing of the tray so as to offer him the one remaining glassâ(not easy, but it might have been done). Sir Charles could have done so by deliberately picking up the particular glass and handing it to him. But neither of these things had occurred. It looked as though chance and chance alone directed that particular glass to Stephen Babbington.

âSir Charles Cartwright and Temple had the handling of the cocktails. Were either of those two at Melfort Abbey? They were not. Who had the best chance of tampering with Sir Bartholomewâs port glass? The absconding butler, Ellis, and his helper, the parlourmaid. But here, however, the possibility that one of the guests had done so could not be laid aside. It was risky, but it was possible, for any of the house party to have slipped into the dining room and put the nicotine into the port glass.

âWhen I joined you at Crowâs Nest you already had a list drawn up of the people who had been at Crowâs Nest and at Melfort Abbey. I may say now that the four names which headed the listâCaptain and Mrs. Dacres, Miss Sutcliffe and Miss WillsâI discarded immediately.

âIt was impossible that any of those four people should have known beforehand that they were going to meet Stephen Babbington at dinner. The employment of nicotine as a poison showed a carefully thought-out plan, not one that could be put into operation on the spur of the moment. There were three other names on that listâLady Mary Lytton Gore, Miss Lytton Gore and Mr. Oliver Manders. Although not probable, those three were possible. They were local people, they might conceivably have motives for the removal of Stephen Babbington, and have chosen the evening of the dinner party for putting their plans into operation.

âOn the other hand, I could find no evidence whatsoever that any of them had actually done such a thing.

âMr. Satterthwaite, I think, reasoned on much the same lines as I had done, and he fixed his suspicions on Oliver Manders. I may say that young Manders was by far the most possible suspect. He displayed all the signs of high nervous tension on that evening at Crowâs Nestâhe had a somewhat distorted view of life owing to his private troublesâhe had a strong inferiority complex, which is a frequent cause of crime, he was at an unbalanced age, he had actually had a quarrel, or shall we say had displayed animosity against Mr. Babbington. Then there were the curious circumstances of his arrival at Melfort Abbey. And later we had his somewhat incredible story of the letter from Sir Bartholomew Strange and the evidence of Miss Wills as to his having a newspaper cutting on the subject of nicotine poisoning in his possession.

âOliver Manders, then, was clearly the person who should be placed at the head of the list of those seven suspects.

âBut then, my friends, I was visited by a curious sensation. It seemed clear and logical enough that the person who had committed the crimes must have been a person who had been present on both occasions; in other words a person on that list of sevenâbut I had the feeling that that obviousness was an arranged obviousness. It was what any sane and logical person would be expected to think. I felt that I was, in fact, looking not at reality but at an artfully painted bit of scenery. A really clever criminal would have realized that anyone whose name was on that list would necessarily be suspect, and therefore he or she would arrange for it not to be there.

âIn other words, the murderer of Stephen Babbington and Sir Bartholomew Strange was present on both occasionsâbut was not apparently so.

âWho had been present on the first occasion and not on the second? Sir Charles Cartwright, Mr. Satterthwaite, Miss Milray and Mr. Babbington.

âCould any of those four have been present on the second occasion in some capacity other than their own? Sir Charles and Mr. Satterthwaite had been in the South of France, Miss Milray had been in London, Mrs. Babbington had been in Loomouth. Of the four, then, Miss Milray and Mrs. Babbington seemed indicated. But could Miss Milray have been present at Melfort Abbey unrecognized by any of the company? Miss Milray has very striking features not easily disguised and not easily forgotten. I decided that it was impossible that Miss Milray could have been at Melfort Abbey unrecognized. The same applied to Mrs. Babbington.

âFor the matter of that could Mr. Satterthwaite or Sir Charles Cartwright have been at Melfort Abbey and not been recognized? Mr. Satterthwaite just possibly; but when we come to Sir Charles Cartwright we come to a very different matter. Sir Charles is an actor accustomed to playing a part. But what part could he have played?

âAnd then I came to the consideration of the butler Ellis.

âA very mysterious person, Ellis. A person who appears from nowhere a fortnight before the crime and vanishes afterwards with complete success. Why was Ellis so successful? Because Ellis did not really exist. Ellis, again, was a thing of pasteboard and paint and stagecraftâEllis was not real.

