Agatha Christie

The Clocks

A Hercule Poirot Mystery

To my old friend Mario
with happy memories of delicious food
at the Caprice.

Prologue

The afternoon of the 9th of September was exactly like any other afternoon. None of those who were to be concerned in the events of that day could lay claim to having had a premonition of disaster. (With the exception, that is, of Mrs. Packer of 47, Wilbraham Crescent, who specialized in premonitions, and who always described at great length afterwards the peculiar forebodings and tremors that had beset her. But Mrs. Packer at No. 47, was so far away from No. 19, and so little concerned with the happenings there, that it seemed unnecessary for her to have had a premonition at all.)

At the Cavendish Secretarial and Typewriting Bureau, Principal, Miss K. Martindale, September 9th had been a dull day, a day of routine. The telephone rang, typewriters clicked, the pressure of business was average, neither above nor below its usual volume. None of it was particularly interesting. Up till 2:35, September 9th might have been a day like any other day.

At 2:35 Miss Martindaleâs buzzer went, and Edna Brent in the outer office answered it in her usual breathy and slightly nasal voice, as she manoeuvred a toffee along the line of her jaw.

âYes, Miss Martindale?â

âNow, Ednaâthat is not the way Iâve told you to speak when answering the telephone. Enunciate clearly, and keep your breath behind your tone.â

âSorry, Miss Martindale.â

âThatâs better. You can do it when you try. Send Sheila Webb in to me.â

âSheâs not back from lunch yet, Miss Martindale.â

âAh.â Miss Martindaleâs eye consulted the clock on her desk. 2:36. Exactly six minutes late. Sheila Webb had been getting slack lately. âSend her in when she comes.â

âYes, Miss Martindale.â

Edna restored the toffee to the centre of her tongue and, sucking pleasurably, resumed her typing of Naked Love by Armand Levine. Its painstaking eroticism left her uninterestedâas indeed it did most of Mr. Levineâs readers, in spite of his efforts. He was a notable example of the fact that nothing can be duller than dull pornography. In spite of lurid jackets and provocative titles, his sales went down every year, and his last typing bill had already been sent in three times.

The door opened and Sheila Webb came in, slightly out of breath.

âSandy Catâs asking for you,â said Edna.

Sheila Webb made a face.

âJust my luckâon the one day Iâm late back!â

She smoothed down her hair, picked up pad and pencil, and knocked at the Principalâs door.

Miss Martindale looked up from her desk. She was a woman of forty-odd, bristling with efficiency. Her pompadour of pale reddish hair and her Christian name of Katherine had led to her nickname of Sandy Cat.

âYouâre late back, Miss Webb.â

âSorry, Miss Martindale. There was a terrific bus jam.â

âThere is always a terrific bus jam at this time of day. You should allow for it.â She referred to a note on her pad. âA Miss Pebmarsh rang up. She wants a stenographer at three oâclock. She asked for you particularly. Have you worked for her before?â

âI canât remember doing so, Miss Martindale. Not lately anyway.â

âThe address is 19, Wilbraham Crescent.â She paused questioningly, but Sheila Webb shook her head.

âI canât remember going there.â

Miss Martindale glanced at the clock.

âThree oâclock. You can manage that easily. Have you any other appointments this afternoon? Ah, yes,â her eye ran down the appointment book at her elbow. âProfessor Purdy at the Curlew Hotel. Five oâclock. You ought to be back before then. If not, I can send Janet.â

She gave a nod of dismissal, and Sheila went back to the outer office.

âAnything interesting, Sheila?â

âJust another of those dull days. Some old pussy up at Wilbraham Crescent. And at five Professor Purdyâall those awful archaeological names! How I wish something exciting could sometimes happen.â

Miss Martindaleâs door opened.

âI see I have a memo here, Sheila. If Miss Pebmarsh is not back when you arrive, you are to go in, the door will not be latched. Go in and go into the room on the right of the hall and wait. Can you remember that or shall I write it down?â

âI can remember it, Miss Martindale.â

Miss Martindale went back into her sanctum.

Edna Brent fished under her chair and brought up, secretly, a rather flashy shoe and a stiletto heel that had become detached from it.

âHowever am I going to get home?â she moaned.

âOh, do stop fussingâweâll think of something,â said one of the other girls, and resumed her typing.

Edna sighed and put in a fresh sheet of paper:

âDesire had him in its grasp. With frenzied fingers he tore the fragile chiffon from her breasts and forced her down on the soap.â

âDamn,â said Edna and reached for the eraser.

Sheila picked up her handbag and went out.

Wilbraham Crescent was a fantasy executed by a Victorian builder in the 1880âs. It was a half-moon of double houses and gardens set back to back. This conceit was a source of considerable difficulty to persons unacquainted with the locality. Those who arrived on the outer side were unable to find the lower numbers and those who hit the inner side first were baffled as to the whereabouts of the higher numbers. The houses were neat, prim, artistically balconied and eminently respectable. Modernization had as yet barely touched themâon the outside, that is to say. Kitchens and bathrooms were the first to feel the wind of change.

There was nothing unusual about No. 19. It had neat curtains and a well-polished brass front doorhandle. There were standard rose trees each side of the path leading to the front door.

Sheila Webb opened the front gate, walked up to the front door and rang the bell. There was no response and after waiting a minute or two, she did as she had been directed, and turned the handle. The door opened and she walked in. The door on the right of the small hall was ajar. She tapped on it, waited, and then walked in. It was an ordinary quite pleasant sitting room, a little overfurnished for modern tastes. The only thing at all remarkable about it was the profusion of clocksâa grandfather clock ticking in the corner, a Dresden china clock on the mantelpiece, a silver carriage clock on the desk, a small fancy gilt clock on a whatnot near the fireplace and on a table by the window, a faded leather travelling clock, with ROSEMARY in worn gilt letters across the corner.

Sheila Webb looked at the clock on the desk with some surprise. It showed the time to be a little after ten minutes past four. Her gaze shifted to the chimney piece. The clock there said the same.

Sheila started violently as there was a whir and a click above her head, and from a wooden carved clock on the wall a cuckoo sprang out through his little door and announced loudly and definitely: Cuckoo, Cuckoo, Cuckoo! The harsh note seemed almost menacing. The cuckoo disappeared again with a snap of his door.

Sheila Webb gave a half-smile and walked round the end of the sofa. Then she stopped short, pulling up with a jerk.

Sprawled on the floor was the body of a man. His eyes were half open and sightless. There was a dark moist patch on the front of his dark grey suit. Almost mechanically Sheila bent down. She touched his cheekâcoldâhis hand, the same â¦ touched the wet patch and drew her hand away sharply, staring at it in horror.

At that moment she heard the click of a gate outside, her head turned mechanically to the window. Through it she saw a womanâs figure hurrying up the path. Sheila swallowed mechanicallyâher throat was dry. She stood rooted to the spot, unable to move, to cry out â¦ staring in front of her.

The door opened and a tall elderly woman entered, carrying a shopping bag. She had wavy grey hair pulled back from her forehead, and her eyes were a wide and beautiful blue. Their gaze passed unseeingly over Sheila.

Sheila uttered a faint sound, no more than a croak. The wide blue eyes came to her and the woman spoke sharply:

âIs somebody there?â

âIâitâsââ The girl broke off as the woman came swiftly towards her round the back of the sofa.

And then she screamed.

âDonâtâdonât â¦ youâll tread on itâhim â¦ And heâs deadâ¦.â

One

COLIN LAMBâS NARRATIVE

I

To use police terms: at 2:59 p.m. on September 9th, I was proceeding along Wilbraham Crescent in a westerly direction. It was my first introduction to Wilbraham Crescent, and frankly Wilbraham Crescent had me baffled.

I had been following a hunch with a persistence becoming more dogged day by day as the hunch seemed less and less likely to pay off. Iâm like that.

The number I wanted was 61, and could I find it? No, I could not. Having studiously followed the numbers from 1 to 35, Wilbraham Crescent then appeared to end. A thoroughfare uncompromisingly labelled Albany Road barred my way. I turned back. On the north side there were no houses, only a wall. Behind the wall, blocks of modern flats soared upwards, the entrance of them being obviously in another road. No help there.

I looked up at the numbers I was passing. 24, 23, 22, 21. Diana Lodge (presumably 20, with an orange cat on the gatepost washing its face), 19â

The door of 19 opened and a girl came out of it and down the path with what seemed to be the speed of a bomb. The likeness to a bomb was intensified by the screaming that accompanied her progress. It was high and thin and singularly inhuman. Through the gate the girl came and collided with me with a force that nearly knocked me off the pavement. She did not only collide. She clutchedâa frenzied desperate clutching.

âSteady,â I said, as I recovered my balance. I shook her slightly. âSteady now.â

The girl steadied. She still clutched, but she stopped screaming. Instead she gaspedâdeep sobbing gasps.

I canât say that I reacted to the situation with any brilliance. I asked her if anything was the matter. Recognizing that my question was singularly feeble I amended it.

âWhatâs the matter?â

The girl took a deep breath.

âIn there!â she gestured behind her.

âYes?â

âThereâs a man on the floor â¦ dead â¦ She was going to step on him.â

âWho was? Why?â

âI thinkâbecause sheâs blind. And thereâs blood on him.â She looked down and loosened one of her clutching hands. âAnd on me. Thereâs blood on me.â

âSo there is,â I said. I looked at the stains on my coat sleeve. âAnd on me as well now,â I pointed out. I sighed and considered the situation. âYouâd better take me in and show me,â I said.

But she began to shake violently.

âI canâtâI canât â¦ I wonât go in there again.â

âPerhaps youâre right.â I looked round. There seemed nowhere very suitable to deposit a half-fainting girl. I lowered her gently to the pavement and sat her with her back against the iron railings.

âYou stay there,â I said, âuntil I come back. I shanât be long. Youâll be all right. Lean forward and put your head between your knees if you feel queer.â

âIâI think Iâm all right now.â

She was a little doubtful about it, but I didnât want to parley. I gave her a reassuring pat on the shoulder and strode off briskly up the path. I went in through the door, hesitated a moment in the hallway, looked into the door on the left, found an empty dining room, crossed the hall and entered the sitting room opposite.

The first thing I saw was an elderly woman with grey hair sitting in a chair. She turned her head sharply as I entered and said:

âWhoâs that?â

I realized at once that the woman was blind. Her eyes which looked directly towards me were focused on a spot behind my left ear.

I spoke abruptly and to the point.

âA young woman rushed out into the street saying there was a dead man in here.â

I felt a sense of absurdity as I said the words. It did not seem possible that there should be a dead man in this tidy room with this calm woman sitting in her chair with her hands folded.

But her answer came at once.

âBehind the sofa,â she said.

I moved round the angle of the sofa. I saw it thenâthe out-flung armsâthe glazed eyesâthe congealing patch of blood.

âHow did this happen?â I asked abruptly.

âI donât know.â

âButâsurely. Who is he?â

âI have no idea.â

âWe must get the police.â I looked round. âWhereâs the telephone?â

âI have not got a telephone.â

I concentrated upon her more closely.

âYou live here? This is your house?â

âYes.â

âCan you tell me what happened?â

âCertainly. I came in from shoppingââ I noted the shopping bag flung on a chair near the door. âI came in here. I realized at once there was someone in the room. One does very easily when one is blind. I asked who was there. There was no answerâonly the sound of someone breathing rather quickly. I went towards the soundâand then whoever it was cried outâsomething about someone being dead and that I was going to tread on him. And then whoever it was rushed past me out of the room screaming.â

I nodded. Their stories clicked.

âAnd what did you do?â

âI felt my way very carefully until my foot touched an obstacle.â

âAnd then?â

âI knelt down. I touched somethingâa manâs hand. It was coldâthere was no pulse â¦ I got up and came over here and sat downâto wait. Someone was bound to come in due course. The young woman, whoever she was, would give the alarm. I thought I had better not leave the house.â

I was impressed with the calm of this woman. She had not screamed, or stumbled panic-stricken from the house. She had sat down calmly to wait. It was the sensible thing to do, but it must have taken some doing.

Her voice inquired:

âWho exactly are you?â

âMy name is Colin Lamb. I happened to be passing by.â

âWhere is the young woman?â

âI left her propped up by the gate. Sheâs suffering from shock. Where is the nearest telephone?â

âThere is a call box about fifty yards down the road just before you come to the corner.â

âOf course. I remember passing it. Iâll go and ring the police. Will youââ I hesitated.

I didnât know whether to say âWill you remain here?â or to make it âWill you be all right?â

She relieved me from my choice.

âYou had better bring the girl into the house,â she said decisively.

âI donât know that she will come,â I said doubtfully.

âNot into this room, naturally. Put her in the dining room the other side of the hall. Tell her I am making some tea.â

She rose and came towards me.

âButâcan you manageââ

A faint grim smile showed for a moment on her face.

âMy dear young man. I have made meals for myself in my own kitchen ever since I came to live in this houseâfourteen years ago. To be blind is not necessarily to be helpless.â

âIâm sorry. It was stupid of me. Perhaps I ought to know your name?â

âMillicent PebmarshâMiss.â

I went out and down the path. The girl looked up at me and began to struggle to her feet.

âIâI think Iâm more or less all right now.â

I helped her up, saying cheerfully:

âGood.â

âThereâthere was a dead man in there, wasnât there?â

I agreed promptly.

âCertainly there was. Iâm just going down to the telephone box to report it to the police. I should wait in the house if I were you.â I raised my voice to cover her quick protest. âGo into the dining roomâon the left as you go in. Miss Pebmarsh is making a cup of tea for you.â

âSo that was Miss Pebmarsh? And sheâs blind?â

âYes. Itâs been a shock to her, too, of course, but sheâs being very sensible. Come on, Iâll take you in. A cup of tea will do you good whilst you are waiting for the police to come.â

I put an arm round her shoulders and urged her up the path. I settled her comfortably by the dining room table, and hurried off again to telephone.

II

An unemotional voice said, âCrowdean Police Station.â

âCan I speak to Detective Inspector Hardcastle?â

The voice said cautiously:

âI donât know whether he is here. Who is speaking?â

âTell him itâs Colin Lamb.â

âJust a moment, please.â

I waited. Then Dick Hardcastleâs voice spoke.

âColin? I didnât expect you yet awhile. Where are you?â

âCrowdean. Iâm actually in Wilbraham Crescent. Thereâs a man lying dead on the floor of Number 19, stabbed I should think. Heâs been dead approximately half an hour or so.â

âWho found him. You?â

âNo, I was an innocent passerby. Suddenly a girl came flying out of the house like a bat out of hell. Nearly knocked me down. She said there was a dead man on the floor and a blind woman was trampling on him.â

âYouâre not having me on, are you?â Dickâs voice asked suspiciously.

âIt does sound fantastic, I admit. But the facts seem to be as stated. The blind woman is Miss Millicent Pebmarsh who owns the house.â

âAnd was she trampling on the dead man?â

âNot in the sense you mean it. It seems that being blind she just didnât know he was there.â

âIâll set the machinery in motion. Wait for me there. What have you done with the girl?â

âMiss Pebmarsh is making her a cup of tea.â

Dickâs comment was that it all sounded very cosy.

Two

At 19, Wilbraham Crescent the machinery of the Law was in possession. There was a police surgeon, a police photographer, fingerprint men. They moved efficiently, each occupied with his own routine.

Finally came Detective Inspector Hardcastle, a tall, pokerfaced man with expressive eyebrows, godlike, to see that all he had put in motion was being done, and done properly. He took a final look at the body, exchanged a few brief words with the police surgeon and then crossed to the dining room where three people sat over empty teacups. Miss Pebmarsh, Colin Lamb and a tall girl with brown curling hair and wide, frightened eyes. âQuite pretty,â the inspector noted, parenthetically as it were.

He introduced himself to Miss Pebmarsh.

âDetective Inspector Hardcastle.â

He knew a little about Miss Pebmarsh, though their paths had never crossed professionally. But he had seen her about, and he was aware that she was an ex-schoolteacher, and that she had a job connected with the teaching of Braille at the Aaronberg Institute for handicapped children. It seemed wildly unlikely that a man should be found murdered in her neat, austere houseâbut the unlikely happened more often than one would be disposed to believe.

âThis is a terrible thing to have happened, Miss Pebmarsh,â he said. âIâm afraid it must have been a great shock to you. Iâll need to get a clear statement of exactly what occurred from you all. I understand that it was Missââ he glanced quickly at the notebook the constable had handed him, âSheila Webb who actually discovered the body. If youâll allow me to use your kitchen, Miss Pebmarsh, Iâll take Miss Webb in there where we can be quiet.â

He opened the connecting door from the dining room to the kitchen and waited until the girl had passed through. A young plainclothes detective was already established in the kitchen, writing unobtrusively at a Formica-topped small table.

âThis chair looks comfortable,â said Hardcastle, pulling forward a modernized version of a Windsor chair.

Sheila Webb sat down nervously, staring at him with large frightened eyes.

Hardcastle very nearly said: âI shanât eat you, my dear,â but repressed himself, and said instead:

âThereâs nothing to worry about. We just want to get a clear picture. Now your name is Sheila Webbâand your address?â

â14, Palmerstone Roadâbeyond the gasworks.â

âYes, of course. And you are employed, I suppose?â

âYes. Iâm a shorthand typistâI work at Miss Martindaleâs Secretarial Bureau.â

âThe Cavendish Secretarial and Typewriting Bureauâthatâs its full name, isnât it?â

âThatâs right.â

âAnd how long have you been working there?â

âAbout a year. Well, ten months actually.â

âI see. Now just tell me in your own words how you came to be at 19, Wilbraham Crescent today.â

âWell, it was this way.â Sheila Webb was speaking now with more confidence. âThis Miss Pebmarsh rang up the Bureau and asked for a stenographer to be here at three oâclock. So when I came back from lunch Miss Martindale told me to go.â

âThat was just routine, was it? I meanâyou were the next on the listâor however you arrange these things?â

âNot exactly. Miss Pebmarsh had asked for me specially.â

âMiss Pebmarsh had asked for you specially.â Hardcastleâs eyebrows registered this point. âI see â¦ Because you had worked for her before?â

âBut I hadnât,â said Sheila quickly.

âYou hadnât? Youâre quite sure of that?â

âOh, yes, Iâm positive. I mean, sheâs not the sort of person one would forget. Thatâs what seems so odd.â

âQuite. Well, we wonât go into that just now. You reached here when?â

âIt must have been just before three oâclock, because the cuckoo clockââ she stopped abruptly. Her eyes widened. âHow queer. How very queer. I never really noticed at the time.â

âWhat didnât you notice, Miss Webb?â

âWhyâthe clocks.â

âWhat about the clocks?â

âThe cuckoo clock struck three all right, but all the others were about an hour fast. How very odd!â

âCertainly very odd,â agreed the inspector. âNow when did you first notice the body?â

âNot till I went round behind the sofa. And there itâheâwas. It was awful, yes awfulâ¦.â

âAwful, I agree. Now did you recognize the man? Was it anyone you had seen before?â

âOh no.â

âYouâre quite sure of that? He might have looked rather different from the way he usually looked, you know. Think carefully. Youâre quite sure he was someone youâd never seen before?â

âQuite sure.â

âRight. Thatâs that. And what did you do?â

âWhat did I do?â

âYes.â

âWhyânothing â¦ nothing at all. I couldnât.â

âI see. You didnât touch him at all?â

âYesâyes I did. To see ifâI meanâjust to seeâBut he wasâquite coldâandâand I got blood on my hand. It was horribleâthick and sticky.â

She began to shake.

âThere, there,â said Hardcastle in an avuncular fashion. âItâs all over now, you know. Forget about the blood. Go on to the next thing. What happened next?â

âI donât know â¦ Oh, yes, she came home.â

âMiss Pebmarsh, you mean?â

âYes. Only I didnât think about her being Miss Pebmarsh then. She just came in with a shopping basket.â Her tone underlined the shopping basket as something incongruous and irrelevant.

âAnd what did you say?â

âI donât think I said anything â¦ I tried to, but I couldnât. I felt all choked up here.â She indicated her throat.

The inspector nodded.

âAnd thenâand thenâshe said: âWhoâs there?â and she came round the back of the sofa and I thoughtâI thought she was going toâto tread on It. And I screamed â¦ And once I began I couldnât stop screaming, and somehow I got out of the room and through the front doorââ

âLike a bat out of hell,â the inspector remembered Colinâs description.

Sheila Webb looked at him out of miserable frightened eyes and said rather unexpectedly:

âIâm sorry.â

âNothing to be sorry about. Youâve told your story very well. Thereâs no need to think about it any more now. Oh, just one point, why were you in that room at all?â

âWhy?â She looked puzzled.

âYes. Youâd arrived here, possibly a few minutes early, and youâd pushed the bell, I suppose. But if nobody answered, why did you come in?â

âOh that. Because she told me to.â

âWho told you to?â

âMiss Pebmarsh did.â

âBut I thought you hadnât spoken to her at all.â

âNo, I hadnât. It was Miss Martindale she said it toâthat I was to come in and wait in the sitting room on the right of the hall.â

Hardcastle said: âIndeedâ thoughtfully.

Sheila Webb asked timidly:

âIsâis that all?â

âI think so. Iâd like you to wait here about ten minutes longer, perhaps, in case something arises I might want to ask you about. After that, Iâll send you home in a police car. What about your familyâyou have a family?â

âMy father and mother are dead. I live with an aunt.â

âAnd her name is?â

âMrs. Lawton.â

The inspector rose and held out his hand.

âThank you very much, Miss Webb,â he said. âTry and get a good nightâs rest tonight. Youâll need it after what youâve been through.â

She smiled at him timidly as she went through the door into the dining room.

âLook after Miss Webb, Colin,â the inspector said. âNow, Miss Pebmarsh, can I trouble you to come in here?â

Hardcastle had half held out a hand to guide Miss Pebmarsh, but she walked resolutely past him, verified a chair against the wall with a touch of her fingertips, drew it out a foot and sat down.

Hardcastle closed the door. Before he could speak, Millicent Pebmarsh said abruptly:

âWhoâs that young man?â

âHis name is Colin Lamb.â

âSo he informed me. But who is he? Why did he come here?â

Hardcastle looked at her in faint surprise.

âHe happened to be walking down the street when Miss Webb rushed out of this house screaming murder. After coming in and satisfying himself as to what had occurred he rang us up, and was asked to come back here and wait.â

âYou spoke to him as Colin.â

âYou are very observant, Miss Pebmarshâ(observant? hardly the word. And yet none other fitted)âColin Lamb is a friend of mine, though it is some time since I have seen him.â He added: âHeâs a marine biologist.â

âOh! I see.â

âNow, Miss Pebmarsh, I shall be glad if you can tell me anything about this rather surprising affair.â

âWillingly. But there is very little to tell.â

âYou have resided here for some time, I believe?â

âSince 1950. I amâwasâa schoolmistress by profession. When I was told nothing could be done about my failing eyesight and that I should shortly go blind, I applied myself to become a specialist in Braille and various techniques for helping the blind. I have a job here at the Aaronberg Institute for Blind and Handicapped children.â

âThank you. Now as to the events of this afternoon. Were you expecting a visitor?â

âNo.â

âI will read you a description of the dead man to see if it suggests to you anyone in particular. Height five feet nine to ten, age approximately sixty, dark hair going grey, brown eyes, clean shaven, thin face, firm jaw. Well nourished but not fat. Dark grey suit, well-kept hands. Might be a bank clerk, an accountant, a lawyer, or a professional man of some kind. Does that suggest to you anyone that you know?â

Millicent Pebmarsh considered carefully before replying.

âI canât say that it does. Of course itâs a very generalized description. It would fit quite a number of people. It might be someone I have seen or met on some occasion, but certainly not anyone I know well.â

âYou have not received any letter lately from anyone proposing to call upon you?â

âDefinitely not.â

âVery good. Now, you rang up the Cavendish Secretarial Bureau and asked for the services of a stenographer andââ

She interrupted him.

âExcuse me. I did nothing of the kind.â

âYou did not ring up the Cavendish Secretarial Bureau and askââ Hardcastle stared.

âI donât have a telephone in the house.â

âThere is a call box at the end of the street,â Inspector Hardcastle pointed out.

âYes, of course. But I can only assure you, Inspector Hardcastle, that I had no need for a stenographer and did notârepeat notâring up this Cavendish place with any such request.â

âYou did not ask for Miss Sheila Webb particularly?â

âI have never heard that name before.â

Hardcastle stared at her, astonished.

âYou left the front door unlocked,â he pointed out.

âI frequently do so in the daytime.â

âAnybody might walk in.â

âAnybody seems to have done so in this case,â said Miss Pebmarsh drily.

âMiss Pebmarsh, this man according to the medical evidence died roughly between 1:30 and 2:45. Where were you yourself then?â

Miss Pebmarsh reflected.

âAt 1:30 I must either have left or been preparing to leave the house. I had some shopping to do.â

âCan you tell me exactly where you went?â

âLet me see. I went to the post office, the one in Albany Road, posted a parcel, got some stamps, then I did some household shopping, yes and I got some patent fasteners and safety pins at the drapers, Field and Wren. Then I returned here. I can tell you exactly what the time was. My cuckoo clock cuckooed three times as I came to the gate. I can hear it from the road.â

âAnd what about your other clocks?â

âI beg your pardon?â

âYour other clocks seem all to be just over an hour fast.â

âFast? You mean the grandfather clock in the corner?â

âNot that onlyâall the other clocks in the sitting room are the same.â

âI donât understand what you mean by the âother clocks.â There are no other clocks in the sitting room.â

Three

Hardcastle stared.

âOh come, Miss Pebmarsh. What about that beautiful Dresden china clock on the mantelpiece? And a small French clockâormolu. And a silver carriage clock, andâoh yes, the clock with âRosemaryâ across the corner.â

It was Miss Pebmarshâs turn to stare.

âEither you or I must be mad, Inspector. I assure you I have no Dresden china clock, noâwhat did you sayâclock with âRosemaryâ across itâno French ormolu clock andâwhat was the other one?â

âSilver carriage clock,â said Hardcastle mechanically.

âNot that either. If you donât believe me, you can ask the woman who comes to clean for me. Her name is Mrs. Curtin.â

Detective Inspector Hardcastle was taken aback. There was a positive assurance, a briskness in Miss Pebmarshâs tone that carried conviction. He took a moment or two turning over things in his mind. Then he rose to his feet.

âI wonder, Miss Pebmarsh, if you would mind accompanying me into the next room?â

âCertainly. Frankly, I would like to see those clocks myself.â

âSee?â Hardcastle was quick to query the word.

âExamine would be a better word,â said Miss Pebmarsh, âbut even blind people, Inspector, use conventional modes of speech that do not exactly apply to their own powers. When I say I would like to see those clocks, I mean I would like to examine and feel them with my own fingers.â

Followed by Miss Pebmarsh, Hardcastle went out of the kitchen, crossed the small hall and into the sitting room. The fingerprint man looked up at him.

âIâve about finished in here, sir,â he said. âYou can touch anything you like.â

Hardcastle nodded and picked up the small travelling clock with âRosemaryâ written across the corner. He put it into Miss Pebmarshâs hands. She felt it over carefully.

âIt seems an ordinary travelling clock,â she said, âthe leather folding kind. It is not mine, Inspector Hardcastle, and it was not in this room, I am fairly sure I can say, when I left the house at half past one.â

âThank you.â

The inspector took it back from her. Carefully he lifted the small Dresden clock from the mantelpiece.

âBe careful of this,â he said, as he put it into her hands, âitâs breakable.â

Millicent Pebmarsh felt the small china clock with delicate probing fingertips. Then she shook her head. âIt must be a charming clock,â she said, âbut itâs not mine. Where was it, do you say?â

âOn the right hand side of the mantelpiece.â

âThere should be one of a pair of china candlesticks there,â said Miss Pebmarsh.

âYes,â said Hardcastle, âthere is a candlestick there, but itâs been pushed to the end.â

âYou say there was still another clock?â

âTwo more.â

Hardcastle took back the Dresden china clock and gave her the small French gilt ormolu one. She felt it over rapidly, then handed it back to him.

âNo. That is not mine either.â

He handed her the silver one and that, too, she returned.

âThe only clocks ordinarily in this room are a grandfather clock there in that corner by the windowââ

âQuite right.â

ââand a cuckoo on the wall near the door.â

Hardcastle found it difficult to know exactly what to say next. He looked searchingly at the woman in front of him with the additional security of knowing that she could not return his survey. There was a slight frown as of perplexity on her forehead. She said sharply:

âI canât understand it. I simply canât understand it.â

She stretched out one hand, with the easy knowledge of where she was in the room, and sat down. Hardcastle looked at the fingerprint man who was standing by the door.

âYouâve been over these clocks?â he asked.

âIâve been over everything, sir. No dabs on the gilt clock, but there wouldnât be. The surface wouldnât take it. The same goes for the china one. But there are no dabs on the leather travelling clock or the silver one and that is a bit unlikely if things were normalâthere ought to be dabs. By the way, none of them are wound up and they are all set to the same timeâthirteen minutes past four.â

âWhat about the rest of the room?â

âThere are about three or four different sets of prints in the room, all womenâs, I should say. The contents of the pockets are on the table.â

By an indication of his head he drew attention to a small pile of things on a table. Hardcastle went over and looked at them. There was a notecase containing seven pounds ten, a little loose change, a silk pocket handkerchief, unmarked, a small box of digestive pills and a printed card. Hardcastle bent to look at it.

Â 

Mr. R. H. Curry,
Metropolis and Provincial Insurance Co. Ltd
7, Denvers Street,
London, W2.

Â 

Hardcastle came back to the sofa where Miss Pebmarsh sat.

âWere you by any chance expecting someone from an insurance company to call upon you?â

âInsurance company? No, certainly not.â

âThe Metropolis and Provincial Insurance Company,â said Hardcastle.

Miss Pebmarsh shook her head. âIâve never heard of it,â she said.

âYou were not contemplating taking out insurance of any kind?â

âNo, I was not. I am insured against fire and burglary with the Jove Insurance Company which has a branch here. I carry no personal insurance. I have no family or near relations so I see no point in insuring my life.â

âI see,â said Hardcastle. âDoes the name of Curry mean anything to you? Mr. R. H. Curry?â He was watching her closely. He saw no reaction in her face.

âCurry,â she repeated the name, then shook her head. âItâs not a very usual name, is it? No, I donât think Iâve heard the name or known anyone of that name. Is that the name of the man who is dead?â

âIt would seem possible,â said Hardcastle.

Miss Pebmarsh hesitated a moment. Then she said:

âDo you want me toâtoâtouchââ

He was quick to understand her.

âWould you, Miss Pebmarsh? If itâs not asking too much of you, that is? Iâm not very knowledgeable in these matters, but your fingers will probably tell you more accurately what a person looks like than you would know by description.â

âExactly,â said Miss Pebmarsh. âI agree it is not a very pleasant thing to have to do but I am quite willing to do it if you think it might be a help to you.â

âThank you,â said Hardcastle. âIf you will let me guide youââ

He took her round the sofa, indicated to her to kneel down, then gently guided her hands to the dead manâs face. She was very calm, displaying no emotion. Her fingers traced the hair, the ears, lingering a moment behind the left ear, the line of the nose, mouth and chin. Then she shook her head and got up.

âI have a clear idea what he would look like,â she said, âbut I am quite sure that it is no one I have seen or known.â

The fingerprint man had packed up his kit and gone out of the room. He stuck his head back in.

âTheyâve come for him,â he said, indicating the body. âAll right to take him away?â

âRight,â said Inspector Hardcastle. âJust come and sit over here, will you, Miss Pebmarsh?â

He established her in a corner chair. Two men came into the room. The removal of the late Mr. Curry was rapid and professional. Hardcastle went out to the gate and then returned to the sitting room. He sat down near Miss Pebmarsh.

âThis is an extraordinary business, Miss Pebmarsh,â he said. âIâd like to run over the main points with you and see if Iâve got it right. Correct me if I am wrong. You expected no visitors today, youâve made no inquiries re insurance of any kind and you have received no letter from anyone stating that a representative of an insurance company was going to call upon you today. Is that correct?â

âQuite correct.â

âYou did not need the services of a shorthand typist or stenographer and you did not ring up the Cavendish Bureau or request that one should be here at three oâclock.â

âThat again is correct.â

âWhen you left the house at approximately 1:30, there were in this room only two clocks, the cuckoo clock and the grandfather clock. No others.â

About to reply, Miss Pebmarsh checked herself.

âIf I am to be absolutely accurate, I could not swear to that statement. Not having my sight I would not notice the absence or presence of anything not usually in the room. That is to say, the last time I can be sure of the contents of this room was when I dusted it early this morning. Everything then was in its place. I usually do this room myself as cleaning women are apt to be careless with ornaments.â

âDid you leave the house at all this morning?â

âYes. I went at ten oâclock as usual to the Aaronberg Institute. I have classes there until twelve fifteen. I returned here at about quarter to one, made myself some scrambled eggs in the kitchen and a cup of tea and went out again, as I have said, at half past one. I ate my meal in the kitchen, by the way, and did not come into this room.â

âI see,â said Hardcastle. âSo while you can say definitely that at ten oâclock this morning there were no superfluous clocks here, they could possibly have been introduced some time during the morning.â

âAs to that you would have to ask my cleaning woman, Mrs. Curtin. She comes here about ten and usually leaves about twelve oâclock. She lives at 17, Dipper Street.â

âThank you, Miss Pebmarsh. Now we are left with these following facts and this is where I want you to give me any ideas or suggestions that occur to you. At some time during today four clocks were brought here. The hands of these four clocks were set at thirteen minutes past four. Now does that time suggest anything to you?â

âThirteen minutes past four.â Miss Pebmarsh shook her head. âNothing at all.â

âNow we pass from the clocks to the dead man. It seems unlikely that he would have been let in by your cleaning woman and left in the house by her unless you had told her you were expecting him, but that we can learn from her. He came here presumably to see you for some reason, either a business one or a private one. Between one thirty and two forty-five he was stabbed and killed. If he came here by appointment, you say you know nothing of it. Presumably he was connected with insuranceâbut there again you cannot help us. The door was unlocked so he could have come in and sat down to wait for youâbut why?â

âThe whole thingâs daft,â said Miss Pebmarsh impatiently. âSo you think that thisâwhatâs-his-name Curryâbrought those clocks with him?â

âThereâs no sign of a container anywhere,â said Hardcastle. âHe could hardly have brought four clocks in his pockets. Now Miss Pebmarsh, think very carefully. Is there any association in your mind, any suggestion you could possibly make about anything to do with clocks, or if not with clocks, say with time. 4:13. Thirteen minutes past four?â

She shook her head.

âIâve been trying to say to myself that it is the work of a lunatic or that somebody came to the wrong house. But even that doesnât really explain anything. No, Inspector, I canât help you.â

A young constable looked in. Hardcastle went to join him in the hall and from there went down to the gate. He spoke for a few minutes to the men.

âYou can take the young lady home now,â he said, â14 Palmerston Road is the address.â

He went back and into the dining room. Through the open door to the kitchen he could hear Miss Pebmarsh busy at the sink. He stood in the doorway.

âI shall want to take those clocks, Miss Pebmarsh. Iâll leave you a receipt for them.â

âThat will be quite all right, Inspectorâthey donât belong to meââ

Hardcastle turned to Sheila Webb.

âYou can go home now, Miss Webb. The police car will take you.â

Sheila and Colin rose.

âJust see her into the car, will you, Colin?â said Hardcastle as he pulled a chair to the table and started to scribble a receipt.

Colin and Sheila went out and started down the path. Sheila paused suddenly.

âMy glovesâI left themââ

âIâll get them.â

âNoâI know just where I put them. I donât mind nowânow that theyâve taken it away.â

She ran back and rejoined him a moment or two later.

âIâm sorry I was so sillyâbefore.â

âAnybody would have been,â said Colin.

Hardcastle joined them as Sheila entered the car. Then, as it drove away, he turned to the young constable.

âI want those clocks in the sitting room packed up carefullyâall except the cuckoo clock on the wall and the big grandfather clock.â

He gave a few more directions and then turned to his friend.

âIâm going places. Want to come?â

âSuits me,â said Colin.

Four

COLIN LAMBâS NARRATIVE

âWhere do we go?â I asked Dick Hardcastle.

He spoke to the driver.

âCavendish Secretarial Bureau. Itâs on Palace Street, up towards the Esplanade on the right.â

âYes, sir.â

The car drew away. There was quite a little crowd by now, staring with fascinated interest. The orange cat was still sitting on the gatepost of Diana Lodge next door. He was no longer washing his face but was sitting up very straight, lashing his tail slightly, and gazing over the heads of the crowd with that complete disdain for the human race that is the special prerogative of cats and camels.

âThe Secretarial Bureau, and then the cleaning woman, in that order,â said Hardcastle, âbecause the time is getting on.â He glanced at his watch. âAfter four oâclock.â He paused before adding, âRather an attractive girl?â

âQuite,â I said.

He cast an amused look in my direction.

âBut she told a very remarkable story. The sooner itâs checked up on, the better.â

âYou donât think that sheââ

He cut me short.

âIâm always interested in people who find bodies.â

âBut that girl was half mad with fright! If you had heard the way she was screamingâ¦.â

He gave me another of his quizzical looks and repeated that she was a very attractive girl.

âAnd how did you come to be wandering about in Wilbraham Crescent, Colin? Admiring our genteel Victorian architecture? Or had you a purpose?â

âI had a purpose. I was looking for Number 61âand I couldnât find it. Possibly it doesnât exist?â

âIt exists all right. The numbers go up toâ88, I think.â

âBut look here, Dick, when I came to Number 28, Wilbraham Crescent just petered out.â

âItâs always puzzling to strangers. If youâd turned to the right up Albany Road and then turned to the right again youâd have found yourself in the other half of Wilbraham Crescent. Itâs built back to back, you see. The gardens back on each other.â

âI see,â I said, when he had explained this peculiar geography at length. âLike those Squares and Gardens in London. Onslow Square, isnât it? Or Cadogan. You start down one side of a square, and then it suddenly becomes a Place or Gardens. Even taxis are frequently baffled. Anyway, there is a 61. Any idea who lives there?â

â61? Let me see â¦ Yes, that would be Bland the builder.â

âOh dear,â I said. âThatâs bad.â

âYou donât want a builder?â

âNo. I donât fancy a builder at all. Unlessâperhaps heâs only just come here recentlyâjust started up?â

âBland was born here, I think. Heâs certainly a local manâbeen in business for years.â

âVery disappointing.â

âHeâs a very bad builder,â said Hardcastle encouragingly. âUses pretty poor materials. Puts up the kind of houses that look more or less all right until you live in them, then everything falls down or goes wrong. Sails fairly near the wind sometimes. Sharp practiceâbut just manages to get away with it.â

âItâs no good tempting me, Dick. The man I want would almost certainly be a pillar of rectitude.â

âBland came into a lot of money about a year agoâor rather his wife did. Sheâs a Canadian, came over here in the war and met Bland. Her family didnât want her to marry him, and more or less cut her off when she did. Then last year a great-uncle died, his only son had been killed in an air crash and what with war casualties and one thing and another, Mrs. Bland was the only one left of the family. So he left his money to her. Just saved Bland from going bankrupt, I believe.â

âYou seem to know a lot about Mr. Bland.â

âOh thatâwell, you see, the Inland Revenue are always interested when a man suddenly gets rich overnight. They wonder if heâs been doing a little fiddling and salting awayâso they check up. They checked and it was all O.K.â

âIn any case,â I said, âIâm not interested in a man who has suddenly got rich. Itâs not the kind of setup that Iâm looking for.â

âNo? Youâve had that, havenât you?â

I nodded.

âAnd finished with it? Orânot finished with it?â

âItâs something of a story,â I said evasively. âAre we dining together tonight as plannedâor will this business put paid to that?â

âNo, that will be all right. At the moment the first thing to do is set the machinery in motion. We want to find out all about Mr. Curry. In all probability once we know just who he is and what he does, weâll have a pretty good idea as to who wanted him out of the way.â He looked out of the window. âHere we are.â

The Cavendish Secretarial and Typewriting Bureau was situated in the main shopping street, called rather grandly Palace Street. It had been adapted, like many other of the establishments there, from a Victorian house. To the right of it a similar house displayed the legend Edwin Glen, Artist Photographer. Specialist, Childrenâs Photographs, Wedding Groups, etc. In support of this statement the window was filled with enlargements of all sizes and ages of children, from babies to six-year-olds. These presumably were to lure in fond mammas. A few couples were also represented. Bashful looking young men with smiling girls. On the other side of the Cavendish Secretarial Bureau were the offices of an old-established and old-fashioned coal merchant. Beyond that again the original old-fashioned houses had been pulled down and a glittering three-storey building proclaimed itself as the Orient CafÃ© and Restaurant.

Hardcastle and I walked up the four steps, passed through the open front door and obeying the legend on a door on the right which said âPlease Enter,â entered. It was a good-sized room, and three young women were typing with assiduity. Two of them continued to type, paying no attention to the entrance of strangers. The third one who was typing at a table with a telephone, directly opposite the door, stopped and looked at us inquiringly. She appeared to be sucking a sweet of some kind. Having arranged it in a convenient position in her mouth, she inquired in faintly adenoidal tones:

âCan I help you?â

âMiss Martindale?â said Hardcastle.

âI think sheâs engaged at the moment on the telephoneââ At that moment there was a click and the girl picked up the telephone receiver and fiddled with a switch, and said: âTwo gentlemen to see you, Miss Martindale.â She looked at us and asked, âCan I have your names, please?â

âHardcastle,â said Dick.

âA Mr. Hardcastle, Miss Martindale.â She replaced the receiver and rose. âThis way, please,â she said, going to a door which bore the name MISS MARTINDALE on a brass plate. She opened the door, flattened herself against it to let us pass, said, âMr. Hardcastle,â and shut the door behind us.

Miss Martindale looked up at us from a large desk behind which she was sitting. She was an efficient-looking woman of about fifty with a pompadour of pale red hair and an alert glance.

She looked from one to the other of us.

âMr. Hardcastle?â

Dick took out one of his official cards and handed it to her. I effaced myself by taking an upright chair near the door.

Miss Martindaleâs sandy eyebrows rose in surprise and a certain amount of displeasure.

âDetective Inspector Hardcastle? What can I do for you, Inspector?â

âI have come to you to ask for a little information, Miss Martindale. I think you may be able to help me.â

From his tone of voice, I judged that Dick was going to play it in a roundabout way, exerting charm. I was rather doubtful myself whether Miss Martindale would be amenable to charm. She was of the type that the French label so aptly a femme formidable.

I was studying the general layout. On the walls above Miss Martindaleâs desk was hung a collection of signed photographs. I recognized one as that of Mrs. Ariadne Oliver, detective writer, with whom I was slightly acquainted. Sincerely yours, Ariadne Oliver, was written across it in a bold black hand. Yours gratefully, Garry Gregson adorned another photograph of a thriller writer who had died about sixteen years ago. Yours ever, Miriam adorned the photograph of Miriam Hogg, a woman writer who specialized in romance. Sex was represented by a photograph of a timid-looking balding man, signed in tiny writing, Gratefully, Armand Levine. There was a sameness about these trophies. The men mostly held pipes and wore tweeds, the women looked earnest and tended to fade into furs.

Whilst I was using my eyes, Hardcastle was proceeding with his questions.

âI believe you employ a girl called Sheila Webb?â

âThat is correct. I am afraid she is not here at presentâat leastââ

She touched a buzzer and spoke to the outer office.