âBut was it possible? After all, the servants at Melfort Abbey knew Sir Charles Cartwright, and Sir Bartholomew Strange was an intimate friend of his. The servants I got over easily enough. The impersonation of the butler risked nothingâif the servants recognized himâwhy, no harm would be doneâthe whole thing could be passed off as a joke. If, on the other hand, a fortnight passed without any suspicion being aroused, well, the thing was safe as houses. And I recalled what I had been told of the servantsâ remarks about the butler. He was âquite the gentleman,â and had been âin good houses,â and knew several interesting scandals. That was easy enough. But a very significant statement was made by the parlourmaid Alice. She said, âHe arranged the work different from any butler I ever knew before.â When that remark was repeated to me, it became a confirmation of my theory.

âBut Sir Bartholomew Strange was another matter. It is hardly to be supposed that his friend could take him in. He must have known of the impersonation. Had we any evidence of that? Yes. The acute Mr. Satterthwaite pounced on one point quite early in the proceedingsâthe facetious remark of Sir Bartholomew (totally uncharacteristic of his manner to servants)ââYouâre a first-class butler, arenât you, Ellis?â A perfectly understandable remark if the butler were Sir Charles Cartwright and Sir Bartholomew was in on the joke.

âBecause that is undoubtedly how Sir Bartholomew saw the matter. The impersonation of Ellis was a joke, possibly even a wager, its culmination was designed to be the successful spoofing of the house partyâhence Sir Bartholomewâs remark about a surprise and his cheerful humour. Note, too, that there was still time to draw back. If any of the house party had spotted Charles Cartwright that first evening at the dinner table, nothing irrevocable had yet occurred. The whole thing could have been passed off as a joke. But nobody noticed the stooping middle-aged butler, with his belladonna darkened eyes, and his whiskers, and the painted birthmark on his wrist. A very subtle identifying touch thatâwhich completely failed, owing to the lack of observation of most human beings! The birthmark was intended to bulk largely in the description of Ellisâand in all that fortnight no one noticed it! The only person who did was the sharp-eyed Miss Wills, to whom we shall come presently.

âWhat happened next? Sir Bartholomew died. This time the death was not put down to natural causes. The police came. They questioned Ellis and the others. Later that night âEllisâ left by the secret passage, resumed his own personality, and two days later was strolling about the gardens at Monte Carlo ready to be shocked and surprised by the news of his friendâs death.

âThis, mind you, was all theory. I had no actual proof, but everything that arose supported that theory. My house of cards was well and truly built. The blackmailing letters discovered in Ellisâs room? But it was Sir Charles himself who discovered them!

âAnd what of the supposed letter from Sir Bartholomew Strange asking young Manders to arrange an accident? Well, what could be easier than for Sir Charles to write that letter in Sir Bartholomewâs name? If Manders had not destroyed that letter himself, Sir Charles in the rÃ´le of Ellis can easily do so when he valets the young gentleman. In the same way the newspaper cutting is easily introduced by Ellis into Oliver Mandersâs wallet.

âAnd now we come to the third victimâMrs. de Rushbridger. When do we first hear of Mrs. de Rushbridger? Immediately after that very awkward chaffing reference to Ellis being the perfect butlerâthat extremely uncharacteristic utterance of Sir Bartholomew Strange. At all costs attention must be drawn away from Sir Bartholomewâs manner to his butler. Sir Charles quickly asks what was the message the butler had brought. It is about this womanâthis patient of the doctorâs. And immediately Sir Charles throws all his personality into directing attention to this unknown woman and away from the butler. He goes to the Sanatorium and questions the Matron. He runs Mrs. de Rushbridger for all he is worth as a red herring.

âWe must now examine the part played by Miss Wills in the drama. Miss Wills has a curious personality. She is one of those people who are quite unable to impress themselves on their surroundings. She is neither good-looking nor witty nor clever, not even particularly sympathetic. She is nondescript. But she is extremely observant and extremely intelligent. She takes her revenge on the world with her pen. She has the great art of being able to reproduce character on paper. I do not know if there was anything about the butler that struck Miss Wills as unusual, but I do think that she was the only person at the table who noticed him at all. On the morning after the murder her insatiable curiosity led her to poke and pry, as the housemaid put it. She went into Dacresâs room, she went through the baize door into the servantsâ quarters, led, I think, by the mongoose instinct for finding out.

âShe was the only person who occasioned Sir Charles any uneasiness. That is why he was anxious to be the one to tackle her. He was fairly reassured by his interview and distinctly gratified that she had noticed the birthmark. But after that came catastrophe. I donât think that until that minute Miss Wills had connected Ellis the butler with Sir Charles Cartwright. I think she had only been vaguely struck by some resemblance to someone in Ellis. But she was an observer. When dishes were handed to her she had automatically notedânot the faceâbut the hands that held the dishes.

âIt did not occur to her that Ellis was Sir Charles. But when Sir Charles was talking to her it did suddenly occur to her that Sir Charles was Ellis! And so she asked him to pretend to hand her a dish of vegetables. But it was not whether the birthmark was on the right or left wrist that interested her. She wanted a pretext to study his handsâhands held in the same position as those of Ellis the butler.

âAnd so she leaped to the truth. But she was a peculiar woman. She enjoyed knowledge for its own sake. Besides, she was by no means sure that Sir Charles had murdered his friend. He had masqueraded as a butler, yesâbut that did not necessarily make him a murderer. Many an innocent man has kept silence because speech would place him in an awkward position.

âSo Miss Wills kept her knowledge to herselfâand enjoyed it. But Sir Charles was worried. He did not like that expression of satisfied malice on her face that he saw as he left the room. She knew something. What? Did it affect him? He could not be sure. But he felt that it was something connected with Ellis the butler. First Mr. Satterthwaiteânow Miss Wills. Attention must be drawn away from that vital point. It must be focused definitely elsewhere. And he thought of a planâsimple, audacious and, as he fancied, definitely mystifying.

âOn the day of my Sherry Party I imagine Sir Charles rose very early, went to Yorkshire and, disguised in shabby clothes, gave the telegram to a small boy to send off. Then he returned to town in time to act the party I had indicated in my little drama. He did one more thing. He posted a box of chocolates to a woman he had never seen and of whom he knew nothingâ¦.

âYou know what happened that evening. From Sir Charlesâs uneasiness I was fairly sure that Miss Wills had certain suspicions. When Sir Charles did his âdeath sceneâ I watched Miss Willsâs face. I saw the look of astonishment that showed on it. I knew then that Miss Wills definitely suspected Sir Charles of being the murderer. When he appeared to die poisoned like the other two she thought her deductions must be wrong.

âBut if Miss Wills suspected Sir Charles, then Miss Wills was in serious danger. A man who has killed twice will kill again. I uttered a very solemn warning. Later that night I communicated with Miss Wills by telephone, and on my advice she left home suddenly the next day. Since then she has been living here in this hotel. That I was wise is proved by the fact that Sir Charles went out to Tooting on the following evening after he had returned from Gilling. He was too late. The bird had flown.

âIn the meantime, from his point of view, the plan had worked well. Mrs. de Rushbridger had something of importance to tell us. Mrs. de Rushbridger was killed before she could speak. How dramatic! How like the detective stories, the plays, the films! Again the cardboard and the tinsel and the painted cloth.

âBut I, Hercule Poirot, was not deceived. Mr. Satterthwaite said to me she was killed in order that she should not speak. I agreed. He went on to say she was killed before she could tell us what she knew. I said, âOr what she did NOT know.â I think he was puzzled. But he should have seen then the truth. Mrs. de Rushbridger was killed because she could, in actual fact, have told us nothing at all. Because she had no connection with the crime. If she were to be Sir Charlesâs successful red herringâshe could only be so dead. And so Mrs. de Rushbridger, a harmless stranger, was murderedâ¦.

âYet even in that seeming triumph Sir Charles made a colossalâa childishâerror! The telegram was addressed to me, Hercule Poirot, at the Ritz Hotel. But Mrs. de Rushbridger had never heard of my connection with the case! No one up in that part of the world knew of it. It was an unbelievably childish error.