âEdna, has Sheila Webb come back?â

âNo, Miss Martindale, not yet.â

Miss Martindale switched off.

âShe went out on an assignment earlier this afternoon,â she explained. âI thought she might have been back by now. It is possible she has gone on to the Curlew Hotel at the end of the Esplanade where she had an appointment at five oâclock.â

âI see,â said Hardcastle. âCan you tell me something about Miss Sheila Webb?â

âI canât tell you very much,â said Miss Martindale. âShe has been here forâlet me see, yes, I should say close on a year now. Her work has proved quite satisfactory.â

âDo you know where she worked before she came to you?â

âI dare say I could find out for you if you specially want the information, Inspector Hardcastle. Her references will be filed somewhere. As far as I can remember offhand, she was formerly employed in London and had quite a good reference from her employers there. I think, but I am not sure, that it was some business firmâestate agents possibly, that she worked for.â

âYou say she is good at her job?â

âFully adequate,â said Miss Martindale, who was clearly not one to be lavish with praise.

âNot first class?â

âNo, I should not say that. She has good average speed and is tolerably well-educated. She is a careful and accurate typist.â

âDo you know her personally, apart from your official relations?â

âNo. She lives, I believe, with an aunt.â Here Miss Martindale got slightly restive. âMay I ask, Inspector Hardcastle, why you are asking all these questions? Has the girl got herself into trouble in any way?â

âI would not quite say that, Miss Martindale. Do you know a Miss Millicent Pebmarsh?â

âPebmarsh,â said Miss Martindale, wrinkling her sandy brows. âNow whenâoh, of course. It was to Miss Pebmarshâs house that Sheila went this afternoon. The appointment was for three oâclock.â

âHow was that appointment made, Miss Martindale?â

âBy telephone. Miss Pebmarsh rang up and said she wanted the services of a shorthand typist and would I send her Miss Webb.â

âShe asked for Sheila Webb particularly?â

âYes.â

âWhat time was this call put through?â

Miss Martindale reflected for a moment.

âIt came through to me direct. That would mean that it was in the lunch hour. As near as possible I would say that it was about ten minutes to two. Before two oâclock at all events. Ah yes, I see I made a note on my pad. It was 1:49 precisely.â

âIt was Miss Pebmarsh herself who spoke to you?â Miss Martindale looked a little surprised.

âI presume so.â

âBut you didnât recognize her voice? You donât know her personally?â

âNo. I donât know her. She said that she was Miss Millicent Pebmarsh, gave me her address, a number in Wilbraham Crescent. Then, as I say, she asked for Sheila Webb, if she was free, to come to her at three oâclock.â

It was a clear, definite statement. I thought that Miss Martindale would make an excellent witness.

âIf you would kindly tell me what all this is about?â said Miss Martindale with slight impatience.

âWell, you see, Miss Martindale, Miss Pebmarsh herself denies making any such call.â

Miss Martindale stared.

âIndeed! How extraordinary.â

âYou, on the other hand, say such a call was made, but you cannot say definitely that it was Miss Pebmarsh who made that call.â

âNo, of course I canât say definitely. I donât know the woman. But really, I canât see the point of doing such a thing. Was it a hoax of some kind?â

âRather more than that,â said Hardcastle. âDid this Miss Pebmarshâor whoever it wasâgive any reason for wanting Miss Sheila Webb particularly?â

Miss Martindale reflected a moment.

âI think she said that Sheila Webb had done work for her before.â

âAnd is that in fact so?â

âSheila said she had no recollection of having done anything for Miss Pebmarsh. But that is not quite conclusive, Inspector. After all, the girls go out so often to different people at different places that they would be unlikely to remember if it had taken place some months ago. Sheila wasnât very definite on the point. She only said that she couldnât remember having been there. But really, Inspector, even if this was a hoax, I cannot see where your interest comes in?â

âI am just coming to that. When Miss Webb arrived at 19, Wilbraham Crescent she walked into the house and into the sitting room. She has told me that those were the directions given her. You agree?â

âQuite right,â said Miss Martindale. âMiss Pebmarsh said that she might be a little late in getting home and that Sheila was to go in and wait.â

âWhen Miss Webb went into the sitting room,â continued Hardcastle, âshe found a dead man lying on the floor.â

Miss Martindale stared at him. For a moment she could hardly find her voice.

âDid you say a dead man, Inspector?â

âA murdered man,â said Hardcastle. âStabbed, actually.â

âDear, dear,â said Miss Martindale. âThe girl must have been very upset.â

It seemed the kind of understatement characteristic of Miss Martindale.

âDoes the name of Curry mean anything to you, Miss Martindale? Mr. R.H. Curry?â

âI donât think so, no.â

âFrom the Metropolis and Provincial Insurance Company?â

Miss Martindale continued to shake her head.

âYou see my dilemma,â said the inspector. âYou say Miss Pebmarsh telephoned you and asked for Sheila Webb to go to her house at three oâclock. Miss Pebmarsh denies doing any such thing. Sheila Webb gets there. She finds a dead man there.â He waited hopefully.

Miss Martindale looked at him blankly.

âIt all seems to me wildly improbable,â she said disapprovingly.

Dick Hardcastle sighed and got up.

âNice place youâve got here,â he said politely. âYouâve been in business some time, havenât you?â

âFifteen years. We have done extremely well. Starting in quite a small way, we have extended the business until we have almost more than we can cope with. I now employ eight girls, and they are kept busy all the time.â

âYou do a good deal of literary work, I see.â Hardcastle was looking up at the photographs on the wall.

âYes, to start with I specialized in authors. I had been secretary to the well-known thriller writer, Mr. Garry Gregson, for many years. In fact, it was with a legacy from him that I started this Bureau. I knew a good many of his fellow authors and they recommended me. My specialized knowledge of authorsâ requirements came in very useful. I offer a very helpful service in the way of necessary researchâdates and quotations, inquiries as to legal points and police procedure, and details of poison schedules. All that sort of thing. Then foreign names and addresses and restaurants for people who set their novels in foreign places. In old days the public didnât really mind so much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws.â

Miss Martindale paused. Hardcastle said politely: âIâm sure you have every cause to congratulate yourself.â

He moved towards the door. I opened it ahead of him.

In the outer office, the three girls were preparing to leave. Lids had been placed on typewriters. The receptionist, Edna, was standing forlornly, holding in one hand a stiletto heel and in the other a shoe from which it had been torn.

âIâve only had them a month,â she was wailing. âAnd they were quite expensive. Itâs that beastly gratingâthe one at the corner by the cake shop quite near here. I caught my heel in it and off it came. I couldnât walk, had to take both shoes off and come back here with a couple of buns, and how Iâll ever get home or get on to the bus I really donât knowââ

At that moment our presence was noted and Edna hastily concealed the offending shoe with an apprehensive glance towards Miss Martindale whom I appreciated was not the sort of woman to approve of stiletto heels. She herself was wearing sensible flat-heeled leather shoes.

âThank you, Miss Martindale,â said Hardcastle. âIâm sorry to have taken up so much of your time. If anything should occur to youââ

âNaturally,â said Miss Martindale, cutting him short rather brusquely.

As we got into the car, I said:

âSo Sheila Webbâs story, in spite of your suspicions, turns out to have been quite true.â

âAll right, all right,â said Dick. âYou win.â

Five

âMom!â said Ernie Curtin, desisting for a moment from his occupation of running a small metal model up and down the window pane, accompanying it with a semi-zooming, semi-moaning noise intended to reproduce a rocket ship going through outer space on its way to Venus, âMom, what dâyou think?â

Mrs. Curtin, a stern-faced woman who was busy washing up crockery in the sink, made no response.

âMom, thereâs a police car drawn up outside our house.â

âDonât you tell no more of yer lies, Ernie,â said Mrs. Curtin as she banged cups and saucers down on the draining board. âYou know what Iâve said to you about that before.â

âI never,â said Ernie virtuously. âAnd itâs a police car right enough, and thereâs two men gettinâ out.â

Mrs. Curtin wheeled round on her offspring.

âWhatâve you been doing now?â she demanded. âBringing us into disgrace, thatâs what it is!â

âCourse I ainât,â said Ernie. âI âavenât done nothinâ.â

âItâs going with that Alf,â said Mrs. Curtin. âHim and his gang. Gangs indeed! Iâve told you, and yer fatherâs told you, that gangs isnât respectable. In the end thereâs trouble. First itâll be the juvenile court and then youâll be sent to a remand home as likely as not. And I wonât have it, dâyou hear?â

âTheyâre cominâ up to the front door,â Ernie announced.

Mrs. Curtin abandoned the sink and joined her offspring at the window.

âWell,â she muttered.

At that moment the knocker was sounded. Wiping her hands quickly on the tea towel, Mrs. Curtin went out into the passage and opened the door. She looked with defiance and doubt at the two men on her doorstep.

âMrs. Curtin?â said the taller of the two, pleasantly.

âThatâs right,â said Mrs. Curtin.

âMay I come in a moment? Iâm Detective Inspector Hardcastle.â

Mrs. Curtin drew back rather unwillingly. She threw open a door and motioned the inspector inside. It was a very neat, clean little room and gave the impression of seldom being entered, which impression was entirely correct.

Ernie, drawn by curiosity, came down the passage from the kitchen and sidled inside the door.

âYour son?â said Detective Inspector Hardcastle.

âYes,â said Mrs. Curtin, and added belligerently, âheâs a good boy, no matter what you say.â

âIâm sure he is,â said Detective Inspector Hardcastle, politely.

Some of the defiance in Mrs. Curtinâs face relaxed.

âIâve come to ask you a few questions about 19, Wilbraham Crescent. You work there, I understand.â

âNever said I didnât,â said Mrs. Curtin, unable yet to shake off her previous mood.

âFor a Miss Millicent Pebmarsh.â

âYes, I work for Miss Pebmarsh. A very nice lady.â

âBlind,â said Detective Inspector Hardcastle.

âYes, poor soul. But youâd never know it. Wonderful the way she can put her hand on anything and find her way about. Goes out in the street, too, and over the crossings. Sheâs not one to make a fuss about things, not like some people I know.â

âYou work there in the mornings?â

âThatâs right. I come about half past nine to ten, and leave at twelve oâclock or when Iâm finished.â Then sharply, âYouâre not saying as anything âas been stolen, are you?â

âQuite the reverse,â said the inspector, thinking of four clocks.

Mrs. Curtin looked at him uncomprehendingly.

âWhatâs the trouble?â she asked.

âA man was found dead in the sitting room at 19, Wilbraham Crescent this afternoon.â

Mrs. Curtin stared. Ernie Curtin wriggled in ecstasy, opened his mouth to say âCoo,â thought it unwise to draw attention to his presence, and shut it again.

âDead?â said Mrs. Curtin unbelievingly. And with even more unbelief, âIn the sitting room?â

âYes. Heâd been stabbed.â

âYou mean itâs murder?â

âYes, murder.â

âOo murdered âim?â demanded Mrs. Curtin.

âIâm afraid we havenât got quite so far as that yet,â said Inspector Hardcastle. âWe thought perhaps you may be able to help us.â

âI donât know anything about murder,â said Mrs. Curtin positively.

âNo, but there are one or two points that have arisen. This morning, for instance, did any man call at the house?â

âNot that I can remember. Not today. What sort of man was he?â

âAn elderly man about sixty, respectably dressed in a dark suit. He may have represented himself as an insurance agent.â

âI wouldnât have let him in,â said Mrs. Curtin. âNo insurance agents and nobody selling vacuum cleaners or editions of the Encyclopaedia Britannica. Nothing of that sort. Miss Pebmarsh doesnât hold with selling at the door and neither do I.â

âThe manâs name, according to a card that was on him, was Mr. Curry. Have you ever heard that name?â

âCurry? Curry?â Mrs. Curtin shook her head. âSounds Indian to me,â she said, suspiciously.

âOh, no,â said Inspector Hardcastle, âhe wasnât an Indian.â

âWho found himâMiss Pebmarsh?â

âA young lady, a shorthand typist, had arrived because, owing to a misunderstanding, she thought sheâd been sent for to do some work for Miss Pebmarsh. It was she who discovered the body. Miss Pebmarsh returned almost at the same moment.â

Mrs. Curtin uttered a deep sigh.

âWhat a to-do,â she said, âwhat a to-do!â

âWe may ask you at some time,â said Inspector Hardcastle, âto look at this manâs body and tell us if he is a man you have ever seen in Wilbraham Crescent or calling at the house before. Miss Pebmarsh is quite positive he has never been there. Now there are various small points I would like to know. Can you recall offhand how many clocks there are in the sitting room?â

Mrs. Curtin did not even pause.

âThereâs that big clock in the corner, grandfather they call it, and thereâs the cuckoo clock on the wall. It springs out and says âcuckoo.â Doesnât half make you jump sometimes.â She added hastily, âI didnât touch neither of them. I never do. Miss Pebmarsh likes to wind them herself.â

âThereâs nothing wrong with them,â the inspector assured her. âYouâre sure these were the only two clocks in the room this morning?â

âOf course. What others should there be?â

âThere was not, for instance, a small square silver clock, what they call a carriage clock, or a little gilt clockâon the mantelpiece that was, or a china clock with flowers on itâor a leather clock with the name Rosemary written across the corner?â

âOf course there wasnât. No such thing.â

âYou would have noticed them if they had been there?â

âOf course I should.â

âEach of these four clocks represented a time about an hour later than the cuckoo clock and the grandfather clock.â

âMust have been foreign,â said Mrs. Curtin. âMe and my old man went on a coach trip to Switzerland and Italy once and it was a whole hour further on there. Must be something to do with this Common Market. I donât hold with the Common Market and nor does Mr. Curtin. Englandâs good enough for me.â

Inspector Hardcastle declined to be drawn into politics.

âCan you tell me exactly when you left Miss Pebmarshâs house this morning?â

âQuarter past twelve, near as nothing,â said Mrs. Curtin.

âWas Miss Pebmarsh in the house then?â

âNo, she hadnât come back. She usually comes back some time between twelve and half past, but it varies.â

âAnd she had left the houseâwhen?â

âBefore I got there. Ten oâclockâs my time.â

âWell, thank you, Mrs. Curtin.â

âSeems queer about these clocks,â said Mrs. Curtin. âPerhaps Miss Pebmarsh had been to a sale. Antiques, were they? They sound like it by what you say.â

âDoes Miss Pebmarsh often go to sales?â

âGot a roll of hair carpet about four months ago at a sale. Quite good condition. Very cheap, she told me. Got some velour curtains too. They needed cutting down, but they were really as good as new.â

âBut she doesnât usually buy bric-Ã -brac or things like pictures or china or that kind of thing at sales?â

Mrs. Curtin shook her head.

âNot that Iâve ever known her, but of course, thereâs no saying in sales, is there? I mean, you get carried away. When you get home you say to yourself âwhatever did I want with that?â Bought six pots of jam once. When I thought about it I could have made it cheaper myself. Cups and saucers, too. Them I could have got better in the market on a Wednesday.â

She shook her head darkly. Feeling that he had no more to learn for the moment, Inspector Hardcastle departed. Ernie then made his contribution to the subject that had been under discussion.

âMurder! Coo!â said Ernie.

Momentarily the conquest of outer space was displaced in his mind by a present-day subject of really thrilling appeal.

âMiss Pebmarsh couldnât have done âim in, could she?â he suggested yearningly.

âDonât talk so silly,â said his mother. A thought crossed her mind. âI wonder if I ought to have told himââ

âTold him what, Mom?â

âNever you mind,â said Mrs. Curtin. âIt was nothing, really.â

Six

COLIN LAMBâS NARRATIVE

I

When we had put ourselves outside two good underdone steaks, washed down with draught beer, Dick Hardcastle gave a sigh of comfortable repletion, announced that he felt better and said:

âTo hell with dead insurance agents, fancy clocks and screaming girls! Letâs hear about you, Colin. I thought youâd finished with this part of the world. And here you are wandering about the back streets of Crowdean. No scope for a marine biologist at Crowdean, I can assure you.â

âDonât you sneer at marine biology, Dick. Itâs a very useful subject. The mere mention of it so bores people and theyâre so afraid youâre going to talk about it, that you never have to explain yourself further.â

âNo chance of giving yourself away, eh?â

âYou forget,â I said coldly, âthat I am a marine biologist. I took a degree in it at Cambridge. Not a very good degree, but a degree. Itâs a very interesting subject, and one day Iâm going back to it.â

âI know what youâve been working on, of course,â said Hardcastle. âAnd congratulations to you. Larkinâs trial comes on next month, doesnât it?â

âYes.â

âAmazing the way he managed to carry on passing stuff out for so long. Youâd think somebody would have suspected.â

âThey didnât, you know. When youâve got it into your head that a fellow is a thoroughly good chap, it doesnât occur to you that he mightnât be.â

âHe must have been clever,â Dick commented.

I shook my head.

âNo, I donât think he was, really. I think he just did as he was told. He had access to very important documents. He walked out with them, they were photographed and returned to him, and they were back again where they belonged the same day. Good organization there. He made a habit of lunching at different places every day. We think that he hung up his overcoat where there was always an overcoat exactly like itâthough the man who wore the other overcoat wasnât always the same man. The overcoats were switched, but the man who switched them never spoke to Larkin, and Larkin never spoke to him. Weâd like to know a good deal more about the mechanics of it. It was all very well-planned with perfect timing. Somebody had brains.â

âAnd thatâs why youâre still hanging round the Naval Station at Portlebury?â

âYes, we know the Naval end of it and we know the London end. We know just when and where Larkin got his pay and how. But thereâs a gap. In between the two thereâs a very pretty little bit of organization. Thatâs the part weâd like to know more about, because thatâs the part where the brains are. Somewhere thereâs a very good headquarters, with excellent planning, which leaves a trail that is confused not once but probably seven or eight times.â

âWhat did Larkin do it for?â asked Hardcastle, curiously. âPolitical idealist? Boosting his ego? Or plain money?â

âHe was no idealist,â I said. âJust money, Iâd say.â

âCouldnât you have got on to him sooner that way? He spent the money, didnât he? He didnât salt it away.â

âOh, no, he splashed it about all right. Actually, we got on to him a little sooner than weâre admitting.â

Hardcastle nodded his head understandingly.

âI see. You tumbled and then you used him for a bit. Is that it?â

âMore or less. He had passed out some quite valuable information before we got on to him, so we let him pass out more information, also apparently valuable. In the Service I belong to, we have to resign ourselves to looking fools now and again.â

âI donât think Iâd care for your job, Colin,â said Hardcastle thoughtfully.

âItâs not the exciting job that people think it is,â I said. âAs a matter of fact, itâs usually remarkably tedious. But thereâs something beyond that. Nowadays one gets to feeling that nothing really is secret. We know Their secrets and They know our secrets. Our agents are often Their agents, too, and Their agents are very often our agents. And in the end who is double-crossing who becomes a kind of nightmare! Sometimes I think that everybody knows everybody elseâs secrets and that they enter into a kind of conspiracy to pretend that they donât.â

âI see what you mean,â Dick said thoughtfully.

Then he looked at me curiously.

âI can see why you should still be hanging around Portlebury. But Crowdeanâs a good ten miles from Portlebury.â

âWhat Iâm really after,â I said, âare Crescents.â

âCrescents?â Hardcastle looked puzzled.

âYes. Or alternatively, moons. New moons, rising moons and so on. I started my quest in Portlebury itself. Thereâs a pub there called The Crescent Moon. I wasted a long time over that. It sounded ideal. Then thereâs The Moon and Stars. The Rising Moon, The Jolly Sickle, The Cross and the Crescentâthat was in a little place called Seamede. Nothing doing. Then I abandoned moons and started on Crescents. Several Crescents in Portlebury. Lansbury Crescent, Aldridge Crescent, Livermead Crescent, Victoria Crescent.â

I caught sight of Dickâs bewildered face and began to laugh.

âDonât look so much at sea, Dick. I had something tangible to start me off.â

I took out my wallet, extracted a sheet of paper and passed it over to him. It was a single sheet of hotel writing paper on which a rough sketch had been drawn.

âA chap called Hanbury had this in his wallet. Hanbury did a lot of work in the Larkin case. He was goodâvery good. He was run over by a hit and run car in London. Nobody got its number. I donât know what this means, but itâs something that Hanbury jotted down, or copied, because he thought it was important. Some idea that he had? Or something that heâd seen or heard? Something to do with a moon or crescent, the number 61 and the initial M. I took over after his death. I donât know what Iâm looking for yet, but Iâm pretty sure thereâs something to find. I donât know what 61 means. I donât know what M means. Iâve been working in a radius from Portlebury outwards. Three weeks of unremitting and unrewarding toil. Crowdean is on my route. Thatâs all there is to it. Frankly, Dick, I didnât expect very much of Crowdean. Thereâs only one Crescent here. Thatâs Wilbraham Crescent. I was going to have a walk along Wilbraham Crescent and see what I thought of Number 61 before asking you if youâd got any dope that could help me. Thatâs what I was doing this afternoonâbut I couldnât find Number 61.â

âAs I told you, 61 is occupied by a local builder.â

âAnd thatâs not what Iâm after. Have they got a foreign help of any kind?â

âCould be. A good many people do nowadays. If so, sheâll be registered. Iâll look it up for you by tomorrow.â

âThanks, Dick.â

âIâll be making routine inquiries tomorrow at the two houses on either side of 19. Whether they saw anyone come to the house, etcetera. I might include the houses directly behind 19, the ones whose gardens adjoin it. I rather think that 61 is almost directly behind 19. I could take you along with me if you liked.â

I closed with the offer greedily.

âIâll be your Sergeant Lamb and take shorthand notes.â

We agreed that I should come to the police station at nine thirty the following morning.

II

I arrived the next morning promptly at the agreed hour and found my friend literally fuming with rage.

When he had dismissed an unhappy subordinate, I inquired delicately what had happened.

For a moment Hardcastle seemed unable to speak. Then he spluttered out: âThose damned clocks!â

âThe clocks again? Whatâs happened now?â

âOne of them is missing.â

âMissing? Which one?â

âThe leather travelling clock. The one with âRosemaryâ across the corner.â

I whistled.

âThat seems very extraordinary. How did it come about?â

âThe damned foolsâIâm one of them really, I supposeââ (Dick was a very honest man) ââOneâs got to remember to cross every t and dot every i or things go wrong. Well, the clocks were there all right yesterday in the sitting room. I got Miss Pebmarsh to feel them all to see if they felt familiar. She couldnât help. Then they came to remove the body.â

âYes?â

âI went out to the gate to supervise, then I came back to the house, spoke to Miss Pebmarsh who was in the kitchen, and said I must take the clocks away and would give her a receipt for them.â

âI remember. I heard you.â

âThen I told the girl Iâd send her home in one of our cars, and I asked you to see her into it.â

âYes.â

âI gave Miss Pebmarsh the receipt though she said it wasnât necessary since the clocks werenât hers. Then I joined you. I told Edwards I wanted the clocks in the sitting room packed up carefully and brought here. All of them except the cuckoo clock and, of course, the grandfather. And thatâs where I went wrong. I should have said, quite definitely, four clocks. Edwards says he went in at once and did as I told him. He insists there were only three clocks other than the two fixtures.â

âThat doesnât give much time,â I said. âIt meansââ

âThe Pebmarsh woman could have done it. She could have picked up the clock after I left the room and gone straight to the kitchen with it.â

âTrue enough. But why?â

âWeâve got a lot to learn. Is there anybody else? Could the girl have done it?â

I reflected. âI donât think so. Iââ I stopped, remembering something.

âSo she did,â said Hardcastle. âGo on. When was it?â

âWe were just going out to the police car,â I said unhappily. âSheâd left her gloves behind. I said, âIâll get them for youâ and she said, âOh, I know just where I must have dropped them. I donât mind going into that room now that the bodyâs goneâ and she ran back into the house. But she was only gone a minuteââ

âDid she have her gloves on, or in her hand when she rejoined you?â

I hesitated. âYesâyes, I think she did.â

âObviously she didnât,â said Hardcastle, âor you wouldnât have hesitated.â

âShe probably stuffed them in her bag.â

âThe trouble is,â said Hardcastle in an accusing manner, âyouâve fallen for that girl.â

âDonât be idiotic,â I defended myself vigorously. âI saw her for the first time yesterday afternoon, and it wasnât exactly what youâd call a romantic introduction.â

âIâm not so sure of that,â said Hardcastle. âIt isnât every day that young men have girls falling into their arms screaming for help in the approved Victorian fashion. Makes a man feel a hero and a gallant protector. Only youâve got to stop protecting her. Thatâs all. So far as you know, that girl may be up to the neck in this murder business.â

âAre you saying that this slip of a girl stuck a knife into a man, hid it somewhere so carefully that none of your sleuths could find it, then deliberately rushed out of the house and did a screaming act all over me?â

âYouâd be surprised at what Iâve seen in my time,â said Hardcastle darkly.

âDonât you realize,â I demanded, indignantly, âthat my life has been full of beautiful spies of every nationality? All of them with vital statistics that would make an American private eye forget all about the shot of rye in his collar drawer. Iâm immune to all female allurements.â

âEverybody meets his Waterloo in the end,â said Hardcastle. âIt all depends on the type. Sheila Webb seems to be your type.â

âAnyway, I canât see why youâre so set on fastening it on her.â

Hardcastle sighed.

âIâm not fastening it on herâbut Iâve got to start somewhere. The body was found in Pebmarshâs house. That involves her. The body was found by the Webb girlâI donât need to tell you how often the first person to find a dead body is the same as the person who last saw him alive. Until more facts turn up, those two remain in the picture.â

âWhen I went into that room at just after three oâclock, the body had been dead at least half an hour, probably longer. How about that?â

âSheila Webb had her lunch hour from 1:30 to 2:30.â

I looked at him in exasperation.

âWhat have you found out about Curry?â

Hardcastle said with unexpected bitterness: âNothing!â

âWhat do you meanânothing?â

âJust that he doesnât existâthereâs no such person.â

âWhat do the Metropolis Insurance Company say?â

âTheyâve nothing to say either, because thereâs no such thing. The Metropolis and Provincial Insurance Company doesnât exist. As far as Mr. Curry from Denvers Street goes, thereâs no Mr. Curry, no Denvers Street, Number 7 or any other number.â

âInteresting,â I said. âYou mean he just had some bogus cards printed with a bogus name, address and insurance company?â

âPresumably.â

âWhat is the big idea, do you think?â

Hardcastle shrugged his shoulders.

âAt the moment itâs guesswork. Perhaps he collected bogus premiums. Perhaps it was a way of introducing himself into houses and working some confidence trick. He may have been a swindler or a confidence trickster or a picker-up of unconsidered trifles or a private inquiry agent. We just donât know.â

âBut youâll find out.â

âOh, yes, weâll know in the end. We sent up his fingerprints to see if heâs got a record of any kind. If he has itâll be a big step on the way. If he hasnât, itâll be rather more difficult.â

âA private dick,â I said thoughtfully. âI rather like that. It opens upâpossibilities.â

âPossibilities are all weâve got so far.â

âWhenâs the inquest?â

âDay after tomorrow. Purely formal and an adjournment.â

âWhatâs the medical evidence?â

âOh, stabbed with a sharp instrument. Something like a kitchen vegetable knife.â

âThat rather lets out Miss Pebmarsh, doesnât it?â I said thoughtfully. âA blind woman would hardly be able to stab a man. She really is blind, I suppose?â

âOh, yes, sheâs blind. We checked up. And sheâs exactly what she says she is. She was a teacher of mathematics in a North Country schoolâlost her sight about sixteen years agoâtook up training in Braille, etc., and finally got a post with the Aaronberg Institute here.â

âShe could be mental, I suppose?â

âWith a fixation on clocks and insurance agents?â

âIt really is all too fantastic for words.â I couldnât help speaking with some enthusiasm. âLike Ariadne Oliver in her worst moments, or the late Garry Gregson at the top of his formââ

âGo onâenjoy yourself. Youâre not the wretched D.I. in charge. You havenât got to satisfy a superintendent or a chief constable and all the rest of it.â

âOh well! Perhaps weâll get something useful out of the neighbours.â

âI doubt it,â said Hardcastle bitterly. âIf that man was stabbed in the front garden and two masked men carried him into the houseânobody would have looked out of the window or seen anything. This isnât a village, worse luck. Wilbraham Crescent is a genteel residential road. By one oâclock, daily women who might have seen something have gone home. Thereâs not even a pram being wheeled alongââ

âNo elderly invalid who sits all day by the window?â

âThatâs what we wantâbut thatâs not what weâve got.â

âWhat about numbers 18 and 20?â

â18 is occupied by Mr. Waterhouse, Managing Clerk to Gainsford and Swettenham, Solicitors, and his sister who spends her spare time managing him. All I know about 20 is that the woman who lives there keeps about twenty cats. I donât like catsââ

I told him that a policemanâs life was a hard one, and we started off.

Seven

Mr. Waterhouse, hovering uncertainly on the steps of 18, Wilbraham Crescent, looked back nervously at his sister.

âYouâre quite sure youâll be all right?â said Mr. Waterhouse.

Miss Waterhouse snorted with some indignation.

âI really donât know what you mean, James.â

Mr. Waterhouse looked apologetic. He had to look apologetic so often that it was practically his prevailing cast of countenance.

âWell, I just meant, my dear, considering what happened next door yesterdayâ¦.â

Mr. Waterhouse was prepared for departure to the solicitorsâ office where he worked. He was a neat, grey-haired man with slightly stooping shoulders and a face that was also grey rather than pink, though not in the least unhealthy looking.

Miss Waterhouse was tall, angular, and the kind of woman with no nonsense about her who is extremely intolerant of nonsense in others.

âIs there any reason, James, because someone was murdered in the next door house that I shall be murdered today?â

âWell, Edith,â said Mr. Waterhouse, âit depends so much, does it not, by whom the murder was committed?â

âYou think, in fact, that thereâs someone going up and down Wilbraham Crescent selecting a victim from every house? Really, James, that is almost blasphemous.â

âBlasphemous, Edith?â said Mr. Waterhouse in lively surprise. Such an aspect of his remark would never have occurred to him.

âReminiscent of the Passover,â said Miss Waterhouse. âWhich, let me remind you, is Holy Writ.â

âThat is a little farfetched I think, Edith,â said Mr. Waterhouse.

âI should like to see anyone coming here, trying to murder me,â said Miss Waterhouse with spirit.

Her brother reflected to himself that it did seem highly unlikely. If he himself had been choosing a victim he would not have chosen his sister. If anyone were to attempt such a thing it was far more likely that the attacker would be knocked out by a poker or a lead doorstop and delivered over to the police in a bleeding and humiliated condition.

âI just meant,â he said, the apologetic air deepening, âthat there areâwellâclearly undesirable characters about.â

âWe donât know very much about what did happen yet,â said Miss Waterhouse. âAll sorts of rumours are going about. Mrs. Head had some extraordinary stories this morning.â

âI expect so, I expect so,â said Mr. Waterhouse. He looked at his watch. He had no real desire to hear the stories brought in by their loquacious daily help. His sister never lost time in debunking these lurid flights of fancy, but nevertheless enjoyed them.

âSome people are saying,â said Miss Waterhouse, âthat this man was the treasurer or a trustee of the Aaronberg Institute and that there is something wrong in the accounts, and that he came to Miss Pebmarsh to inquire about it.â

âAnd that Miss Pebmarsh murdered him?â Mr. Waterhouse looked mildly amused. âA blind woman? Surelyââ

âSlipped a piece of wire round his neck and strangled him,â said Miss Waterhouse. âHe wouldnât be on his guard, you see. Who would be with anyone blind? Not that I believe it myself,â she added. âIâm sure Miss Pebmarsh is a person of excellent character. If I do not see eye to eye with her on various subjects, that is not because I impute anything of a criminal nature to her. I merely think that her views are bigoted and extravagant. After all, there are other things besides education. All these new peculiar looking grammar schools, practically built of glass. You might think they were meant to grow cucumbers in, or tomatoes. Iâm sure very prejudicial to children in the summer months. Mrs. Head herself told me that her Susan didnât like their new classrooms. Said it was impossible to attend to your lessons because with all those windows you couldnât help looking out of them all the time.â

âDear, dear,â said Mr. Waterhouse, looking at his watch again. âWell, well, Iâm going to be very late, Iâm afraid. Good-bye, my dear. Look after yourself. Better keep the door on the chain perhaps?â

Miss Waterhouse snorted again. Having shut the door behind her brother she was about to retire upstairs when she paused thoughtfully, went to her golf bag, removed a niblick, and placed it in a strategic position near the front door. âThere,â said Miss Waterhouse, with some satisfaction. Of course James talked nonsense. Still it was always as well to be prepared. The way they let mental cases out of nursing homes nowadays, urging them to lead a normal life, was in her view fraught with danger to all sorts of innocent people.

Miss Waterhouse was in her bedroom when Mrs. Head came bustling up the stairs. Mrs. Head was small and round and very like a rubber ballâshe enjoyed practically everything that happened.

âA couple of gentlemen want to see you,â said Mrs. Head with avidity. âLeastways,â she added, âthey arenât really gentlemenâitâs the police.â

She shoved forward a card. Miss Waterhouse took it.

âDetective Inspector Hardcastle,â she read. âDid you show them into the drawing room?â

âNo. I put âem in the dininâ room. Iâd cleared away breakfast and I thought that that would be more proper a place. I mean, theyâre only the police after all.â

Miss Waterhouse did not quite follow this reasoning. However she said, âIâll come down.â

âI expect theyâll want to ask you about Miss Pebmarsh,â said Mrs. Head. âWant to know whether youâve noticed anything funny in her manner. They say these manias come on very sudden sometimes and thereâs very little to show beforehand. But thereâs usually something, some way of speaking, you know. You can tell by their eyes, they say. But then that wouldnât hold with a blind woman, would it? Ahââ she shook her head.

Miss Waterhouse marched downstairs and entered the dining room with a certain amount of pleasurable curiosity masked by her usual air of belligerence.

âDetective Inspector Hardcastle?â

âGood morning, Miss Waterhouse.â Hardcastle had risen. He had with him a tall, dark young man whom Miss Waterhouse did not bother to greet. She paid no attention to a faint murmur of âSergeant Lamb.â

âI hope I have not called at too early an hour,â said Hardcastle, âbut I imagine you know what it is about. Youâve heard what happened next door yesterday.â

âMurder in oneâs next door neighbourâs house does not usually go unnoticed,â said Miss Waterhouse. âI even had to turn away one or two reporters who came here asking if I had observed anything.â

âYou turned them away?â

âNaturally.â

âYou were quite right,â said Hardcastle. âOf course they like to worm their way in anywhere but Iâm sure you are quite capable of dealing with anything of that kind.â

Miss Waterhouse allowed herself to show a faintly pleasurable reaction to this compliment.

âI hope you wonât mind us asking you the same kind of questions,â said Hardcastle, âbut if you did see anything at all that could be of interest to us, I can assure you we should be only too grateful. You were here in the house at the time, I gather?â

âI donât know when the murder was committed,â said Miss Waterhouse.

âWe think between half past one and half past two.â

âI was here then, yes, certainly.â

âAnd your brother?â

âHe does not come home to lunch. Who exactly was murdered? It doesnât seem to say in the short account there was in the local morning paper.â

âWe donât yet know who he was,â said Hardcastle.

âA stranger?â

âSo it seems.â

âYou donât mean he was a stranger to Miss Pebmarsh also?â

âMiss Pebmarsh assures us that she was not expecting this particular guest and that she has no idea who he was.â

âShe canât be sure of that,â said Miss Waterhouse. âShe canât see.â

âWe gave her a very careful description.â

âWhat kind of man was he?â

Hardcastle took a rough print from an envelope and handed it to her.

âThis is the man,â he said. âHave you any idea who he can be?â

Miss Waterhouse looked at the print. âNo. No â¦ Iâm certain Iâve never seen him before. Dear me. He looks quite a respectable man.â

âHe was a most respectable-looking man,â said the inspector. âHe looks like a lawyer or a business man of some kind.â

âIndeed. This photograph is not at all distressing. He just looks as though he might be asleep.â

Hardcastle did not tell her that of the various police photographs of the corpse this one had been selected as the least disturbing to the eye.

âDeath can be a peaceful business,â he said. âI donât think this particular man had any idea that it was coming to him when it did.â

âWhat does Miss Pebmarsh say about it all?â demanded Miss Waterhouse.

âShe is quite at a loss.â

âExtraordinary,â commented Miss Waterhouse.

âNow, can you help us in any way, Miss Waterhouse? If you cast your mind back to yesterday, were you looking out of the window at all, or did you happen to be in your garden, say any time between half past twelve and three oâclock?â

Miss Waterhouse reflected.

âYes, I was in the garden â¦ Now let me see. It must have been before one oâclock. I came in about ten to one from the garden, washed my hands and sat down to lunch.â

âDid you see Miss Pebmarsh enter or leave the house?â

âI think she came inâI heard the gate squeakâyes, some time after half past twelve.â

âYou didnât speak to her?â

âOh no. It was just the squeak of the gate made me look up. It is her usual time for returning. She finishes her classes then, I believe. She teaches at the Disabled Children as probably you know.â

âAccording to her own statement, Miss Pebmarsh went out again about half past one. Would you agree to that?â

âWell, I couldnât tell you the exact time butâyes, I do remember her passing the gate.â

âI beg your pardon, Miss Waterhouse, you said âpassing the gate.ââ

âCertainly. I was in my sitting room. That gives on the street, whereas the dining room, where we are sitting now, gives as you can see, on the back garden. But I took my coffee into the sitting room after lunch and I was sitting with it in a chair near the window. I was reading The Times, and I think it was when I was turning the sheet that I noticed Miss Pebmarsh passing the front gate. Is there anything extraordinary about that, Inspector?â

âNot extraordinary, no,â said the inspector, smiling. âOnly I understood that Miss Pebmarsh was going out to do a little shopping and to the post office, and I had an idea that the nearest way to the shops and the post office would be to go the other way along the crescent.â

âDepends on which shops you are going to,â said Miss Waterhouse. âOf course the shops are nearer that way, and thereâs a post office in Albany Roadââ

âBut perhaps Miss Pebmarsh usually passed your gate about that time?â

âWell, really, I donât know what time Miss Pebmarsh usually went out, or in which direction. Iâm not really given to watching my neighbours in any way, Inspector. Iâm a busy woman and have far too much to do with my own affairs. Some people I know spend their entire time looking out of the window and noticing who passes and who calls on whom. That is more a habit of invalids or of people whoâve got nothing better to do than to speculate and gossip about their neighboursâ affairs.â

Miss Waterhouse spoke with such acerbity that the inspector felt sure that she had some one particular person in mind. He said hastily, âQuite so. Quite so.â He added, âSince Miss Pebmarsh passed your front gate, she might have been going to telephone, might she not? That is where the public telephone box is situated?â

âYes. Itâs opposite Number 15.â

âThe important question I have to ask you, Miss Waterhouse, is if you saw the arrival of this manâthe mystery man as Iâm afraid the morning papers have called him.â

Miss Waterhouse shook her head. âNo, I didnât see him or any other caller.â

âWhat were you doing between half past one and three oâclock?â

âI spent about half an hour doing the crossword in The Times, or as much of it as I could, then I went out to the kitchen and washed up the lunch. Let me see. I wrote a couple of letters, made some cheques out for bills, then I went upstairs and sorted out some things I wanted to take to the cleaners. I think it was from my bedroom that I noticed a certain amount of commotion next door. I distinctly heard someone screaming, so naturally I went to the window. There was a young man and a girl at the gate. He seemed to be embracing her.â

Sergeant Lamb shifted his feet but Miss Waterhouse was not looking at him and clearly had no idea that he had been that particular young man in question.

âI could only see the back of the young manâs head. He seemed to be arguing with the girl. Finally he sat her down against the gatepost. An extraordinary thing to do. And he strode off and went into the house.â

âYou had not seen Miss Pebmarsh return to the house a short time before?â

Miss Waterhouse shook her head. âNo. I donât really think I had looked out the window at all until I heard this extraordinary screaming. However, I didnât pay much attention to all this. Young girls and men are always doing such extraordinary thingsâscreaming, pushing each other, giggling or making some kind of noiseâthat I had no idea it was anything serious. Not until some cars drove up with policemen did I realize anything out of the ordinary had occurred.â

âWhat did you do then?â

âWell, naturally I went out of the house, stood on the steps and then I walked round to the back garden. I wondered what had happened but there didnât seem to be anything much to see from that side. When I got back again there was quite a little crowd gathering. Somebody told me thereâd been a murder in the house. It seemed to me most extraordinary. Most extraordinary!â said Miss Waterhouse with a great deal of disapproval.

âThere is nothing else you can think of? That you can tell us?â

âReally, Iâm afraid not.â

âHas anybody recently written to you suggesting insurance, or has anybody called upon you or proposed calling upon you?â

âNo. Nothing of the kind. Both James and I have taken out insurance policies with the Mutual Help Assurance Society. Of course one is always getting letters which are really circulars or advertisements of some kind but I donât recall anything of that kind recently.â

âNo letters signed by anybody called Curry?â

âCurry? No, certainly not.â

âAnd the name of Curry means nothing to you in any way?â

âNo. Should it?â

Hardcastle smiled. âNo. I really donât think it should,â he said. âIt just happens to be the name that the man who was murdered was calling himself by.â

âIt wasnât his real name?â

âWe have some reason to think that it was not his real name.â

âA swindler of some kind, eh?â said Miss Waterhouse.

âWe canât say that till we have evidence to prove it.â

âOf course not, of course not. Youâve got to be careful. I know that,â said Miss Waterhouse. âNot like some of the people around here. Theyâd say anything. I wonder some arenât had up for libel all the time.â

âSlander,â corrected Sergeant Lamb, speaking for the first time.

Miss Waterhouse looked at him in some surprise, as though not aware before that he had an entity of his own and was anything other than a necessary appendage to Inspector Hardcastle.

âIâm sorry I canât help you, I really am,â said Miss Waterhouse.

âIâm sorry too,â said Hardcastle. âA person of your intelligence and judgement with a faculty of observation would have been a very useful witness to have.â

âI wish I had seen something,â said Miss Waterhouse.

For a moment her tone was as wistful as a young girlâs.

âYour brother, Mr. James Waterhouse?â

âJames wouldnât know anything,â said Miss Waterhouse scornfully. âHe never does. And anyway he was at Gainsford and Swettenhams in the High Street. Oh no, James wouldnât be able to help you. As I say, he doesnât come back to lunch.â

âWhere does he lunch usually?â

âHe usually has sandwiches and coffee at the Three Feathers. A very nice respectable house. They specialize in quick lunches for professional people.â

âThank you, Miss Waterhouse. Well, we mustnât keep you any longer.â

He rose and went out into the hall. Miss Waterhouse accompanied them. Colin Lamb picked up the golf club by the door.

âNice club, this,â he said. âPlenty of weight in the head.â He weighed it up and down in his hand. âI see you are prepared, Miss Waterhouse, for any eventualities.â

Miss Waterhouse was slightly taken aback.

âReally,â she said, âI canât imagine how that club came to be there.â

She snatched it from him and replaced it in the golf bag.

âA very wise precaution to take,â said Hardcastle.

Miss Waterhouse opened the door and let them out.