âEh bien, then I had reached a certain stage. I knew the identity of the murderer. But I did not know the motive for the original crime.

âI reflected.

âAnd once again, more clearly than ever, I saw the death of Sir Bartholomew Strange as the original and purposeful murder. What reason could Sir Charles Cartwright have for the murder of his friend? Could I imagine a motive? I thought I could.â

There was a deep sigh. Sir Charles Cartwright rose slowly to his feet and strolled to the fireplace. He stood there, his hand on his hip, looking down at Poirot. His attitude (Mr. Satterthwaite could have told you) was that of Lord Eaglemount as he looks scornfully at the rascally solicitor who has succeeded in fastening an accusation of fraud upon him. He radiated nobility and disgust. He was the aristocrat looking down at the ignoble canaille.

âYou have an extraordinary imagination, M. Poirot,â he said. âItâs hardly worth while saying that thereâs not one single word of truth in your story. How you have the damned impertinence to dish up such an absurd fandangle of lies I donât know. But go on, I am interested. What was my motive for murdering a man whom I had known ever since boyhood?â

Hercule Poirot, the little bourgeois, looked up at the aristocrat. He spoke quickly but firmly.

âSir Charles, we have a proverb that says, âCherchez la femme.â It was there that I found my motive. I had seen you with Mademoiselle Lytton Gore. It was clear that you loved herâloved her with that terrible absorbing passion that comes to a middle-aged man and which is usually inspired by an innocent young girl.

âYou loved her. She, I could see, had the hero-worship for you. You had only to speak and she would fall into your arms. But you did not speak. Why?

âYou pretended to your friend, Mr. Satterthwaite, that you were the dense lover who cannot recognize his mistressâs answering passion. You pretended to think that Miss Lytton Gore was in love with Oliver Manders. But I say, Sir Charles, that you are a man of the world. You are a man with a great experience of women. You cannot have been deceived. You knew perfectly well that Miss Lytton Gore cared for you. Why, then, did you not marry her? You wanted to do so.

âIt must be that there was some obstacle. What could that obstacle be? It could only be the fact that you already had a wife. But nobody ever spoke of you as a married man. You passed always as a bachelor. The marriage, then, had taken place when you were very youngâbefore you became known as a rising young actor.

âWhat had happened to your wife? If she were still alive, why did nobody know about her? If you were living apart there was the remedy of divorce. If your wife was a Catholic, or one who disapproved of divorce, she would still be known as living apart from you.

âBut there are two tragedies where the law gives no relief. The woman you married might be serving a life sentence in some prison, or she might be confined in a lunatic asylum. In neither case could you obtain a divorce, and if it had happened while you were still a boy nobody might know about it.

âIf nobody knew, you might marry Miss Lytton Gore without telling her the truth. But supposing one person knewâa friend who had known you all your life? Sir Bartholomew Strange was an honourable, upright physician. He might pity you deeply, he might sympathize with a liaison or an irregular life, but he would not stand by silent and see you enter into a bigamous marriage with an unsuspecting young girl.

âBefore you could marry Miss Lytton Gore, Sir Bartholomew Strange must be removedâ¦.â

Sir Charles laughed.

âAnd dear old Babbington? Did he know all about it, too?â

âI fancied so at first. But I soon found that there was no evidence to support that theory. Besides, my original stumbling block remained. Even if it was you who put the nicotine into the cocktail glass, you could not have ensured its reaching one particular person.

âThat was my problem. And suddenly a chance word from Miss Lytton Gore showed me light.

âThe poison was not intended especially for Stephen Babbington. It was intended for any one of those present, with three exceptions. These exceptions were Miss Lytton Gore, to whom you were careful to hand an innocent glass, yourself, and Sir Bartholomew Strange, who, you knew, did not drink cocktails.â

Mr. Satterthwaite cried out:

âBut thatâs nonsense! Whatâs the point of it? There isnât any.â

Poirot turned towards him. Triumph came into his voice.