âWell,â said Colin Lamb, with a sigh, âwe didnât get much out of her, in spite of you buttering her up so nicely all the time. Is that your invariable method?â

âIt gets good results sometimes with a person of her type. The tough kind always respond to flattery.â

âShe was purring like a cat that has been offered a saucer of cream in the end,â said Colin. âUnfortunately, it didnât disclose anything of interest.â

âNo?â said Hardcastle.

Colin looked at him quickly. âWhatâs on your mind?â

âA very slight and possibly unimportant point. Miss Pebmarsh went out to the post office and the shops but she turned left instead of right, and that telephone call, according to Miss Martindale, was put through about ten minutes to two.â

Colin looked at him curiously.

âYou still think that in spite of her denial she might have made it? She was very positive.â

âYes,â said Hardcastle. âShe was very positive.â

His tone was noncommittal.

âBut if she did make it, why?â

âOh, itâs all why,â said Hardcastle impatiently. âWhy, why? Why all this rigmarole? If Miss Pebmarsh made that call, why did she want to get the girl there? If it was someone else, why did they want to involve Miss Pebmarsh? We donât know anything yet. If that Martindale woman had known Miss Pebmarsh personally, sheâd have known whether it was her voice or not, or at any rate whether it was reasonably like Miss Pebmarshâs. Oh well, we havenât got much from Number 18. Letâs see whether Number 20 will do us any better.â

Eight

In addition to its number, 20, Wilbraham Crescent had a name. It was called Diana Lodge. The gates had obstacles against intruders by being heavily wired on the inside. Rather melancholy speckled laurels, imperfectly trimmed, also interfered with the efforts of anyone to enter through the gate.

âIf ever a house could have been called The Laurels, this one could,â remarked Colin Lamb. âWhy call it Diana Lodge, I wonder?â

He looked round him appraisingly. Diana Lodge did not run to neatness or to flower beds. Tangled and overgrown shrubbery was its most salient point together with a strong catty smell of ammonia. The house seemed in a rather tumbledown condition with gutters that could do with repairing. The only sign of any recent kind of attention being paid to it was a freshly painted front door whose colour of bright azure blue made the general unkempt appearance of the rest of the house and garden even more noticeable. There was no electric bell but a kind of handle that was clearly meant to be pulled. The inspector pulled it and a faint sound of remote jangling was heard inside.

âIt sounds,â said Colin, âlike the Moated Grange.â

They waited for a moment or two, then sounds were heard from inside. Rather curious sounds. A kind of high crooning, half singing, half speaking.

âWhat the devilââ began Hardcastle.

The singer or crooner appeared to be approaching the front door and words began to be discernible.

âNo, sweet-sweetie. In there, my love. Mindems tailems Shah-Shah-Mimi. CleoâCleopatra. Ah de doodlums. Ah lou-lou.â

Doors were heard to shut. Finally the front door opened. Facing them was a lady in a pale moss-green, rather rubbed, velvet tea gown. Her hair, in flaxen grey wisps, was twirled elaborately in a kind of coiffure of some thirty years back. Round her neck she was wearing a necklet of orange fur. Inspector Hardcastle said dubiously:

âMrs. Hemming?â

âI am Mrs. Hemming. Gently, Sunbeam, gently doodleums.â

It was then that the inspector perceived that the orange fur was really a cat. It was not the only cat. Three other cats appeared along the hall, two of them miaowing. They took up their place, gazing at the visitors, twirling gently round their mistressâs skirts. At the same time a pervading smell of cat afflicted the nostrils of both men.

âI am Detective Inspector Hardcastle.â

âI hope youâve come about that dreadful man who came to see me from the Prevention of Cruelty to Animals,â said Mrs. Hemming. âDisgraceful! I wrote and reported him. Saying my cats were kept in a condition prejudicial to their health and happiness! Quite disgraceful! I live for my cats, Inspector. They are my only joy and pleasure in life. Everything is done for them. Shah-Shah-Mimi. Not there, sweetie.â

Shah-Shah-Mimi paid no attention to a restraining hand and jumped on the hall table. He sat down and washed his face, staring at the strangers.

âCome in,â said Mrs. Hemming. âOh no, not that room. Iâd forgotten.â

She pushed open a door on the left. The atmosphere here was even more pungent.

âCome on, my pretties, come on.â

In the room various brushes and combs with cat hairs in them lay about on chairs and tables. There were faded and soiled cushions, and there were at least six more cats.

âI live for my darlings,â said Mrs. Hemming. âThey understand every word I say to them.â

Inspector Hardcastle walked in manfully. Unfortunately for him he was one of those men who have cat allergy. As usually happens on these occasions all the cats immediately made for him. One jumped on his knee, another rubbed affectionately against his trousers. Detective Inspector Hardcastle, who was a brave man, set his lips and endured.

âI wonder if I could ask you a few questions, Mrs. Hemming, aboutââ

âAnything you please,â said Mrs. Hemming, interrupting him. âI have nothing to hide. I can show you the catsâ food, their beds where they sleep, five in my room, the other seven down here. They have only the very best fish cooked by myself.â

âThis is nothing to do with cats,â said Hardcastle, raising his voice. âI came to talk to you about the unfortunate affair which happened next door. You have probably heard about it.â

âNext door? You mean Mr. Joshuaâs dog?â

âNo,â said Hardcastle, âI do not. I mean at Number 19 where a man was found murdered yesterday.â

âIndeed?â said Mrs. Hemming, with polite interest but no more. Her eyes were still straying over her pets.

âWere you at home yesterday afternoon, may I ask? That is to say between half past one and half past three?â

âOh yes, indeed. I usually do my shopping quite early in the day and then get back so that I can do the darlingsâ lunch, and then comb and groom them.â

âAnd you didnât notice any activity next door? Police carsâambulanceâanything like that?â

âWell, Iâm afraid I didnât look out of the front windows. I went out of the back of the house into the garden because dear Arabella was missing. She is quite a young cat and she had climbed up one of the trees and I was afraid she might not be able to get down. I tried to tempt her with a saucer of fish but she was frightened, poor little thing. I had to give up in the end and come back into the house. And would you believe it, just as I went through the door, down she came and followed me in.â She looked from one man to the other as though testing their powers of belief.

âMatter of fact, I would believe it,â said Colin, unable to keep silence any more.

âI beg your pardon?â Mrs. Hemming looked at him slightly startled.

âI am much attached to cats,â said Colin, âand I have therefore made a study of cat nature. What you have told me illustrates perfectly the pattern of cat behaviour and the rules they have made for themselves. In the same way your cats are all congregating round my friend who frankly does not care for cats, they will pay no attention to me in spite of all my blandishments.â

If it occurred to Mrs. Hemming that Colin was hardly speaking in the proper role of sergeant of police, no trace of it appeared in her face. She merely murmured vaguely:

âThey always know, the dear things, donât they?â

A handsome grey Persian put two paws on Inspector Hardcastleâs knees, looked at him in an ecstasy of pleasure and dug his claws in hard with a kneading action as though the inspector was a pincushion. Goaded beyond endurance, Inspector Hardcastle rose to his feet.

âI wonder, madam,â he said, âif I could see this back garden of yours.â

Colin grinned slightly.

âOh, of course, of course. Anything you please.â Mrs. Hemming rose.

The orange cat unwound itself from her neck. She replaced it in an absentminded way with the grey Persian. She led the way out of the room. Hardcastle and Colin followed.

âWeâve met before,â said Colin to the orange cat and added, âAnd youâre a beauty, arenât you,â addressing another grey Persian who was sitting on a table by a Chinese lamp, swishing his tail slightly. Colin stroked him, tickled him behind the ears and the grey cat condescended to purr.

âShut the door, please, as you come out, Mr.âerâer,â said Mrs. Hemming from the hall. âThereâs a sharp wind today and I donât want my dears to get cold. Besides, there are those terrible boysâitâs really not safe to let the dear things wander about in the garden by themselves.â

She walked towards the back of the hall and opened a side door.

âWhat terrible boys?â asked Hardcastle.

âMrs. Ramsayâs two boys. They live in the south part of the crescent. Our gardens more or less back on each other. Absolute young hooligans, thatâs what they are. They have a catapult, you know, or they had. I insisted on its being confiscated but I have my suspicions. They make ambushes and hide. In the summer they throw apples.â

âDisgraceful,â said Colin.

The back garden was like the front only more so. It had some unkempt grass, some unpruned and crowded shrubs and a great many more laurels of the speckled variety, and some rather gloomy macrocarpas. In Colinâs opinion, both he and Hardcastle were wasting their time. There was a solid barrage of laurels, trees and shrubs through which nothing of Miss Pebmarshâs garden could possibly be seen. Diana Lodge could be described as a fully detached house. From the point of view of its inhabitants, it might have had no neighbours.

âNumber 19, did you say?â said Mrs. Hemming, pausing irresolutely in the middle of her back garden. âBut I thought there was only one person living in the house, a blind woman.â

âThe murdered man was not an occupant of the house,â said the inspector.

âOh, I see,â said Mrs. Hemming, still vaguely, âhe came here to be murdered. How odd.â

âNow that,â said Colin thoughtfully to himself, âis a damned good description.â

Nine

They drove along Wilbraham Crescent, turned to the right up Albany Road and then to the right again along the second instalment of Wilbraham Crescent.

âSimple really,â said Hardcastle.

âOnce you know,â said Colin.

â61 really backs on Mrs. Hemmingâs houseâbut a corner of it touches on 19, so thatâs good enough. It will give you a chance to look at your Mr. Bland. No foreign help, by the way.â

âSo there goes a beautiful theory.â The car drew up and the two men got out.

âWell, well,â said Colin. âSome front garden!â

It was indeed a model of surburban perfection in a small way. There were beds of geraniums with lobelia edging. There were large fleshy-looking begonias, and there was a fine display of garden ornamentsâfrogs, toadstools, comic gnomes and pixies.

âIâm sure Mr. Bland must be a nice worthy man,â said Colin, with a shudder. âHe couldnât have these terrible ideas if he wasnât.â He added as Hardcastle pushed the bell, âDo you expect him to be in at this time of the morning?â

âI rang up,â explained Hardcastle. âAsked him if it would be convenient.â

At that moment a smart little Traveller van drew up and turned into the garage, which had obviously been a late addition to the house. Mr. Josaiah Bland got out, slammed the door and advanced towards them. He was a man of medium height with a bald head and rather small blue eyes. He had a hearty manner.

âInspector Hardcastle? Come right in.â

He led the way into the sitting room. It evinced several proofs of prosperity. There were expensive and rather ornate lamps, an Empire writing desk, a coruscated ormolu set of mantelpiece ornaments, a marquetry cabinet, and a jardinÃ¨re full of flowers in the window. The chairs were modern and richly upholstered.

âSit down,â said Mr. Bland heartily. âSmoke? Or canât you when youâre on the job?â

âNo, thanks,â said Hardcastle.

âDonât drink either, I suppose?â said Mr. Bland. âAh well, better for both of us, I dare say. Now whatâs it all about? This business at Number 19 I suppose? The corners of our gardens adjoin, but weâve not much real view of it except from the upper floor windows. Extraordinary business altogether it seems to beâat least from what I read in our local paper this morning. I was delighted when I got your message. A chance of getting some of the real dope. Youâve no idea the rumours that are flying about! Itâs made my wife quite nervousâfeeling thereâs a killer on the loose, you know. The trouble is they let all these barmy people out of lunatic asylums nowadays. Send them home on parole or whatever they call it. Then they do in someone else and they clap them back again. And as I say, the rumours! I mean, what with our daily woman and the milk and paper boy, youâd be surprised. One says he was strangled with picture wire, and the other says he was stabbed. Someone else that he was coshed. At any rate it was a he, wasnât it? I mean, it wasnât the old girl who was done in? An unknown man, the papers said.â

Mr. Bland came to a full stop at last.

Hardcastle smiled and said in a deprecating voice:

âWell, as to unknown, he had a card and an address in his pocket.â

âSo much for that story then,â said Bland. âBut you know what people are. I donât know who thinks up all these things.â

âWhile weâre on the subject of the victim,â said Hardcastle, âperhaps youâll have a look at this.â

Once more he brought out the police photograph.

âSo thatâs him, is it?â said Bland. âHe looks a perfectly ordinary chap, doesnât he? Ordinary as you and me. I suppose I mustnât ask if he had any particular reason to be murdered?â

âItâs early days to talk about that,â said Hardcastle. âWhat I want to know, Mr. Bland, is if youâve ever seen this man before.â

Bland shook his head.

âIâm sure I havenât. Iâm quite good at remembering faces.â

âHe hasnât called upon you for any particular purposeâselling insurance orâvacuum cleaners or washing machines, or anything of that kind?â

âNo, no. Certainly not.â

âWe ought perhaps to ask your wife,â said Hardcastle. âAfter all, if he called at the house, itâs your wife he would see.â

âYes, thatâs perfectly true. I donât know, though â¦ Valerieâs not got very good health, you know. I wouldnât like to upset her. What I mean is, well, I suppose thatâs a picture of him when heâs dead, isnât it?â

âYes,â said Hardcastle, âthat is quite true. But it is not a painful photograph in any way.â

âNo, no. Very well done. The chap might be asleep, really.â

âAre you talking about me, Josaiah?â

An adjoining door from the other room was pushed open and a middle-aged woman entered the room. She had, Hardcastle decided, been listening with close attention on the other side of the door.

âAh, there you are, my dear,â said Bland, âI thought you were having your morning nap. This is my wife, Detective Inspector Hardcastle.â

âThat terrible murder,â murmured Mrs. Bland. âIt really makes me shiver to think of it.â

She sat down on the sofa with a little gasping sigh.

âPut your feet up, dear,â said Bland.

Mrs. Bland obeyed. She was a sandy-haired woman, with a faint whining voice. She looked anaemic, and had all the airs of an invalid who accepts her invalidism with a certain amount of enjoyment. For a moment or two, she reminded Inspector Hardcastle of somebody. He tried to think who it was, but failed. The faint, rather plaintive voice continued.

âMy health isnât very good, Inspector Hardcastle, so my husband naturally tries to spare me any shocks or worry. Iâm very sensitive. You were speaking about a photograph, I think, of theâof the murdered man. Oh dear, how terrible that sounds. I donât know that I can bear to look!â

âDying to see it, really,â thought Hardcastle to himself.

With faint malice in his voice, he said:

âPerhaps Iâd better not ask you to look at it, then, Mrs. Bland. I just thought you might be able to help us, in case the man has called at this house at any time.â

âI must do my duty, mustnât I,â said Mrs. Bland, with a sweet brave smile. She held out her hand.

âDo you think youâd better upset yourself, Val?â

âDonât be foolish, Josaiah. Of course I must see.â

She looked at the photograph with much interest and, or so the inspector thought, a certain amount of disappointment.

âHe looksâreally, he doesnât look dead at all,â she said. âNot at all as though heâd been murdered. Was heâhe canât have been strangled?â

âHe was stabbed,â said the inspector.

Mrs. Bland closed her eyes and shivered.

âOh dear,â she said, âhow terrible.â

âYou donât feel youâve ever seen him, Mrs. Bland?â

âNo,â said Mrs. Bland with obvious reluctance, âno, no, Iâm afraid not. Was he the sort of man whoâwho calls at houses selling things?â

âHe seems to have been an insurance agent,â said the inspector carefully.

âOh, I see. No, thereâs been nobody of that kind, Iâm sure. You never remember my mentioning anything of that kind, do you, Josaiah?â

âCanât say I do,â said Mr. Bland.

âWas he any relation to Miss Pebmarsh?â asked Mrs. Bland.

âNo,â said the inspector, âhe was quite unknown to her.â

âVery peculiar,â said Mrs. Bland.

âYou know Mrs. Pebmarsh?â

âOh yes, I mean, we know her as neighbours, of course. She asks my husband for advice sometimes about the garden.â

âYouâre a very keen gardener, I gather?â said the inspector.

âNot really, not really,â said Bland deprecatingly. âHavenât the time, you know. Of course, I know whatâs what. But Iâve got an excellent fellowâcomes twice a week. He sees the gardenâs kept well stocked, and well tidied up. Iâd say you couldnât beat our garden round here, but Iâm not one of those real gardeners like my neighbour.â

âMrs. Ramsay?â said Hardcastle in some surprise.

âNo, no, farther along. 63. Mr. McNaughton. He just lives for his garden. In it all day long, and mad on compost. Really, heâs quite a bore on the subject of compostâbut I donât suppose thatâs what you want to talk about.â

âNot exactly,â said the inspector. âI only wondered if anyoneâyou or your wife, for instanceâwere out in your garden yesterday. After all, as you say, it does touch on the border of 19 and thereâs just a chance that you might have seen something interesting yesterdayâor heard something, perhaps?â

âMidday, wasnât it? When the murder happened I mean?â

âThe relevant times are between one oâclock and three oâclock.â

Bland shook his head. âI wouldnât have seen much then. I was here. So was Valerie, but weâd be having lunch, you know, and our dining room looks out on the roadside. We shouldnât see anything that was going on in the garden.â

âWhat time do you have your meal?â

âOne oâclock or thereabouts. Sometimes itâs one thirty.â

âAnd you didnât go out in the garden at all afterwards?â

Bland shook his head.

âMatter of fact,â he said, âmy wife always goes up to rest after lunch and, if things arenât too busy, I take a bit of shuteye myself in that chair there. I must have left the house aboutâoh, I suppose a quarter to three, but unfortunately I didnât go out in the garden at all.â

âOh, well,â said Hardcastle with a sigh, âwe have to ask everyone.â

âOf course, of course. Wish I could be more helpful.â

âNice place you have here,â said the inspector. âNo money spared, if I may say so.â

Bland laughed jovially.

âAh well, we like things that are nice. My wifeâs got a lot of taste. We had a bit of a windfall a year ago. My wife came into some money from an uncle of hers. She hadnât seen him for twenty-five years. Quite a surprise it was! It made a bit of difference to us, I can tell you. Weâve been able to do ourselves well and weâre thinking of going on one of these cruises later in the year. Very educational they are, I believe. Greece and all that. A lot of professors on them lecturing. Well, of course, Iâm a self-made man and I havenât had much time for that sort of thing but Iâd be interested. That chap who went and dug up Troy, he was a grocer, I believe. Very romantic. I must say I like going to foreign partsânot that Iâve done much of thatâan occasional weekend in gay Paree, thatâs all. Iâve toyed with the idea of selling up here and going to live in Spain or Portugal or even the West Indies. A lot of people are doing it. Saves income tax and all that. But my wife doesnât fancy the idea.â

âIâm fond of travel, but I wouldnât care to live out of England,â said Mrs. Bland. âWeâve got all our friends hereâand my sister lives here, and everybody knows us. If we went abroad weâd be strangers. And then weâve got a very good doctor here. He really understands my health. I shouldnât care at all for a foreign doctor. I wouldnât have any confidence in him.â

âWeâll see,â said Mr. Bland cheerfully. âWeâll go on a cruise and you may fall in love with a Greek island.â

Mrs. Bland looked as though that were very unlikely.

âThereâd be a proper English doctor aboard, I suppose,â she said doubtfully.

âSure to be,â said her husband.

He accompanied Hardcastle and Colin to the front door, repeating once more how sorry he was that he couldnât help them.

âWell,â said Hardcastle. âWhat do you think of him?â

âI wouldnât care to let him build a house for me,â said Colin. âBut a crooked little builder isnât what Iâm after. Iâm looking for a man who is dedicated. And as regards your murder case, youâve got the wrong kind of murder. Now if Bland was to feed his wife arsenic or push her into the Aegean in order to inherit her money and marry a slap-up blondeââ

âWeâll see about that when it happens,â said Inspector Hardcastle. âIn the meantime weâve got to get on with this murder.â

Ten

At No. 62, Wilbraham Crescent, Mrs. Ramsay was saying to herself encouragingly, âOnly two days now. Only two days.â

She pushed back some dank hair from her forehead. An almighty crash came from the kitchen. Mrs. Ramsay felt very disinclined even to go and see what the crash portended. If only she could pretend that there hadnât been a crash. Oh wellâonly two days. She stepped across the hall, flung the kitchen door open and said in a voice of far less belligerence than it would have held three weeks ago:

âNow what have you done?â

âSorry, Mum,â said her son Bill. âWe were just having a bit of a bowling match with these tins and somehow or other they rolled into the bottom of the china cupboard.â

âWe didnât mean them to go into the bottom of the china cupboard,â said his younger brother Ted agreeably.

âWell, pick up those things and put them back in the cupboard and sweep up that broken china and put it in the bin.â

âOh, Mum, not now.â

âYes, now.â

âTed can do it,â said Bill.

âI like that,â said Ted. âAlways putting on me. I wonât do it if you wonât.â

âBet you will.â

âBet I wonât.â

âIâll make you.â

âYahh!â

The boys closed in a fierce wrestling match. Ted was forced back against the kitchen table and a bowl of eggs rocked ominously.

âOh, get out of the kitchen!â cried Mrs. Ramsay. She pushed the two boys out of the kitchen door and shut it, and began to pick up tins and sweep up china.

âTwo days,â she thought, âand theyâll be back at school! What a lovely, what a heavenly thought for a mother.â

She remembered vaguely some wicked remark by a woman columnist.

Only six happy days in the year for a woman.

The first and the last days of the holidays. How true that was, thought Mrs. Ramsay, sweeping up portions of her best dinner service. With what pleasure, what joy, had she contemplated the return of her offspring a bare five weeks before! And now? âThe day after tomorrow,â she repeated to herself, âthe day after tomorrow Bill and Ted will be back at school. I can hardly believe it. I canât wait!â

How heavenly it had been five weeks ago when she met them at the station. Their tempestuous and affectionate welcome! The way they had rushed all over the house and garden. A special cake baked for tea. And nowâwhat was she looking forward to now? A day of complete peace. No enormous meals to prepare, no incessant clearing up. She loved the boysâthey were fine boys, no doubt of that. She was proud of them. But they were also exhausting. Their appetite, their vitality, the noise they made.

At that moment, raucous cries arose. She turned her head in sharp alarm. It was all right. They had only gone out in the garden. That was better, there was far more room for them in the garden. They would probably annoy the neighbours. She hoped to goodness they would leave Mrs. Hemmingâs cats alone. Not, it must be confessed, for the sake of the cats, but because the wired enclosure surrounding Mrs. Hemmingâs garden was apt to tear their shorts. She cast a fleeting eye over the first-aid box which lay handy on the dresser. Not that she fussed unduly over the natural accidents of vigorous boyhood. In fact her first inevitable remark was: âNow havenât I told you a hundred times, you are not to bleed in the drawing room! Come straight into the kitchen and bleed there, where I can wipe over the linoleum.â

A terrific yell from outside seemed to be cut off midway and was followed by a silence so profound that Mrs. Ramsay felt a real feeling of alarm spring up in her breast. Really, that silence was most unnatural. She stood uncertainly, the dustpan with broken china in her hand. The kitchen door opened and Bill stood there. He had an awed, ecstatic expression most unusual on his eleven-year-old face.

âMum,â he said. âThereâs a detective inspector here and another man with him.â

âOh,â said Mrs. Ramsay, relieved. âWhat does he want, dear?â

âHe asked for you,â said Bill, âbut I think it must be about the murder. You know, the one at Miss Pebmarshâs yesterday.â

âI donât see why he should come and wish to see me,â said Mrs. Ramsay, in a slightly vexed voice.

Life was just one thing after another, she thought. How was she to get the potatoes on for the Irish stew if detective inspectors came along at this awkward hour?

âOh well,â she said with a sigh. âI suppose Iâd better come.â

She shot the broken china into the bin under the sink, rinsed her hands under the tap, smoothed her hair and prepared to follow Bill, who was saying impatiently, âOh, come on, Mum.â

Mrs. Ramsay, closely flanked by Bill, entered the sitting room. Two men were standing there. Her younger son, Ted, was in attendance upon them, staring at them with wide appreciative eyes.

âMrs. Ramsay?â

âGood morning.â

âI expect these young men have told you that I am Detective Inspector Hardcastle?â

âItâs very awkward,â said Mrs. Ramsay. âVery awkward this morning. Iâm very busy. Will it take very long?â

âHardly any time at all,â said Detective Inspector Hardcastle reassuringly. âMay we sit down?â

âOh, yes, do, do.â

Mrs. Ramsay took an upright chair and looked at them impatiently. She had suspicions that it was not going to take hardly any time at all.

âNo need for you two to remain,â said Hardcastle to the boys pleasantly.

âAw, weâre not going,â said Bill.

âWeâre not going,â echoed Ted.

âWe want to hear all about it,â said Bill.

âSure we do,â said Ted.

âWas there a lot of blood?â asked Bill.

âWas it a burglar?â said Ted.

âBe quiet, boys,â said Mrs. Ramsay. âDidnât you hear theâMr. Hardcastle say he didnât want you in here?â

âWeâre not going,â said Bill. âWe want to hear.â

Hardcastle moved across to the door and opened it. He looked at the boys.

âOut,â he said.

It was only one word, quietly uttered, but it had behind it the quality of authority. Without more ado both boys got up, shuffled their feet and shuffled out of the room.

âHow wonderful,â thought Mrs. Ramsay appreciatively. âNow why canât I be like that?â

But then, she reflected, she was the boysâ mother. She knew by hearsay that the boys, when they went out, behaved in a manner entirely different from at home. It was always mothers who got the worst of things. But perhaps, she reflected, one would rather have it like that. To have nice quiet attentive polite boys at home and to have little hooligans going out, creating unfavourable opinions of themselves, would be worseâyes, that would be worse. She recalled herself to what was required of her, as Inspector Hardcastle came back and sat down again.

âIf itâs about what happened at Number 19 yesterday,â she said nervously, âI really donât see that I can tell you anything, Inspector. I donât know anything about it. I donât even know the people who live there.â

âThe house is lived in by a Miss Pebmarsh. Sheâs blind and works at the Aaronberg Institute.â

âOh, I see,â said Mrs. Ramsay. âIâm afraid I know hardly anybody in the lower Crescent.â

âWere you yourself here yesterday between half past twelve and three oâclock?â

âOh, yes,â said Mrs. Ramsay. âThere was dinner to cook and all that. I went out before three, though. I took the boys to the cinema.â

The inspector took the photograph from his pocket and handed it to her.

âIâd like you to tell me if youâve ever seen this man before.â

Mrs. Ramsay looked at it with a slight awakening of interest.

âNo,â she said, âno, I donât think so. Iâm not sure if I would remember if I had seen him.â

âHe did not come to this house on any occasionâtrying to sell you insurance or anything of that kind?â

Mrs. Ramsay shook her head more positively.

âNo. No, Iâm sure he didnât.â

âHis name, we have some reason to believe, is Curry. Mr. R. Curry.â

He looked inquiringly at her. Mrs. Ramsay shook her head again.

âIâm afraid,â she said apologetically, âI really havenât time to see or notice anything during the holidays.â

âThatâs always a busy time, isnât it,â said the inspector. âFine boys youâve got. Full of life and spirits. Rather too many spirits sometimes, I expect?â

Mrs. Ramsay positively smiled.

âYes,â she said, âit gets a little tiring, but theyâre very good boys really.â

âIâm sure they are,â said the inspector. âFine fellows, both of them. Very intelligent, I should say. Iâll have a word with them before I go, if you donât mind. Boys notice things sometimes that nobody else in the house does.â

âI donât really see how they can have noticed anything,â said Mrs. Ramsay. âItâs not as though we were next door or anything.â

âBut your gardens back on each other.â

âYes, they do,â agreed Mrs. Ramsay. âBut theyâre quite separate.â

âDo you know Mrs. Hemming at Number 20?â

âWell, in a way I do,â said Mrs. Ramsay, âbecause of the cats and one thing and another.â

âYou are fond of cats?â

âOh, no,â said Mrs. Ramsay, âitâs not that. I mean itâs usually complaints.â

âOh, I see. Complaints. What about?â

Mrs. Ramsay flushed.

âThe trouble is,â she said, âwhen people keep cats in that wayâfourteen, sheâs gotâthey get absolutely besotted about them. And itâs all a lot of nonsense. I like cats. We used to have a cat ourselves, a tabby. Very good mouser, too. But all the fuss that woman makes, cooking special foodâhardly ever letting the poor things out to have a life of their own. Of course the cats are always trying to escape. I would, if I was one of those cats. And the boys are very good really, they wouldnât torment a cat in any way. What I say is cats can always take care of themselves very well. Theyâre very sensible animals, cats, that is if they are treated sensibly.â

âIâm sure youâre quite right,â said the inspector. âYou must have a busy life,â he went on, âkeeping those boys of yours amused and fed during the holidays. When are they going back to school?â

âThe day after tomorrow,â said Mrs. Ramsay.

âI hope youâll have a good rest then.â

âI mean to treat myself to a real lazy time,â she said.

The other young man who had been silently taking down notes, startled her a little by speaking.

âYou ought to have one of those foreign girls,â he said. âAu pair, donât they call it, come and do chores here in return for learning English.â

âI suppose I might try something of that kind,â said Mrs. Ramsay, considering, âthough I always feel that foreigners may be difficult. My husband laughs at me. But then of course he knows more about it than I do. I havenât travelled abroad as much as he has.â

âHeâs away now, isnât he?â said Hardcastle.

âYesâhe had to go to Sweden at the beginning of August. Heâs a constructional engineer. A pity he had to go just thenâat the beginning of the holidays, too. Heâs so good with the children. He really likes playing with electric trains more than the boys do. Sometimes the lines and the marshalling yards and everything go right across the hall and into the other room. Itâs very difficult not to fall over them.â She shook her head. âMen are such children,â she said indulgently.

âWhen do you expect him back, Mrs. Ramsay?â

âI never know.â She sighed. âIt makes it ratherâdifficult.â There was a tremor in her voice. Colin looked at her keenly.

âWe mustnât take up more of your time, Mrs. Ramsay.â

Hardcastle rose to his feet.

âPerhaps your boys will show us the garden?â

Bill and Ted were waiting in the hall and fell in with the suggestion immediately.

âOf course,â said Bill apologetically, âit isnât a very big garden.â

There had been some slight effort made to keep the garden of No. 62, Wilbraham Crescent in reasonable order. On one side there was a border of dahlias and Michaelmas daisies. Then a small lawn somewhat unevenly mown. The paths badly needed hoeing, models of aeroplanes, space guns and other representations of modern science lay about, looking slightly the worse for wear. At the end of the garden was an apple tree with pleasant-looking red apples on it. Next to it was a pear tree.

âThatâs it,â said Ted, pointing at the space between the apple and the pear, through which the back of Miss Pebmarshâs house showed clearly. âThatâs Number 19 where the murder was.â

âGot quite a good view of the house, havenât you,â said the inspector. âBetter still, I expect, from the upstairs windows.â

âThatâs right,â said Bill. âIf only weâd been up there yesterday looking out, we might have seen something. But we didnât.â

âWe were at the cinema,â said Ted.

âWere there fingerprints?â asked Bill.

âNot very helpful ones. Were you out in the garden at all yesterday?â

âOh, yes, off and on,â said Bill. âAll the morning, that is. We didnât hear anything, though, or see anything.â

âIf weâd been there in the afternoon we might have heard screams,â said Ted, wistfully. âAwful screams there were.â

âDo you know Miss Pebmarsh, the lady who owns that house, by sight?â

The boys looked at each other, then nodded.

âSheâs blind,â said Ted, âbut she can walk around the garden all right. Doesnât have to walk with a stick or anything like that. She threw a ball back to us once. Quite nice about it she was.â

âYou didnât see her at all yesterday?â

The boys shook their heads.

âWe wouldnât see her in the morning. Sheâs always out,â Bill explained. âShe usually comes out in the garden after tea.â

Colin was exploring a line of hosepipe which was attached to a tap in the house. It ran along the garden path and was laid down in the corner near the pear tree.

âNever knew that pear trees needed watering,â he remarked.

âOh, that,â said Bill. He looked slightly embarrassed.

âOn the other hand,â said Colin, âif you climbed up in this tree.â He looked at both boys and grinned suddenly. âYou could get a very nice little line of water to play on a cat, couldnât you?â

Both boys scuffled the gravel with their feet and looked in every other direction but at Colin.

âThatâs what you do, isnât it?â said Colin.

âAw, well,â said Bill, âit doesnât hurt âem. Itâs not,â he said with an air of virtue, âlike a catapult.â

âI suppose you used to use a catapult at one time.â

âNot properly,â said Ted. âWe never seemed to hit anything.â

âAnyway, you do have a bit of fun with that hose sometimes,â said Colin, âand then Mrs. Hemming comes along and complains?â

âSheâs always complaining,â said Bill.

âYou ever get through her fence?â

âNot through that wire here,â said Ted, unguardedly.

âBut you do get through into her garden sometimes, is that right? How do you do it?â

âWell, you can get through the fenceâinto Miss Pebmarshâs garden. Then a little way down to the right you can push through the hedge into Mrs. Hemmingâs garden. Thereâs a hole there in the wire.â

âCanât you shut up, you fool?â said Bill.

âI suppose youâve done a bit of hunting about for clues since the murder?â said Hardcastle.

The boys looked at each other.

âWhen you came back from the cinema and heard what had happened, I bet you went through the fence into the garden of 19 and had a jolly good look round.â

âWellââ Bill paused cautiously.

âItâs always possible,â said Hardcastle seriously, âthat you may have found something that we missed. If you haveâerâa collection I should be much obliged if you would show it to me.â

Bill made up his mind.

âGet âem, Ted,â he said.

Ted departed obediently at a run.

âIâm afraid we havenât got anything really good,â admitted Bill. âWe onlyâsort of pretended.â

He looked at Hardcastle anxiously.

âI quite understand,â said the inspector. âMost of police work is like that. A lot of disappointments.â

Bill looked relieved.

Ted returned at a run. He passed over a grubby knotted handkerchief which chinked. Hardcastle unknotted it, with a boy on either side of him, and spread out the contents.

There was the handle off a cup, a fragment of willow pattern china, a broken trowel, a rusty fork, a coin, a clothes peg, a bit of iridescent glass and half a pair of scissors.

âAn interesting lot,â said the inspector solemnly.

He took pity on the eager faces of the boys and picked up the piece of glass.

âIâll take this. It may just possibly tie up with something.â

Colin had picked up the coin and was examining it.

âItâs not English,â said Ted.

âNo,â said Colin. âItâs not English.â He looked across at Hardcastle. âWe might perhaps take this, too,â he suggested.

âDonât say a word about this to anyone,â said Hardcastle in a conspiratorial fashion.

The boys promised delightedly that they wouldnât.

Eleven

âRamsay,â said Colin, thoughtfully.

âWhat about him?â

âI like the sound of him, thatâs all. He travels abroadâat a momentâs notice. His wife says heâs a construction engineer, but thatâs all she seems to know about him.â

âSheâs a nice woman,â said Hardcastle.

âYesâand not a very happy one.â

âTired, thatâs all. Kids are tiring.â

âI think itâs more than that.â

âSurely the sort of person you want wouldnât be burdened with a wife and two sons,â Hardcastle said sceptically.

âYou never know,â said Colin. âYouâd be surprised what some of the boys do for camouflage. A hard-up widow with a couple of kids might be willing to come to an arrangement.â

âI shouldnât have thought she was that kind,â said Hardcastle primly.

âI donât mean living in sin, my dear fellow. I mean that sheâd agree to be Mrs. Ramsay and supply a background. Naturally, heâd spin her a yarn of the right kind. Heâd be doing a spot of espionage, say, on our side. All highly patriotic.â

Hardcastle shook his head.

âYou live in a strange world, Colin,â he said.

âYes we do. I think, you know, Iâll have to get out of it one day â¦ One begins to forget what is what and who is who. Half of these people work for both sides and in the end they donât know themselves which side they are really on. Standards get gummed upâOh, wellâletâs get on with things.â

âWeâd better do the McNaughtons,â said Hardcastle, pausing at the gates of 63. âA bit of his garden touches 19âsame as Bland.â

âWhat do you know about the McNaughtons?â

âNot muchâthey came here about a year ago. Elderly coupleâretired professor, I believe. He gardens.â

The front garden had rose bushes in it and a thick bed of autumn crocus under the windows.

A cheerful young woman in a brightly flowered overall opened the door to them and said:

âYou want?âYes?â

Hardcastle murmured, âThe foreign help at last,â and handed her his card.

âPolice,â said the young woman. She took a step or two back and looked at Hardcastle as though he were the Fiend in person.

âMrs. McNaughton,â said Hardcastle.

âMrs. McNaughton is here.â

She led them into the sitting room, which overlooked the back garden. It was empty.

âShe up the stairs is,â said the no-longer cheerful young woman. She went out into the hall and called, âMrs. McNaughtonâMrs. McNaughton.â

A voice far away said, âYes. What is it, Gretel?â

âIt is the policeâtwo police. I put them in sitting room.â

There was a faint scurrying noise upstairs and the words âOh, dear. Oh, dear, what next?â floated down. Then there was a patter of feet and presently Mrs. McNaughton entered the room with a worried expression on her face. There was, Hardcastle decided quite soon, usually a worried expression on Mrs. McNaughtonâs face.

âOh, dear,â she said again, âoh, dear. Inspectorâwhat is itâHardcastleâoh, yes.â She looked at the card. âBut why do you want to see us? We donât know anything about it. I mean I suppose it is this murder, isnât it? I mean, it wouldnât be the television licence?â

Hardcastle reassured her on that point.

âIt all seems so extraordinary, doesnât it?â said Mrs. McNaughton, brightening up. âAnd more or less midday, too. Such an odd time to come and burgle a house. Just the time when people are usually at home. But then one does read of such terrible things nowadays. All happening in broad daylight. Why, some friends of oursâthey were out for lunch and a furniture van drove up and the men broke in and carried out every stick of furniture. The whole street saw it happen but of course they never thought there was anything wrong. You know, I did think I heard someone screaming yesterday, but Angus said it was those dreadful boys of Mrs. Ramsayâs. They rush about the garden making noises like spaceships, you know, or rockets, or atom bombs. It really is quite frightening sometimes.â

Once again Hardcastle produced his photograph.

âHave you ever seen this man, Mrs. McNaughton?â

Mrs. McNaughton stared at it with avidity.

âIâm almost sure Iâve seen him. Yes. Yes, Iâm practically certain. Now, where was it? Was it the man who came and asked me if I wanted to buy a new encyclopedia in fourteen volumes? Or was it the man who came with a new model of vacuum cleaner. I wouldnât have anything to do with him, and he went out and worried my husband in the front garden. Angus was planting some bulbs, you know, and he didnât want to be interrupted and the man went on and on saying what the thing would do. You know, how it would run up and down curtains, and would clean doorsteps and do the stairs and cushions and spring-clean things. Everything, he said, absolutely everything. And then Angus just looked up at him and said, âCan it plant bulbs?â and I must say I had to laugh because it took the man quite aback and he went away.â

âAnd you really think that was the man in this photograph?â

âWell, no, I donât really,â said Mrs. McNaughton, âbecause that was a much younger man, now I come to think of it. But all the same I think I have seen this face before. Yes. The more I look at it the more sure I am that he came here and asked me to buy something.â

âInsurance perhaps?â

âNo, no, not insurance. My husband attends to all that kind of thing. We are fully insured in every way. No. But all the sameâyes, the more I look at that photographââ

Hardcastle was less encouraged by this than he might have been. He put down Mrs. McNaughton, from the fund of his experience, as a woman who would be anxious for the excitement of having seen someone connected with murder. The longer she looked at the picture, the more sure she would be that she could remember someone just like it.

He sighed.

âHe was driving a van, I believe,â said Mrs. McNaughton. âBut just when I saw him I canât remember. A bakerâs van, I think.â

âYou didnât see him yesterday, did you, Mrs. McNaughton?â

Mrs. McNaughtonâs face fell slightly. She pushed back her rather untidy grey waved hair from her forehead.

âNo. No, not yesterday,â she said. âAt leastââ she paused. âI donât think so.â Then she brightened a little. âPerhaps my husband will remember.â

âIs he at home?â

âOh, heâs out in the garden.â She pointed through the window where at this moment an elderly man was pushing a wheelbarrow along the path.

âPerhaps we might go out and speak to him.â

âOf course. Come this way.â

She led the way out through a side door and into the garden. Mr. McNaughton was in a fine state of perspiration.

âThese gentlemen are from the police, Angus,â said his wife breathlessly. âCome about the murder at Miss Pebmarshâs. Thereâs a photograph theyâve got of the dead man. Do you know, Iâm sure Iâve seen him somewhere. It wasnât the man, was it, who came last week and asked us if we had any antiques to dispose of?â

âLetâs see,â said Mr. McNaughton. âJust hold it for me, will you,â he said to Hardcastle. âMy hands are too earthy to touch anything.â

He took a brief look and remarked, âNever seen that fellow in my life.â

âYour neighbour tells me youâre very fond of gardening,â said Hardcastle.

âWho told you thatânot Mrs. Ramsay?â

âNo. Mr. Bland.â

Angus McNaughton snorted.

âBland doesnât know what gardening means,â he said. âBedding out, thatâs all he does. Shoves in begonias and geraniums and lobelia edging. Thatâs not what I call gardening. Might as well live in a public park. Are you interested in shrubs at all, Inspector? Of course, itâs the wrong time of year now, but Iâve one or two shrubs here that youâd be surprised at my being able to grow. Shrubs that they say only do well in Devon and Cornwall.â

âIâm afraid I canât lay claim to be a practical gardener,â said Hardcastle.

McNaughton looked at him much as an artist looks at someone who says they know nothing of art but they know what they like.

âIâm afraid Iâve called about a much less pleasant subject,â Hardcastle said.

âOf course. This business yesterday. I was out in the garden, you know, when it happened.â

âIndeed?â

âWell, I mean I was here when the girl screamed.â

âWhat did you do?â

âWell,â said Mr. McNaughton rather sheepishly, âI didnât do anything. As a matter of fact I thought it was those blasted Ramsay boys. Always yelling and screaming and making a noise.â

âBut surely this scream didnât come from quite the same direction?â

âNot if those blasted boys ever stayed in their own garden. But they donât, you know. They get through peopleâs fences and hedges. They chase those wretched cats of Mrs. Hemmingâs all over the place. Thereâs nobody to keep a firm hand on them, thatâs the trouble. Their motherâs weak as water. Of course, when thereâs no man in the house, boys do get out of hand.â

âMr. Ramsay is abroad a good deal I understand.â

âConstruction engineer, I believe,â said Mr. McNaughton vaguely. âAlways going off somewhere. Dams, you know. Iâm not swearing, my dear,â he assured his wife. âI mean jobs to do with the building of dams, or else itâs oil or pipelines or something like that. I donât really know. He had to go off to Sweden a month ago at a momentâs notice. That left the boysâ mother with a lot to doâcooking and housework and thatâand, wellâof course they were bound to run wild. Theyâre not bad boys, mind you, but they need discipline.â

âYou yourself didnât see anythingâapart I mean from hearing the scream? When was that, by the way?â

âNo idea,â said Mr. McNaughton. âI take my watch off always before I come out here. Ran the hose over it the other day and had quite a job getting it repaired afterwards. What time was it, my dear? You heard it, didnât you?â

âIt must have been half past two perhapsâit was at least half an hour after we finished lunch.â

âI see. What time do you lunch?â

âHalf past one,â said Mr. McNaughton, âif weâre lucky. Our Danish girl has got no sense of time.â

âAnd afterwardsâdo you have a nap?â

âSometimes. I didnât today. I wanted to get on with what I was doing. I was clearing away a lot of stuff, adding to the compost heap, and all that.â

âWonderful thing, a compost heap,â said Hardcastle, solemnly.

Mr. McNaughton brightened immediately.

âAbsolutely. Nothing like it. Ah! The number of people Iâve converted. Using all these chemical manures! Suicide! Let me show you.â

He drew Hardcastle eagerly by the arm and trundling his barrow, went along the path to the edge of the fence that divided his garden from that of No. 19. Screened by lilac bushes, the compost heap was displayed in its glory. Mr. McNaughton wheeled the wheelbarrow to a small shed beside it. Inside the shed were several nicely arranged tools.

âVery tidy you keep everything,â remarked Hardcastle.

âGot to take care of your tools,â said McNaughton.

Hardcastle was looking thoughtfully towards No. 19. On the other side of the fence was a rose pergola which led up to the side of the house.

âYou didnât see anyone in the garden at Number 19 or looking out of the window in the house, or anything like that while you were at your compost heap?â

McNaughton shook his head.

âDidnât see anything at all,â he said. âSorry I canât help you, Inspector.â

âYou know, Angus,â said his wife, âI believe I did see a figure skulking in the garden of 19.â

âI donât think you did, my dear,â said her husband firmly. âI didnât, either.â

âThat woman would say sheâd seen anything,â Hardcastle growled when they were back in the car.

âYou donât think she recognized the photograph?â

Hardcastle shook his head. âI doubt it. She just wants to think sheâs seen him. I know that type of witness only too well. When I pinned her down to it, she couldnât give chapter or verse, could she?â

âNo.â

âOf course she may have sat opposite him in a bus or something. Iâll allow you that. But if you ask me, itâs wishful thinking. What do you think?â

âI think the same.â

âWe didnât get much,â Hardcastle sighed. âOf course there are things that seem queer. For instance, it seems almost impossible that Mrs. Hemmingâno matter how wrapped up in her cats she isâshould know so little about her neighbour, Miss Pebmarsh, as she does. And also that she should be so extremely vague and uninterested in the murder.â

âShe is a vague kind of woman.â

âScatty!â said Hardcastle. âWhen you meet a scatty womanâwell, fires, burglaries, murders can go on all round them and they wouldnât notice it.â

âSheâs very well fenced in with all that wire netting, and that Victorian shrubbery doesnât leave you much of a view.â

They had arrived back at the police station. Hardcastle grinned at his friend and said:

âWell, Sergeant Lamb, I can let you go off duty now.â

âNo more visits to pay?â

âNot just now. I must pay one more later, but Iâm not taking you with me.â

âWell, thanks for this morning. Can you get these notes of mine typed up?â He handed them over. âInquest is the day after tomorrow you said? What time?â

âEleven.â

âRight. Iâll be back for it.â

âAre you going away?â

âIâve got to go up to London tomorrowâmake my report up to date.â

âI can guess who to.â

âYouâre not allowed to do that.â

Hardcastle grinned.

âGive the old boy my love.â

âAlso, I may be going to see a specialist,â said Colin.

âA specialist? What for? Whatâs wrong with you?â

âNothingâbar thickheadedness. I donât mean that kind of a specialist. One in your line.â

âScotland Yard?â

âNo. A private detectiveâa friend of my Dadâsâand a friend of mine. This fantastic business of yours will be just down his street. Heâll love itâit will cheer him up. Iâve an idea he needs cheering up.â

âWhatâs his name?â

âHercule Poirot.â

âIâve heard of him. I thought he was dead.â

âHeâs not dead. But I have a feeling heâs bored. Thatâs worse.â

Hardcastle looked at him curiously.

âYouâre an odd fellow, Colin. You make such unlikely friends.â

âIncluding you,â Colin said, and grinned.

Twelve

Having dismissed Colin, Inspector Hardcastle looked at the address neatly written in his notebook and nodded his head. Then he slipped the book back in his pocket and started to deal with the routine matters that had piled up on his desk.

It was a busy day for him. He sent out for coffee and sandwiches, and received reports from Sergeant Crayâno helpful lead had come up. Nobody at the railway station or buses had recognized the photograph of Mr. Curry. The laboratory reports on clothing added up to nil. The suit had been made by a good tailor, but the tailorâs name had been removed. Desire for anonymity on the part of Mr. Curry? Or on the part of his killer. Details of dentistry had been circulated to the proper quarters and were probably the most helpful leadsâit took a little timeâbut it got results in the end. Unless, of course, Mr. Curry had been a foreigner? Hardcastle considered the idea. There might be a possibility that the dead man was Frenchâon the other hand his clothes were definitely not French. No laundry marks had helped yet.

Hardcastle was not impatient. Identification was quite often a slow job. But in the end, someone always came forward. A laundry, a dentist, a doctor, a landlady. The picture of the dead man would be circulated to police stations, would be reproduced in newspapers. Sooner or later, Mr. Curry would be known in his rightful identity.

In the meantime there was work to be done, and not only on the Curry case. Hardcastle worked without a break until half past five. He looked at his wristwatch again and decided the time was ripe for the call he wanted to make.

Sergeant Cray had reported that Sheila Webb had resumed work at the Cavendish Bureau, and that at five oâclock she would be working with Professor Purdy at the Curlew Hotel and that she was unlikely to leave there until well after six.

What was the auntâs name again? LawtonâMrs. Lawton. 14, Palmerston Road. He did not take a police car but chose to walk the short distance.

Palmerston Road was a gloomy street that had known, as is said, better days. The houses, Hardcastle noted, had been mainly converted into flats or maisonettes. As he turned the corner, a girl who was approaching him along the sidewalk hesitated for a moment. His mind occupied, the inspector had some momentary idea that she was going to ask him the way to somewhere. However, if that was so, the girl thought better of it and resumed her walk past him. He wondered why the idea of shoes came into his mind so suddenly. Shoes â¦ No, one shoe. The girlâs face was faintly familiar to him. Who was it nowâsomeone he had seen just lately â¦ Perhaps she had recognized him and was about to speak to him?

He paused for a moment, looking back after her. She was walking quite fast now. The trouble was, he thought, she had one of those indeterminate faces that are very hard to recognize unless there is some special reason for doing so. Blue eyes, fair complexion, slightly open mouth. Mouth. That recalled something also. Something that sheâd been doing with her mouth? Talking? Putting on lipstick? No. He felt slightly annoyed with himself. Hardcastle prided himself on his recognition of faces. He never forgot, heâd been apt to say, a face he had seen in the dock or in the witness-box, but there were after all other places of contact. He would not be likely to remember, for instance, every waitress who had ever served him. He would not remember every bus conductress. He dismissed the matter from his mind.

He had arrived now at No. 14. The door stood ajar and there were four bells with names underneath. Mrs. Lawton, he saw, had a flat on the ground floor. He went in and pressed the bell on the door on the left of the hall. It was a few moments before it was answered. Finally he heard steps inside and the door was opened by a tall, thin woman with straggling dark hair who had on an overall and seemed a little short of breath. The smell of onions wafted along from the direction of what was obviously the kitchen.

âMrs. Lawton?â

âYes?â She looked at him doubtfully, with slight annoyance.

She was, he thought, about forty-five. Something faintly gypsyish about her appearance.

âWhat is it?â

âI should be glad if you could spare me a moment or two.â

âWell, what about? Iâm really rather busy just now.â She added sharply, âYouâre not a reporter, are you?â

âOf course,â said Hardcastle, adopting a sympathetic tone, âI expect youâve been a good deal worried by reporters.â

âIndeed we have. Knocking at the door and ringing the bell and asking all sorts of foolish questions.â

âVery annoying I know,â said the inspector. âI wish we could spare you all that, Mrs. Lawton. I am Detective Inspector Hardcastle, by the way, in charge of the case about which the reporters have been annoying you. Weâd put a stop to a good deal of that if we could, but weâre powerless in the matter, you know. The Press has its rights.â

âItâs a shame to worry private people as they do,â said Mrs. Lawton, âsaying they have to have news for the public. The only thing Iâve ever noticed about the news that they print is that itâs a tissue of lies from beginning to end. Theyâll cook up anything so far as I can see. But come in.â

She stepped back and the inspector passed over the doorstep and she shut the door. There were a couple of letters which had fallen on the mat. Mrs. Lawton bent forward to pick them up, but the inspector politely forestalled her. His eyes swept over them for half a second as he handed them to her, addresses uppermost.

âThank you.â

She laid them down on the hall table.

âCome into the sitting room, wonât you? At leastâif you go in this door and give me just a moment. I think somethingâs boiling over.â

She beat a speedy retreat to the kitchen. Inspector Hardcastle took a last deliberate look at the letters on the hall table. One was addressed to Mrs. Lawton and the two others to Miss R. S. Webb. He went into the room indicated. It was a small room, rather untidy, shabbily furnished but here and there it displayed some bright spot of colour or some unusual object. An attractive, probably expensive piece of Venetian glass of moulded colours and an abstract shape, two brightly coloured velvet cushions and an earthenware platter of foreign shells. Either the aunt or the niece, he thought, had an original streak in her makeup.

Mrs. Lawton returned, slightly more breathless than before.

âI think thatâll be all right now,â she said, rather uncertainly.

The inspector apologized again.

âIâm sorry if Iâve called at an inconvenient time,â he said, âbut I happened to be in this neighbourhood and I wanted to check over a few further points about this affair in which your niece was so unfortunately concerned. I hope sheâs none the worse for her experience? It must have been a great shock to any girl.â

âYes, indeed,â said Mrs. Lawton. âSheila came back in a terrible state. But she was all right by this morning and sheâs gone back to work again.â

âOh, yes, I know that,â said the inspector. âBut I was told she was out doing work for a client somewhere and I didnât want to interrupt anything of that kind so I thought it would be better if I came round here and talked to her in her own home. But sheâs not back yet, is that it?â

âSheâll probably be rather late this evening,â said Mrs. Lawton. âSheâs working for a Professor Purdy and from what Sheila says, heâs a man with no idea of time at all. Always says âthis wonât take more than another ten minutes so I think we might as well get it finished,â and then of course it takes nearer to three-quarters of an hour. Heâs a very nice man and most apologetic. Once or twice heâs urged her to stay and have dinner and seemed quite concerned because heâs kept her so much longer than he realized. Still, it is rather annoying sometimes. Is there something I can tell you, Inspector? In case Sheila is delayed a long time.â

âWell, not really,â said the inspector smiling. âOf course, we only took down the bare details the other day and Iâm not sure really whether Iâve even got those right.â He made a show of consulting his notebook once more. âLet me see. Miss Sheila Webbâis that her full name or has she another Christian name? We have to have these things very exact, you know, for the records at the inquest.â

âThe inquest is the day after tomorrow, isnât it? She got a notice to attend.â

âYes, but she neednât let that worry her,â said Hardcastle. âSheâll just have to tell her story of how she found the body.â

âYou donât know who the man was yet?â

âNo. Iâm afraid itâs early days for that. There was a card in his pocket and we thought at first he was some kind of insurance agent. But it seems more likely now that it was a card heâd been given by someone. Perhaps he was contemplating insurance himself.â

âOh, I see,â Mrs. Lawton looked vaguely interested.

âNow Iâll just get these names right,â said the inspector. âI think Iâve got it down as Miss Sheila Webb or Miss Sheila R. Webb. I just couldnât remember what the other name was. Was it Rosalie?â

âRosemary,â said Mrs. Lawton, âshe was christened Rosemary Sheila but Sheila always thought Rosemary was rather fanciful so sheâs never called anything but Sheila.â

âI see.â There was nothing in Hardcastleâs tone to show that he was pleased that one of his hunches had come out right. He noted another point. The name Rosemary occasioned no distress in Mrs. Lawton. To her Rosemary was simply a Christian name that her niece did not use.

âIâve got it straight now all right,â said the inspector smiling. âI gather that your niece came from London and has been working for the Cavendish Bureau for the last ten months or so. You donât know the exact date, I suppose?â

âWell, really, I couldnât say now. It was last November some time. I think more towards the end of November.â

âQuite so. It doesnât really matter. She was not living with you here previously to taking the job at the Cavendish Bureau?â

âNo. She was living in London before that.â

âHave you got her address in London?â

âWell, Iâve got it somewhere,â Mrs. Lawton looked round her with the vague expression of the habitually untidy. âIâve got such a short memory,â she said. âSomething like Allington Grove, I think it wasâout Fulham way. She shared a flat with two other girls. Terribly expensive rooms are in London for girls.â

âDo you remember the name of the firm she worked at there?â

âOh, yes. Hopgood and Trent. They were estate agents in the Fulham Road.â

âThank you. Well all that seems very clear. Miss Webb is an orphan, I understand?â

âYes,â said Mrs. Lawton. She moved uneasily. Her eyes strayed to the door. âDo you mind if I just go into the kitchen again?â

âOf course.â

He opened the door for her. She went out. He wondered if he had been right or wrong in thinking that his last question had in some way perturbed Mrs. Lawton. Her replies had come quite readily and easily up to then. He thought about it until Mrs. Lawton returned.

âIâm so sorry,â she said, apologetically, âbut you know what it isâcooking things. Everythingâs quite all right now. Was there anything else you want to ask me? Iâve remembered, by the way, it wasnât Allington Grove. It was Carrington Grove and the number was 17.â

âThank you,â said the inspector. âI think I was asking you whether Miss Webb was an orphan.â

âYes, sheâs an orphan. Her parents are dead.â

âLong ago?â

âThey died when she was a child.â

There was something like defiance just perceptible in her tone.

âWas she your sisterâs child or your brotherâs?â

âMy sisterâs.â

âAh, yes. And what was Mr. Webbâs profession?â

Mrs. Lawton paused a moment before answering. She was biting her lips. Then she said, âI donât know.â

âYou donât know?â

âI mean I donât remember, itâs so long ago.â

Hardcastle waited, knowing that she would speak again. She did.

âMay I ask what all this has got to do with itâI mean what does it matter who her father and mother were and what her father did and where he came from or anything like that?â

âI suppose it doesnât matter really, Mrs. Lawton, not from your point of view, that is. But you see, the circumstances are rather unusual.â

âWhat do you meanâthe circumstances are unusual?â

âWell, we have reason to believe that Miss Webb went to that house yesterday because she had been specially asked for at the Cavendish Bureau by name. It looks therefore as though someone had deliberately arranged for her to be there. Someone perhapsââ he hesitated ââwith a grudge against her.â

âI canât imagine that anyone could have a grudge against Sheila. Sheâs a very sweet girl. A nice friendly girl.â

âYes,â said Hardcastle mildly. âThatâs what I should have thought myself.â

âAnd I donât like to hear anybody suggesting the contrary,â said Mrs. Lawton belligerently.

âExactly.â Hardcastle continued to smile appeasingly. âBut you must realize, Mrs. Lawton, that it looks as though your niece has been deliberately made a victim. She was being, as they say on the films, put on the spot. Somebody was arranging for her to go into a house where there was a dead man, and that dead man had died very recently. It seems on the face of it a malicious thing to do.â

âYou meanâyou mean someone was trying to make it appear that Sheila killed him? Oh, no, I canât believe it.â

âIt is rather difficult to believe,â agreed the inspector, âbut weâve got to make quite sure and clear up the matter. Could there be, for instance, some young man, someone perhaps who had fallen in love with your niece, and whom she, perhaps, did not care for? Young men sometimes do some very bitter and revengeful things, especially if theyâre rather ill-balanced.â

âI donât think it could be anything of that kind,â said Mrs. Lawton, puckering her eyes in thought and frowning. âSheila has had one or two boys sheâs been friendly with, but thereâs been nothing serious. Nobody steady of any kind.â

âIt might have been while she was living in London?â the inspector suggested. âAfter all, I donât suppose you know very much about what friends she had there.â

âNo, no, perhaps not â¦ Well, youâll have to ask her about that yourself, Inspector Hardcastle. But I never heard of any trouble of any kind.â

âOr it might have been another girl,â suggested Hardcastle. âPerhaps one of the girls she shared rooms with there was jealous of her?â

âI suppose,â said Mrs. Lawton doubtfully, âthat there might be a girl whoâd want to do her a bad turn. But not involving murder, surely.â

It was a shrewd appreciation and Hardcastle noted that Mrs. Lawton was by no means a fool. He said quickly:

âI know it all sounds most unlikely, but then this whole business is unlikely.â

âIt must have been someone mad,â said Mrs. Lawton.

âEven in madness,â said Hardcastle, âthereâs a definite idea behind the madness, you know. Something thatâs given rise to it. And that really,â he went on, âis why I was asking you about Sheila Webbâs father and mother. Youâd be surprised how often motives arise that have their roots in the past. Since Miss Webbâs father and mother died when she was a young child, naturally she canât tell me anything about them. Thatâs why Iâm applying to you.â

âYes, I see, butâwellâ¦.â

He noted that the trouble and uncertainty were back in her voice.

âWere they killed at the same time, in an accident, anything like that?â

âNo, there was no accident.â

âThey both died from natural causes?â

âIâwell, yes, I meanâI donât really know.â

âI think you must know a little more than you are telling me, Mrs. Lawton.â He hazarded a guess. âWere they, perhaps, divorcedâsomething of that kind?â

âNo, they werenât divorced.â

âCome now, Mrs. Lawton. You knowâyou must know of what your sister died?â

âI donât see whatâI mean, I canât sayâitâs all very difficult. Raking up things. Itâs much better not raking them up.â There was a kind of desperate perplexity in her glance.

Hardcastle looked at her keenly. Then he said gently, âWas Sheila Webb perhapsâan illegitimate child?â

He saw immediately a mixture of consternation and relief in her face.

âSheâs not my child,â she said.

âShe is your sisterâs illegitimate child?â

âYes. But she doesnât know it herself. Iâve never told her. I told her her parents died young. So thatâs whyâwell, you seeâ¦.â

âOh, yes, I see,â said the inspector, âand I assure you that unless something comes of this particular line of inquiry there is no need for me to question Miss Webb on this subject.â

âYou mean you neednât tell her?â

âNot unless there is some relevance to the case, which, I may say, seems unlikely. But I do want all the facts that you know, Mrs. Lawton, and I assure you that Iâll do my best to keep what you tell me entirely between ourselves.â

âItâs not a nice thing to happen,â said Mrs. Lawton, âand I was very distressed about it, I can tell you. My sister, you see, had always been the clever one of the family. She was a schoolteacher and doing very well. Highly respected and everything else. The last person youâd ever think wouldââ

âWell,â said the inspector, tactfully, âit often happens that way. She got to know this manâthis Webbââ

âI never even knew what his name was,â said Mrs. Lawton. âI never met him. But she came to me and told me what had happened. That she was expecting a child and that the man couldnât, or wouldnâtâI never knew whichâmarry her. She was ambitious and it would have meant giving up her job if the whole thing came out. So naturally IâI said Iâd help.â

âWhere is your sister now, Mrs. Lawton?â

âIâve no idea. Absolutely no idea at all.â She was emphatic.

âSheâs alive, though.â

âI suppose so.â

âBut you havenât kept in touch with her?â

âThatâs the way she wanted it. She thought it was best for the child and best for her that there should be a clean break. So it was fixed that way. We both had a little income of our own that our mother left us. Ann turned her half-share over to me to be used for the childâs bringing up and keep. She was going to continue with her profession, she said, but she would change schools. There was some idea, I believe, of a yearâs exchange with a teacher abroad. Australia or somewhere. Thatâs all I know, Inspector Hardcastle, and thatâs all I can tell you.â

He looked at her thoughtfully. Was that really all she knew? It was a difficult question to answer with any certainty. It was certainly all that she meant to tell him. It might very well be all she knew. Slight as the reference to the sister had been, Hardcastle got an impression of a forceful, bitter, angry personality. The sort of woman who was determined not to have her life blasted by one mistake. In a cold hardheaded way she had provided for the upkeep and presumable happiness of her child. From that moment on she had cut herself adrift to start life again on her own.

It was conceivable, he thought, that she might feel like that about the child. But what about her sister? He said mildly:

âIt seems odd that she did not at least keep in touch with you by letter, did not want to know how the child was progressing?â

Mrs. Lawton shook her head.

âNot if you knew Ann,â she said. âShe was always very clear-cut in her decisions. And then she and I werenât very close. I was younger than she was by a good dealâtwelve years. As I say, we were never very close.â

âAnd what did your husband feel about this adoption?â

âI was a widow then,â said Mrs. Lawton. âI married young and my husband was killed in the war. I kept a small sweet shop at the time.â

âWhere was all this? Not here in Crowdean.â

âNo. We were living in Lincolnshire at the time. I came here in the holidays once, and I liked it so much that I sold the shop and came here to live. Later, when Sheila was old enough to go to school, I took a job in Roscoe and West, the big drapers here, you know. I still work there. Theyâre very pleasant people.â

âWell,â said Hardcastle, rising to his feet, âthank you very much, Mrs. Lawton, for your frankness in what you have told me.â

âAnd you wonât say a word of it to Sheila?â

âNot unless it should become necessary, and that would only happen if some circumstances out of the past proved to have been connected with this murder at 19, Wilbraham Crescent. And that, I think, is unlikely.â He took the photograph from his pocket which he had been showing to so many people, and showed it to Mrs. Lawton. âYouâve no idea who this man could be?â

âTheyâve shown it me already,â said Mrs. Lawton.

She took it and scrutinized it earnestly.

âNo. Iâm sure, quite sure, Iâve never seen this man before. I donât think he belonged round here or I might have remembered seeing him about. Of courseââ she looked closely. She paused a moment before adding, rather unexpectedly, âHe looks a nice man I think. A gentleman, Iâd say, wouldnât you?â

It was a slightly outmoded term in the inspectorâs experience, yet it fell very naturally from Mrs. Lawtonâs lips. âBrought up in the country,â he thought. âThey still think of things that way.â He looked at the photograph again himself reflecting, with faint surprise, that he had not thought of the dead man in quite that way. Was he a nice man? He had been assuming just the contrary. Assuming it unconsciously perhaps, or influenced perhaps by the fact that the man had a card in his pocket which bore a name and an address which were obviously false. But the explanation he had given to Mrs. Lawton just now might have been the true one. It might have been that the card did represent some bogus insurance agent who had pressed the card upon the dead man. And that, he thought wryly, would really make the whole thing even more difficult. He glanced at his watch again.

âI mustnât keep you from your cooking any longer,â he said, âsince your niece is not home yetââ

Mrs. Lawton in turn looked at the clock on the mantelpiece. âOnly one clock in this room, thank heaven,â thought the inspector to himself.

âYes, she is late,â she remarked. âSurprising really. Itâs a good thing Edna didnât wait.â

Seeing a slightly puzzled expression on Hardcastleâs face, she explained.

âItâs just one of the girls from the office. She came here to see Sheila this evening and she waited a bit but after a while she said she couldnât wait any longer. Sheâd got a date with someone. She said it would do tomorrow, or some other time.â

Enlightenment came to the inspector. The girl he had passed in the street! He knew now why sheâd made him think of shoes. Of course. It was the girl who had received him in the Cavendish Bureau and the girl who, when he left, had been holding up a shoe with a stiletto heel torn off it, and had been discussing in unhappy puzzlement how on earth she was going to get home like that. A nondescript kind of girl, he remembered, not very attractive, sucking some kind of sweet as she talked. She had recognized him when she passed him in the street, although he had not recognized her. She had hesitated, too, as though she thought of speaking to him. He wondered rather idly what she had wanted to say. Had she wanted to explain why she was calling on Sheila Webb or had she thought he would expect her to say something? He asked:

âIs she a great friend of your nieceâs?â

âWell, not particularly,â said Mrs. Lawton. âI mean they work in the same office and all that, but sheâs rather a dull girl. Not very bright and she and Sheila arenât particular friends. In fact, I wondered why she was so keen to see Sheila tonight. She said it was something she couldnât understand and that she wanted to ask Sheila about it.â

âShe didnât tell you what it was?â

âNo, she said it would keep and it didnât matter.â

âI see. Well, I must be going.â

âItâs odd,â said Mrs. Lawton, âthat Sheila hasnât telephoned. She usually does if sheâs late, because the professor sometimes asks her to stay to dinner. Ah, well, I expect sheâll be here any moment now. There are a lot of bus queues sometimes and the Curlew Hotel is quite a good way along the Esplanade. Thereâs nothingâno messageâyou want to leave for Sheila?â

âI think not,â said the inspector.

As he went out he asked, âBy the way, who chose your nieceâs Christian names, Rosemary and Sheila? Your sister or yourself?â

âSheila was our motherâs name. Rosemary was my sisterâs choice. Funny name to choose really. Fanciful. And yet my sister wasnât fanciful or sentimental in any way.â

âWell, good night, Mrs. Lawton.â

As the inspector turned the corner from the gateway into the street he thought, âRosemaryâhm â¦ Rosemary for remembrance. Romantic remembrance? Orâsomething quite different?â

Thirteen

COLIN LAMBâS NARRATIVE

I walked up Charing Cross Road and turned into the maze of streets that twist their way between New Oxford Street and Covent Garden. All sorts of unsuspected shops did business there, antique shops, a dollsâ hospital, ballet shoes, foreign delicatessen shops.

I resisted the lure of the dollsâ hospital with its various pairs of blue or brown glass eyes, and came at last to my objective. It was a small dingy bookshop in a side street not far from the British Museum. It had the usual trays of books outside. Ancient novels, old text books, odds and ends of all kinds, labelled 3d., 6d., 1s., even some aristocrats which had nearly all their pages, and occasionally even their binding intact.

I sidled through the doorway. It was necessary to sidle since precariously arranged books impinged more and more every day on the passageway from the street. Inside, it was clear that the books owned the shop rather than the other way about. Everywhere they had run wild and taken possession of their habitat, breeding and multiplying and clearly lacking any strong hand to keep them down. The distance between bookshelves was so narrow that you could only get along with great difficulty. There were piles of books perched on every shelf or table. On a stool in a corner, hemmed in by books, was an old man in a pork-pie hat with a large flat face like a stuffed fish. He had the air of one who has given up an unequal struggle. He had attempted to master the books, but the books had obviously succeeded in mastering him. He was a kind of King Canute of the book world, retreating before the advancing book tide. If he ordered it to retreat it would have been with the sure and hopeless certainty that it would not do so. This was Mr. Solomon, proprietor of the shop. He recognized me, his fishlike stare softened for a moment and he nodded.

âGot anything in my line?â I asked.

âYouâll have to go up and see, Mr. Lamb. Still on seaweeds and that stuff?â

âThatâs right.â

âWell, you know where they are. Marine biology, fossils, Antarcticaâsecond floor. I had a new parcel in day before yesterday. I started to unpack âem but I havenât got round to it properly yet. Youâll find them in a corner up there.â

I nodded and sidled my way onwards to where a small rather rickety and very dirty staircase led up from the back of the shop. On the first floor were Orientalia, art books, medicine, and French classics. In this room was a rather interesting little curtained corner not known to the general public, but accessible to experts, where what is called âoddâ or âcuriousâ volumes reposed. I passed them and went on up to the second floor.

Here archaeological, natural history, and other respectable volumes were rather inadequately sorted into categories. I steered my way through students and elderly colonels and clergymen, passed round the angle of a bookcase, stepped over various gaping parcels of books on the floor and found my further progress barred by two students of opposite sexes lost to the world in a closely knit embrace. They stood there swaying to and fro. I said:

âExcuse me,â pushed them firmly aside, raised a curtain which masked a door, and slipping a key from my pocket, turned it in the lock and passed through. I found myself incongruously in a kind of vestibule with cleanly distempered walls hung with prints of Highland cattle, and a door with a highly polished knocker on it. I manipulated the knocker discreetly and the door was opened by an elderly woman with grey hair, spectacles of a particularly old-fashioned kind, a black skirt and a rather unexpected peppermint-striped jumper.

âItâs you, is it?â she said without any other form of greeting. âHe was asking about you only yesterday. He wasnât pleased.â She shook her head at me, rather as an elderly governess might do at a disappointing child. âYouâll have to try and do better,â she said.

âOh, come off it, Nanny,â I said.

âAnd donât call me Nanny,â said the lady. âItâs a cheek. Iâve told you so before.â

âItâs your fault,â I said. âYou mustnât talk to me as if I were a small boy.â

âTime you grew up. Youâd better go in and get it over.â

She pressed a buzzer, picked up a telephone from the desk, and said:

âMr. Colin â¦ Yes, Iâm sending him in.â She put it down and nodded to me.

I went through a door at the end of the room into another room which was so full of cigar smoke that it was difficult to see anything at all. After my smarting eyes had cleared, I beheld the ample proportions of my chief sitting back in an aged, derelict grandfather chair, by the arm of which was an old-fashioned reading or writing desk on a swivel.

Colonel Beck took off his spectacles, pushed aside the reading desk on which was a vast tome and looked disapprovingly at me.

âSo itâs you at last?â he said.

âYes, sir,â I said.

âGot anything?â

âNo, sir.â

âAh! Well, it wonât do, Colin, dâyou hear? Wonât do. Crescents indeed!â

âI still think,â I began.

âAll right. You still think. But we canât wait forever while youâre thinking.â

âIâll admit it was only a hunch,â I said.

âNo harm in that,â said Colonel Beck.

He was a contradictory man.

âBest jobs Iâve ever done have been hunches. Only this hunch of yours doesnât seem to be working out. Finished with the pubs?â

âYes, sir. As I told you Iâve started on Crescents. Houses in crescents is what I mean.â

âI didnât suppose you meant bakersâ shops with French rolls in them, though, come to think of it, thereâs no reason why not. Some of these places make an absolute fetish of producing French croissants that arenât really French. Keep âem in a deep freeze nowadays like everything else. Thatâs why nothing tastes of anything nowadays.â

I waited to see whether the old boy would enlarge upon this topic. It was a favourite one of his. But seeing that I was expecting him to do so, Colonel Beck refrained.

âWash out all round?â he demanded.

âAlmost. Iâve still got a little way to go.â

âYou want more time, is that it?â

âI want more time, yes,â I said. âBut I donât want to move on to another place this minute. Thereâs been a kind of coincidence and it mightâonly mightâmean something.â

âDonât waffle. Give me facts.â

âSubject of investigation, Wilbraham Crescent.â

âAnd you drew a blank! Or didnât you?â

âIâm not sure.â

âDefine yourself, define yourself, boy.â

âThe coincidence is that a man was murdered in Wilbraham Crescent.â

âWho was murdered?â

âAs yet heâs unknown. Had a card with a name and address in his pocket, but that was bogus.â

âHm. Yes. Suggestive. Tie up in any way?â

âI canât see that it does, sir, but all the sameâ¦.â

âI know, I know. All the same â¦ Well, what have you come for? Come for permission to go on nosing about Wilbraham Crescentâwherever that absurd-sounding place is?â

âItâs a place called Crowdean. Ten miles from Portlebury.â

âYes, yes. Very good locality. But what are you here for? You donât usually ask permission. You go your own pigheaded way, donât you?â

âThatâs right, sir, Iâm afraid I do.â

âWell, then, what is it?â

âThere are a couple of people I want vetted.â

With a sigh Colonel Beck drew his reading desk back into position, took a ball-pen from his pocket, blew on it and looked at me.

âWell?â

âHouse called Diana Lodge. Actually, 20, Wilbraham Crescent. Woman called Mrs. Hemming and about eighteen cats live there.â

âDiana? Hm,â said Colonel Beck. âMoon goddess! Diana Lodge. Right. What does she do, this Mrs. Hemming?â

âNothing,â I said, âsheâs absorbed in her cats.â

âDamned good cover, I dare say,â said Beck appreciatively. âCertainly could be. Is that all?â

âNo,â I said. âThereâs a man called Ramsay. Lives at 62, Wilbraham Crescent. Said to be a construction engineer, whatever that is. Goes abroad a good deal.â

âI like the sound of that,â said Colonel Beck. âI like the sound of that very much. You want to know about him, do you? All right.â

âHeâs got a wife,â I said. âQuite a nice wife, and two obstreperous childrenâboys.â

âWell, he might have,â said Colonel Beck. âIt has been known. You remember Pendleton? He had a wife and children. Very nice wife. Stupidest woman Iâve ever come across. No idea in her head that her husband wasnât a pillar of respectability in oriental book dealing. Come to think of it, now I remember, Pendleton had a German wife as well, and a couple of daughters. And he also had a wife in Switzerland. I donât know what the wives wereâhis private excesses or just camouflage. Heâd say of course that they were camouflage. Well, anyway, you want to know about Mr. Ramsay. Anything else?â

âIâm not sure. Thereâs a couple at 63. Retired professor. McNaughton by name. Scottish. Elderly. Spends his time gardening. No reason to think he and his wife are not all rightâbutââ

âAll right. Weâll check. Weâll put âem through the machine to make sure. What are all these people, by the way?â

âTheyâre people whose gardens verge on or touch the garden of the house where the murder was committed.â

âSounds like a French exercise,â said Beck. âWhere is the dead body of my uncle? In the garden of the cousin of my aunt. What about Number 19 itself?â

âA blind woman, a former school teacher, lives there. She works in an institute for the blind and sheâs been thoroughly investigated by the local police.â

âLive by herself?â

âYes.â

âAnd what is your idea about all these other people?â

âMy idea is,â I said, âthat if a murder was committed by any of these other people in any of these other houses that I have mentioned to you, it would be perfectly easy, though risky, to convey the dead body into Number 19 at a suitable time of day. Itâs a mere possibility, thatâs all. And thereâs something Iâd like to show you. This.â

Beck took the earthstained coin I held out to him.

âA Czech Haller? Where did you find it?â

âI didnât. But it was found in the back garden of Number 19.â

âInteresting. You may have something after all in your persistent fixation on crescents and rising moons.â He added thoughtfully, âThereâs a pub called The Rising Moon in the next street to this. Why donât you go and try your luck there?â

âIâve been there already,â I said.

âYouâve always got an answer, havenât you?â said Colonel Beck. âHave a cigar?â

I shook my head. âThank youâno time today.â

âGoing back to Crowdean?â

âYes. Thereâs the inquest to attend.â

âIt will only be adjourned. Sure itâs not some girl youâre running after in Crowdean?â

âCertainly not,â I said sharply.

Colonel Beck began to chuckle unexpectedly.

âYou mind your step, my boy! Sex rearing its ugly head as usual. How long have you known her?â

âThere isnât anyâI meanâwellâthere was a girl who discovered the body.â

âWhat did she do when she discovered it?â

âScreamed.â

âVery nice too,â said the colonel. âShe rushed to you, cried on your shoulder and told you about it. Is that it?â

âI donât know what youâre talking about,â I said coldly. âHave a look at these.â

I gave him a selection of the police photographs.

âWhoâs this?â demanded Colonel Beck.

âThe dead man.â

âTen to one this girl youâre so keen about killed him. The whole story sounds very fishy to me.â

âYou havenât even heard it yet,â I said. âI havenât told it to you.â

âI donât need telling,â Colonel Beck waved his cigar. âGo away to your inquest, my boy, and look out for that girl. Is her name Diana, or Artemis, or anything crescenty or moonlike?â

âNo, it isnât.â

âWell, remember that it might be!â

Fourteen

COLIN LAMBâS NARRATIVE

It had been quite a long time since I had visited Whitehaven Mansions. Some years ago it had been an outstanding building of modern flats. Now there were many other more imposing and even more modern blocks of buildings flanking it on either side. Inside, I noted, it had recently had a face-lift. It had been repainted in pale shades of yellow and green.

I went up in the lift and pressed the bell of Number 203. It was opened to me by that impeccable manservant, George. A smile of welcome came to his face.

âMr. Colin! Itâs a long time since weâve seen you here.â

âYes, I know. How are you, George?â

âI am in good health, I am thankful to say, sir.â

I lowered my voice. âAnd howâs he?â

George lowered his own voice, though that was hardly necessary since it had been pitched in a most discreet key from the beginning of our conversation.

âI think, sir, that sometimes he gets a little depressed.â

I nodded sympathetically.

âIf you will come this way, sirââ He relieved me of my hat.

âAnnounce me, please, as Mr. Colin Lamb.â

âVery good, sir.â He opened a door and spoke in a clear voice. âMr. Colin Lamb to see you, sir.â

He drew back to allow me to pass him and I went into the room.

My friend, Hercule Poirot, was sitting in his usual large, square armchair in front of the fireplace. I noted that one bar of the rectangular electric fire glowed red. It was early September, the weather was warm, but Poirot was one of the first men to recognize the autumn chill, and to take precautions against it. On either side of him on the floor was a neat pile of books. More books stood on the table at his left side. At his right hand was a cup from which steam rose. A tisane, I suspected. He was fond of tisanes and often urged them on me. They were nauseating to taste and pungent to smell.

âDonât get up,â I said, but Poirot was already on his feet. He came towards me on twinkling, patent-leather shod feet with outstretched hands.

âAha, so it is you, it is you, my friend! My young friend Colin. But why do you call yourself by the name of Lamb? Let me think now. There is a proverb or a saying. Something about mutton dressed as lamb. No. That is what is said of elderly ladies who are trying to appear younger than they are. That does not apply to you. Aha, I have it. You are a wolf in sheepâs clothing. Is that it?â

âNot even that,â I said. âItâs just that in my line of business I thought my own name might be rather a mistake, that it might be connected too much with my old man. Hence Lamb. Short, simple, easily remembered. Suiting, I flatter myself, my personality.â

âOf that I cannot be sure,â said Poirot. âAnd how is my good friend, your father?â

âThe old manâs fine,â I said. âVery busy with his holly-hocksâor is it chrysanthemums? The seasons go by so fast I can never remember what it is at the moment.â

âHe busies himself then, with the horticulture?â

âEveryone seems to come to that in the end,â I said.

âNot me,â said Hercule Poirot. âOnce the vegetable marrows, yesâbut never again. If you want the best flowers, why not go to the floristâs shop? I thought the good Superintendent was going to write his memoirs?â

âHe started,â I said, âbut he found that so much would have to be left out that he finally came to the conclusion that what was left in would be so unbearably tame as not to be worth writing.â

âOne has to have the discretion, yes. It is unfortunate,â said Poirot, âbecause your father could tell some very interesting things. I have much admiration for him. I always had. You know, his methods were to me very interesting. He was so straightforward. He used the obvious as no man has used it before. He would set the trap, the very obvious trap and the people he wished to catch would say âit is too obvious, that. It cannot be trueâ and so they fell into it!â

I laughed. âWell,â I said, âitâs not the fashion nowadays for sons to admire their fathers. Most of them seem to sit down, venom in their pens, and remember all the dirty things they can and put them down with obvious satisfaction. But personally, Iâve got enormous respect for my old man. I hope Iâll even be as good as he was. Not that Iâm exactly in his line of business, of course.â

âBut related to it,â said Poirot. âClosely related to it, though you have to work behind the scenes in a way that he did not.â He coughed delicately. âI think I am to congratulate you on having had a rather spectacular success lately. Is it not so? The affaire Larkin.â

âItâs all right so far as it goes,â I said. âBut thereâs a good deal more that Iâd like to have, just to round it off properly. Still, that isnât really what I came here to talk to you about.â

âOf course not, of course not,â said Poirot. He waved me to a chair and offered me some tisane, which I instantly refused.

George entered at the apposite moment with a whisky decanter, a glass and a siphon which he placed at my elbow.

âAnd what are you doing with yourself these days?â I asked Poirot.

Casting a look at the various books around him I said: âIt looks as though you are doing a little research?â

Poirot sighed. âYou may call it that. Yes, perhaps in a way it is true. Lately I have felt very badly the need for a problem. It does not matter, I said to myself, what the problem is. It can be like the good Sherlock Holmes, the depth at which the parsley has sunk in the butter. All that matters is that there should be a problem. It is not the muscles I need to exercise, you see, it is the cells of the brain.â

âJust a question of keeping fit. I understand.â

âAs you say.â He sighed. âBut problems, mon cher, are not so easy to come by. It is true that last Thursday one presented itself to me. The unwarranted appearance of three pieces of dried orange peel in my umbrella stand. How did they come there? How could they have come there? I do not eat oranges myself. George would never put old pieces of orange peel in the umbrella stand. Nor is a visitor likely to bring with him three pieces of orange peel. Yes, it was quite a problem.â

âAnd you solved it?â

âI solved it,â said Poirot.

He spoke with more melancholy than pride.

âIt was not in the end very interesting. A question of a remplacement of the usual cleaning woman and the new one brought with her, strictly against orders, one of her children. Although it does not sound interesting, nevertheless it needed a steady penetration of lies, camouflage and all the rest of it. It was satisfactory, shall we say, but not important.â

âDisappointing,â I suggested.

âEnfin,â said Poirot, âI am modest. But one should not need to use a rapier to cut the string of a parcel.â

I shook my head in a solemn manner. Poirot continued, âI have occupied myself of late in reading various real life unsolved mysteries. I apply to them my own solutions.â

âYou mean cases like the Bravo case, Adelaide Bartlett and all the rest of them?â

âExactly. But it was in a way too easy. There is no doubt whatever in my own mind as to who murdered Charles Bravo. The companion may have been involved, but she was certainly not the moving spirit in the matter. Then there was that unfortunate adolescent, Constance Kent. The true motive that lay behind her strangling of the small brother whom she undoubtedly loved has always been a puzzle. But not to me. It was clear as soon as I read about the case. As for Lizzie Borden, one wishes only that one could put a few necessary questions to various people concerned. I am fairly sure in my own mind of what the answers would be. Alas, they are all by now dead, I fear.â

I thought to myself, as so often before, that modesty was certainly not Hercule Poirotâs strong point.

âAnd what did I do next?â continued Poirot.

I guessed that for some time now he had had no one much to talk to and was enjoying the sound of his own voice.

âFrom real life I turned to fiction. You see me here with various examples of criminal fiction at my right hand and my left. I have been working backwards. Hereââ he picked up the volume that he had laid on the arm of his chair when I entered, ââhere, my dear Colin, is The Leavenworth Case.â He handed the book to me.

âThatâs going back quite a long time,â I said. âI believe my father mentioned that he read it as a boy. I believe I once read it myself. It must seem rather old-fashioned now.â

âIt is admirable,â said Poirot. âOne savours its period atmosphere, its studied and deliberate melodrama. Those rich and lavish descriptions of the golden beauty of Eleanor, the moonlight beauty of Mary!â

âI must read it again,â I said. âIâd forgotten the parts about the beautiful girls.â

âAnd there is the maidservant, Hannah, so true to type, and the murderer, an excellent psychological study.â

I perceived that I had let myself in for a lecture. I composed myself to listen.

âThen we will take the Adventures of Arsene Lupin,â Poirot went on. âHow fantastic, how unreal. And yet what vitality there is in them, what vigour, what life! They are preposterous, but they have panache. There is humour, too.â

He laid down the Adventures of Arsene Lupin and picked up another book. âAnd there is The Mystery of the Yellow Room. Thatâah, that is really a classic! I approve of it from start to finish. Such a logical approach! There were criticisms of it, I remember, which said that it was unfair. But it is not unfair, my dear Colin. No, no. Very nearly so, perhaps, but not quite. There is the hairâs breadth of difference. No. All through there is truth, concealed with a careful and cunning use of words. Everything should be clear at that supreme moment when the men meet at the angle of three corridors.â He laid it down reverently. âDefinitely a masterpiece, and, I gather, almost forgotten nowadays.â

Poirot skipped twenty years or so, to approach the works of somewhat later authors.