âOh, yes, there is. A queer pointâa very queer point. The only time I have come across such a motive for murder. The murder of Stephen Babbington was neither more nor less than a dress rehearsal.â

âWhat?â

âYes, Sir Charles was an actor. He obeyed his actorâs instinct. He tried out his murder before committing it. No suspicion could possibly attach to him. Not one of those peopleâs deaths could benefit him in any way, and, moreover, as everyone has found, he could not have been proved to have poisoned any particular person. And, my friends, the dress rehearsal went well. Mr. Babbington dies, and foul play is not even suspected. It is left to Sir Charles to urge that suspicion and he is highly gratified at our refusal to take it seriously. The substitution of the glass, too, that has gone without a hitch. In fact, he can be sure that, when the real performance comes, it will be âall right on the night.â

âAs you know, events took a slightly different turn. On the second occasion a doctor was present who immediately suspected poison. It was then to Sir Charlesâs interests to stress the death of Babbington. Sir Bartholomewâs death must be presumed to be the outcome of the earlier death. Attention must be focused on the motive for Babbingtonâs murder, not on any motive that might exist for Sir Bartholomewâs removal.

âBut there was one thing that Sir Charles failed to realizeâthe efficient watchfulness of Miss Milray. Miss Milray knew that her employer dabbled in chemical experiments in the tower in the garden. Miss Milray paid bills for rose spraying solution, and realized that quite a lot of it had unaccountably disappeared. When she read that Mr. Babbington had died of nicotine poisoning, her clever brain leaped at once to the conclusion that Sir Charles had extracted the pure alkaloid from the rose solution.

âAnd Miss Milray did not know what to do, for she had known Mr. Babbington as a little girl, and she was in love, deeply and devotedly as an ugly woman can be, with her fascinating employer.

âIn the end she decided to destroy Sir Charlesâs apparatus. Sir Charles himself had been so cocksure of his success that he had never thought it necessary. She went down to Cornwall, and I followed.â

Again Sir Charles laughed. More than ever he looked a fine gentleman disgusted by a rat.

âIs some old chemical apparatus all your evidence?â he demanded contemptuously.

âNo,â said Poirot. âThere is your passport showing the dates when you returned to and left England. And there is the fact that in the Harverton County Asylum there is a woman, Gladys Mary Mugg, the wife of Charles Mugg.â

Egg had so far sat silentâa frozen figure. But now she stirred. A little cryâalmost a moanâcame from her.

Sir Charles turned superbly.

âEgg, you donât believe a word of this absurd story, do you?â

He laughed. His hands were outstretched.

Egg came slowly forward as though hypnotized. Her eyes, appealing, tortured, gazed into her loverâs. And then, just before she reached him, she wavered, her glance fell, went this way and that as though seeking for reassurance.

Then with a cry she fell on her knees by Poirot.

âIs this true? Is this true?â

He put both hands on her shoulders, a firm, kindly touch.

âIt is true, mademoiselle.â

There was no sound then but Eggâs sobs.

Sir Charles seemed suddenly to have aged. It was an old manâs face, a leering satyrâs face.

âGod damn you,â he said.

And never, in all his acting career, had words come with such utter and compelling malignancy.

Then he turned and went out of the room.

Mr. Satterthwaite half sprang up from his chair, but Poirot shook his head, his hand still gently stroking the sobbing girl.

âHeâll escape,â said Mr. Satterthwaite.

Poirot shook his head.

âNo, he will only choose his exit. The slow one before the eyes of the world, or the quick one off stage.â

The door opened softly and someone came in. It was Oliver Manders. His usual sneering expression was gone. He looked white and unhappy.

Poirot bent over the girl.

âSee, mademoiselle,â he said gently. âHere is a friend come to take you home.â

Egg rose to her feet. She looked uncertainly towards Oliver then made a step stumblingly towards him.

âOliverâ¦Take me to Mother. Oh, take me to Mother.â

He put an arm round her and drew her towards the door.

âYes, dear, Iâll take you. Come.â

Eggâs legs were trembling so that she could hardly walk. Between them Oliver and Mr. Satterthwaite guided her footsteps. At the door she took a hold upon herself and threw back her head.

âIâm all right.â

Poirot made a gesture, and Oliver Manders came back into the room.

âBe very good to her,â said Poirot.