âI have read also,â he said, âsome of the early works of Mrs. Ariadne Oliver. She is by way of being a friend of mine, and of yours, I think. I do not wholly approve of her works, mind you. The happenings in them are highly improbable. The long arm of coincidence is far too freely employed. And, being young at the time, she was foolish enough to make her detective a Finn, and it is clear that she knows nothing about Finns or Finland except possibly the works of Sibelius. Still, she has an original habit of mind, she makes an occasional shrewd deduction, and of later years she has learnt a good deal about things which she did not know before. Police procedure for instance. She is also now a little more reliable on the subject of firearms. What was even more needed, she has possibly acquired a solicitor or a barrister friend who has put her right on certain points of the law.â

He laid aside Mrs. Ariadne Oliver and picked up another book.

âNow here is Mr. Cyril Quain. Ah, he is a master, Mr. Quain, of the alibi.â

âHeâs a deadly dull writer if I remember rightly,â I said.

âIt is true,â said Poirot, âthat nothing particularly thrilling happens in his books. There is a corpse, of course. Occasionally more than one. But the whole point is always the alibi, the railway timetable, the bus routes, the plans of the cross-country roads. I confess I enjoy this intricate, this elaborate use of the alibi. I enjoy trying to catch Mr. Cyril Quain out.â

âAnd I suppose you always succeed,â I said.

Poirot was honest.

âNot always,â he admitted. âNo, not always. Of course, after a time one realizes that one book of his is almost exactly like another. The alibis resemble each other every time, even though they are not exactly the same. You know, mon cher Colin, I imagine this Cyril Quain sitting in his room, smoking his pipe as he is represented to do in his photographs, sitting there with around him the A.B.C.s, the continental Bradshaws, the airline brochures, the timetables of every kind. Even the movements of liners. Say what you will, Colin, there is order and method in Mr. Cyril Quain.â

He laid Mr. Quain down and picked up another book.

âNow here is Mr. Garry Gregson, a prodigious writer of thrillers. He has written at least sixty-four, I understand. He is almost the exact opposite of Mr. Quain. In Mr. Quainâs books nothing much happens, in Garry Gregsonâs far too many things happen. They happen implausibly and in mass confusion. They are all highly coloured. It is melodrama stirred up with a stick. Bloodshedâbodiesâcluesâthrills piled up and bulging over. All lurid, all very unlike life. He is not quite, as you would say, my cup of tea. He is, in fact, not a cup of tea at all. He is more like one of these American cocktails of the more obscure kind, whose ingredients are highly suspect.â

Poirot paused, sighed and resumed his lecture. âThen we turn to America.â He plucked a book from the left-hand pile. âFlorence Elks, now. There is order and method there, colourful happenings, yes, but plenty of point in them. Gay and alive. She has wit, this lady, though perhaps, like so many American writers, a little too obsessed with drink. I am, as you know, mon ami, a connoisseur of wine. A claret or a burgundy introduced into a story, with its vintage and date properly authenticated, I always find pleasing. But the exact amount of rye and bourbon that are consumed on every other page by the detective in an American thriller do not seem to me interesting at all. Whether he drinks a pint or a half-pint which he takes from his collar drawer does not seem to me really to affect the action of the story in any way. This drink motive in American books is very much what King Charlesâs head was to poor Mr. Dick when he tried to write his memoirs. Impossible to keep it out.â

âWhat about the tough school?â I asked.

Poirot waved aside the tough school much as he would have waved an intruding fly or mosquito.

âViolence for violenceâ sake? Since when has that been interesting? I have seen plenty of violence in my early career as a police officer. Bah, you might as well read a medical text book. Tout de mÃªme, I give American crime fiction on the whole a pretty high place. I think it is more ingenious, more imaginative than English writing. It is less atmospheric and overladen with atmosphere than most French writers. Now take Louisa OâMalley for instance.â

He dived once more for a book.

âWhat a model of fine scholarly writing is hers, yet what excitement, what mounting apprehension she arouses in her reader. Those brownstone mansions in New York. Enfin what is a brownstone mansionâI have never known? Those exclusive apartments, and soulful snobberies, and underneath, deep unsuspected seams of crime run their uncharted course. It could happen so, and it does happen so. She is very good, this Louisa OâMalley, she is very good indeed.â

He sighed, leaned back, shook his head and drank off the remainder of his tisane.

âAnd thenâthere are always the old favourites.â

Again he dived for a book.

âThe Adventures of Sherlock Holmes,â he murmured lovingly, and even uttered reverently the one word, âMaÃ®tre!â

âSherlock Holmes?â I asked.

âAh, non, non, not Sherlock Holmes! It is the author, Sir Arthur Conan Doyle, that I salute. These tales of Sherlock Holmes are in reality farfetched, full of fallacies and most artificially contrived. But the art of the writingâah, that is entirely different. The pleasure of the language, the creation above all of that magnificent character, Dr. Watson. Ah, that was indeed a triumph.â

He sighed and shook his head and murmured, obviously by a natural association of ideas:

âCe cher Hastings. My friend Hastings of whom you have often heard me speak. It is a long time since I have had news of him. What an absurdity to go and bury oneself in South America, where they are always having revolutions.â

âThatâs not confined to South America,â I pointed out. âTheyâre having revolutions all over the world nowadays.â

âLet us not discuss the Bomb,â said Hercule Poirot. âIf it has to be, it has to be, but let us not discuss it.â

âActually,â I said, âI came to discuss something quite different with you.â

âAh! You are about to be married, is that it? I am delighted, mon cher, delighted.â

âWhat on earth put that in your head, Poirot?â I asked. âNothing of the kind.â

âIt happens,â said Poirot, âit happens every day.â

âPerhaps,â I said firmly, âbut not to me. Actually I came to tell you that Iâd run across rather a pretty little problem in murder.â

âIndeed? A pretty problem in murder, you say? And you have brought it to me. Why?â

âWellââ I was slightly embarrassed. âIâI thought you might enjoy it,â I said.

Poirot looked at me thoughtfully. He caressed his moustache with a loving hand, then he spoke.

âA master,â he said, âis often kind to his dog. He goes out and throws a ball for the dog. A dog, however, is also capable of being kind to its master. A dog kills a rabbit or a rat and he brings it and lays it at his masterâs feet. And what does he do then? He wags his tail.â

I laughed in spite of myself. âAm I wagging my tail?â

âI think you are, my friend. Yes, I think you are.â

âAll right then,â I said. âAnd what does master say? Does he want to see doggyâs rat? Does he want to know all about it?â

âOf course. Naturally. It is a crime that you think will interest me. Is that right?â

âThe whole point of it is,â I said, âthat it just doesnât make sense.â

âThat is impossible,â said Poirot. âEverything makes sense. Everything.â

âWell, you try and make sense of this. I canât. Not that itâs really anything to do with me. I just happened to come in on it. Mind you, it may turn out to be quite straightforward, once the dead man is identified.â

âYou are talking without method or order,â said Poirot severely. âLet me beg of you to let me have the facts. You say it is a murder, yes?â

âItâs a murder all right,â I assured him. âWell, here we go.â

I described to him in detail the events that had taken place at 19, Wilbraham Crescent. Hercule Poirot leant back in his chair. He closed his eyes and gently tapped with a forefinger the arm of his chair while he listened to my recital. When I finally stopped, he did not speak for a moment. Then he asked, without opening his eyes:

âSans blague?â

âOh, absolutely,â I said.

âEpatant,â said Hercule Poirot. He savoured the word on his tongue and repeated it syllable by syllable. âE-pa-tant.â After that he continued his tapping on the arm of his chair and gently nodded his head.

âWell,â I said impatiently, after waiting a few moments more. âWhat have you got to say?â

âBut what do you want me to say?â

âI want you to give me the solution. Iâve always understood from you that it was perfectly possible to lie back in oneâs chair, just think about it all, and come up with the answer. That it was quite unnecessary to go and question people and run about looking for clues.â

âIt is what I have always maintained.â

âWell, Iâm calling your bluff,â I said. âIâve given you the facts, and now I want the answer.â

âJust like that, hein? But then there is a lot more to be known, mon ami. We are only at the beginning of the facts. Is that not so?â

âI still want you to come up with something.â

âI see.â He reflected a moment. âOne thing is certain,â he pronounced. âIt must be a very simple crime.â

âSimple?â I demanded in some astonishment.

âNaturally.â

âWhy must it be simple?â

âBecause it appears so complex. If it has necessarily to appear complex, it must be simple. You comprehend that?â

âI donât really know that I do.â

âCurious,â mused Poirot, âwhat you have told meâI thinkâyes, there is something familiar to me there. Now whereâwhenâhave I come across something â¦ â He paused.

âYour memory,â I said, âmust be one vast reservoir of crimes. But you canât possibly remember them all, can you?â

âUnfortunately no,â said Poirot, âbut from time to time these reminiscences are helpful. There was a soap boiler, I remember, once, at LiÃ¨ge. He poisoned his wife in order to marry a blonde stenographer. The crime made a pattern. Later, much later, that pattern recurred. I recognized it. This time it was an affair of a kidnapped Pekinese dog, but the pattern was the same. I looked for the equivalent of the blonde stenographer and the soap boiler, and voilÃ ! That is the kind of thing. And here again in what you have told me I have that feeling of recognition.â

âClocks?â I suggested hopefully. âBogus insurance agents?â

âNo, no,â Poirot shook his head.

âBlind women?â

âNo, no, no. Do not confuse me.â

âIâm disappointed in you, Poirot,â I said. âI thought youâd give me the answer straight away.â

âBut, my friend, at present you have presented me only with a pattern. There are many more things to find out. Presumably this man will be identified. In that kind of thing the police are excellent. They have their criminal records, they can advertise the manâs picture, they have access to a list of missing persons, there is scientific examination of the dead manâs clothing, and so on and so on. Oh, yes, there are a hundred other ways and means at their disposal. Undoubtedly, this man will be identified.â

âSo thereâs nothing to do at the moment. Is that what you think?â

âThere is always something to do,â said Hercule Poirot, severely.

âSuch as?â

He wagged an emphatic forefinger at me.

âTalk to the neighbours,â he said.

âIâve done that,â I said. âI went with Hardcastle when he was questioning them. They donât know anything useful.â

âAh, tcha, tcha, that is what you think. But I assure you, that cannot be so. You go to them, you ask them: âHave you seen anything suspicious?â and they say no, and you think that that is all there is to it. But that is not what I mean when I say talk to the neighbours. I say talk to them. Let them talk to you. And from their conversation always, somewhere, you will find a clue. They may be talking about their gardens or their pets or their hairdressing or their dressmaker, or their friends, or the kind of food they like. Always somewhere there will be a word that sheds light. You say there was nothing in those conversations that was useful. I say that cannot be so. If you could repeat them to me word for wordâ¦.â

âWell, thatâs practically what I can do,â I said. âI took shorthand transcripts of what was said, acting in my role of assistant police officer. Iâve had them transcribed and typed and Iâve brought them along to you. Here they are.â

âAh, but you are a good boy, you are a very good boy indeed! What you have done is exactly right. Exactly. Je vous remercie infiniment.â

I felt quite embarrassed.

âHave you any more suggestions?â I asked.

âYes, always I have suggestions. There is this girl. You can talk to this girl. Go and see her. Already you are friends, are you not? Have you not clasped her in your arms when she flew from the house in terror?â

âYouâve been affected by reading Garry Gregson,â I said. âYouâve caught the melodramatic style.â

âPerhaps you are right,â Poirot admitted. âOne gets infected, it is true, by the style of a work that one has been reading.â

âAs for the girlââ I said, then paused.

Poirot looked at me inquiringly.

âYes?â he said.

âI shouldnât likeâI donât wantâ¦.â

âAh, so that is it. At the back of your mind you think she is concerned somehow in this case.â

âNo, I donât. It was absolutely pure chance that she happened to be there.â

âNo, no, mon ami, it was not pure chance. You know that very well. Youâve told me so. She was asked for over the telephone. Asked for specially.â

âBut she doesnât know why.â

âYou cannot be sure that she does not know why. Very likely she does know why and is hiding the fact.â

âI donât think so,â I said obstinately.

âIt is even possible you may find out why by talking to her, even if she herself does not realize the truth.â

âI donât see very well howâI meanâI hardly know her.â

Hercule Poirot shut his eyes again.

âThere is a time,â he said, âin the course of an attraction between two persons of the opposite sex, when that particular statement is bound to be true. She is an attractive girl, I suppose?â

âWellâyes,â I said. âQuite attractive.â

âYou will talk to her,â Poirot ordered, âbecause you are already friends, and you will go again and see this blind woman with some excuse. And you will talk to her. And you will go to the typewriting bureau on the pretence perhaps of having some manuscript typed. You will make friends, perhaps, with one of the other young ladies who works there. You will talk to all these people and then you will come and see me again and you will tell me all the things that they will say.â

âHave mercy!â I said.

âNot at all,â said Poirot, âyou will enjoy it.â

âYou donât seem to realize that Iâve got my own work to do.â

âYou will work all the better for having a certain amount of relaxation,â Poirot assured me.

I got up and laughed.

âWell,â I said, âyouâre the doctor! Any more words of wisdom for me? What do you feel about this strange business of the clocks?â

Poirot leaned back in his chair again and closed his eyes.

The words he spoke were quite unexpected.

ââThe time has come, the Walrus said,

To talk of many things.

Of shoes and ships and sealing wax,

And cabbages and kings.

And why the sea is boiling hot

And whether pigs have wings.ââ

He opened his eyes again and nodded his head.

âDo you understand?â he said.

âQuotation from âThe Walrus and the Carpenter,â Alice Through the Looking Glass.â

âExactly. For the moment, that is the best I can do for you, mon cher. Reflect upon it.â

Fifteen

The inquest was well attended by the general public. Thrilled by a murder in their midst, Crowdean turned out with eager hopes of sensational disclosures. The proceedings, however, were as dry as they could be. Sheila Webb need not have dreaded her ordeal, it was over in a couple of minutes.

There had been a telephone message to the Cavendish Bureau directing her to go to 19, Wilbraham Crescent. She had gone, acting as told to do, by entering the sitting room. She had found the dead man there and had screamed and rushed out of the house to summon assistance. There were no questions or elaborations. Miss Martindale, who also gave evidence, was questioned for an even shorter time. She had received a message purporting to be from Miss Pebmarsh asking her to send a shorthand typist, preferably Miss Sheila Webb, to 19, Wilbraham Crescent, and giving certain directions. She had noted down the exact time of the telephone call as 1:49. That disposed of Miss Martindale.

Miss Pebmarsh, called next, denied categorically that she had asked for any typist to be sent to her that day from the Cavendish Bureau. Detective Inspector Hardcastle made a short emotionless statement. On receipt of a telephone call, he had gone to 19, Wilbraham Crescent where he had found the body of a dead man. The coroner then asked him:

âHave you been able to identify the dead man?â

âNot as yet, sir. For that reason, I would ask for this inquest to be adjourned.â

âQuite so.â

Then came the medical evidence. Doctor Rigg, the police surgeon, having described himself and his qualifications, told of his arrival at 19, Wilbraham Crescent, and of his examination of the dead man.

âCan you give us an approximate idea of the time of death, Doctor?â

âI examined him at half past three. I should put the time of death as between half past one and half past two.â

âYou cannot put it nearer than that?â

âI should prefer not to do so. At a guess, the most likely time would be two oâclock or rather earlier, but there are many factors which have to be taken into account. Age, state of health, and so on.â

âYou performed an autopsy?â

âI did.â

âThe cause of death?â

âThe man had been stabbed with a thin, sharp knife. Something in the nature, perhaps, of a French cooking knife with a tapering blade. The point of the knife entered â¦ â Here the doctor became technical as he explained the exact position where the knife had entered the heart.

âWould death have been instantaneous?â

âIt would have occurred within a very few minutes.â

âThe man would not have cried out or struggled?â

âNot under the circumstances in which he was stabbed.â

âWill you explain to us, Doctor, what you mean by that phrase?â

âI made an examination of certain organs and made certain tests. I would say that when he was killed he was in a state of coma due to the administration of a drug.â

âCan you tell us what this drug was, Doctor?â

âYes. It was chloral hydrate.â

âCan you tell how this was adminstered?â

âI should say presumably in alcohol of some kind. The effect of chloral hydrate is very rapid.â

âKnown in certain quarters as a Mickey Finn, I believe,â murmured the coroner.

âThat is quite correct,â said Doctor Rigg. âHe would drink the liquid unsuspectingly, and a few moments later he would reel over and fall unconscious.â

âAnd he was stabbed, in your opinion, while unconscious?â

âThat is my belief. It would account for there being no sign of a struggle and for his peaceful appearance.â

âHow long after becoming unconscious was he killed?â

âThat I cannot say with any accuracy. There again it depends on the personal idiosyncrasy of the victim. He would certainly not come round under half an hour and it might be a good deal more than that.â

âThank you, Doctor Rigg. Have you any evidence as to when this man last had a meal?â

âHe had not lunched if that is what you mean. He had eaten no solid food for at least four hours.â

âThank you, Doctor Rigg. I think that is all.â

The coroner then looked round and said:

âThe inquest will be adjourned for a fortnight, until September 28th.â

The inquest concluded, people began to move out of the court. Edna Brent who, with most of the other girls at the Cavendish Bureau, had been present, hesitated as she got outside the door. The Cavendish Secretarial Bureau had been closed for the morning. Maureen West, one of the other girls, spoke to her.

âWhat about it, Edna? Shall we go to the Bluebird for lunch? Weâve got heaps of time. At any rate, you have.â

âI havenât got any more time than you have,â said Edna in an injured voice. âSandy Cat told me Iâd better take the first interval for lunch. Mean of her. I thought Iâd get a good extra hour for shopping and things.â

âJust like Sandy Cat,â said Maureen. âMean as hell, isnât she? We open up again at two and weâve all got to be there. Are you looking for anyone?â

âOnly Sheila. I didnât see her come out.â

âShe went away earlier,â said Maureen, âafter sheâd finished giving her evidence. She went off with a young manâbut I didnât see who he was. Are you coming?â

Edna still hovered uncertainly, and said, âYou go onâIâve got shopping to do anyway.â

Maureen and another girl went off together. Edna lingered. Finally she nerved herself to speak to the fair-haired young policeman who stood at the entrance.

âCould I go in again?â she murmured timidly, âand speak toâto the one who came to the officeâInspector something.â

âInspector Hardcastle?â

âThatâs right. The one who was giving evidence this morning.â

âWellââ the young policeman looked into the court and observed the inspector in deep consultation with the coroner and with the chief constable of the county.

âHe looks busy at the moment, miss,â he said. âIf you called round at the station later, or if youâd like to give me a message â¦ Is it anything important?â

âOh, it doesnât matter really,â said Edna. âItâsâwellâjust that I donât see how what she said could have been true because I mean â¦ â She turned away, still frowning perplexedly.

She wandered away from the Cornmarket and along the High Street. She was still frowning perplexedly and trying to think. Thinking had never been Ednaâs strong point. The more she tried to get things clear in her mind, the more muddled her mind became.

Once she said aloud:

âBut it couldnât have been like that â¦ It couldnât have been like she saidâ¦.â

Suddenly, with an air of one making a resolution, she turned off from the High Street and along Albany Road in the direction of Wilbraham Crescent.

Since the day that the Press had announced that a murder had been committed at 19, Wilbraham Crescent, large numbers of people had gathered in front of the house every day to have a good look at it. The fascination mere bricks and mortar can have for the general public under certain circumstances is a truly mysterious thing. For the first twenty-four hours a policeman had been stationed there to pass people along in an authoritative manner. Since then interest had lessened; but had still not ceased entirely. Tradesmenâs delivery vans would slacken speed a little as they passed, women wheeling prams would come to a four or five minute stop on the opposite pavement and stare their eyes out as they contemplated Miss Pebmarshâs neat residence. Shopping women with baskets would pause with avid eyes and exchange pleasurable gossip with friends.

âThatâs the houseâthat one thereâ¦.â

âThe body was in the sitting room â¦ No, I think the sitting roomâs the room at the front, the one on the leftâ¦.â

âThe grocerâs man told me it was the one on the right.â

âWell, of course it might be, Iâve been into Number 10 once and there, I distinctly remember the dining room was on the right, and the sitting room was on the leftâ¦.â

âIt doesnât look a bit as though there had been a murder done there, does it â¦ ?â

âThe girl, I believe, came out of the gate screaming her head offâ¦.â

âThey say sheâs not been right in her head since â¦ Terrible shock, of courseâ¦.â

âHe broke in by a back window, so they say. He was putting the silver in a bag when this girl came in and found him thereâ¦.â

âThe poor woman who owns the house, sheâs blind, poor soul. So, of course, she couldnât know what was going on.â

âOh, but she wasnât there at the timeâ¦.â

âOh, I thought she was. I thought she was upstairs and heard him. Oh, dear, I must get on to the shops.â

These and similar conversations went on most of the time. Drawn as though by a magnet, the most unlikely people arrived in Wilbraham Crescent, paused, stared, and then passed on, some inner need satisfied.

Here, still puzzling in her mind, Edna Brent found herself jostling a small group of five or six people who were engaged in the favourite pastime of looking at the murder house.

Edna, always suggestible, stared also.

So that was the house where it happened! Net curtains in the windows. Looked ever so nice. And yet a man had been killed there. Killed with a kitchen knife. An ordinary kitchen knife. Nearly everybody had got a kitchen knifeâ¦.

Mesmerized by the behaviour of the people round her, Edna, too, stared and ceased to thinkâ¦.

She had almost forgotten what had brought her hereâ¦.

She started when a voice spoke in her ear.

She turned her head in surprised recognition.

Sixteen

COLIN LAMBâS NARRATIVE

I

I noticed when Sheila Webb slipped quietly out of the Coronerâs Court. Sheâd given her evidence very well. She had looked nervous but not unduly nervous. Just natural, in fact. (What would Beck say? âQuite a good performance.â I could hear him say it!)

I took in the surprise finish of Doctor Riggâs evidence. (Dick Hardcastle hadnât told me that, but he must have known) and then I went after her.

âIt wasnât so bad after all, was it?â I said, when I had caught her up.

âNo. It was quite easy really. The coroner was very nice.â She hesitated. âWhat will happen next?â

âHeâll adjourn the inquestâfor further evidence. A fortnight probably or until they can identify the dead man.â

âYou think they will identify him?â

âOh, yes,â I said. âTheyâll identify him all right. No doubt of that.â

She shivered. âItâs cold today.â

It wasnât particularly cold. In fact I thought it was rather warm.

âWhat about an early lunch?â I suggested. âYou havenât got to go back to your typewriting place, have you?â

âNo. Itâs closed until two oâclock.â

âCome along then. How do you react to Chinese food? I see thereâs a little Chinese restaurant just down the street.â

Sheila looked hesitant.

âIâve really got to do some shopping.â

âYou can do it afterwards.â

âNo, I canâtâsome of the shops close between one and two.â

âAll right then. Will you meet me there? In half an hourâs time?â

She said she would.

I went along to the seafront and sat there in a shelter. As the wind was blowing straight in from the sea, I had it to myself.

I wanted to think. It always infuriates one when other people know more about you than you know about yourself. But old Beck and Hercule Poirot and Dick Hardcastle, they all had seen quite clearly what I was now forced to admit to myself was true.

I minded about this girlâminded in a way I had never minded about a girl before.

It wasnât her beautyâshe was pretty, pretty in rather an unusual way, no more. It wasnât her sex appealâI had met that often enoughâhad been given the full treatment.

It was just that, almost from the first, I had recognized that she was my girl.

And I didnât know the first damned thing about her!

II

It was just after two oâclock that I walked into the station and asked for Dick. I found him at his desk leafing over a pile of stuff. He looked up and asked me what I had thought of the inquest.

I told him I thought it had been a very nicely managed and gentlemanly performance.

âWe do this sort of thing so well in this country.â

âWhat did you think of the medical evidence?â

âRather a facer. Why didnât you tell me about it?â

âYou were away. Did you consult your specialist?â

âYes, I did.â

âI believe I remember him vaguely. A lot of moustache.â

âOceans of it,â I agreed. âHeâs very proud of that moustache.â

âHe must be quite old.â

âOld but not gaga,â I said.

âWhy did you really go to see him? Was it purely the milk of human kindness?â

âYou have such a suspicious policemanâs mind, Dick! It was mainly that. But I admit to curiosity, too. I wanted to hear what he had to say about our own particular setup. You see, heâs always talked what I call a lot of cock about its being easy to solve a case by just sitting in your chair, bringing the tips of your fingers symmetrically together, closing your eyes and thinking. I wanted to call his bluff.â

âDid he go through that procedure for you?â

âHe did.â

âAnd what did he say?â Dick asked with some curiosity.

âHe said,â I told him, âthat it must be a very simple murder.â

âSimple, my God!â said Hardcastle, roused. âWhy simple?â

âAs far as I could gather,â I said, âbecause the whole setup was so complex.â

Hardcastle shook his head. âI donât see it,â he said. âIt sounds like one of those clever things that young people in Chelsea say, but I donât see it. Anything else?â

âWell, he told me to talk to the neighbours. I assured him we had done so.â

âThe neighbours are even more important now in view of the medical evidence.â

âThe presumption being that he was doped somewhere else and brought to Number 19 to be killed?â

Something familiar about the words struck me.

âThatâs more or less what Mrs. Whatâs-her-name, the cat woman, said. It struck me at the time as a rather interesting remark.â

âThose cats,â said Dick, and shuddered. He went on: âWeâve found the weapon, by the way. Yesterday.â

âYou have? Where?â

âIn the cattery. Presumably thrown there by the murderer after the crime.â

âNo fingerprints, I suppose?â

âCarefully wiped. And it could be anybodyâs knifeâslightly usedârecently sharpened.â

âSo it goes like this. He was dopedâthen brought to Number 19âin a car? Or how?â

âHe could have been brought from one of the houses with an adjoining garden.â

âBit risky, wouldnât it have been?â

âIt would need audacity,â Hardcastle agreed, âand it would need a very good knowledge of the neighbourhoodâs habits. Itâs more likely that he would have been brought in a car.â

âThat would have been risky too. People notice a car.â

âNobody did. But I agree that the murderer couldnât know that they wouldnât. Passersby would have noted a car stopping at Number 19 that dayââ

âI wonder if they would notice,â I said. âEveryoneâs so used to cars. Unless, of course, it had been a very lush carâsomething unusual, but thatâs not likelyââ

âAnd of course it was the lunch hour. You realize, Colin, that this brings Miss Millicent Pebmarsh back into the picture? It seems farfetched to think of an able-bodied man being stabbed by a blind womanâbut if he was dopedââ

âIn other words âif he came there to be killed,â as our Mrs. Hemming put it, he arrived by appointment quite unsuspiciously, was offered a sherry or a cocktailâthe Mickey Finn took effect and Miss Pebmarsh got to work. Then she washed up the Mickey Finn glass, arranged the body neatly on the floor, threw the knife into her neighbourâs garden, and tripped out as usual.â

âTelephoning to the Cavendish Secretarial Bureau on the wayââ

âAnd why should she do that? And ask particularly for Sheila Webb?â

âI wish we knew.â Hardcastle looked at me. âDoes she know? The girl herself?â

âShe says not.â

âShe says not,â Hardcastle repeated tonelessly. âIâm asking you what you think about it?â

I didnât speak for a moment or two. What did I think? I had to decide right now on my course of action. The truth would come out in the end. It would do Sheila no harm if she were what I believed her to be.

With a brusque movement I pulled a postcard out of my pocket and shoved it across the table.

âSheila got this through the post.â

Hardcastle scanned it. It was one of a series of postcards of London buildings. It represented the Central Criminal Court. Hardcastle turned it over. On the right was the addressâin neat printing. Miss R. S. Webb, 14, Palmerston Road, Crowdean, Sussex. On the left-hand side, also printed, was the word REMEMBER! and below it 4:13.

â4:13,â said Hardcastle. âThat was the time the clocks showed that day.â He shook his head. âA picture of the Old Bailey, the word âRememberâ and a timeâ4:13. It must tie up with something.â

âShe says she doesnât know what it means.â I added: âI believe her.â

Hardcastle nodded.

âIâm keeping this. We may get something from it.â

âI hope you do.â

There was embarrassment between us. To relieve it, I said:

âYouâve got a lot of bumf there.â

âAll the usual. And most of it no damned good. The dead man hadnât got a criminal record, his fingerprints arenât on file. Practically all this stuff is from people who claim to have recognized him.â He read:

ââDear Sir, the picture that was in the paper Iâm almost sure is the same as a man who was catching a train at Willesden Junction the other day. He was muttering to himself and looking very wild and excited, I thought when I saw him there must be something wrong.â

ââDear Sir, I think this man looks very like my husbandâs cousin John. He went abroad to South Africa but it may be that heâs come back. He had a moustache when he went away but of course he could have shaved that off.â

ââDear Sir, I saw the man in the paper in a tube train last night. I thought at the time there was something peculiar about him.â

âAnd of course there are all the women who recognize husbands. Women donât really seem to know what their husbands look like! There are hopeful mothers who recognize sons they have not seen for twenty years.

âAnd hereâs the list of missing persons. Nothing here likely to help us. âGeorge Barlow, 65, missing from home. His wife thinks he must have lost his memory.â And a note below: âOwes a lot of money. Has been seen going about with a red-haired widow. Almost certain to have done a bunk.â

âNext one: âProfessor Hargraves, expected to deliver a lecture last Tuesday. Did not turn up and sent no wire or note of excuse.ââ

Hardcastle did not appear to consider Professor Hargraves seriously.

âThought the lecture was the week before or the week after,â he said. âProbably thought he had told his housekeeper where he was going but hasnât done so. We get a lot of that.â

The buzzer on Hardcastleâs table sounded. He picked up the receiver.

âYes? â¦ What? â¦ Who found her? Did she give her name? â¦ I see. Carry on.â He put down the receiver again. His face as he turned to me was a changed face. It was stern, almost vindictive.

âTheyâve found a girl dead in a telephone box on Wilbraham Crescent,â he said.

âDead?â I stared at him. âHow?â

âStrangled. With her own scarf!â

I felt suddenly cold.

âWhat girl? Itâs notââ

Hardcastle looked at me with a cold, appraising glance that I didnât like.

âItâs not your girlfriend,â he said, âif thatâs what youâre afraid of. The constable there seems to know who she is. He says sheâs a girl who works in the same office as Sheila Webb. Edna Brent her name is.â

âWho found her? The constable?â

âShe was found by Miss Waterhouse, the woman from Number 18. It seems she went to the box to make a telephone call as her phone was out of order and found the girl there huddled down in a heap.â

The door opened and a police constable said:

âDoctor Rigg telephoned that heâs on his way, sir. Heâll meet you at Wilbraham Crescent.â

Seventeen

It was an hour and a half later and Detective Inspector Hardcastle sat down behind his desk and accepted with relief an official cup of tea. His face still held its bleak, angry look.

âExcuse me, sir, Pierce would like a word with you.â

Hardcastle roused himself.

âPierce? Oh, all right. Send him in.â

Pierce entered, a nervous-looking young constable.

âExcuse me, sir, I thought perâaps as I ought to tell you.â

âYes? Tell me what?â

âIt was after the inquest, sir. I was on duty at the door. This girlâthis girl thatâs been killed. Sheâshe spoke to me.â

âSpoke to you, did she? What did she say?â

âShe wanted to have a word with you, sir.â

Hardcastle sat up, suddenly alert.

âShe wanted to have a word with me? Did she say why?â

âNot exactly, sir. Iâm sorry, sir, if Iâif I ought to have done something about it. I asked her if she could give me a message orâor if perhaps she could come to the station later on. You see, you were busy with the chief constable and the coroner and I thoughtââ

âDamn!â said Hardcastle, under his breath. âCouldnât you have told her just to wait until I was free?â

âIâm sorry, sir.â The young man flushed. âI suppose if Iâd known, I ought to have done so. But I didnât think it was anything important. I donât think she thought it was important. It was just something she said she was worried about.â

âWorried?â said Hardcastle. He was silent for quite a minute turning over in his mind certain facts. This was the girl he had passed in the street when he was going to Mrs. Lawtonâs house, the girl who had wanted to see Sheila Webb. The girl who had recognized him as she passed him and had hesitated a moment as though uncertain whether to stop him or not. Sheâd had something on her mind. Yes, that was it. Something on her mind. Heâd slipped up. Heâd not been quick enough on the ball. Filled with his own purpose of finding out a little more about Sheila Webbâs background, he had overlooked a valuable point. The girl had been worried? Why? Now, probably, theyâd never know why.

âGo on, Pierce,â he said, âtell me all you can remember.â He added kindly, for he was a fair man: âYou couldnât know that it was important.â

It wasnât, he knew, any good to pass on his own anger and frustration by blaming it on the boy. How should the boy have known? Part of his training was to uphold discipline, to make sure that his superiors were only accosted at the proper times and in the proper places. If the girl had said it was important or urgent, that would have been different. But she hadnât been, he thought, remembering his first view of her in the office, that kind of girl. A slow thinker. A girl probably distrustful of her own mental processes.

âCan you remember exactly what happened, and what she said to you, Pierce?â he asked.

Pierce was looking at him with a kind of eager gratitude.

âWell, sir, she just come up to me when everyone was leaving and she sort of hesitated a moment and looked round just as though she were looking for someone. Not you, sir, I donât think. Somebody else. Then she come up to me and said could she speak to the police officer, and she said the one that had given evidence. So, as I said, I saw you were busy with the chief constable so I explained to her that you were engaged just now, could she give me a message or contact you later at the station. And I think she said that would do quite well. I said was it anything particularâ¦.â

âYes?â Hardcastle leaned forward.

âAnd she said well not really. It was just something, she said, that she didnât see how it could have been the way sheâd said it was.â

âShe didnât see how what she said could have been like that?â Hardcastle repeated.

âThatâs right, sir. Iâm not sure of the exact words. Perhaps it was: âI donât see how what she said can have been true.â She was frowning and looking puzzled-like. But when I asked her, she said it wasnât really important.â

Not really important, the girl had said. The same girl who had been found not long afterwards strangled in a telephone boxâ¦.

âWas anybody near you at the time she was talking to you?â he asked.

âWell, there were a good many people, sir, filing out, you know. Thereâd been a lot of people attending the inquest. Itâs caused quite a stir, this murder has, what with the way the Press have taken it up and all.â

âYou donât remember anyone in particular who was near you at the timeâany of the people whoâd given evidence, for instance?â

âIâm afraid I donât recall anyone in particular, sir.â

âWell,â said Hardcastle, âit canât be helped. All right, Pierce, if you remember anything further, come to me at once with it.â

Left alone he made an effort to subdue his rising anger and self-condemnation. That girl, that rabbity-looking girl, had known something. No, perhaps not put it as high as known, but she had seen something, heard something. Something that had worried her; and the worry had been intensified after attending the inquest. What could it have been? Something in the evidence? Something, in all probability, in Sheila Webbâs evidence? Had she gone to Sheilaâs auntâs house two days before on purpose to see Sheila? Surely she could have talked to Sheila at the office? Why did she want to see her privately? Did she know something about Sheila Webb that perplexed her? Did she want to ask Sheila for an explanation of whatever it was, somewhere in privateânot in front of the other girls? It looked that way. It certainly looked like it.

He dismissed Pierce. Then he gave a few directions to Sergeant Cray.

âWhat do you think the girl went to Wilbraham Crescent for?â Sergeant Cray asked.

âIâve been wondering about that,â said Hardcastle. âItâs possible, of course, that she just suffered from curiosityâwanted to see what the place looked like. Thereâs nothing unusual about thatâhalf the population of Crowdean seems to feel the same.â

âDonât we know it,â said Sergeant Cray with feeling.

âOn the other hand,â said Hardcastle slowly, âshe may have gone to see someone who lived thereâ¦.â

When Sergeant Cray had gone out again, Hardcastle wrote down three numbers on his blotting pad.

â20,â he wrote, and put a query after it. He added: â19?â and then â18?â He wrote names to correspond. Hemming, Pebmarsh, Waterhouse. The three houses in the higher crescent were out of it. To visit one of them Edna Brent would not have gone along the lower road at all.

Hardcastle studied the three possibilities.

He took No. 20 first. The knife used in the original murder had been found there. It seemed more likely that the knife had been thrown there from the garden of No. 19 but they didnât know that it had. It could have been thrust into the shrubbery by the owner of No. 20 herself. When questioned, Mrs. Hemmingâs only reaction had been indignation. âHow wicked of someone to throw a nasty knife like that at my cats!â she had said. How did Mrs. Hemming connect up with Edna Brent? She didnât, Inspector Hardcastle decided. He went on to consider Miss Pebmarsh.

Had Edna Brent gone to Wilbraham Crescent to call on Miss Pebmarsh? Miss Pebmarsh had given evidence at the inquest. Had there been something in that evidence which had aroused disbelief in Edna? But she had been worried before the inquest. Had she already known something about Miss Pebmarsh? Had she known, for instance, that there was a link of some kind between Miss Pebmarsh and Sheila Webb? That would fit in with her words to Pierce. âIt couldnât have been true what she said.â

âConjecture, all conjecture,â he thought angrily.

And No. 18? Miss Waterhouse had found the body. Inspector Hardcastle was professionally prejudiced against people who found bodies. Finding the body avoided so many difficulties for a murdererâit saved the hazards of arranging an alibi, it accounted for any overlooked fingerprints. In many ways it was a cast-iron positionâwith one proviso only. There must be no obvious motive. There was certainly no apparent motive for Miss Waterhouse to do away with little Edna Brent. Miss Waterhouse had not given evidence at the inquest. She might have been there, though. Did Edna perhaps have some reason for knowing, or believing, that it was Miss Waterhouse who had impersonated Miss Pebmarsh over the telephone and asked for a shorthand typist to be sent to No. 19?

More conjecture.

And there was, of course, Sheila Webb herselfâ¦.

Hardcastleâs hand went to the telephone. He got on to the hotel where Colin Lamb was staying. Presently he got Colin himself on the wire.

âHardcastle hereâwhat time was it when you lunched with Sheila Webb today?â

There was a pause before Colin answered:

âHow do you know that we lunched together?â

âA damned good guess. You did, didnât you?â

âWhy shouldnât I have lunch with her?â

âNo reason at all. Iâm merely asking you the time. Did you go off to lunch straight from the inquest?â

âNo. She had shopping to do. We met at the Chinese place in Market Street at one oâclock.â

âI see.â

Hardcastle looked down his notes. Edna Brent had died between 12:30 and one oâclock.

âDonât you want to know what we had for lunch?â

âKeep your hair on. I just wanted the exact time. For the record.â

âI see. Itâs like that.â

There was a pause. Hardcastle said, endeavouring to ease the strain:

âIf youâre not doing anything this eveningââ

The other interrupted.

âIâm off. Just packing up. I found a message waiting for me. Iâve got to go abroad.â

âWhen will you be back?â

âThatâs anybodyâs guess. A week at leastâperhaps longerâpossibly never!â

âBad luckâor isnât it?â

âIâm not sure,â said Colin, and rang off.

Eighteen

I

Hardcastle arrived at No. 19, Wilbraham Crescent just as Miss Pebmarsh was coming out of the house.

âExcuse me a minute, Miss Pebmarsh.â

âOh. Is itâDetective Inspector Hardcastle?â

âYes. Can I have a word with you?â

âI donât want to be late at the Institute. Will it take long?â

âI assure you only three or four minutes.â

She went into the house and he followed.

âYouâve heard what happened this afternoon?â he said.

âHas anything happened?â

âI thought you might have heard. A girl was killed in the telephone box just down the road.â

âKilled? When?â

âTwo hours and three quarters ago.â He looked at the grandfather clock.

âIâve heard nothing about it. Nothing,â said Miss Pebmarsh. A kind of anger sounded momentarily in her voice. It was as though her disability had been brought home to her in some particularly wounding way. âA girlâkilled! What girl?â

âHer name is Edna Brent and she worked at the Cavendish Secretarial Bureau.â

âAnother girl from there! Had she been sent for like this girl, Sheila whatâs-her-name was?â

âI donât think so,â said the inspector. âShe did not come to see you here, at your house?â

âHere? No. Certainly not.â

âWould you have been in if she had come here?â

âIâm not sure. What time did you say?â

âApproximately twelve thirty or a little later.â

âYes,â said Miss Pebmarsh. âI would have been home by then.â

âWhere did you go after the inquest?â

âI came straight back here.â She paused and then asked, âWhy did you think this girl might have come to see me?â

âWell, she had been at the inquest this morning and she had seen you there, and she must have had some reason for coming to Wilbraham Crescent. As far as we know, she was not acquainted with anyone in this road.â

âBut why should she come to see me just because she had seen me at the inquest?â

âWellââ the inspector smiled a little, then hastily tried to put the smile in his voice as he realized that Miss Pebmarsh could not appreciate its disarming quality. âOne never knows with these girls. She might just have wanted an autograph. Something like that.â

âAn autograph!â Miss Pebmarsh sounded scornful. Then she said, âYes â¦ Yes, I suppose youâre right. That sort of thing does happen.â Then she shook her head briskly. âI can only assure you, Inspector Hardcastle, that it did not happen today. Nobody has been here since I came back from the inquest.â

âWell, thank you, Miss Pebmarsh. We thought we had better check up on every possibility.â

âHow old was she?â asked Miss Pebmarsh.

âI believe she was nineteen.â

âNineteen? Very young.â Her voice changed slightly. âVery young â¦ Poor child. Who would want to kill a girl of that age?â

âIt happens,â said Hardcastle.

âWas she prettyâattractiveâsexy?â

âNo,â said Hardcastle. âShe would have liked to be, I think, but she was not.â

âThen that was not the reason,â said Miss Pebmarsh. She shook her head again. âIâm sorry. More sorry than I can say, Inspector Hardcastle, that I canât help you.â

He went out, impressed as he always was impressed, by Miss Pebmarshâs personality.

II

Miss Waterhouse was also at home. She was also true to type, opening the door with a suddenness which displayed a desire to trap someone doing what they should not do.

âOh, itâs you!â she said. âReally, Iâve told your people all I know.â

âIâm sure youâve replied to all the questions that were asked you,â said Hardcastle, âbut they canât all be asked at once, you know. We have to go into a few more details.â

âI donât see why. The whole thing was a most terrible shock,â said Miss Waterhouse, looking at him in a censorious way as though it had been all his doing. âCome in, come in. You canât stand on the mat all day. Come in and sit down and ask me any questions you want to, though really what questions there can be, I cannot see. As I told you, I went out to make a telephone call. I opened the door of the box and there was the girl. Never had such a shock in my life. I hurried down and got the police constable. And after that, in case you want to know, I came back here and I gave myself a medicinal dose of brandy. Medicinal,â said Miss Waterhouse fiercely.

âVery wise of you, madam,â said Inspector Hardcastle.

âAnd thatâs that,â said Miss Waterhouse with finality.

âI wanted to ask you if you were quite sure you had never seen this girl before?â

âMay have seen her a dozen times,â said Miss Waterhouse, âbut not to remember. I mean, she may have served me in Woolworthâs, or sat next to me in a bus, or sold me tickets in a cinema.â

âShe was a shorthand typist at the Cavendish Bureau.â

âI donât think Iâve ever had occasion to use a shorthand typist. Perhaps she worked in my brotherâs office at Gainsford and Swettenham. Is that what youâre driving at?â

âOh, no,â said Inspector Hardcastle, âthere appears to be no connection of that kind. But I just wondered if sheâd come to see you this morning before being killed.â

âCome to see me? No, of course not. Why should she?â

âWell, that we wouldnât know,â said Inspector Hardcastle, âbut you would say, would you, that anyone who saw her coming in at your gate this morning was mistaken?â He looked at her with innocent eyes.

âSomebody saw her coming in at my gate? Nonsense,â said Miss Waterhouse. She hesitated. âAt leastââ

âYes?â said Hardcastle, alert though he did not show it.

âWell, I suppose she may have pushed a leaflet or something through the door â¦ There was a leaflet there at lunchtime. Something about a meeting for nuclear disarmament, I think. Thereâs always something every day. I suppose conceivably she might have come and pushed something through the letter box; but you canât blame me for that, can you?â

âOf course not. Now as to your telephone callâyou say your own telephone was out of order. According to the exchange, that was not so.â

âExchanges will say anything! I dialled and got a most peculiar noise, not the engaged signal, so I went out to the call box.â

Hardcastle got up.

âIâm sorry, Miss Waterhouse, for bothering you in this way, but there is some idea that this girl did come to call on someone in the crescent and that she went to a house not very far from here.â

âAnd so you have to inquire all along the crescent,â said Miss Waterhouse. âI should think the most likely thing is that she went to the house next doorâMiss Pebmarshâs, I mean.â

âWhy should you consider that the most likely?â

âYou said she was a shorthand typist and came from the Cavendish Bureau. Surely, if I remember rightly, it was said that Miss Pebmarsh asked for a shorthand typist to come to her house the other day when that man was killed.â

âIt was said so, yes, but she denied it.â

âWell, if you ask me,â said Miss Waterhouse, ânot that anyone ever listens to what I say until itâs too late, I should say that sheâd gone a little batty. Miss Pebmarsh, I mean. I think, perhaps, that she does ring up bureaux and ask for shorthand typists to come. Then, perhaps, she forgets all about it.â

âBut you donât think that she would do murder?â

âI never suggested murder or anything of that kind. I know a man was killed in her house, but Iâm not for a moment suggesting that Miss Pebmarsh had anything to do with it. No. I just thought that she might have one of those curious fixations like people do. I knew a woman once who was always ringing up a confectionerâs and ordering a dozen meringues. She didnât want them, and when they came she said she hadnât ordered them. That sort of thing.â

âOf course, anything is possible,â said Hardcastle. He said good-bye to Miss Waterhouse and left.

He thought sheâd hardly done herself justice by her last suggestion. On the other hand, if she believed that the girl had been seen entering her house, and that that had in fact been the case, then the suggestion that the girl had gone to No. 19 was quite an adroit one under the circumstances.

Hardcastle glanced at his watch and decided that he had still time to tackle the Cavendish Secretarial Bureau. It had, he knew, been reopened at two oâclock this afternoon. He might get some help from the girls there. And he would find Sheila Webb there too.

III

One of the girls rose at once as he entered the office.

âItâs Detective Inspector Hardcastle, isnât it?â she said. âMiss Martindale is expecting you.â

She ushered him into the inner office. Miss Martindale did not wait a moment before attacking him.

âItâs disgraceful, Inspector Hardcastle, absolutely disgraceful! You must get to the bottom of this. You must get to the bottom of it at once. No dilly-dallying about. The police are supposed to give protection and that is what we need here at this office. Protection. I want protection for my girls and I mean to get it.â

âIâm sure, Miss Martindale, thatââ

âAre you going to deny that two of my girls, two of them, have been victimized? There is clearly some irresponsible person about who has got some kind ofâwhat do they call it nowadaysâa fixture or a complexâabout shorthand typists or secretarial bureaux. They are deliberately martyrizing this institute. First Sheila Webb was summoned by a heartless trick to find a dead bodyâthe kind of thing that might send a nervous girl off her headâand now this. A perfectly nice harmless girl murdered in a telephone box. You must get to the bottom of it, Inspector.â

âThereâs nothing I want more than to get to the bottom of it, Miss Martindale. Iâve come to see if you can give me any help.â

âHelp! What help can I give you? Do you think if I had any help, I wouldnât have rushed to you with it before now? Youâve got to find who killed that poor girl, Edna, and who played that heartless trick on Sheila. Iâm strict with my girls, Inspector, I keep them up to their work and I wonât allow them to be late or slipshod. But I donât stand for their being victimized or murdered. I intend to defend them, and I intend to see that people who are paid by the State to defend them do their work.â She glared at him and looked rather like a tigress in human form.

âGive us time, Miss Martindale,â he said.

âTime? Just because that silly child is dead, I suppose you think youâve all the time in the world. The next thing that happens will be one of the other girls is murdered.â

âI donât think you need fear that, Miss Martindale.â

âI donât suppose you thought this girl was going to be killed when you got up this morning, Inspector. If so, youâd have taken a few precautions, I suppose, to look after her. And when one of my girls gets killed or is put in some terribly compromising position, youâll be equally surprised. The whole thing is extraordinary, crazy! You must admit yourself itâs a crazy setup. That is, if the things one reads in the paper were true. All those clocks for instance. They werenât mentioned this morning at the inquest, I noticed.â

âAs little as possible was mentioned this morning, Miss Martindale. It was only an adjourned inquest, you know.â

âAll I say is,â said Miss Martindale, glaring at him again, âyou must do something about it.â

âAnd thereâs nothing you can tell me, no hint Edna might have given to you? She didnât appear worried by anything, she didnât consult you?â

âI donât suppose sheâd have consulted me if she was worried,â said Miss Martindale. âBut what had she to be worried about?â

That was exactly the question that Inspector Hardcastle would have liked to have answered for him, but he could see that it was not likely that he would get the answer from Miss Martindale. Instead he said:

âIâd like to talk to as many of your girls here as I can. I can see that it is not likely that Edna Brent would have confided any fears or worries to you, but she might have spoken of them to her fellow employees.â

âThatâs possible enough, I expect,â said Miss Martindale. âThey spend their time gossipingâthese girls. The moment they hear my step in the passage outside all the typewriters begin to rattle. But what have they been doing just before? Talking. Chat, chat, chitter-chat!â Calming down a little, she said, âThere are only three of them in the office at present. Would you like to speak to them while youâre here? The others are out on assignments. I can give you their names and their home addresses, if you like.â

âThank you, Miss Martindale.â

âI expect youâd like to speak to them alone,â said Miss Martindale. âThey wouldnât talk as freely if I was standing there looking on. Theyâd have to admit, you see, that they had been gossiping and wasting their time.â

She got up from her seat and opened the door into the outer office.

âGirls,â she said, âDetective Inspector Hardcastle wants to talk things over with you. You can stop work for the moment. Try and tell him anything you know that can help him to find out who killed Edna Brent.â

She went back into her own private office and shut the door firmly. Three startled girlish faces looked at the inspector. He summed them up quickly and superficially, but sufficiently to make up his mind as to the quality of the material with which he was about to deal. A fair solid-looking girl with spectacles. Dependable, he thought, but not particularly bright. A rather rakish-looking brunette with the kind of hairdo that suggested sheâd been out in a blizzard lately. Eyes that noticed things here, perhaps, but probably highly unreliable in her recollection of events. Everything would be suitably touched up. The third was a born giggler who would, he was sure, agree with whatever anyone else said.

He spoke quietly, informally.

âI suppose youâve all heard what has happened to Edna Brent who worked here?â

Three heads nodded violently.

âBy the way, how did you hear?â

They looked at each other as if trying to decide who should be spokesman. By common consent it appeared to be the fair girl, whose name, it seemed, was Janet.

âEdna didnât come to work at two oâclock, as she should have done,â she explained.

âAnd Sandy Cat was very annoyed,â began the dark-haired girl, Maureen, and then stopped herself. âMiss Martindale, I mean.â

The third girl giggled. âSandy Cat is just what we call her,â she explained.

âAnd not a bad name,â the inspector thought.

âSheâs a perfect terror when she likes,â said Maureen. âFairly jumps on you. She asked if Edna had said anything to us about not coming back to the office this afternoon, and that she ought to have at least sent an excuse.â

The fair girl said: âI told Miss Martindale that sheâd been at the inquest with the rest of us, but that we hadnât seen her afterwards and didnât know where sheâd gone.â

âThat was true, was it?â asked Hardcastle. âYouâve no idea where she did go when she left the inquest.â

âI suggested she should come and have some lunch with me,â said Maureen, âbut she seemed to have something on her mind. She said she wasnât sure that sheâd bother to have any lunch. Just buy something and eat it in the office.â

âSo she meant, then, to come back to the office?â

âOh, yes, of course. We all knew weâd got to do that.â

âHave any of you noticed anything different about Edna Brent these last few days? Did she seem to you worried at all, as though she had something on her mind? Did she tell you anything to that effect? If there is anything at all you know, I must beg of you to tell me.â

They looked at each other but not in a conspiratorial manner. It seemed to be merely vague conjecture.

âShe was always worried about something,â said Maureen. âShe gets things muddled up, and makes mistakes. She was a bit slow in the uptake.â

âThings always seemed to happen to Edna,â said the giggler. âRemember when that stiletto heel of hers came off the other day? Just the sort of thing that would happen to Edna.â

âI remember,â said Hardcastle.

He remembered how the girl had stood looking down ruefully at the shoe in her hand.

âYou know, I had a feeling something awful had happened this afternoon when Edna didnât get here at two oâclock,â said Janet. She nodded with a solemn face.

Hardcastle looked at her with some dislike. He always disliked people who were wise after the event. He was quite sure that the girl in question had thought nothing of the kind. Far more likely, he thought to himself, that she had said, âEdna will catch it from Sandy Cat when she does come in.â

âWhen did you hear what had happened?â he asked again.

They looked at each other. The giggler flushed guiltily. Her eyes shot sideways to the door into Miss Martindaleâs private office.

âWell, IâerâI just slipped out for a minute,â she said. âI wanted some pastries to take home and I knew theyâd all be gone by the time we left. And when I got to the shopâitâs on the corner and they know me quite well thereâthe woman said, âShe worked at your place, didnât she, ducks?â and I said, âWho do you mean?â And then she said, âThis girl theyâve just found dead in a telephone box.â Oh, it gave me ever such a turn! So I came rushing back and I told the others and in the end we all said weâd have to tell Miss Martindale about it, and just at that moment she came bouncing out of her office and said to us, âNow what are you doing? Not a single typewriter going.ââ

The fair girl took up the saga.

âAnd I said, âReally itâs not our fault. Weâve heard some terrible news about Edna, Miss Martindale.ââ

âAnd what did Miss Martindale say or do?â

âWell, she wouldnât believe it at first,â said the brunette. âShe said, âNonsense. Youâve just been picking up some silly gossip in a shop. It must be some other girl. Why should it be Edna?â And she marched back into her room and rang up the police station and found out it was true.â

âBut I donât see,â said Janet almost dreamily, âI donât see why anyone should want to kill Edna.â

âItâs not as though she had a boy or anything,â said the brunette.

All three looked at Hardcastle hopefully as though he could give them the answer to the problem. He sighed. There was nothing here for him. Perhaps one of the other girls might be more helpful. And there was Sheila Webb herself.

âWere Sheila Webb and Edna Brent particular friends?â he asked.

They looked at each other vaguely.

âNot special, I donât think.â

âWhere is Miss Webb, by the way?â

He was told that Sheila Webb was at the Curlew Hotel, attending on Professor Purdy.

Nineteen

Professor Purdy sounded irritated as he broke off dictating and answered the telephone.

âWho? What? You mean he is here now? Well, ask him if tomorrow will do?âOh, very wellâvery wellâTell him to come up.â

âAlways something,â he said with vexation. âHow can one ever be expected to do any serious work with these constant interruptions.â He looked with mild displeasure at Sheila Webb and said: âNow where were we, my dear?â

Sheila was about to reply when there was a knock at the door. Professor Purdy brought himself back with some difficulty from the chronological difficulties of approximately three thousand years ago.

âYes?â he said testily, âyes, come in, what is it? I may say I mentioned particularly that I was not to be disturbed this afternoon.â

âIâm very sorry, sir, very sorry indeed that it has been necessary to do so. Good evening, Miss Webb.â

Sheila Webb had risen to her feet, setting aside her notebook. Hardcastle wondered if he only fancied that he saw sudden apprehension come into her eyes.

âWell, what is it?â said the professor again, sharply.

âI am Detective Inspector Hardcastle, as Miss Webb here will tell you.â

âQuite,â said the professor. âQuite.â

âWhat I really wanted was a few words with Miss Webb.â

âCanât you wait? It is really most awkward at this moment. Most awkward. We were just at a critical point. Miss Webb will be disengaged in about a quarter of an hourâoh, well, perhaps half an hour. Something like that. Oh, dear me, is it six oâclock already?â

âIâm very sorry, Professor Purdy,â Hardcastleâs tone was firm.

âOh, very well, very well. What is itâsome motoring offence, I suppose? How very officious these traffic wardens are. One insisted the other day that I had left my car four and a half hours at a parking meter. Iâm sure that could not possibly be so.â

âItâs a little more serious than a parking offence, sir.â

âOh, yes. Oh, yes. And you donât have a car, do you, my dear?â He looked vaguely at Sheila Webb. âYes, I remember, you come here by bus. Well, Inspector, what is it?â

âItâs about a girl called Edna Brent.â He turned to Sheila Webb. âI expect youâve heard about it.â

She stared at him. Beautiful eyes. Cornflower-blue eyes. Eyes that reminded him of someone.

âEdna Brent, did you say?â She raised her eyebrows. âOh, yes, I know her, of course. What about her?â

âI see the news hasnât got to you yet. Where did you lunch, Miss Webb?â

Colour came up in her cheeks.

âI lunched with a friend at the Ho Tung restaurant, ifâif itâs really any business of yours.â

âYou didnât go on afterwards to the office?â

âTo the Cavendish Bureau, you mean? I called in there and was told it had been arranged that I was to come straight here to Professor Purdy at half past two.â

âThatâs right,â said the professor, nodding his head. âHalf past two. And we have been working here ever since. Ever since. Dear me, I should have ordered tea. I am very sorry, Miss Webb, Iâm afraid you must have missed having your tea. You should have reminded me.â

âOh, it didnât matter, Professor Purdy, it didnât matter at all.â

âVery remiss of me,â said the professor, âvery remiss. But there. I mustnât interrupt, since the inspector wants to ask you some questions.â

âSo you donât know whatâs happened to Edna Brent?â

âHappened to her?â asked Sheila, sharply, her voice rising. âHappened to her? What do you mean? Has she had an accident or somethingâbeen run over?â

âVery dangerous, all this speeding,â put in the professor.

âYes,â said Hardcastle, âsomethingâs happened to her.â He paused and then said, putting it as brutally as possible, âShe was strangled about half past twelve, in a telephone box.â

âIn a telephone box?â said the professor, rising to the occasion by showing some interest.

Sheila Webb said nothing. She stared at him. Her mouth opened slightly, her eyes widened. âEither this is the first youâve heard of it or youâre a damnâ good actress,â thought Hardcastle to himself.

âDear, dear,â said the professor. âStrangled in a telephone box. That seems very extraordinary to me. Very extraordinary. Not the sort of place I would choose myself. I mean, if I were to do such a thing. No, indeed. Well, well. Poor girl. Most unfortunate for her.â

âEdnaâkilled! But why?â

âDid you know, Miss Webb, that Edna Brent was very anxious to see you the day before yesterday, that she came to your auntâs house, and waited for some time for you to come back?â

âMy fault again,â said the professor guiltily. âI kept Miss Webb very late that evening, I remember. Very late indeed. I really still feel very apologetic about it. You must always remind me of the time, my dear. You really must.â

âMy aunt told me about that,â said Sheila, âbut I didnât know it was anything special. Was it? Was Edna in trouble of any kind?â

âWe donât know,â said the inspector. âWe probably never shall know. Unless you can tell us?â

âI tell you? How should I know?â

âYou might have had some idea, perhaps, of what Edna Brent wanted to see you about?â

She shook her head. âIâve no idea, no idea at all.â

âHasnât she hinted anything to you, spoken to you in the office at all about whatever the trouble was?â

âNo. No, indeed she hasnâtâhadnâtâI wasnât at the office at all yesterday. I had to go over to Landis Bay to one of our authors for the whole day.â

âYou didnât think that sheâd been worried lately?â

âWell, Edna always looked worried or puzzled. She had a veryâwhat shall I sayâdiffident, uncertain kind of mind. I mean, she was never quite sure that what she thought of doing was the right thing or not. She missed out two whole pages in typing Armand Levineâs book once and she was terribly worried about what to do then, because sheâd sent it off to him before she realized what had happened.â

âI see. And she asked you all your advice as to what she should do about it?â

âYes. I told her sheâd better write a note to him quickly because people donât always start reading their typescript at once for correction. She could write and say what had happened and ask him not to complain to Miss Martindale. But she said she didnât quite like to do that.â

âShe usually came and asked for advice when one of these problems arose?â

âOh, yes, always. But the trouble was, of course, that we didnât always all agree as to what she should do. Then she got puzzled again.â

âSo it would be quite natural that she should come to one of you if she had a problem? It happened quite frequently?â

âYes. Yes, it did.â

âYou donât think it might have been something more serious this time?â

âI donât suppose so. What sort of serious thing could it be?â

Was Sheila Webb, the inspector wondered, quite as much at ease as she tried to appear?â

âI donât know what she wanted to talk to me about,â she went on, speaking faster and rather breathlessly. âIâve no idea. And I certainly canât imagine why she wanted to come out to my auntâs house and speak to me there.â

âIt would seem, wouldnât it, that it was something she did not want to speak to you about at the Cavendish Bureau? Before the other girls, shall we say? Something, perhaps, that she felt ought to be kept private between you and her. Could that have been the case?â

âI think itâs very unlikely. Iâm sure it couldnât have been at all like that.â Her breath came quickly.

âSo you canât help me, Miss Webb?â

âNo. Iâm sorry. Iâm very sorry about Edna, but I donât know anything that could help you.â

âNothing that might have a connection or a tie-up with what happened on the 9th of September?â

âYou meanâthat manâthat man in Wilbraham Crescent?â

âThatâs what I mean.â

âHow could it have been? What could Edna have known about that?â

âNothing very important, perhaps,â said the inspector, âbut something. And anything would help. Anything, however small.â He paused. âThe telephone box where she was killed was in Wilbraham Crescent. Does that convey anything to you, Miss Webb?â

âNothing at all.â

âWere you yourself in Wilbraham Crescent today?â

âNo, I wasnât,â she said vehemently. âI never went near it. Iâm beginning to feel that itâs a horrible place. I wish Iâd never gone there in the first place, I wish Iâd never got mixed up in all this. Why did they send for me, ask for me specially, that day? Why did Edna have to get killed near there? You must find out, Inspector, you must, you must!â

âWe mean to find out, Miss Webb,â the inspector said. There was a faint menace in his voice as he went on: âI can assure you of that.â

âYouâre trembling, my dear,â said Professor Purdy. âI think, I really do think that you ought to have a glass of sherry.â

Twenty

COLIN LAMBâS NARRATIVE

I reported to Beck as soon as I got to London.

He waved his cigar at me.

âThere might have been something in that idiotic crescent idea of yours after all,â he allowed.

âIâve turned up something at last, have I?â

âI wonât go as far as that, but Iâll just say that you may have. Our construction engineer, Mr. Ramsay of 62, Wilbraham Crescent, is not all he seems. Some very curious assignments heâs taken on lately. Genuine firms, but firms without much back history, and what history they have, rather a peculiar one. Ramsay went off at a minuteâs notice about five weeks ago. He went to Rumania.â

âThatâs not what he told his wife.â

âPossibly not, but thatâs where he went. And thatâs where he is now. Weâd like to know a bit more about him. So you can stir your stumps, my lad, and get going. Iâve got all the visas ready for you, and a nice new passport. Nigel Trench it will be this time. Rub up your knowledge of rare plants in the Balkans. Youâre a botanist.â

âAny special instructions?â

âNo. Weâll give you your contact when you pick up your papers. Find out all you can about our Mr. Ramsay.â He looked at me keenly. âYou donât sound as pleased as you might be.â He peered through the cigar smoke.

âItâs always pleasant when a hunch pays off,â I said evasively.

âRight Crescent, wrong number. 61 is occupied by a perfectly blameless builder. Blameless in our sense, that is. Poor old Hanbury got the number wrong, but he wasnât far off.â

âHave you vetted the others? Or only Ramsay?â

âDiana Lodge seems to be as pure as Diana. A long history of cats. McNaughton was vaguely interesting. Heâs a retired professor, as you know. Mathematics. Quite brilliant, it seems. Resigned his Chair quite suddenly on the grounds of ill-health. I suppose that may be trueâbut he seems quite hale and hearty. He seems to have cut himself off from all his old friends, which is rather odd.â

âThe trouble is,â I said, âthat we get to thinking that everything that everybody does is highly suspicious.â

âYou may have got something there,â said Colonel Beck. âThere are times when I suspect you, Colin, of having changed over to the other side. There are times when I suspect myself of having changed over to the other side, and then having changed back again to this one! All a jolly mix-up.â

My plane left at ten p.m. I went to see Hercule Poirot first. This time he was drinking a sirop de cassis (Black currant to you and me). He offered me some. I refused. George brought me whisky. Everything as usual.

âYou look depressed,â said Poirot.

âNot at all. Iâm just off abroad.â

He looked at me. I nodded.

âSo it is like that?â

âYes, it is like that.â

âI wish you all success.â

âThank you. And what about you, Poirot, how are you getting along with your homework?â

âPardon?â

âWhat about the Crowdean Clocks MurderâHave you leaned back, closed your eyes and come up with all the answers?â

âI have read what you left here with great interest,â said Poirot.

âNot much there, was there? I told you these particular neighbours were a wash-outââ

âOn the contrary. In the case of at least two of these people very illuminating remarks were madeââ

âWhich of them? And what were the remarks?â

Poirot told me in an irritating fashion that I must read my notes carefully.

âYou will see for yourself thenâIt leaps to the eye. The thing to do now is to talk to more neighbours.â

âThere arenât any more.â

âThere must be. Somebody has always seen something. It is an axiom.â

âIt may be an axiom but it isnât so in this case. And Iâve got further details for you. There has been another murder.â

âIndeed? So soon? That is interesting. Tell me.â

I told him. He questioned me closely until he got every single detail out of me. I told him, too, of the postcard I had passed on to Hardcastle.

âRememberâfour one threeâor four thirteen,â he repeated. âYesâit is the same pattern.â

âWhat do you mean by that?â

Poirot closed his eyes.

âThat postcard lacks only one thing, a fingerprint dipped in blood.â

I looked at him doubtfully.

âWhat do you really think of this business?â

âIt grows much clearerâas usual, the murderer cannot let well alone.â

âBut whoâs the murderer?â

Poirot craftily did not reply to that.

âWhilst you are away, you permit that I make a few researches?â

âSuch as?â

âTomorrow I shall instruct Miss Lemon to write a letter to an old lawyer friend of mine, Mr. Enderby. I shall ask her to consult the marriage records at Somerset House. She will also send for me a certain overseas cable.â

âIâm not sure thatâs fair,â I objected. âYouâre not just sitting and thinking.â

âThat is exactly what I am doing! What Miss Lemon is to do, is to verify for me the answers that I have already arrived at. I ask not for information, but for confirmation.â

âI donât believe you know a thing, Poirot! This is all bluff. Why, nobody knows yet who the dead man isââ

âI know.â

âWhatâs his name?â

âI have no idea. His name is not important. I know, if you can understand, not who he is but who he is.â

âA blackmailer?â

Poirot closed his eyes.

âA private detective?â

Poirot opened his eyes.

âI say to you a little quotation. As I did last time. And after that I say no more.â

He recited with the utmost solemnity:

âDilly, dilly, dillyâCome and be killed.â

Twenty-one

Detective Inspector Hardcastle looked at the calendar on his desk. 20th September. Just over ten days. They hadnât been able to make as much progress as he would have liked because they were held up with that initial difficulty: the identification of a dead body. It had taken longer than he would have thought possible. All the leads seemed to have petered out, failed. The laboratory examination of the clothes had brought in nothing particularly helpful. The clothes themselves had yielded no clues. They were good quality clothes, export quality, not new but well cared for. Dentists had not helped, nor laundries, nor cleaners. The dead man remained a âmystery man!â And yet, Hardcastle felt, he was not really a âmystery man.â There was nothing spectacular or dramatic about him. He was just a man whom nobody had been able to come forward and recognize. That was the pattern of it, he was sure. Hardcastle sighed as he thought of the telephone calls and letters that had necessarily poured in after the publication in the public press of the photograph with the caption below it: DO YOU KNOW THIS MAN? Astonishing the amount of people who thought they did know this man. Daughters who wrote in a hopeful vein of fathers from whom theyâd been estranged for years. An old woman of ninety was sure that the photograph in question was her son who had left home thirty years ago. Innumerable wives had been sure that it was a missing husband. Sisters had not been quite so anxious to claim brothers. Sisters, perhaps, were less hopeful thinkers. And, of course, there were vast numbers of people who had seen that very man in Lincolnshire, Newcastle, Devon, London, on a tube, in a bus, lurking on a pier, looking sinister at the corner of a road, trying to hide his face as he came out of the cinema. Hundreds of leads, the more promising of them patiently followed up and not yielding anything.

But today, the inspector felt slightly more hopeful. He looked again at the letter on his desk. Merlina Rival. He didnât like the Christian name very much. Nobody in their senses, he thought, could christen a child Merlina. No doubt it was a fancy name adopted by the lady herself. But he liked the feel of the letter. It was not extravagant or overconfident. It merely said that the writer thought it possible that the man in question was her husband from whom she had parted several years ago. She was due this morning. He pressed his buzzer and Sergeant Cray came in.

âThat Mrs. Rival not arrived yet?â

âJust come this minute,â said Cray. âI was coming to tell you.â

âWhatâs she like?â

âBit theatrical-looking,â said Cray, after reflecting a moment. âLots of makeupânot very good makeup. Fairly reliable sort of woman on the whole, I should say.â

âDid she seem upset?â

âNo. Not noticeably.â

âAll right,â said Hardcastle, âletâs have her in.â

Cray departed and presently returned saying as he did so, âMrs. Rival, sir.â

The inspector got up and shook hands with her. About fifty, he would judge, but from a long way awayâquite a long wayâshe might have looked thirty. Close at hand, the result of makeup carelessly applied made her look rather older than fifty but on the whole he put it at fifty. Dark hair heavily hennaed. No hat, medium height and build, wearing a dark coat and skirt and a white blouse. Carrying a large tartan bag. A jingly bracelet or two, several rings. On the whole, he thought, making moral judgements on the basis of his experience, rather a good sort. Not overscrupulous, probably, but easy to live with, reasonably generous, possibly kind. Reliable? That was the question. He wouldnât bank on it, but then he couldnât afford to bank on that kind of thing anyway.

âIâm very glad to see you, Mrs. Rival,â he said, âand I hope very much youâll be able to help us.â

âOf course, Iâm not at all sure,â said Mrs. Rival. She spoke apologetically. âBut it did look like Harry. Very much like Harry. Of course Iâm quite prepared to find that it isnât, and I hope I shanât have taken up your time for nothing.â

She seemed quite apologetic about it.

âYou mustnât feel that in any case,â said the inspector. âWe want help very badly over this case.â

âYes, I see. I hope Iâll be able to be sure. You see, itâs a long time since I saw him.â

âShall we get down a few facts to help us? When did you last see your husband?â

âIâve been trying to get it accurate,â said Mrs. Rival, âall the way down in the train. Itâs terrible how oneâs memory goes when it comes to time. I believe I said in my letter to you it was about ten years ago, but itâs more than that. Dâyou know, I think itâs nearer fifteen. Time does go so fast. I suppose,â she added shrewdly, âthat one tends to think itâs less than it is because it makes you yourself feel younger. Donât you think so?â

âI should think it could do,â said the inspector. âAnyway you think itâs roughly fifteen years since you saw him? When were you married?â

âIt must have been about three years before that,â said Mrs. Rival.

âAnd you were living then?â

âAt a place called Shipton Bois in Suffolk. Nice town. Market town. Rather one-horse, if you know what I mean.â

âAnd what did your husband do?â

âHe was an insurance agent. At leastââ she stopped herself ââthatâs what he said he was.â

The inspector looked up sharply.

âYou found out that that wasnât true?â

âWell, no, not exactly â¦ Not at the time. Itâs only since then that Iâve thought that perhaps it wasnât true. Itâd be an easy thing for a man to say, wouldnât it?â

âI suppose it would in certain circumstances.â

âI mean, it gives a man an excuse for being away from home a good deal.â

âYour husband was away from home a good deal, Mrs. Rival?â

âYes. I never thought about it much to begin withââ

âBut later?â

She did not answer at once then she said:

âCanât we get on with it? After all, if it isnât Harryâ¦.â

He wondered what exactly she was thinking. There was strain in her voice, possibly emotion? He was not sure.

âI can understand,â he said, âthat youâd like to get it over. Weâll go now.â

He rose and escorted her out of the room to the waiting car. Her nervousness when they got to where they were going, was no more than the nervousness of other people he had taken to this same place. He said the usual reassuring things.

âItâll be quite all right. Nothing distressing. It will only take a minute or two.â

The tray was rolled out, the attendant lifted the sheet. She stood staring down for a few moments, her breath came a little faster, she made a faint gasping sound, then she turned away abruptly. She said:

âItâs Harry. Yes. Heâs a lot older, he looks different â¦ But itâs Harry.â

The inspector nodded to the attendant, then he laid his hand on her arm and took her out again to the car and they drove back to the station. He didnât say anything. He left her to pull herself together. When they got back to his room a constable came in almost at once with a tray of tea.

âThere you are, Mrs. Rival. Have a cup, itâll pull you together. Then weâll talk.â

âThank you.â

She put sugar in the tea, a good deal of it, and gulped it down quickly.

âThatâs better,â she said. âItâs not that I mind really. Onlyâonly, well it does turn you up a bit, doesnât it?â

âYou think this man is definitely your husband?â

âIâm sure he is. Of course, heâs much older, but he hasnât changed really so much. He always lookedâwell, very neat. Nice, you know, good class.â

Yes, thought Hardcastle, it was quite a good description. Good class. Presumably, Harry had looked much better class than he was. Some men did, and it was helpful to them for their particular purposes.

Mrs. Rival said, âHe was very particular always about his clothes and everything. Thatâs why, I thinkâthey fell for him so easily. They never suspected anything.â

âWho fell for him, Mrs. Rival?â Hardcastleâs voice was gentle, sympathetic.

âWomen,â said Mrs. Rival. âWomen. Thatâs where he was most of the time.â

âI see. And you got to know about it.â

âWell, IâI suspected. I mean, he was away such a lot. Of course I knew what men are like. I thought probably there was a girl from time to time. But itâs no good asking men about these things. Theyâll lie to you and thatâs all. But I didnât thinkâI really didnât think that he made a business of it.â

âAnd did he?â

She nodded. âI think he must have done.â

âHow did you find out?â

She shrugged her shoulders.

âHe came back one day from a trip heâd taken. To Newcastle, he said. Anyway, he came back and said heâd have to clear out quickly. He said that the game was up. There was some woman heâd got into trouble. A schoolteacher, he said, and there might be a bit of a stink about it. I asked him questions then. He didnât mind telling me. Probably he thought I knew more than I did. They used to fall for him, you know, easily enough, just as I did. Heâd give her a ring and theyâd get engagedâand then heâd say heâd invest money for them. They usually gave it him quite easily.â

âHad he tried the same thing with you?â

âHe had, as a matter of fact, only I didnât give him any.â

âWhy not? Didnât you trust him even then?â

âWell, I wasnât the kind that trusts anybody. Iâd had what youâd call a bit of experience, you know, of men and their ways and the seamier side of things. Anyway, I didnât want him investing my money for me. What money I had I could invest for myself. Always keep your money in your hands and then youâll be sure youâve got it! Iâve seen too many girls and women make fools of themselves.â

âWhen did he want you to invest money? Before you were married or after?â

âI think he suggested something of the kind beforehand, but I didnât respond and he sheered off the subject at once. Then, after we were married, he told me about some wonderful opportunity heâd got. I said, âNothing doing.â It wasnât only because I didnât trust him, but Iâd often heard men say theyâre on to something wonderful and then it turned out that theyâd been had for a mug themselves.â

âHad your husband ever been in trouble with the police?â

âNo fear,â said Mrs. Rival. âWomen donât like the world to know theyâve been duped. But this time, apparently, things might be different. This girl or woman, she was an educated woman. She wouldnât be as easy to deceive as the others may have been.â

âShe was going to have a child?â

âYes.â

âHad that happened on other occasions?â

âI rather think so.â She added, âI donât honestly know what it was used to start him off in the first place. Whether it was only the moneyâa way of getting a living, as you might sayâor whether he was the kind of man who just had to have women and he saw no reason why they shouldnât pay the expenses of his fun.â There was no bitterness now in her voice.

Hardcastle said gently:

âYou were fond of him, Mrs. Rival?â

âI donât know. I honestly donât know. I suppose I was in a way, or I wouldnât have married himâ¦.â

âYou wereâexcuse meâmarried to him?â

âI donât even know that for sure,â said Mrs. Rival frankly. âWe were married all right. In a church, too, but I donât know if he had married other women as well, using a different name, I suppose. His name was Castleton when I married him. I donât think it was his own name.â

âHarry Castleton. Is that right?â

âYes.â

âAnd you lived in this place, Shipton Bois, as man and wifeâfor how long?â

âWeâd been there about two years. Before that we lived near Doncaster. I donât say I was really surprised when he came back that day and told me. I think Iâd known he was a wrong âun for some time. One just couldnât believe it because, you see, he always seemed so respectable. So absolutely the gentleman!â

âAnd what happened then?â

âHe said heâd got to get out of there quick and I said he could go and good riddance, that I wasnât standing for all this!â She added thoughtfully, âI gave him ten pounds. It was all I had in the house. He said he was short of money â¦ Iâve never seen or heard of him since. Until today. Or rather, until I saw his picture in the paper.â

âHe didnât have any special distinguishing marks? Scars? An operationâor a fractureâanything like that?â

She shook her head.

âI donât think so.â

âDid he ever use the name Curry?â

âCurry? No, I donât think so. Not that I know of, anyway.â Hardcastle slipped the card across the table to her.

âThis was in his pocket,â he said.

âStill saying heâs an insurance agent, I see,â she remarked. âI expect he usesâused, I meanâall sorts of different names.â

âYou say youâve never heard of him for the last fifteen years?â

âHe hasnât sent me a Christmas card, if thatâs what you mean,â said Mrs. Rival, with a sudden glint of humour. âI donât suppose heâd know where I was, anyway. I went back to the stage for a bit after we parted. On tour mostly. It wasnât much of a life and I dropped the name of Castleton too. Went back to Merlina Rival.â

âMerlinaâsâerânot your real name, I suppose?â

She shook her head and a faint, cheerful smile appeared on her face.

âI thought it up. Unusual. My real nameâs Flossie Gapp. Florence, I suppose I must have been christened, but everyone always calls me Flossie or Flo. Flossie Gapp. Not very romantic, is it?â

âWhat are you doing now? Are you still acting, Mrs. Rival?â

âOccasionally,â said Mrs. Rival with a touch of reticence. âOn and off, as you might say.â

Hardcastle was tactful.

âI see,â he said.

âI do odd jobs here and there,â she said. âHelp out at parties, a bit of hostess work, that sort of thing. Itâs not a bad life. At any rate you meet people. Things get near the bone now and again.â

âYouâve never heard anything of Henry Castleton since you partedâor about him?â

âNot a word. I thought perhaps heâd gone abroadâor was dead.â

âThe only other thing I can ask you, Mrs. Rival, is if you have any idea why Harry Castleton should have come to this neighbourhood?â

âNo. Of course Iâve no idea. I donât even know what heâs been doing all these years.â

âWould it be likely that he would be selling fraudulent insuranceâsomething of that kind?â

âI simply donât know. It doesnât seem to me terribly likely. I mean, Harry was very careful of himself always. He wouldnât stick his neck out doing something that he might be brought to book for. I should have thought it more likely it was some racket with women.â

âMight it have been, do you think, Mrs. Rival, some form of blackmail?â

âWell, I donât know â¦ I suppose, yes, in a way. Some woman, perhaps, that wouldnât want something in her past raked up. Heâd feel pretty safe over that, I think. Mind you, I donât say it is so, but it might be. I donât think heâd want very much money, you know. I donât think heâd drive anyone desperate, but he might just collect in a small way.â She nodded in affirmation. âYes.â

âWomen liked him, did they?â

âYes. They always fell for him rather easily. Mainly, I think, because he always seemed so good class and respectable. They were proud of having made a conquest of a man like that. They looked forward to a nice safe future with him. Thatâs the nearest way I can put it. I felt the same way myself,â added Mrs. Rival with some frankness.

âThereâs just one more small point,â Hardcastle spoke to his subordinate. âJust bring those clocks in, will you?â

They were brought in on a tray with a cloth over them. Hardcastle whipped off the cloth and exposed them to Mrs. Rivalâs gaze. She inspected them with frank interest and approbation.

âPretty, arenât they? I like that one.â She touched the ormolu clock.

âYou havenât seen any of them before? They donât mean anything to you?â

âCanât say they do. Ought they to?â

âCan you think of any connection between your husband and the name Rosemary?â

âRosemary? Let me think. There was a red-headâNo, her name was Rosalie. Iâm afraid I canât think of anyone. But then I probably wouldnât know, would I? Harry kept his affairs very dark.â

âIf you saw a clock with the hands pointing to four-thirteenââ Hardcastle paused.

Mrs. Rival gave a cheerful chuckle.

âIâd think it was getting on for teatime.â

Hardcastle sighed.

âWell, Mrs. Rival,â he said, âwe are very grateful to you. The adjourned inquest, as I told you, will be the day after tomorrow. You wonât mind giving evidence of identification, will you?â

âNo. No, that will be all right. Iâll just have to say who he was, is that it? I shanât have to go into things? I wonât have to go into the manner of his lifeâanything of that kind?â

âThat will not be necessary at present. All you will have to swear to is he is the man, Harry Castleton, to whom you were married. The exact date will be on record at Somerset House. Where were you married? Can you remember that?â

âPlace called DonbrookâSt. Michaelâs, I think was the name of the church. I hope it isnât more than twenty years ago. That would make me feel I had one foot in the grave,â said Mrs. Rival.

She got up and held out her hand. Hardcastle said good-bye. He went back to his desk and sat there tapping it with a pencil. Presently Sergeant Cray came in.

âSatisfactory?â he asked.

âSeems so,â said the inspector. âName of Harry Castletonâpossibly an alias. Weâll have to see what we can find out about the fellow. It seems likely that more than one woman might have reason to want revenge on him.â

âLooks so respectable, too,â said Cray.

âThat,â said Hardcastle, âseems to have been his principal stock-in-trade.â

He thought again about the clock with Rosemary written on it. Remembrance?

Twenty-two

COLIN LAMBâS NARRATIVE

I

âSo you have returned,â said Hercule Poirot.

He placed a bookmarker carefully to mark his place in the book he was reading. This time a cup of hot chocolate stood on the table by his elbow. Poirot certainly has the most terrible taste in drinks! For once he did not urge me to join him.

âHow are you?â I asked.

âI am disturbed. I am much disturbed. They make the renovations, the redecorations, even the structural alteration in these flats.â

âWonât that improve them?â

âIt will improve them, yesâbut it will be most vexatious to me. I shall have to disarrange myself. There will be a smell of paint!â He looked at me with an air of outrage.

Then, dismissing his difficulties with a wave of his hand, he asked:

âYou have had the success, yes?â

I said slowly: âI donât know.â

âAhâit is like that.â

âI found out what I was sent to find out. I did not find the man himself. I myself do not know what was wanted. Information? Or a body?â

âSpeaking of bodies, I read the account of the adjourned inquest at Crowdean. Wilful murder by a person or persons unknown. And your body has been given a name at last.â

I nodded.

âHarry Castleton, whoever he may be.â

âIdentified by his wife. You have been to Crowdean?â

âNot yet. I thought of going down tomorrow.â

âOh, you have some leisure time?â

âNot yet. Iâm still on the job. My job takes me thereââ I paused a moment and then said: âI donât know much about whatâs been happening while Iâve been abroadâjust the mere fact of identificationâwhat do you think of it?â

Poirot shrugged his shoulders.

âIt was to be expected.â

âYesâthe police are very goodââ

âAnd wives are very obliging.â

âMrs. Merlina Rival! What a name!â

âIt reminds me of something,â said Poirot. âNow of what does it remind me?â

He looked at me thoughtfully but I couldnât help him. Knowing Poirot, it might have reminded him of anything.

âA visit to a friendâin a country house,â mused Poirot, then shook his head. âNoâit is so long ago.â

âWhen I come back to London, Iâll come and tell you all I can find out from Hardcastle about Mrs. Merlina Rival,â I promised.

Poirot waved a hand and said: âIt is not necessary.â

âYou mean you know all about her already without being told?â

âNo. I mean that I am not interested in herââ

âYouâre not interestedâbut why not? I donât get it.â I shook my head.

âOne must concentrate on the essentials. Tell me instead of the girl called Ednaâwho died in the telephone box in Wilbraham Crescent.â

âI canât tell you more than Iâve told you alreadyâI know nothing about the girl.â

âSo all you know,â said Poirot accusingly, âor all you can tell me is that the girl was a poor little rabbit, whom you saw in a typewriting office, where she had torn the heel off her shoe in a gratingââ he broke off. âWhere was that grating, by the way?â

âReally, Poirot, how should I know?â

âYou could have known if you had asked. How do you expect to know anything if you do not ask the proper questions?â

âBut how can it matter where the heel came off?â

âIt may not matter. On the other hand, we should know a definite spot where this girl had been, and that might connect up with a person she had seen thereâor with an event of some kind which took place there.â

âYou are being rather farfetched. Anyway I do know it was quite near the office because she said so and that she bought a bun and hobbled back on her stocking feet to eat the bun in the office and she ended up by saying how on earth was she to get home like that?â

âAh, and how did she get home?â Poirot asked with interest.

I stared at him.

âIâve no idea.â

âAhâbut it is impossible, the way you never ask the right questions! As a result you know nothing of what is important.â

âYouâd better come down to Crowdean and ask questions yourself,â I said, nettled.

âThat is impossible at the moment. There is a most interesting sale of authorsâ manuscripts next weekââ

âStill on your hobby?â

âBut, yes, indeed.â His eyes brightened. âTake the works of John Dickson Carr or Carter Dickson, as he calls himself sometimesââ

I escaped before he could get under way, pleading an urgent appointment. I was in no mood to listen to lectures on past masters of the art of crime fiction.

II

I was sitting on the front step of Hardcastleâs house, and rose out of the gloom to greet him when he got home on the following evening.

âHallo, Colin? Is that you? So youâve appeared out of the blue again, have you?â

âIf you called it out of the red, it would be much more appropriate.â

âHow long have you been here, sitting on my front doorstep?â

âOh, half an hour or so.â

âSorry you couldnât get into the house.â

âI could have got into the house with perfect ease,â I said indignantly. âYou donât know our training!â

âThen why didnât you get in?â

âI wouldnât like to lower your prestige in any way,â I explained. âA detective inspector of police would be bound to lose face if his house were entered burglariously with complete ease.â

Hardcastle took his keys from his pocket and opened the front door.