âI will, sir. Sheâs all I care about in the worldâyou know that. Love for her made me bitter and cynical. But I shall be different now. Iâm ready to stand by. And someday, perhapsââ

âI think so,â said Poirot. âI think she was beginning to care for you when he came along and dazzled her. Hero-worship is a real and terrible danger to the young. Someday Egg will fall in love with a friend, and build her happiness upon rock.â

He looked kindly after the young man as he left the room.

Presently Mr. Satterthwaite returned.

âM. Poirot,â he said. âYou have been wonderfulâabsolutely wonderful.â

Poirot put on his modest look.

âIt is nothingânothing. A tragedy in three actsâand now the curtain has fallen.â

âYouâll excuse meââ said Mr. Satterthwaite.

âYes, there is some point you want explained to you?â

âThere is one thing I want to know.â

âAsk then.â

âWhy do you sometimes speak perfectly good English and at other times not?â

Poirot laughed.

âAh, I will explain. It is true that I can speak the exact, the idiomatic English. But, my friend, to speak the broken English is an enormous asset. It leads people to despise you. They sayâa foreignerâhe canât even speak English properly. It is not my policy to terrify peopleâinstead I invite their gentle ridicule. Also I boast! An Englishman he says often, âA fellow who thinks as much of himself as that cannot be worth much.â That is the English point of view. It is not at all true. And so, you see, I put people off their guard. Besides,â he added, âit has become a habit.â

âDear me,â said Mr. Satterthwaite, âquite the cunning of the serpent.â

He was silent for a moment or two, thinking over the case.

âIâm afraid I have not shone over this matter,â he said vexedly.

âOn the contrary. You appreciated that important pointâSir Bartholomewâs remark about the butlerâyou realized the astute observation of Miss Wills. In fact, you could have solved the whole thing but for your playgoerâs reaction to dramatic effect.â

Mr. Satterthwaite looked cheerful.

Suddenly an idea struck him. His jaw fell.

âMy goodness,â he cried, âIâve only just realized it. That rascal, with his poisoned cocktail! Anyone might have drunk it. It might have been me.â

âThere is an even more terrible possibility that you have not considered,â said Poirot.

âEh?â

âIt might have been ME,â said Hercule Poirot.

The Agatha Christie Collection

THE HERCULE POIROT MYSTERIES

Match your wits with the famous Belgian detective.

Â 

The Mysterious Affair at Styles

The Murder on the Links

Poirot Investigates

The Murder of Roger Ackroyd

The Big Four

The Mystery of the Blue Train

Peril at End House

Lord Edgware Dies

Murder on the Orient Express

Three Act Tragedy

Death in the Clouds

The A.B.C. Murders

Murder in Mesopotamia

Cards on the Table

Murder in the Mews

Dumb Witness

Death on the Nile

Appointment with Death

Hercule Poirotâ€™s Christmas

Sad Cypress

One, Two, Buckle My Shoe

Evil Under the Sun

Five Little Pigs

The Hollow

The Labors of Hercules

Taken at the Flood

The Underdog and Other Stories

Mrs. McGintyâ€™s Dead

After the Funeral

Hickory Dickory Dock

Dead Manâ€™s Folly

Cat Among the Pigeons

The Clocks

Third Girl

Halloweâ€™en Party

Elephants Can Remember

Curtain: Poirotâ€™s Last Case

Â 

Explore more at www.AgathaChristie.com

The Agatha Christie Collection

THE MISS MARPLE MYSTERIES

Join the legendary spinster sleuth from St. Mary Mead in solving murders far and wide.

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The Murder at the Vicarage

The Body in the Library

The Moving Finger

A Murder Is Announced

They Do It with Mirrors

A Pocket Full of Rye

4:50 From Paddington

The Mirror Crackâ€™d from Side to Side

A Caribbean Mystery

At Bertramâ€™s Hotel

Nemesis

Sleeping Murder

Miss Marple: The Complete Short Stories

THE TOMMY AND TUPPENCE MYSTERIES

Jump on board with the entertaining crime-solving couple from Young Adventurers Ltd.

The Secret Adversary

Partners in Crime

N or M?

By the Pricking of My Thumbs

Postern of Fate

Â 

Explore more at www.AgathaChristie.com

The Agatha Christie Collection

Donâ€™t miss a single one of Agatha Christieâ€™s stand-alone novels and short-story collections.