âCome on in,â he said, âand donât talk nonsense.â

He led the way into the sitting room, and proceeded to supply liquid refreshment.

âSay when.â

I said it, not too soon, and we settled ourselves with our drinks.

âThings are moving at last,â said Hardcastle. âWeâve identified our corpse.â

âI know. I looked up the newspaper filesâwho was Harry Castleton?â

âA man of apparently the utmost respectability and who made his living by going through a form of marriage or merely getting engaged to well-to-do credulous women. They entrusted their savings to him, impressed by his superior knowledge of finance and shortly afterwards he quietly faded into the blue.â

âHe didnât look that kind of man,â I said, casting my mind back.

âThat was his chief asset.â

âWasnât he ever prosecuted?â

âNoâweâve made inquiries but it isnât easy to get much information. He changed his name fairly often. And although they think at the Yard that Harry Castleton, Raymond Blair, Lawrence Dalton, Roger Byron were all one and the same person, they never could prove it. The women, you see, wouldnât tell. They preferred to lose their money. The man was really more of a name than anythingâcropping up here and thereâalways the same patternâbut incredibly elusive. Roger Byron, say, would disappear from Southend, and a man called Lawrence Dalton would commence operations in Newcastle on Tyne. He was shy of being photographedâeluded his lady friendsâ desire to snapshot him. All this goes quite a long time backâfifteen to twenty years. About that time he seemed really to disappear. The rumour spread about that he was deadâbut some people said he had gone abroadââ

âAnyway, nothing was heard of him until he turned up, dead, on Miss Pebmarshâs sitting room carpet?â I said.

âExactly.â

âIt certainly opens up possibilities.â

âIt certainly does.â

âA woman scorned who never forgot?â I suggested.

âIt does happen, you know. There are women with long memories who donât forgetââ

âAnd if such a woman were to go blindâa second affliction on top of the otherââ

âThatâs only conjecture. Nothing to substantiate it as yet.â

âWhat was the wife likeâMrsâwhat was it?âMerlina Rival? What a name! It canât be her own.â

âHer real name is Flossie Gapp. The other she invented. More suitable for her way of life.â

âWhat is she? A tart?â

âNot a professional.â

âWhat used to be called, tactfully, a lady of easy virtue?â

âI should say she was a good-natured woman, and one willing to oblige her friends. Described herself as an ex-actress. Occasionally did âhostessâ work. Quite likeable.â

âReliable?â

âAs reliable as most. Her recognition was quite positive. No hesitation.â

âThatâs a blessing.â

âYes. I was beginning to despair. The amount of wives Iâve had here! Iâd begun to think itâs a wise woman who knows her own husband. Mind you, I think Mrs. Rival might have known a little more about her husband than she lets on.â

âHas she herself ever been mixed up in criminal activities?â

âNot for the record. I think she may have had, perhaps still has, some shady friends. Nothing seriousâjust fiddlesâthat kind of thing.â

âWhat about the clocks?â

âDidnât mean a thing to her. I think she was speaking the truth. Weâve traced where they came fromâPortobello Market. Thatâs the ormolu and the Dresden china. And very little help that is! You know what itâs like on a Saturday there. Bought by an American lady, the stall keeper thinksâbut Iâd say thatâs just a guess. Portobello Market is full of American tourists. His wife says it was a man bought them. She canât remember what he looked like. The silver one came from a silversmith in Bournemouth. A tall lady who wanted a present for her little girl! All she can remember about her is she wore a green hat.â

âAnd the fourth clock? The one that disappeared?â

âNo comment,â said Hardcastle.

I knew just what he meant by that.

Twenty-three

COLIN LAMBâS NARRATIVE

The hotel I was staying in was a poky little place by the station. It served a decent grill but that was all that could be said for it. Except, of course, that it was cheap.

At ten oâclock the following morning I rang the Cavendish Secretarial Bureau and said that I wanted a shorthand typist to take down some letters and retype a business agreement. My name was Douglas Weatherby and I was staying at the Clarendon Hotel (extraordinarily tatty hotels always have grand names). Was Miss Sheila Webb available? A friend of mine had found her very efficient.

I was in luck. Sheila could come straight away. She had, however, an appointment at twelve oâclock. I said that I would have finished with her well before that as I had an appointment myself.

I was outside the swing doors of the Clarendon when Sheila appeared. I stepped forward.

âMr. Douglas Weatherby at your service,â I said.

âWas it you rang up?â

âIt was.â

âBut you canât do things like that.â She looked scandalized.

âWhy not? Iâm prepared to pay the Cavendish Bureau for your services. What does it matter to them if we spend your valuable and expensive time in the Buttercup CafÃ© just across the street instead of dictating dull letters beginning âYours of the 3rd prontissimo to hand,â etc. Come on, letâs go and drink indifferent coffee in peaceful surroundings.â

The Buttercup CafÃ© lived up to its name by being violently and aggressively yellow. Formica tabletops, plastic cushions and cups and saucers were all canary colour.

I ordered coffee and scones for two. It was early enough for us to have the place practically to ourselves.

When the waitress had taken the order and gone away, we looked across the table at each other.

âAre you all right, Sheila?â

âWhat do you meanâam I all right?â

Her eyes had such dark circles under them that they looked violet rather than blue.

âHave you been having a bad time?â

âYesânoâI donât know. I thought you had gone away?â

âI had. Iâve come back.â

âWhy?â

âYou know why.â

Her eyes dropped.

âIâm afraid of him,â she said after a pause of at least a minute, which is a long time.

âWho are you afraid of?â

âThat friend of yoursâthat inspector. He thinks â¦ he thinks I killed that man, and that I killed Edna tooâ¦.â

âOh, thatâs just his manner,â I said reassuringly. âHe always goes about looking as though he suspected everybody.â

âNo, Colin, itâs not like that at all. Itâs no good saying things just to cheer me up. Heâs thought that I had something to do with it right from the beginning.â

âMy dear girl, thereâs no evidence against you. Just because you were there on the spot that day, because someone put you on the spotâ¦.â

She interrupted.

âHe thinks I put myself on the spot. He thinks itâs all a trumped-up story. He thinks that Edna in some way knew about it. He thinks that Edna recognized my voice on the telephone pretending to be Miss Pebmarsh.â

âWas it your voice?â I asked.

âNo, of course it wasnât. I never made that telephone call. Iâve always told you so.â

âLook here, Sheila,â I said. âWhatever you tell anyone else, youâve got to tell me the truth.â

âSo you donât believe a word I say!â

âYes, I do. You might have made that telephone call that day for some quite innocent reason. Someone may have asked you to make it, perhaps told you it was part of a joke, and then you got scared and once youâd lied about it, you had to go on lying. Was it like that?â

âNo, no, no! How often have I got to tell you?â

âItâs all very well, Sheila, but thereâs something youâre not telling me. I want you to trust me. If Hardcastle has got something against you, something that he hasnât told me aboutââ

She interrupted again.

âDo you expect him to tell you everything?â

âWell, thereâs no reason why he shouldnât. Weâre roughly members of the same profession.â

The waitress brought our order at this point. The coffee was as pale as the latest fashionable shade of mink.

âI didnât know you had anything to do with the police,â Sheila said, slowly stirring her coffee round and round.

âItâs not exactly the police. Itâs an entirely different branch. But what I was getting at was, that if Dick doesnât tell me things he knows about you, itâs for a special reason. Itâs because he thinks Iâm interested in you. Well, I am interested in you. Iâm more than that. Iâm for you, Sheila, whatever youâve done. You came out of that house that day scared to death. You were really scared. You werenât pretending. You couldnât have acted a part the way you did.â

âOf course I was scared. I was terrified.â

âWas it only finding the dead body that scared you? Or was there something else?â

âWhat else should there be?â

I braced myself.

âWhy did you pinch that clock with Rosemary written across it?â

âWhat do you mean? Why should I pinch it?â

âIâm asking you why you did.â

âI never touched it.â

âYou went back into that room because youâd left your gloves there, you said. You werenât wearing any gloves that day. A fine September day. Iâve never seen you wear gloves. All right then, you went back into that room and you picked up that clock. Donât lie to me about that. Thatâs what you did, isnât it?â

She was silent for a moment or two, crumbling up the scones on her plate.

âAll right,â she said in a voice that was almost a whisper. âAll right. I did. I picked up the clock and I shoved it into my bag and I came out again.â

âBut why did you do it?â

âBecause of the nameâRosemary. Itâs my name.â

âYour name is Rosemary, not Sheila?â

âItâs both. Rosemary Sheila.â

âAnd that was enough, just that? The fact that youâd the same name as was written on one of those clocks?â

She heard my disbelief, but she stuck to it.

âI was scared, I tell you.â

I looked at her. Sheila was my girlâthe girl I wantedâand wanted for keeps. But it wasnât any use having illusions about her. Sheila was a liar and probably always would be a liar. It was her way of fighting for survivalâthe quick easy glib denial. It was a childâs weaponâand sheâd probably never got out of using it. If I wanted Sheila I must accept her as she wasâbe at hand to prop up the weak places. Weâve all got our weak places. Mine were different from Sheilaâs but they were there.

I made up my mind and attacked. It was the only way.

âIt was your clock, wasnât it?â I said. âIt belonged to you?â

She gasped.

âHow did you know?â

âTell me about it.â

The story tumbled out then in a helter-skelter of words. Sheâd had the clock nearly all her life. Until she was about six years old sheâd always gone by the name of Rosemaryâbut she hated it and had insisted on being called Sheila. Lately the clock had been giving trouble. Sheâd taken it with her to leave at a clock-repairing shop not far from the Bureau. But sheâd left it somewhereâin the bus, perhaps, or in the milk bar where she went for a sandwich at lunchtime.

âHow long was this before the murder at 19, Wilbraham Crescent?â

About a week, she thought. She hadnât bothered much, because the clock was old and always going wrong and it would really be better to get a new one.

And then:

âI didnât notice it at first,â she said. âNot when I went into the room. And then Iâfound the dead man. I was paralysed. I straightened up after touching him and I just stood there staring and my clock was facing me on a table by the fireâmy clockâand there was blood on my handâand then she came in and I forgot everything because she was going to tread on him. Andâand soâI bolted. To get awayâthatâs all I wanted.â

I nodded.

âAnd later?â

âI began to think. She said she hadnât telephoned for meâthen who hadâwhoâd got me there and put my clock there? IâI said that about leaving gloves andâand stuffed it into my bag. I suppose it wasâstupid of me.â

âYou couldnât have done anything sillier,â I told her. âIn some ways, Sheila, youâve got no sense at all.â

âBut someone is trying to involve me. That postcard. It must have been sent by someone who knows I took that clock. And the postcard itselfâthe Old Bailey. If my father was a criminalââ

âWhat do you know about your father and mother?â

âMy father and mother died in an accident when I was a baby. Thatâs what my aunt told me, what Iâve always been told. But she never speaks about them, she never tells me anything about them. Sometimes, once or twice when I asked, sheâs told me things about them that arenât the same as what sheâs told me before. So Iâve always known, you see, that thereâs something wrong.â

âGo on.â

âSo I think that perhaps my father was some kind of criminalâperhaps even, a murderer. Or perhaps it was my mother. People donât say your parents are dead and canât or wonât tell you anything about those parents, unless the real reason is somethingâsomething that they think would be too awful for you to know.â

âSo you got yourself all worked up. Itâs probably quite simple. You may just have been an illegitimate child.â

âI thought of that, too. People do sometimes try and hide that kind of thing from children. Itâs very stupid. Theyâd much better just tell them the real truth. It doesnât matter as much nowadays. But the whole point is, you see, that I donât know. I donât know whatâs behind all this. Why was I called Rosemary? Itâs not a family name. It means remembrance, doesnât it?â

âWhich could be a nice meaning,â I pointed out.

âYes, it could â¦ But I donât feel it was. Anyway, after the inspector had asked me questions that day, I began to think. Why had someone wanted to get me there? To get me there with a strange man who was dead? Or was it the dead man who had wanted me to meet him there? Was he, perhapsâmy father, and he wanted me to do something for him? And then someone had come along and killed him instead. Or did someone want to make out from the beginning that it was I who had killed him? Oh, I was all mixed up, frightened. It seemed somehow as if everything was being made to point at me. Getting me there, and a dead man and my nameâRosemaryâon my own clock that didnât belong there. So I got in a panic and did something that was stupid, as you say.â

I shook my head at her.

âYouâve been reading or typing too many thrillers and mystery stories,â I said accusingly. âWhat about Edna? Havenât you any idea at all what sheâd got into her head about you? Why did she come all the way to your house to talk to you when she saw you every day at the office?â

âIâve no idea. She couldnât have thought I had anything to do with the murder. She couldnât.â

âCould it have been something she overheard and made a mistake about?â

âThere was nothing, I tell you. Nothing!â

I wondered. I couldnât help wondering â¦ Even now, I didnât trust Sheila to tell the truth.

âHave you got any personal enemies? Disgruntled young men, jealous girls, someone or other a bit unbalanced who might have it in for you?â

It sounded most unconvincing as I said it.

âOf course not.â

So there it was. Even now I wasnât sure about that clock. It was a fantastic story. 413. What did those figures mean? Why write them on a postcard with the word: REMEMBER unless they would mean something to the person to whom the postcard was sent?

I sighed, paid the bill and got up.

âDonât worry,â I said. (Surely the most fatuous words in the English or any other language.) âThe Colin Lamb Personal Service is on the job. Youâre going to be all right, and weâre going to be married and live happily ever after on practically nothing a year. By the way,â I said, unable to stop myself, though I knew it would have been better to end on the romantic note, but the Colin Lamb Personal Curiosity drove me on. âWhat have you actually done with that clock? Hidden it in your stocking drawer?â

She waited just a moment before she said:

âI put it in the dustbin of the house next door.â

I was quite impressed. It was simple and probably effective. To think of that had been clever of her. Perhaps I had underestimated Sheila.

Twenty-four

COLIN LAMBâS NARRATIVE

I

When Sheila had gone, I went across to the Clarendon, packed my bag and left it ready with the porter. It was the kind of hotel where they are particular about your checking out before noon.

Then I set out. My route took me past the police station, and after hesitating a moment, I went in. I asked for Hardcastle and he was there. I found him frowning down at a letter in his hand.

âIâm off again this evening, Dick,â I said. âBack to London.â

He looked up at me with a thoughtful expression.

âWill you take a piece of advice from me?â

âNo,â I said immediately.

He paid no attention. People never do when they want to give you advice.

âI should get awayâand stay awayâif you know whatâs best for you.â

âNobody can judge whatâs best for anyone else.â

âI doubt that.â

âIâll tell you something, Dick. When Iâve tidied up my present assignment, Iâm quitting. At leastâI think I am.â

âWhy?â

âIâm like an old-fashioned Victorian clergyman. I have Doubts.â

âGive yourself time.â

I wasnât sure what he meant by that. I asked him what he himself was looking so worried about.

âRead that.â He passed me the letter he had been studying.

Dear Sir,

Iâve just thought of something. You asked me if my husband had any identifying marks and I said he hadnât. But I was wrong. Actually he has a kind of scar behind his left ear. He cut himself with a razor when a dog we had jumped up at him, and he had to have it stitched up. It was so small and unimportant I never thought of it the other day.

Yours truly,
Merlina Rival

âShe writes a nice dashing hand,â I said, âthough Iâve never really fancied purple ink. Did the deceased have a scar?â

âHe had a scar all right. Just where she says.â

âDidnât she see it when she was shown the body?â

Hardcastle shook his head.

âThe ear covers it. You have to bend the ear forward before you can see it.â

âThen thatâs all right. Nice piece of corroboration. Whatâs eating you?â

Hardcastle said gloomily that this case was the devil! He asked if I would be seeing my French or Belgian friend in London.

âProbably. Why?â

âI mentioned him to the chief constable who says he remembers him quite wellâthat Girl Guide murder case. I was to extend a very cordial welcome to him if he is thinking of coming down here.â

âNot he,â I said. âThe man is practically a limpet.â

II

It was a quarter past twelve when I rang the bell at 62, Wilbraham Crescent. Mrs. Ramsay opened the door. She hardly raised her eyes to look at me.

âWhat is it?â she said.

âCan I speak to you for a moment? I was here about ten days ago. You may not remember.â

She lifted her eyes to study me further. A faint frown appeared between her eyebrows.

âYou cameâyou were with the police inspector, werenât you?â

âThatâs right, Mrs. Ramsay. Can I come in?â

âIf you want to, I suppose. One doesnât refuse to let the police in. Theyâd take a very poor view of it if you did.â

She led the way into the sitting room, made a brusque gesture towards a chair and sat down opposite me. There had been a faint acerbity in her voice, but her manner now resumed a listlessness which I had not noted in it previously.

I said:

âIt seems quiet here today â¦ I suppose your boys have gone back to school?â

âYes. It does make a difference.â She went on, âI suppose you want to ask some more questions, do you, about this last murder? The girl who was killed in the telephone box.â

âNo, not exactly that. Iâm not really connected with the police, you know.â

She looked faintly surprised.

âI thought you were SergeantâLamb, wasnât it?â

âMy name is Lamb, yes, but I work in an entirely different department.â

The listlessness vanished from Mrs. Ramsayâs manner. She gave me a quick, hard, direct stare.

âOh,â she said, âwell, what is it?â

âYour husband is still abroad?â

âYes.â

âHeâs been gone rather a long time, hasnât he, Mrs. Ramsay? And gone rather a long way?â

âWhat do you know about it?â

âWell, heâs gone beyond the Iron Curtain, hasnât he?â

She was silent for a moment or two, and then she said in a quiet, toneless voice:

âYes. Yes, thatâs quite right.â

âDid you know he was going?â

âMore or less.â She paused a minute and then said, âHe wanted me to join him there.â

âHad he been thinking of it for some time?â

âI suppose so. He didnât tell me until lately.â

âYou are not in sympathy with his views?â

âI was once, I suppose. But you must know that already â¦ You check up pretty thoroughly on things like that, donât you? Go back into the past, find out who was a fellow traveller, who was a party member, all that sort of thing.â

âYou might be able to give us information that would be very useful to us,â I said.

She shook her head.

âNo. I canât do that. I donât mean that I wonât. You see, he never told me anything definite. I didnât want to know. I was sick and tired of the whole thing! When Michael told me that he was leaving this country, clearing out, and going to Moscow, it didnât really startle me. I had to decide then, what I wanted to do.â

âAnd you decided you were not sufficiently in sympathy with your husbandâs aims?â

âNo, I wouldnât put it like that at all! My view is entirely personal. I believe it always is with women in the end, unless of course one is a fanatic. And then women can be very fanatical, but I wasnât. Iâve never been anything more than mildly left-wing.â

âWas your husband mixed up in the Larkin business?â

âI donât know. I suppose he might have been. He never told me anything or spoke to me about it.â

She looked at me suddenly with more animation.

âWeâd better get it quite clear, Mr. Lamb. Or Mr. Wolf in Lambâs clothing, or whatever you are. I loved my husband, I might have been fond enough of him to go with him to Moscow, whether I agreed with what his politics were or not. He wanted me to bring the boys. I didnât want to bring the boys! It was as simple as that. And so I decided Iâd have to stay with them. Whether I shall ever see Michael again or not I donât know. Heâs got to choose his way of life and Iâve got to choose mine, but I did know one thing quite definitely. After he talked about it to me. I wanted the boys brought up here in their own country. Theyâre English. I want them to be brought up as ordinary English boys.â

âI see.â

âAnd that I think is all,â said Mrs. Ramsay, as she got up.

There was now a sudden decision in her manner.

âIt must have been a hard choice,â I said gently. âIâm very sorry for you.â

I was, too. Perhaps the real sympathy in my voice got through to her. She smiled very slightly.

âPerhaps you really are â¦ I suppose in your job you have to try and get more or less under peopleâs skins, know what theyâre feeling and thinking. Itâs been rather a knockout blow for me, but Iâm over the worst of it â¦ Iâve got to make plans now, what to do, where to go, whether to stay here or go somewhere else. I shall have to get a job. I used to do secretarial work once. Probably Iâll take a refresher course in shorthand and typing.â

âWell, donât go and work for the Cavendish Bureau,â I said.

âWhy not?â

âGirls who are employed there seem to have rather unfortunate things happen to them.â

âIf you think I know anything at all about that, youâre wrong. I donât.â

I wished her luck and went. I hadnât learnt anything from her. I hadnât really thought I should. But one has to tidy up the loose ends.

III

Going out of the gate I almost cannoned into Mrs. McNaughton. She was carrying a shopping bag and seemed very wobbly on her feet.

âLet me,â I said and took it from her. She was inclined to clutch it from me at first, then she leaned her head forward, peering at me, and relaxed her grip.

âYouâre the young man from the police,â she said. âI didnât recognize you at first.â

I carried the shopping bag to her front door and she teetered beside me. The shopping bag was unexpectedly heavy. I wondered what was in it. Pounds of potatoes?

âDonât ring,â she said. âThe door isnât locked.â

Nobodyâs door seemed ever to be locked in Wilbraham Crescent.

âAnd how are you getting on with things?â she asked chattily. âHe seems to have married very much below him.â

I didnât know what she was talking about.

âWho didâIâve been away,â I explained.

âOh, I see. Shadowing someone, I suppose. I meant that Mrs. Rival. I went to the inquest. Such a common-looking woman. I must say she didnât seem much upset by her husbandâs death.â

âShe hadnât see him for fifteen years,â I explained.

âAngus and I have been married for twenty years.â She sighed. âItâs a long time. And so much gardening now that he isnât at the university â¦ It makes it difficult to know what to do with oneself.â

At that moment, Mr. McNaughton, spade in hand, came round the corner of the house.

âOh, youâre back, my dear. Let me take the thingsââ

âJust put it in the kitchen,â said Mrs. McNaughton to me swiftlyâher elbow nudged me. âJust the Cornflakes and the eggs and a melon,â she said to her husband, smiling brightly.

I deposited the bag on the kitchen table. It clinked.

Cornflakes, my foot! I let my spyâs instincts take over. Under a camouflage of sheet gelatine were three bottles of whisky.

I understood why Mrs. McNaughton was sometimes so bright and garrulous and why she was occasionally a little unsteady on her feet. And possibly why McNaughton had resigned his Chair.

It was a morning for neighbours. I met Mr. Bland as I was going along the crescent towards Albany Road. Mr. Bland seemed in very good form. He recognized me at once.

âHow are you? Howâs crime? Got your dead body identified, I see. Seems to have treated that wife of his rather badly. By the way, excuse me, youâre not one of the locals, are you?â

I said evasively I had come down from London.

âSo the Yard was interested, was it?â

âWellââ I drew the word out in a noncommittal way.

âI understand. Mustnât tell tales out of school. You werenât at the inquest, though.â

I said I had been abroad.

âSo have I, my boy. So have I!â He winked at me.

âGay Paree?â I asked, winking back.

âWish it had been. No, only a day trip to Boulogne.â

He dug me in the side with his elbow (quite like Mrs. McNaughton!).

âDidnât take the wife. Teamed up with a very nice little bit. Blonde. Quite a hot number.â

âBusiness trip?â I said. We both laughed like men of the world.

He went on towards No. 61 and I walked on towards Albany Road.

I was dissatisfied with myself. As Poirot had said, there should have been more to be got out of the neighbours. It was positively unnatural that nobody should have seen anything! Perhaps Hardcastle had asked the wrong questions. But could I think of any better ones? As I turned into Albany Road I made a mental list of questions. It went something like this:

Mr. Curry (Castleton) had been dopedâWhen? ditto had been killedâWhere?

Mr. Curry (Castleton) had been taken to No. 19âHow?

Somebody must have seen something!âWho? dittoâWhat?

I turned to the left again. Now I was walking along Wilbraham Crescent just as I had walked on September 9th. Should I call on Miss Pebmarsh? Ring the bell and sayâwell, what should I say?

Call on Miss Waterhouse? But what on earth could I say to her?

Mrs. Hemming perhaps? It wouldnât much matter what one said to Mrs. Hemming. She wouldnât be listening, and what she said, however haphazard and irrelevant, might lead to something.

I walked along, mentally noting the numbers as I had before. Had the late Mr. Curry come along here, also noting numbers, until he came to the number he meant to visit?

Wilbraham Crescent had never looked primmer. I almost found myself exclaiming in Victorian fashion, âOh! if these stones could speak!â It was a favourite quotation in those days, so it seemed. But stones donât speak, no more do bricks and mortar, nor even plaster nor stucco. Wilbraham Crescent remained silently itself. Old-fashioned, aloof, rather shabby, and not given to conversation. Disapproving, I was sure, of itinerant prowlers who didnât even know what they were looking for.

There were few people about, a couple of boys on bicycles passed me, two women with shopping bags. The houses themselves might have been embalmed like mummies for all the signs of life there were in them. I knew why that was. It was already, or close upon, the sacred hour of one, an hour sanctified by English traditions to the consuming of a midday meal. In one or two houses I could see through the uncurtained windows a group of one or two people round a dining table, but even that was exceedingly rare. Either the windows were discreetly screened with nylon netting, as opposed to the once popular Nottingham lace, orâwhich was far more probableâanyone who was at home was eating in the âmodernâ kitchen, according to the custom of the 1960âs.

It was, I reflected, a perfect hour of day for a murder. Had the murderer thought of that, I wondered? Was it part of the murdererâs plan? I came at last to No. 19.

Like so many other moronic members of the populace I stood and stared. There was, by now, no other human being in sight. âNo neighbours,â I said sadly, âno intelligent onlookers.â

I felt a sharp pain in my shoulder. I had been wrong. There was a neighbour here, all right, a very useful neighbour if the neighbour had only been able to speak. I had been leaning against the post of No. 20, and the same large orange cat I had seen before was sitting on the gatepost. I stopped and exchanged a few words with him, first detaching his playful claw from my shoulder.

âIf cats could speak,â I offered him as a conversational opening.

The orange cat opened his mouth, gave a loud melodious miaow.

âI know you can,â I said. âI know you can speak just as well as I can. But youâre not speaking my language. Were you sitting here that day? Did you see who went into that house or came out of it? Do you know all about what happened? I wouldnât put it past you, puss.â

The cat took my remark in poor part. He turned his back on me and began to switch his tail.

âIâm sorry, your Majesty,â I said.

He gave me a cold look over his shoulder and started industriously to wash himself. Neighbours, I reflected bitterly! There was no doubt about it, neighbours were in short supply in Wilbraham Crescent. What I wantedâwhat Hardcastle wantedâwas some nice gossipy, prying, peering old lady with time hanging heavy on her hands. Always hoping to look out and see something scandalous. The trouble is that that kind of old lady seems to have died out nowadays. They are all sitting grouped together in Old Ladiesâ Homes with every comfort for the aged, or crowding up hospitals where beds are needed urgently for the really sick. The lame and the halt and the old didnât live in their own houses anymore, attended by a faithful domestic or by some half-witted poor relation glad of a good home. It was a serious setback to criminal investigation.

I looked across the road. Why couldnât there be any neighbours there? Why couldnât there be a neat row of houses facing me instead of that great, inhuman-looking concrete block. A kind of human beehive, no doubt, tenanted by worker bees who were out all day and only came back in the evening to wash their smalls or make up their faces and go out to meet their young men. By contrast with the inhumanity of that block of flats I began almost to have a kindly feeling for the faded Victorian gentility of Wilbraham Crescent.

My eye was caught by a flash of light somewhere halfway up the building. It puzzled me. I stared up. Yes, there it came again. An open window and someone looking through it. A face slightly obliterated by something that was being held up to it. The flash of light came again. I dropped a hand into my pocket. I keep a good many things in my pockets, things that may be useful. Youâd be surprised at what is useful sometimes. A little adhesive tape. A few quite innocent-looking instruments which are quite capable of opening most locked doors, a tin of grey powder labelled something which it isnât and an insufflator to use with it, and one or two other little gadgets which most people wouldnât recognize for what they are. Amongst other things I had a pocket bird watcher. Not a high-powered one but just good enough to be useful. I took this out and raised it to my eye.

There was a child at the window. I could see a long plait of hair lying over one shoulder. She had a pair of small opera glasses and she was studying me with what might have been flattering attention. As there was nothing else for her to look at, however, it might not be as flattering as it seemed. At that moment, however, there was another midday distraction in Wilbraham Crescent.

A very old Rolls-Royce came with dignity along the road driven by a very elderly chauffeur. He looked dignified but rather disgusted with life. He passed me with the solemnity of a whole procession of cars. My child observer, I noticed, was now training her opera glasses on him. I stood there, thinking.

It is always my belief that if you wait long enough, youâre bound to have some stroke of luck. Something that you canât count upon and that you would never have thought of, but which just happens. Was it possible that this might be mine? Looking up again at the big square block, I noted carefully the position of the particular window I was interested in, counting from it to each end and up from the ground. Third floor. Then I walked along the street till I came to the entrance to the block of flats. It had a wide carriagedrive sweeping round the block with neatly spaced flower beds at strategic positions in the grass.

Itâs always well, I find, to go through all the motions, so I stepped off the carriage drive towards the block, looked up over my head as though startled, bent down to the grass, pretended to hunt about and finally straightened up, apparently transferring something from my hand to my pocket. Then I walked round the block until I came to the entrance.

At most times of the day I should think there was a porter here, but between the sacred hour of one and two the entrance hall was empty. There was a bell with a large sign above it, saying PORTER, but I did not ring it. There was an automatic lift and I went to it and pressed a button for the third floor. After that I had to check things pretty carefully.

It looks simple enough from the outside to place one particular room, but the inside of a building is confusing. However, Iâve had a good deal of practice at that sort of thing in my time, and I was fairly sure that Iâd got the right door. The number on it, for better or worse, was No. 77. âWell,â I thought, âsevens are lucky. Here goes.â I pressed the bell and stood back to await events.

Twenty-five

COLIN LAMBâS NARRATIVE

I had to wait just a minute or two, then the door opened.

A big blonde Nordic girl with a flushed face and wearing gaycoloured clothing looked at me inquiringly. Her hands had been hastily wiped but there were traces of flour on them and there was a slight smear of flour on her nose so it was easy for me to guess what she had been doing.

âExcuse me,â I said, âbut you have a little girl here, I think. She dropped something out of the window.â

She smiled at me encouragingly. The English language was not as yet her strong point.

âI am sorryâwhat you say?â

âA child hereâa little girl.â

âYes, yes.â She nodded.

âDropped somethingâout of the window.â

Here I did a little gesticulation.

âI picked it up and brought it here.â

I held out an open hand. In it was a silver fruit knife. She looked at it without recognition.

âI do not thinkâI have not seenâ¦.â

âYouâre busy cooking,â I said sympathetically.

âYes, yes, I cook. That is so.â She nodded vigorously.

âI donât want to disturb you,â I said. âIf you let me just take it to her.â

âExcuse?â

My meaning seemed to come to her. She led the way across the hall and opened a door. It led into a pleasant sitting room. By the window a couch had been drawn up and on it there was a child of about nine or ten years old, with a leg done up in plaster.

âThis gentleman, he say youâyou dropâ¦.â

At this moment, rather fortunately, a strong smell of burning came from the kitchen. My guide uttered an exclamation of dismay.

âExcuse, please excuse.â

âYou go along,â I said heartily. âI can manage this.â

She fled with alacrity. I entered the room, shut the door behind me and came across to the couch.

âHow dâyou do?â I said.

The child said, âHow dâyou do?â and proceeded to sum me up with a long, penetrating glance that almost unnerved me. She was rather a plain child with straight mousy hair arranged in two plaits. She had a bulging forehead, a sharp chin and a pair of very intelligent grey eyes.

âIâm Colin Lamb,â I said. âWhatâs your name?â

She gave me the information promptly.

âGeraldine Mary Alexandra Brown.â

âDear me,â I said, âthatâs quite a bit of a name. What do they call you?â

âGeraldine. Sometimes Gerry, but I donât like that. And Daddy doesnât approve of abbreviations.â

One of the great advantages of dealing with children is that they have their own logic. Anyone of adult years would at once have asked me what I wanted. Geraldine was quite ready to enter into conversation without resorting to foolish questions. She was alone and bored and the onset of any kind of visitor was an agreeable novelty. Until I proved myself a dull and unamusing fellow, she would be quite ready to converse.

âYour daddyâs out, I suppose,â I said.

She replied with the same promptness and fullness of detail which she had already shown.

âCartinghaven Engineering Works, Beaverbridge,â she said. âItâs fourteen and three-quarter miles from here exactly.â

âAnd your mother?â

âMummyâs dead,â said Geraldine, with no diminution of cheerfulness. âShe died when I was a baby two months old. She was in a plane coming from France. It crashed. Everyone was killed.â

She spoke with a certain satisfaction and I perceived that to a child, if her mother is dead, it reflects a certain kudos if she has been killed in a complete and devastating accident.

âI see,â I said. âSo you haveââ I looked towards the door.

âThatâs Ingrid. She comes from Norway. Sheâs only been here a fortnight. She doesnât know any English to speak of yet. Iâm teaching her English.â

âAnd she is teaching you Norwegian?â

âNot very much,â said Geraldine.

âDo you like her?â

âYes. Sheâs all right. The things she cooks are rather odd sometimes. Do you know, she likes eating raw fish.â

âIâve eaten raw fish in Norway,â I said. âItâs very good sometimes.â

Geraldine looked extremely doubtful about that.

âShe is trying to make a treacle tart today,â she said.

âThat sounds good.â

âUmmâyes, I like treacle tart.â She added politely, âHave you come to lunch?â

âNot exactly. As a matter of fact I was passing down below out there, and I think you dropped something out of the window.â

âMe?â

âYes.â I advanced the silver fruit knife.

Geraldine looked at it, at first suspiciously and then with signs of approval.

âItâs rather nice,â she said. âWhat is it?â

âItâs a fruit knife.â

I opened it.

âOh, I see. You mean you can peel apples with it and things like that.â

âYes.â

Geraldine sighed.

âItâs not mine. I didnât drop it. What made you think I did?â

âWell, you were looking out of the window, andâ¦.â

âI look out of the window most of the time,â said Geraldine. âI fell down and broke my leg, you see.â

âHard luck.â

âYes, wasnât it. I didnât break it in a very interesting way, though. I was getting out of a bus and it went on suddenly. It hurt rather at first and it ached a bit, but it doesnât now.â

âMust be rather dull for you,â I said.

âYes, it is. But Daddy brings me things. Plasticine, you know, and books and crayons and jigsaw puzzles and things like that, but you get tired of doing things, so I spend a lot of time looking out of the window with these.â

She produced with enormous pride a small pair of opera glasses.

âMay I look?â I said.

I took them from her, adjusted them to my eyes and looked out of the window.

âTheyâre jolly good,â I said appreciatively.

They were indeed, excellent. Geraldineâs daddy, if it had been he who supplied them, had not spared expense. It was astonishing how clearly you could see No. 19, Wilbraham Crescent and its neighbouring houses. I handed them back to her.

âTheyâre excellent,â I said. âFirst-class.â

âTheyâre proper ones,â said Geraldine, with pride. âNot just for babies and pretending.â

âNo â¦ I can see that.â

âI keep a little book,â said Geraldine.

She showed me.

âI write down things in it and the times. Itâs like trainspotting,â she added. âIâve got a cousin called Dick and he does trainspotting. We do motorcar numbers too. You know, you start at one and see how far you can get.â

âItâs rather a good sport,â I said.

âYes, it is. Unfortunately there arenât many cars come down this road so Iâve rather given that up for the time being.â

âI suppose you must know all about those houses down there, who lives in them and all that sort of thing.â

I threw it out casually enough but Geraldine was quick to respond.

âOh, yes. Of course I donât know their real names, so I have to give them names of my own.â

âThat must be rather fun,â I said.

âThatâs the Marchioness of Carrabas down there,â said Geraldine, pointing. âThat one with all the untidy trees. You know, like Puss In Boots. She has masses and masses of cats.â

âI was talking to one just now,â I said, âan orange one.â

âYes, I saw you,â said Geraldine.

âYou must be very sharp,â I said. âI donât expect you miss much, do you?â

Geraldine smiled in a pleased way. Ingrid opened the door and came in breathless.

âYou are all right, yes?â

âWeâre quite all right,â said Geraldine firmly. âYou neednât worry, Ingrid.â

She nodded violently and pantomimed with her hands.

âYou go back, you cook.â

âVery well, I go. It is nice that you have a visitor.â

âShe gets nervous when she cooks,â explained Geraldine, âwhen sheâs trying anything new, I mean. And sometimes we have meals very late because of that. Iâm glad youâve come. Itâs nice to have someone to distract you, then you donât think about being hungry.â

âTell me more about the people in the houses there,â I said, âand what you see. Who lives in the next houseâthe neat one?â

âOh, thereâs a blind woman there. Sheâs quite blind and yet she walks just as well as though she could see. The porter told me that. Harry. Heâs very nice, Harry is. He tells me a lot of things. He told me about the murder.â

âThe murder?â I said, sounding suitably astonished.

Geraldine nodded. Her eyes shone with importance at the information she was about to convey.

âThere was a murder in that house. I practically saw it.â

âHow very interesting.â

âYes, isnât it? Iâve never seen a murder before. I mean Iâve never seen a place where a murder happened.â

âWhat did youâerâsee?â

âWell, there wasnât very much going on just then. You know, itâs rather an empty time of day. The exciting thing was when somebody came rushing out of the house screaming. And then of course I knew something must have happened.â

âWho was screaming?â

âJust a woman. She was quite young, rather pretty really. She came out of the door and she screamed and she screamed. There was a young man coming along the road. She came out of the gate and sort of clutched himâlike this.â She made a motion with her arms. She fixed me with a sudden glance. âHe looked rather like you.â

âI must have a double,â I said lightly. âWhat happened next? This is very exciting.â

âWell, he sort of plumped her down. You know, on the ground there and then he went back into the house and the Emperorâthatâs the orange cat, I always call him the Emperor because he looks so proudâstopped washing himself and he looked quite surprised, and then Miss Pikestaff came out of her houseâthatâs the one there, Number 18âshe came out and stood on the steps staring.â

âMiss Pikestaff?â

âI call her Miss Pikestaff because sheâs so plain. Sheâs got a brother and she bullies him.â

âGo on,â I said with interest.

âAnd then all sorts of things happened. The man came out of the house againâare you sure it wasnât you?â

âIâm a very ordinary-looking chap,â I said modestly, âthere are lots like me.â

âYes, I suppose thatâs true,â said Geraldine, somewhat unflatteringly. âWell, anyway, this man, he went off down the road and telephoned from the call box down there. Presently police began arriving.â Her eyes sparkled. âLots of police. And they took the dead body away in a sort of ambulance thing. Of course there were lots of people by that time, staring, you know. I saw Harry there, too. Thatâs the porter from these flats. He told me about it afterwards.â

âDid he tell you who was murdered?â

âHe just said it was a man. Nobody knew his name.â

âItâs all very interesting,â I said.

I prayed fervently that Ingrid would not choose this moment to come in again with a delectable treacle tart or other delicacy.

âBut go back a little, do. Tell me earlier. Did you see this manâthe man who was murderedâdid you see him arrive at the house?â

âNo, I didnât. I suppose he must have been there all along.â

âYou mean he lived there?â

âOh, no, nobody lives there except Miss Pebmarsh.â

âSo you know her real name?â

âOh, yes, it was in the papers. About the murder. And the screaming girl was called Sheila Webb. Harry told me that the man who was murdered was called Mr. Curry. Thatâs a funny name, isnât it, like the thing you eat. And there was a second murder, you know. Not the same dayâlaterâin the telephone box down the road. I can see it from here, just, but I have to get my head right out of the window and turn it round. Of course I didnât really see it, because I mean if Iâd known it was going to happen, I would have looked out. But, of course, I didnât know it was going to happen, so I didnât. There were a lot of people that morning just standing there in the street, looking at the house opposite. I think thatâs rather stupid, donât you?â

âYes,â I said, âvery stupid.â

Here Ingrid made her appearance once more.

âI come soon,â she said reassuringly. âI come very soon now.â

She departed again. Geraldine said:

âWe donât really want her. She gets worried about meals. Of course this is the only one she has to cook except breakfast. Daddy goes down to the restaurant in the evening and he has something sent up for me from there. Just fish or something. Not a real dinner.â Her voice sounded wistful.

âWhat time do you usually have your lunch, Geraldine?â

âMy dinner, you mean? This is my dinner. I donât have dinner in the evening, itâs supper. Well, I really have my dinner at any time Ingrid happens to have cooked it. Sheâs rather funny about time. She has to get breakfast ready at the right time because Daddy gets so cross, but midday dinner we have anytime. Sometimes we have it at twelve oâclock and sometimes I donât get it till two. Ingrid says you donât have meals at a particular time, you just have them when theyâre ready.â

âWell, itâs an easy idea,â I said. âWhat time did you have your lunchâdinner, I meanâon the day of the murder?â

âThat was one of the twelve oâclock days. You see, Ingrid goes out that day. She goes to the cinema or to have her hair done and a Mrs. Perry comes and keeps me company. Sheâs terrible, really. She pats one.â

âPats one?â I said, slightly puzzled.

âYou know, on the head. Says things like âdear little girlie.â Sheâs not,â said Geraldine, âthe kind of person you can have any proper conversation with. But she brings me sweets and that sort of thing.â

âHow old are you, Geraldine?â

âIâm ten. Ten and three months.â

âYou seem to me very good at intelligent conversation,â I said.

âThatâs because I have to talk to Daddy a lot,â said Geraldine seriously.

âSo you had your dinner early on that day of the murder?â

âYes, so Ingrid could get washed up and go off just after one.â

âThen you were looking out of the window that morning, watching people.â

âOh, yes. Part of the time. Earlier, about ten oâclock, I was doing a crossword puzzle.â

âIâve been wondering whether you could possibly have seen Mr. Curry arriving at the house?â

Geraldine shook her head.

âNo. I didnât. It is rather odd, I agree.â

âWell, perhaps he got there quite early.â

âHe didnât go to the front door and ring the bell. Iâd have seen him.â

âPerhaps he came in through the garden. I mean through the other side of the house.â

âOh, no,â said Geraldine. âIt backs on other houses. They wouldnât like anyone coming through their garden.â

âNo, no, I suppose they wouldnât.â

âI wish I knew what heâd looked like,â said Geraldine.

âWell, he was quite old. About sixty. He was clean-shaven and he had on a dark grey suit.â

Geraldine shook her head.

âIt sounds terribly ordinary,â she said with disapprobation.

âAnyway,â I said, âI suppose itâs difficult for you to remember one day from another when youâre lying here and always looking.â

âItâs not at all difficult.â She rose to the challenge. âI can tell you everything about that morning. I know when Mrs. Crab came and when she left.â

âThatâs the daily cleaning woman, is it?â

âYes. She scuttles, just like a crab. Sheâs got a little boy. Sometimes she brings him with her, but she didnât that day. And then Miss Pebmarsh goes out about ten oâclock. She goes to teach children at a blind school. Mrs. Crab goes away about twelve. Sometimes she has a parcel with her that she didnât have when she came. Bits of butter, I expect, and cheese, because Miss Pebmarsh canât see. I know particularly well what happened that day because you see Ingrid and I were having a little quarrel so she wouldnât talk to me. Iâm teaching her English and she wanted to know how to say âuntil we meet again.â She had to tell it me in German. Auf Wiedersehen. I know that because I once went to Switzerland and people said that there. And they said GrÃ¼ss Gott, too. Thatâs rude if you say it in English.â

âSo what did you tell Ingrid to say?â

Geraldine began to laugh a deep malicious chuckle. She started to speak but her chuckles prevented her, but at last she got it out.