The Man in the Brown Suit

The Secret of Chimneys

The Seven Dials Mystery

The Mysterious Mr. Quin

The Sittaford Mystery

Parker Pyne Investigates

Why Didnâ€™t They Ask Evans?

Murder Is Easy

The Regatta Mystery and Other Stories

And Then There Were None

Towards Zero

Death Comes as the End

Sparkling Cyanide

The Witness for the Prosecution and Other Stories

Crooked House

Three Blind Mice and Other Stories

They Came to Baghdad

Destination Unknown

Ordeal by Innocence

Double Sin and Other Stories

The Pale Horse

Star over Bethlehem: Poems and Holiday Stories

Endless Night

Passenger to Frankfurt

The Golden Ball and Other Stories

The Mousetrap and Other Plays

The Harlequin Tea Set

Â 

Explore more at www.AgathaChristie.com

About the Author

Agatha Christie is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.

She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.

Many of Christieâ€™s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best-known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.

Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britainâ€™s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.

www.AgathaChristie.com

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

THE AGATHA CHRISTIE COLLECTION

The Man in the Brown Suit

The Secret of Chimneys

The Seven Dials Mystery

The Mysterious Mr. Quin

The Sittaford Mystery

Parker Pyne Investigates

Why Didnâ€™t They Ask Evans?

Murder Is Easy

The Regatta Mystery and Other Stories

And Then There Were None

Towards Zero

Death Comes as the End

Sparkling Cyanide

The Witness for the Prosecution and
Â Â Â Â Â  Other Stories

Crooked House

Three Blind Mice and Other Stories

They Came to Baghdad

Destination Unknown

Ordeal by Innocence

Double Sin and Other Stories

The Pale Horse

Star over Bethlehem: Poems and
Â Â Â Â Â  Holiday Stories

Endless Night

Passenger to Frankfurt

The Golden Ball and Other Stories

The Mousetrap and Other Plays

The Harlequin Tea Set

The Hercule Poirot Mysteries

The Mysterious Affair at Styles

The Murder on the Links

Poirot Investigates

The Murder of Roger Ackroyd

The Big Four

The Mystery of the Blue Train

Peril at End House

Lord Edgware Dies

Murder on the Orient Express

Three Act Tragedy

Death in the Clouds

The A.B.C. Murders

Murder in Mesopotamia

Cards on the Table

Murder in the Mews

Dumb Witness

Death on the Nile

Appointment with Death

Hercule Poirotâ€™s Christmas

Sad Cypress

One, Two, Buckle My Shoe

Evil Under the Sun

Five Little Pigs

The Hollow

The Labors of Hercules

Taken at the Flood

The Underdog and Other Stories

Mrs. McGintyâ€™s Dead

After the Funeral

Hickory Dickory Dock

Dead Manâ€™s Folly

Cat Among the Pigeons

The Clocks

Third Girl

Halloweâ€™en Party

Elephants Can Remember

Curtain: Poirotâ€™s Last Case

The Miss Marple Mysteries

The Murder at the Vicarage

The Body in the Library

The Moving Finger

A Murder Is Announced

They Do It with Mirrors

A Pocket Full of Rye

4:50 from Paddington

The Mirror Crackâ€™d from Side to Side

A Caribbean Mystery

At Bertramâ€™s Hotel

Nemesis

Sleeping Murder

Miss Marple: The Complete
Â Â Â Â Â  Short Stories

The Tommy and Tuppence Mysteries

The Secret Adversary

Partners in Crime

N or M?

By the Pricking of My Thumbs

Postern of Fate

Memoirs

An Autobiography

Come, Tell Me How You Live

Copyright

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the authorâ€™s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

This title was previously published as Murder in Three Acts.

AGATHA CHRISTIEÂ® POIROTÂ® THREE ACT TRAGEDYâ„¢. Copyright Â© 1934 Agatha Christie Limited (a Chorion company). All rights reserved.

THREE ACT TRAGEDY Â© 1934. Published by permission of G.P. Putnamâ€™s Sons, a member of Penguin Group (USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN: 978-0-06-207383-9

EPub Edition Â© MAY 2011 ISBN: 978-0-06-175403-6

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