âI told her to say âGet the hell out of here!â So she said it to Miss Bulstrode next door and Miss Bulstrode was furious. So Ingrid found out and was very cross with me and we didnât make friends until nearly teatime the next day.â

I digested this information.

âSo you concentrated on your opera glasses.â

Geraldine nodded.

âSo thatâs how I know Mr. Curry didnât go in by the front door. I think perhaps he got in somehow in the night and hid in an attic. Do you think thatâs likely?â

âI suppose anything really is possible,â I said, âbut it doesnât seem to me very probable.â

âNo,â said Geraldine, âhe would have got hungry, wouldnât he? And he couldnât have asked Miss Pebmarsh for breakfast, not if he was hiding from her.â

âAnd nobody came to the house?â I said. âNobody at all? Nobody in a carâa tradesmanâcallers?â

âThe grocer comes Mondays and Thursdays,â said Geraldine, âand the milk comes at half past eight in the morning.â

The child was a positive encyclopaedia.

âThe cauliflowers and things Miss Pebmarsh buys herself. Nobody called at all except the laundry. It was a new laundry,â she added.

âA new laundry?â

âYes. Itâs usually the Southern Downs Laundry. Most people have the Southern Downs. It was a new laundry that dayâthe Snowflake Laundry. Iâve never seen the Snowflake Laundry. They must have just started.â

I fought hard to keep any undue interest out of my voice. I didnât want to start her romancing.

âDid it deliver laundry or call for it?â I asked.

âDeliver it,â said Geraldine. âIn a great big basket, too. Much bigger than the usual one.â

âDid Miss Pebmarsh take it in?â

âNo, of course not, sheâd gone out again.â

âWhat time was this, Geraldine?â

â1:35 exactly,â said Geraldine. âI wrote it down,â she added proudly.

She motioned towards a small notebook and opening it pointed with a rather dirty forefinger to an entry. 1:35 laundry came. No. 19.

âYou ought to be at Scotland Yard,â I said.

âDo they have women detectives? Iâd quite like that. I donât mean policewomen. I think policewomen are silly.â

âYou havenât told me exactly what happened when the laundry came.â

âNothing happened,â said Geraldine. âThe driver got down, opened the van, took out this basket and staggered along round the side of the house to the back door. I expect he couldnât get in. Miss Pebmarsh probably locks it, so he probably left it there and came back.â

âWhat did he look like?â

âJust ordinary,â said Geraldine.

âLike me?â I asked.

âOh, no, much older than you,â said Geraldine, âbut I didnât really see him properly because he drove up to the houseâthis way.â She pointed to the right. âHe drew up in front of 19 although he was on the wrong side of the road. But it doesnât matter in a street like this. And then he went in through the gate bent over the basket. I could only see the back of his head and when he came out again he was rubbing his face. I expect he found it a bit hot and trying, carrying that basket.â

âAnd then he drove off again?â

âYes. Why do you think it so interesting?â

âWell, I donât know,â I said. âI thought perhaps he might have seen something interesting.â

Ingrid flung the door open. She was wheeling a trolley.

âWe eat dinner now,â she said, nodding brightly.

âGoody,â said Geraldine, âIâm starving.â

I got up.

âI must be going now,â I said. âGood-bye, Geraldine.â

âGood-bye. What about this thing?â She picked up the fruit knife. âItâs not mine.â Her voice became wistful. âI wish it were.â

âIt looks as though itâs nobodyâs in particular, doesnât it?â

âWould that make it treasure trove, or whatever it is?â

âSomething of the kind,â I said. âI think youâd better hang on to it. That is, hang on to it until someone else claims it. But I donât think,â I said truthfully, âthat anybody will.â

âGet me an apple, Ingrid,â said Geraldine.

âApple?â

âPomme! Apfel!â

She did her linguistic best. I left them to it.

Twenty-six

Mrs. Rival pushed open the door of the Peacockâs Arms and made a slightly unsteady progress towards the bar. She was murmuring under her breath. She was no stranger to this particular hostelry and was greeted quite affectionately by the barman.

âHow do, Flo,â he said, âhowâs tricks?â

âItâs not right,â said Mrs. Rival. âItâs not fair. No, itâs not right. I know what Iâm talking about, Fred, and I say itâs not right.â

âOf course it isnât right,â said Fred, soothingly. âWhat is, Iâd like to know? Want the usual, dear?â

Mrs. Rival nodded assent. She paid and began to sip from her glass. Fred moved away to attend to another customer. Her drink cheered Mrs. Rival slightly. She still muttered under her breath but with a more good-humoured expression. When Fred was near her once more she addressed him again with a slightly softened manner.

âAll the same, Iâm not going to put up with it,â she said. âNo, Iâm not. If thereâs one thing I canât bear, itâs deceit. I donât stand for deceit, I never did.â

âOf course you didnât,â said Fred.

He surveyed her with a practised eye. âHad a good few already,â he thought to himself. âStill, she can stand a couple more, I expect. Somethingâs upset her.â

âDeceit,â said Mrs. Rival. âPrevariâprevariâwell, you know the word I mean.â

âSure I know,â said Fred.

He turned to greet another acquaintance. The unsatisfactory performance of certain dogs came under review. Mrs. Rival continued to murmur.

âI donât like it and I wonât stand for it. I shall say so. People canât think they can go around treating me like that. No, indeed they canât. I mean, itâs not right and if you donât stick up for yourself, whoâll stick up for you? Give me another, dearie,â she added in a louder voice.

Fred obliged.

âI should go home after that one, if I were you,â he advised.

He wondered what had upset the old girl so much. She was usually fairly even-tempered. A friendly soul, always good for a laugh.

âItâll get me in bad, Fred, you see,â she said. âWhen people ask you to do a thing, they should tell you all about it. They should tell you what it means and what theyâre doing. Liars. Dirty liars, thatâs what I say. And I wonât stand for it.â

âI should cut along home, if I were you,â said Fred, as he observed a tear about to trickle down the mascaraed splendour. âGoing to come on to rain soon, it is, and rain hard, too. Spoil that pretty hat of yours.â

Mrs. Rival gave one faint appreciative smile.

âI always was fond of cornflowers,â she said. âOh, dear me, I donât know what to do, Iâm sure.â

âI should go home and have a nice kip,â said the barman, kindly.

âWell, perhaps, butââ

âCome on, now, you donât want to spoil that hat.â

âThatâs very true,â said Mrs. Rival. âYes, thatâs very true. Thatâs a very profâprofumedâno I donât mean thatâwhat do I mean?â

âProfound remark of yours, Fred.â

âThank you very much.â

âYouâre welcome,â said Fred.

Mrs. Rival slipped down from her high seat and went not too steadily towards the door.

âSomething seems to have upset old Flo tonight,â said one of the customers.

âSheâs usually a cheerful birdâbut we all have our ups and downs,â said another man, a gloomy-looking individual.

âIf anyone had told me,â said the first man, âthat Jerry Grainger would come in fifth, way behind Queen Caroline, I wouldnât have believed it. If you ask me, thereâs been hanky-panky. Racingâs not straight nowadays. Dope the horses, they do. All of âem.â

Mrs. Rival had come out of the Peacockâs Arms. She looked up uncertainly at the sky. Yes, perhaps it was going to rain. She walked along the street, hurrying slightly, took a turn to the left, a turn to the right and stopped before a rather dingy-looking house. As she took out a key and went up the front steps a voice spoke from the area below, and a head poked round a corner of the door and looked up at her.

âGentleman waiting for you upstairs.â

âFor me?â

Mrs. Rival sounded faintly surprised.

âWell, if you call him a gentleman. Well dressed and all that, but not quite Lord Algernon Vere de Vere, I would say.â

Mrs. Rival succeeded in finding the keyhole, turned the key in it and entered.

The house smelled of cabbage and fish and eucalyptus. The latter smell was almost permanent in this particular hall. Mrs. Rivalâs landlady was a great believer in taking care of her chest in winter weather and began the good work in mid-September. Mrs. Rival climbed the stairs, aiding herself with the banisters. She pushed open the door on the first floor and went in, then she stopped dead and took a step backwards.

âOh,â she said, âitâs you.â

Detective Inspector Hardcastle rose from the chair where he was sitting.

âGood evening, Mrs. Rival.â

âWhat do you want?â asked Mrs. Rival with less finesse than she would normally have shown.

âWell, I had to come up to London on duty,â said Inspector Hardcastle, âand there were just one or two things I thought Iâd like to take up with you, so I came along on the chance of finding you. Theâerâthe woman downstairs seemed to think you might be in before long.â

âOh,â said Mrs. Rival. âWell, I donât seeâwellââ

Inspector Hardcastle pushed forward a chair.

âDo sit down,â he said politely.

Their positions might have been reversed, he the host and she the guest. Mrs. Rival sat down. She stared at him very hard.

âWhat did you mean by one or two things?â she said.

âLittle points,â said Inspector Hardcastle, âlittle points that come up.â

âYou meanâabout Harry?â

âThatâs right.â

âNow look here,â said Mrs. Rival, a slight belligerence coming into her voice; at the same time as an aroma of spirits came clearly to Inspector Hardcastleâs nostrils. âIâve had Harry. I donât want to think of him any more. I came forward, didnât I, when I saw his picture in the paper? I came and told you about him. Itâs all a long time ago and I donât want to be reminded of it. Thereâs nothing more I can tell you. Iâve told you everything I could remember and now I donât want to hear any more about it.â

âItâs quite a small point,â said Inspector Hardcastle. He spoke gently and apologetically.

âOh, very well,â said Mrs. Rival, rather ungraciously. âWhat is it? Letâs have it.â

âYou recognized the man as your husband or the man youâd gone through a form of marriage with about fifteen years ago. That is right, is it not?â

âI should have thought that by this time you would have known exactly how many years ago it was.â

âSharper than I thought,â Inspector Hardcastle said to himself. He went on.

âYes, youâre quite right there. We looked it up. You were married on May 15th, 1948.â

âItâs always unlucky to be a May bride, so they say,â said Mrs. Rival gloomily. âIt didnât bring me any luck.â

âIn spite of the years that have elapsed, you were able to identify your husband quite easily.â

Mrs. Rival moved with some slight uneasiness.

âHe hadnât aged much,â she said, âalways took care of himself, Harry did.â

âAnd you were able to give us some additional identification. You wrote to me, I think, about a scar.â

âThatâs right. Behind his left ear it was. Here,â Mrs. Rival raised a hand and pointed to the place.

âBehind his left ear?â Hardcastle stressed the word.

âWellââ she looked momentarily doubtful, âyes. Well, I think so. Yes Iâm sure it was. Of course one never does know oneâs left from oneâs right in a hurry, does one? But, yes, it was the left side of his neck. Here.â She placed her hand on the same spot again.

âAnd he did it shaving, you say?â

âThatâs right. The dog jumped up on him. A very bouncy dog we had at the time. He kept rushing inâaffectionate dog. He jumped up on Harry and heâd got the razor in his hand, and it went in deep. It bled a lot. It healed up but he never lost the mark.â She was speaking now with more assurance.

âThatâs a very valuable point, Mrs. Rival. After all, one man sometimes looks very like another man, especially when a good many years have passed. But to find a man closely resembling your husband who has a scar in the identical placeâwell that makes the identification very nice and safe, doesnât it? It seems that we really have something to go on.â

âIâm glad youâre pleased,â said Mrs. Rival.

âAnd this accident with the razor happenedâwhen?â

Mrs. Rival considered a moment.

âIt must have been aboutâoh, about six months after we were married. Yes, that was it. We got the dog that summer, I remember.â

âSo it took place about October or November, 1948. Is that right?â

âThatâs right.â

âAnd after your husband left you in 1951â¦.â

âHe didnât so much leave me as I turned him out,â said Mrs. Rival with dignity.

âQuite so. Whichever way you like to put it. Anyway, after you turned your husband out in 1951 you never saw him again until you saw his picture in the paper?â

âYes. Thatâs what I told you.â

âAnd youâre quite sure about that, Mrs. Rival?â

âOf course Iâm sure. I never set eyes on Harry Castleton since that day until I saw him dead.â

âThatâs odd, you know,â said Inspector Hardcastle, âthatâs very odd.â

âWhyâwhat do you mean?â

âWell, itâs a very curious thing, scar tissue. Of course, it wouldnât mean much to you or me. A scarâs a scar. But doctors can tell a lot from it. They can tell roughly, you know, how long a man has had a scar.â

âI donât know what youâre getting at.â

âWell, simply this, Mrs. Rival. According to our police surgeon and to another doctor whom we consulted, that scar tissue behind your husbandâs ear shows very clearly that the wound in question could not be older than about five to six years ago.â

âNonsense,â said Mrs. Rival. âI donât believe it. Iânobody can tell. Anyway that wasnât whenâ¦.â

âSo you see,â proceeded Hardcastle in a smooth voice, âif that wound made a scar only five or six years ago, it means that if the man was your husband he had no scar at the time when he left you in 1951.â

âPerhaps he didnât. But anyway it was Harry.â

âBut youâve never seen him since, Mrs. Rival. So if youâve never seen him since, how would you know that he had acquired a scar five or six years ago?â

âYou mix me up,â said Mrs. Rival, âyou mix me up badly. Perhaps it wasnât as long ago as 1948âYou canât remember all these things. Anyway, Harry had that scar and I know it.â

âI see,â said Inspector Hardcastle and he rose to his feet. âI think youâd better think over that statement of yours very carefully, Mrs. Rival. You donât want to get into trouble, you know.â

âHow do you mean, get into trouble?â

âWell,â Inspector Hardcastle spoke almost apologetically, âperjury.â

âPerjury. Me!â

âYes. Itâs quite a serious offence in law, you know. You could get into trouble, even go to prison. Of course, youâve not been on oath in a coronerâs court, but you may have to swear to this evidence of yours in a proper court sometime. Thenâwell, Iâd like you to think it over very carefully, Mrs. Rival. It may be that somebodyâsuggested to you that you should tell us this story about the scar?â

Mrs. Rival got up. She drew herself to her full height, her eyes flashed. She was at that moment almost magnificent.

âI never heard such nonsense in my life,â she said. âAbsolute nonsense. I try and do my duty. I come and help you, I tell you all I can remember. If Iâve made a mistake Iâm sure itâs natural enough. After all I meet a good manyâwell, gentlemen friends, and one may get things a little wrong sometimes. But I donât think I did make a mistake. That man was Harry and Harry had a scar behind his left ear, Iâm quite sure of it. And now, perhaps, Inspector Hardcastle, youâll go away instead of coming here and insinuating that Iâve been telling lies.â

Inspector Hardcastle got up promptly.

âGood night, Mrs. Rival,â he said. âJust think it over. Thatâs all.â

Mrs. Rival tossed her head. Hardcastle went out of the door. With his departure, Mrs. Rivalâs attitude altered immediately. The fine defiance of her attitude collapsed. She looked frightened and worried.

âGetting me into this,â she murmured, âgetting me into this. IâllâIâll not go on with it. IâllâIâllâIâm not going to get into trouble for anybody. Telling me things, lying to me, deceiving me. Itâs monstrous. Quite monstrous. I shall say so.â

She walked up and down unsteadily, then finally making up her mind, she took an umbrella from the corner and went out again. She walked along to the end of the street, hesitated at a call-box, then went on to a post office. She went in there, asked for change and went into one of the call boxes. She dialled Directory and asked for a number. She stood there waiting till the call came through.

âGo ahead please. Your party is on the line.â

She spoke.

âHallo â¦ oh, itâs you. Flo here. No, I know you told me not to but Iâve had to. Youâve not been straight with me. You never told me what I was getting into. You just said it would be awkward for you if this man was identified. I didnât dream for a moment that I would get mixed up in a murder â¦ Well, of course youâd say that, but at any rate it wasnât what you told me â¦ Yes, I do. I think you are mixed up in it in some way â¦ Well, Iâm not going to stand for it, I tell you â¦ Thereâs something about being anâacâwell, you know the word I meanâaccessory, something like that. Though I always thought that was costume jewellery. Anyway, itâs something like being a something after the fact, and Iâm frightened, I tell you â¦ telling me to write and tell them that bit about a scar. Now it seems heâd only got that scar a year or two ago and hereâs me swearing he had it when he left me years ago â¦ And thatâs perjury and I might go to prison for it. Well, itâs no good your trying to talk me round â¦ No â¦ Obliging someone is one thing â¦ Well I know â¦ I know you paid me for it. And not very much either â¦ Well, all right, Iâll listen to you, but Iâm not going to â¦ All right, all right, Iâll keep quiet â¦ What did you say? â¦ How much? â¦ Thatâs a lot of money. How do I know that youâve got it even â¦ Well, yes, of course it would make a difference. You swear you didnât have anything to do with it?âI mean with killing anyone â¦ No, well Iâm sure you wouldnât. Of course, I see that â¦ Sometimes you get mixed up with a crowd of peopleâand they go further than you would and itâs not your fault â¦ You always make things sound so plausible â¦ You always did â¦ Well, all right, Iâll think it over but itâs got to be soon â¦ Tomorrow? What time? â¦ Yes â¦ yes, Iâll come but no cheque. It might bounce â¦ I donât know really that I ought to go on getting myself mixed up in things even â¦ all right. Well, if you say so â¦ Well, I didnât mean to be nasty about it â¦ All right then.â

She came out of the post office weaving from side to side of the pavement and smiling to herself.

It was worth risking a little trouble with the police for that amount of money. It would set her up nicely. And it wasnât very much risk really. Sheâd only got to say sheâd forgotten or couldnât remember. Lots of women couldnât remember things that had only happened a year ago. Sheâd say she got mixed up between Harry and another man. Oh, she could think up lots of things to say.

Mrs. Rival was a naturally mercurial type. Her spirits rose as much now as they had been depressed before. She began to think seriously and intently of the first things she would spend the money onâ¦.

Twenty-seven

COLIN LAMBâS NARRATIVE

I

âYou donât seem to have got much out of that Ramsay woman?â complained Colonel Beck.

âThere wasnât much to get.â

âSure of that?â

âYes.â

âSheâs not an active party?â

âNo.â

Beck gave me a searching glance.

âSatisfied?â he asked.

âNot really.â

âYou hoped for more?â

âIt doesnât fill the gap.â

âWellâweâll have to look elsewhere â¦ give up crescentsâeh?â

âYes.â

âYouâre very monosyllabic. Got a hangover?â

âIâm no good at this job,â I said slowly.

âWant me to pat you on the head and say âThere, there?ââ

In spite of myself I laughed.

âThatâs better,â said Beck. âNow then, whatâs it all about? Girl trouble, I suppose.â

I shook my head. âItâs been coming on for some time.â

âAs a matter of fact Iâve noticed it,â said Beck unexpectedly. âThe worldâs in a confusing state nowadays. The issues arenât clear as they used to be. When discouragement sets in, itâs like dry rot. Whacking great mushrooms bursting through the walls! If thatâs so, your usefulness to us is over. Youâve done some first-class work, boy. Be content with that. Go back to those damned seaweeds of yours.â

He paused and said: âYou really like the beastly things, donât you?â

âI find the whole subject passionately interesting.â

âI should find it repulsive. Splendid variation in nature, isnât there? Tastes, I mean. Howâs that patent murder of yours? I bet you the girl did it.â

âYouâre wrong,â I said.

Beck shook his finger at me in an admonitory and avuncular manner.

âWhat I say to you is: âBe prepared.â And I donât mean it in the Boy Scout sense.â

I walked down Charing Cross Road deep in thought.

At the tube station I bought a paper.

I read that a woman, supposed to have collapsed in the rush hour at Victoria Station yesterday, had been taken to hospital. On arrival there she was found to have been stabbed. She had died without recovering consciousness.

Her name was Mrs. Merlina Rival.

II

I rang Hardcastle.

âYes,â he said in answer to my questions. âItâs just as they say.â

His voice sounded hard and bitter.

âI went to see her night before last. I told her her story about the scar just wouldnât jell. That the scar tissue was comparatively recent. Funny how people slip up. Just by trying to overdo things. Somebody paid that woman to identify the corpse as being that of her husband, who ran out on her years ago.

âVery well she did it, too! I believed her all right. And then whoever it was tried to be a little too clever. If she remembered that unimportant little scar as an afterthought, it would carry conviction and clinch the identification. If she had plumped out with it straight away, it might have sounded a bit too glib.â

âSo Merlina Rival was in it up to the neck?â

âDo you know, I rather doubt that. Suppose an old friend or acquaintance goes to her and says: âLook here, Iâm in a bit of a spot. A chap Iâve had business dealings with has been murdered. If they identify him and all our dealings come to light, it will be absolute disaster. But if you were to come along and say itâs that husband of yours, Harry Castleton, who did a bunk years ago, then the whole case will peter out.ââ

âSurely sheâd jib at thatâsay it was too risky?â

âIf so, that someone would say: âWhatâs the risk? At the worst, youâve made a mistake. Any woman can make a mistake after fifteen years.â And probably at that point a nice little sum would have been mentioned. And she says O.K. sheâll be a sport! and do it.â

âWith no suspicions?â

âShe wasnât a suspicious woman. Why, good lord, Colin, every time we catch a murderer there are people whoâve known him well, and simply canât believe he could do anything like that!â

âWhat happened when you went up to see her?â

âI put the wind up her. After I left, she did what I expected sheâd doâtried to get in touch with the man or woman whoâd got her into this. I had a tail on her, of course. She went to a post office and put through a call from an automatic call box. Unfortunately, it wasnât the box Iâd expected her to use at the end of her own street. She had to get change. She came out of the call box looking pleased with herself. She was kept under observation, but nothing of interest happened until yesterday evening. She went to Victoria Station and took a ticket to Crowdean. It was half past six, the rush hour. She wasnât on her guard. She thought she was going to meet whoever it was at Crowdean. But the cunning devil was a step ahead of her. Easiest thing in the world to gang up behind someone in a crowd, and press the knife in â¦ Donât suppose she even knew she had been stabbed. People donât, you know. Remember that case of Barton in the Levitti Gang robbery? Walked the length of a street before he fell down dead. Just a sudden sharp painâthen you think youâre all right again. But youâre not. Youâre dead on your feet although you donât know it.â

He finished up: âDamn and damn and damn!â

âHave youâchecked onâanybody?â

I had to ask. I couldnât help myself.

His reply came swift and sharp.

âThe Pebmarsh woman was in London yesterday. She did some business for the Institute and returned to Crowdean by the 7:40 train.â He paused. âAnd Sheila Webb took up a typescript to check over with a foreign author who was in London on his way to New York. She left the Ritz Hotel at 5:30 approx. and took in a cinemaâaloneâbefore returning.â

âLook here, Hardcastle,â I said, âIâve got something for you. Vouched for by an eyewitness. A laundry van drew up at 19, Wilbraham Crescent at 1:35 on September the 9th. The man who drove it delivered a big laundry basket at the back door of the house. It was a particularly large laundry basket.â

âLaundry? What laundry?â

âThe Snowflake Laundry. Know it?â

âNot offhand. New laundries are always starting up. Itâs an ordinary sort of name for a laundry.â

âWellâyou check up. A man drove itâand a man took the basket into the houseââ

Hardcastleâs voice came suddenly, alert with suspicion.

âAre you making this up, Colin?â

âNo. I told you Iâve got an eyewitness. Check up, Dick. Get on with it.â

I rang off before he could badger me further.

I walked out from the box and looked at my watch. I had a good deal to doâand I wanted to be out of Hardcastleâs reach whilst I did it. I had my future life to arrange.

Twenty-eight

COLIN LAMBâS NARRATIVE

I

I arrived at Crowdean at eleven oâclock at night, five days later. I went to the Clarendon Hotel, got a room, and went to bed. Iâd been tired the night before and I overslept. I woke up at a quarter to ten.

I sent for coffee and toast and a daily paper. It came and with it a large square note addressed to me with the words BY HAND in the top left-hand corner.

I examined it with some surprise. It was unexpected. The paper was thick and expensive, the superscription neatly printed.

After turning it over and playing with it, I finally opened it.

Inside was a sheet of paper. Printed on it in large letters were the words:

Â 

CURLEW HOTEL 11:30

ROOM 413

(Knock three times)

Â 

I stared at it, turned it over in my handâwhat was all this?

I noted the room numberâ413âthe same as the clocks. A coincidence? Or not a coincidence.

I had thoughts of ringing the Curlew Hotel. Then I thought of ringing Dick Hardcastle. I didnât do either.

My lethargy was gone. I got up, shaved, washed, dressed and walked along the front to the Curlew Hotel and got there at the appointed time.

The summer season was pretty well over now. There werenât many people about inside the hotel.

I didnât make any inquiries at the desk. I went up in the lift to the fourth floor and walked along the corridor to No. 413.

I stood there for a moment or two: then, feeling a complete fool, I knocked three timesâ¦.

A voice said, âCome in.â

I turned the handle, the door wasnât locked. I stepped inside and stopped dead.

I was looking at the last person on earth I would have expected to see.

Hercule Poirot sat facing me. He beamed at me.

âUne petite surprise, nâest-ce pas?â he said. âBut a pleasant one, I hope.â

âPoirot, you old fox,â I shouted. âHow did you get here?â

âI got here in a Daimler limousineâmost comfortable.â

âBut what are you doing here?â

âIt was most vexing. They insisted, positively insisted on the redecoration of my apartment. Imagine my difficulty. What can I do? Where can I go?â

âLots of places,â I said coldly.

âPossibly, but it is suggested to me by my doctor that the air of the sea will be good for me.â

âOne of those obliging doctors who finds out where his patient wants to go, and advises him to go there! Was it you who sent me this?â I brandished the letter I had received.

âNaturallyâwho else?â

âIs it a coincidence that you have a room whose number is 413?â

âIt is not a coincidence. I asked for it specially.â

âWhy?â

Poirot put his head on one side and twinkled at me.

âIt seemed to be appropriate.â

âAnd knocking three times?â

âI could not resist it. If I could have enclosed a sprig of rosemary it would have been better still. I thought of cutting my finger and putting a bloodstained fingerprint on the door. But enough is enough! I might have got an infection.â

âI suppose this is second childhood,â I remarked coldly. âIâll buy you a balloon and a woolly rabbit this afternoon.â

âI do not think you enjoy my surprise. You express no joy, no delight at seeing me.â

âDid you expect me to?â

âPourquoi pas? Come, let us be serious, now that I have had my little piece of foolery. I hope to be of assistance. I have called up the chief constable who has been of the utmost amiability, and at this moment I await your friend, Detective Inspector Hardcastle.â

âAnd what are you going to say to him?â

âIt was in my mind that we might all three engage in conversation.â

I looked at him and laughed. He might call it conversationâbut I knew who was going to do the talking.

Hercule Poirot!

II

Hardcastle had arrived. We had had the introduction and the greetings. We were now settled down in a companionable fashion, with Dick occasionally glancing surreptitiously at Poirot with the air of a man at the Zoo studying a new and surprising acquisition. I doubt if he had ever met anyone quite like Hercule Poirot before!

Finally, the amenities and politeness having been observed, Hardcastle cleared his throat and spoke.

âI suppose, M. Poirot,â he said cautiously, âthat youâll want to seeâwell, the whole setup for yourself? It wonât be exactly easyââ He hesitated. âThe chief constable told me to do everything I could for you. But you must appreciate that there are difficulties, questions that may be asked, objections. Still, as you have come down here speciallyââ

Poirot interrupted himâwith a touch of coldness.

âI came here,â he said, âbecause of the reconstruction and decoration of my apartment in London.â

I gave a horse laugh and Poirot shot me a look of reproach.

âM. Poirot doesnât have to go and see things,â I said. âHe has always insisted that you can do it all from an armchair. But thatâs not quite true, is it, Poirot? Or why have you come here?â

Poirot replied with dignity.

âI said that it was not necessary to be the foxhound, the bloodhound, the tracking dog, running to and fro upon the scent. But I will admit that for the chase a dog is necessary. A retriever, my friend. A good retriever.â

He turned towards the inspector. One hand twirled his moustache in a satisfied gesture.

âLet me tell you,â he said, âthat I am not like the English, obsessed with dogs. I, personally, can live without the dog. But I accept, nevertheless, your ideal of the dog. The man loves and respects his dog. He indulges him, he boasts of the intelligence and sagacity of his dog to his friends. Now figure to yourself, the opposite may also come to pass! The dog is fond of his master. He indulges that master! He, too, boasts of his master, boasts of his masterâs sagacity and intelligence. And as a man will rouse himself when he does not really want to go out, and take his dog for a walk because the dog enjoys the walk so much, so will the dog endeavour to give his master what that master pines to have.

âIt was so with my kind young friend Colin here. He came to see me, not to ask for help with his own problem; that he was confident that he could solve for himself, and has, I gather, done so. No, he felt concern that I was unoccupied and lonely so he brought to me a problem that he felt would interest me and give me something to work upon. He challenged me with itâchallenged me to do what I had so often told him it was possible to doâsit still in my chair andâin due courseâresolve that problem. It may be, I suspect it is, that there was a little malice, just a small harmless amount, behind that challenge. He wanted, let us say, to prove to me that it was not so easy after all. Mais oui, mon ami, it is true, that! You wanted to mock yourself at meâjust a little! I do not reproach you. All I say is, you did not know your Hercule Poirot.â

He thrust out his chest and twirled his moustaches.

I looked at him and grinned affectionately.

âAll right then,â I said. âGive us the answer to the problemâif you know it.â

âBut of course I know it!â

Hardcastle stared at him incredulously.

âAre you saying you know who killed the man at 19, Wilbraham Crescent?â

âCertainly.â

âAnd also who killed Edna Brent?â

âOf course.â

âYou know the identity of the dead man?â

âI know who he must be.â

Hardcastle had a very doubtful expression on his face. Mindful of the chief constable, he remained polite. But there was scepticism in his voice.

âExcuse me, M. Poirot, you claim that you know who killed three people. And why?â

âYes.â

âYouâve got an open and shut case?â

âThat, no.â

âAll you mean is that you have a hunch,â I said, unkindly.

âI will not quarrel with you over a word, mon cher Colin. All I say is, I know!â

Hardcastle sighed.

âBut you see, M. Poirot, I have to have evidence.â

âNaturally, but with the resources you have at your disposal, it will be possible for you, I think, to get that evidence.â

âIâm not so sure about that.â

âCome now, Inspector. If you knowâreally knowâis not that the first step? Can you not, nearly always, go on from there?â

âNot always,â said Hardcastle with a sigh. âThere are men walking about today who ought to be in gaol. They know it and we know it.â

âBut that is a very small percentage, is it notââ

I interrupted.

âAll right. All right. You know â¦ Now let us know too!â

âI perceive you are still sceptical. But first let me say this: To be sure means that when the right solution is reached, everything falls into place. You perceive that in no other way could things have happened.â

âFor the love of Mike,â I said, âget on with it! I grant you all the points youâve made.â

Poirot arranged himself comfortably in his chair and motioned to the inspector to replenish his glass.

âOne thing, mes amis, must be clearly understood. To solve any problem one must have the facts. For that one needs the dog, the dog who is a retriever, who brings the pieces one by one and lays them atââ

âAt the feet of the master,â I said. âAdmitted.â

âOne cannot from oneâs seat in a chair solve a case solely from reading about it in a newspaper. For oneâs facts must be accurate, and newspapers are seldom, if ever, accurate. They report something happened at four oâclock when it was a quarter past four, they say a man had a sister called Elizabeth when actually he had a sister-in-law called Alexandra. And so on. But in Colin here, I have a dog of remarkable abilityâan ability, I may say, which has taken him far in his own career. He has always had a remarkable memory. He can repeat to you, even several days later, conversations that have taken place. He can repeat them accuratelyâthat is, not transposing them, as nearly all of us do, to what the impression made on him was. To explain roughlyâhe would not say, âAnd at twenty past eleven the post cameâ instead of describing what actually happened, namely a knock on the front door and someone coming into the room with letters in their hand. All this is very important. It means that he heard what I would have heard if I had been there and seen what I would have seen.â

âOnly the poor dog hasnât made the necessary deductions?â

âSo, as far as can be, I have the factsâI am âin the picture.â It is your wartime term, is it not? To âput one in the picture.â The thing that struck me first of all, when Colin recounted the story to me, was its highly fantastic character. Four clocks, each roughly an hour ahead of the right time, and all introduced into the house without the knowledge of the owner, or so she said. For we must never, must we, believe what we are told, until such statements have been carefully checked?â

âYour mind works the way that mine does,â said Hardcastle approvingly.

âOn the floor lies a dead manâa respectable-looking elderly man. Nobody knows who he is (or again so they say). In his pocket is a card bearing the name of Mr. R. H. Curry, 7, Denvers Street. Metropolis Insurance Company. But there is no Metropolis Insurance Company. There is no Denvers Street and there seems to be no such person as Mr. Curry. That is negative evidence, but it is evidence. We now proceed further. Apparently at about ten minutes to two a secretarial agency is rung up, a Miss Millicent Pebmarsh asks for a stenographer to be sent to 19, Wilbraham Crescent at three oâclock. It is particularly asked that a Miss Sheila Webb should be sent. Miss Webb is sent. She arrives there at a few minutes before three; goes, according to instructions, into the sitting room, finds a dead man on the floor and rushes out of the house screaming. She rushes into the arms of a young man.â

Poirot paused and looked at me. I bowed.

âEnter our young hero,â I said.

âYou see,â Poirot pointed out. âEven you cannot resist a farcical melodramatic tone when you speak of it. The whole thing is melodramatic, fantastic and completely unreal. It is the kind of thing that could occur in the writings of such people as Garry Gregson, for instance. I may mention that when my young friend arrived with this tale I was embarking on a course of thriller writers who had plied their craft over the last sixty years. Most interesting. One comes almost to regard actual crimes in the light of fiction. That is to say that if I observe that a dog has not barked when he should bark, I say to myself, âHa! A Sherlock Holmes crime!â Similarly, if the corpse is found in a sealed room, naturally I say, âHa! A Dickson Carr case!â Then there is my friend Mrs. Oliver. If I were to findâbut I will say no more. You catch my meaning? So here is the setting of a crime in such wildly improbable circumstances that one feels at once, âThis book is not true to life. All this is quite unreal.â But alas, that will not do here, for this is real. It happened. That gives one to think furiously, does it not?â

Hardcastle would not have put it like that, but he fully agreed with the sentiment, and nodded vigorously. Poirot went on:

âIt is, as it were, the opposite of Chestertonâs, âWhere would you hide a leaf? In a forest. Where would you hide a pebble? On a beach.â Here there is excess, fantasy, melodrama! When I say to myself in imitation of Chesterton, âWhere does a middle-aged woman hide her fading beauty?â I do not reply, âAmongst other faded middle-aged faces.â Not at all. She hides it under makeup, under rouge and mascara, with handsome furs wrapped round her and with jewels round her neck and hanging in her ears. You follow me?â

âWellââ said the inspector, disguising the fact that he didnât.

âBecause then, you see, people will look at the furs and the jewels and the coiffure and the haute couture, and they will not observe what the woman herself is like at all! So I say to myselfâand I say to my friend ColinâSince this murder has so many fantastic trappings to distract one it must really be very simple. Did I not?â

âYou did,â I said. âBut I still donât see how you can possibly be right.â

âFor that you must wait. So, then, we discard the trappings of the crime and we go to the essentials. A man has been killed. Why has he been killed? And who is he? The answer to the first question will obviously depend on the answer to the second. And until you get the right answer to these two questions you cannot possibly proceed. He could be a blackmailer, or a confidence trickster, or somebodyâs husband whose existence was obnoxious or dangerous to his wife. He could be one of a dozen things. The more I heard, the more everybody seems to agree that he looked a perfectly ordinary, well-to-do, reputable elderly man. And suddenly I think to myself, âYou say this should be a simple crime? Very well, make it so. Let this man be exactly what he seemsâa well-to-do respectable elderly man.ââ He looked at the inspector. âYou see?â

âWellââ said the inspector again, and paused politely.

âSo here is someone, an ordinary, pleasant, elderly man whose removal is necessary to someone. To whom? And here at last we can narrow the field a little. There is local knowledgeâof Miss Pebmarsh and her habits, of the Cavendish Secretarial Bureau, of a girl working there called Sheila Webb. And so I say to my friend Colin: âThe neighbours. Converse with them. Find out about them. Their backgrounds. But above all, engage in conversation. Because in conversation you do not get merely the answers to questionsâin ordinary conversational prattle things slip out. People are on their guard when the subject may be dangerous to them, but the moment ordinary talk ensues they relax, they succumb to the relief of speaking the truth, which is always very much easier than lying. And so they let slip one little fact which unbeknown to them makes all the difference.â

âAn admirable exposition,â I said. âUnfortunately it didnât happen in this case.â

âBut, mon cher, it did. One little sentence of inestimable importance.â

âWhat?â I demanded. âWho said it? When?â

âIn due course, mon cher.â

âYou were saying, M. Poirot?â The inspector politely drew Poirot back to the subject.

âIf you draw a circle round Number 19, anybody within it might have killed Mr. Curry. Mrs. Hemming, the Blands, the McNaughtons, Miss Waterhouse. But more important still, there are those already positioned on the spot. Miss Pebmarsh who could have killed him before she went out at 1:35 or thereabouts and Miss Webb who could have arranged to meet him there, and killed him before rushing from the house and giving the alarm.â

âAh,â said the inspector. âYouâre coming down to brass tacks now.â

âAnd of course,â said Poirot, wheeling round, âyou, my dear Colin. You were also on the spot. Looking for a high number where the low numbers were.â

âWell, really,â I said indignantly. âWhat will you say next?â

âMe, I say anything!â declared Poirot grandly.

âAnd yet I am the person who comes and dumps the whole thing in your lap!â

âMurderers are often conceited,â Poirot pointed out. âAnd there too, it might have amused youâto have a joke like that at my expense.â

âIf you go on, youâll convince me,â I said.

I was beginning to feel uncomfortable.

Poirot turned back to Inspector Hardcastle.

âHere, I say to myself, must be essentially a simple crime. The presence of irrelevant clocks, the advancing of time by an hour, the arrangements made so deliberately for the discovery of the body, all these must be set aside for the moment. They are, as is said in your immortal âAliceâ like âshoes and ships and sealing wax and cabbages and kings.â The vital point is that an ordinary elderly man is dead and that somebody wanted him dead. If we knew who the dead man was, it would give us a pointer to his killer. If he was a well-known blackmailer then we must look for a man who could be blackmailed. If he was a detective, then we look for a man who has a criminal secret; if he is a man of wealth, then we look among his heirs. But if we do not know who the man isâthen we have the more difficult task of hunting amongst those in the surrounding circle for a man who has a reason to kill.

âSetting aside Miss Pebmarsh and Sheila Webb, who is there who might not be what they seem to be? The answer was disappointing. With the exception of Mr. Ramsay who I understood was not what he seemed to be?â Here Poirot looked inquiringly at me and I nodded, âeverybodyâs bona fides were genuine. Bland was a well-known local builder, McNaughton had had a Chair at Cambridge, Mrs. Hemming was the widow of a local auctioneer, the Waterhouses were respectable residents of long standing. So we come back to Mr. Curry. Where did he come from? What brought him to 19, Wilbraham Crescent? And here one very valuable remark was spoken by one of the neighbours, Mrs. Hemming. When told that the dead man did not live at Number 19, she said, âOh! I see. He just came there to be killed. How odd.â She had the gift, often possessed by those who are too occupied with their own thoughts to pay attention to what others are saying, to come to the heart of the problem. She summed up the whole crime. Mr. Curry came to 19, Wilbraham Crescent to be killed. It was as simple as that!â

âThat remark of hers struck me at the time,â I said.

Poirot took no notice of me.

ââDilly, dilly, dillyâcome and be killed.â Mr. Curry cameâand he was killed. But that was not all. It was important that he should not be identified. He had no wallet, no papers, the tailorâs marks were removed from his clothes. But that would not be enough. The printed card of Curry, Insurance Agent, was only a temporary measure. If the manâs identity was to be concealed permanently, he must be given a false identity. Sooner or later, I was sure, somebody would turn up, recognize him positively and that would be that. A brother, a sister, a wife. It was a wife. Mrs. Rivalâand the name alone might have aroused suspicion. There is a village in SomersetâI have stayed near there with friendsâthe village of Curry RivalâSubconsciously, without knowing why those two names suggested themselves, they were chosen. Mr. CurryâMrs. Rival.

âSo farâthe plan is obvious, but what puzzled me was why our murderer took for granted that there would be no real identification. If the man had no family, there are at least landladies, servants, business associates. That led me to the next assumptionâthis man was not known to be missing. A further assumption was that he was not English, and was only visiting this country. That would tie in with the fact that the dental work done on his teeth did not correspond with any dental records here.

âI began to have a shadowy picture both of the victim and of the murderer. No more than that. The crime was well-planned and intelligently carried outâbut now there came that one piece of sheer bad luck that no murderer can foresee.â

âAnd what was that?â asked Hardcastle.

Unexpectedly, Poirot threw his head back, and recited dramatically:

âFor want of a nail the shoe was lost,

For want of a shoe the horse was lost,

For want of a horse the battle was lost,

For want of a battle the Kingdom was lost,

And all for the want of a horse shoe nail.â

He leaned forward.

âA good many people could have killed Mr. Curry. But only one person could have killed, or could have had reason to kill, the girl Edna.â

We both stared at him.

âLet us consider the Cavendish Secretarial Bureau. Eight girls work there. On the 9th of September, four of those girls were out on assignments some little distance awayâthat is, they were provided with lunch by the clients to whom they had gone. They were the four who normally took the first lunch period from 12:30 to 1:30. The remaining four, Sheila Webb, Edna Brent and two girls, Janet and Maureen, took the second period, 1:30 to 2:30. But on that day Edna Brent had an accident quite soon after leaving the office. She tore the heel off her shoe in the grating. She could not walk like that. She bought some buns and came back to the office.â

Poirot shook an emphatic finger at us.

âWe have been told that Edna Brent was worried about something. She tried to see Sheila Webb out of the office, but failed. It has been assumed that that something was connected with Sheila Webb, but there is no evidence of that. She might only have wanted to consult Sheila Webb about something that had puzzled herâbut if so one thing was clear. She wanted to talk to Sheila Webb away from the bureau.

âHer words to the constable at the inquest are the only clue we have as to what was worrying her: She said something like: âI donât see how what she said can have been true.â Three women had given evidence that morning. Edna could have been referring to Miss Pebmarsh. Or, as it has been generally assumed, she could have been referring to Sheila Webb. But there is a third possibilityâshe could have been referring to Miss Martindale.â

âMiss Martindale? But her evidence only lasted a few minutes.â

âExactly. It consisted only of the telephone call she had received purporting to be from Miss Pebmarsh.â

âDo you mean that Edna knew that it wasnât from Miss Pebmarsh?â

âI think it was simpler than that. I am suggesting that there was no telephone call at all.â

He went on:

âThe heel of Ednaâs shoe came off. The grating was quite close to the office. She came back to the bureau. But Miss Martindale, in her private office, did not know that Edna had come back. As far as she knew there was nobody but herself in the bureau. All she need do was to say a telephone call had come through at 1:49. Edna does not see the significance of what she knows at first. Sheila is called in to Miss Martindale and told to go out on an appointment. How and when that appointment was made is not mentioned to Edna. News of the murder comes through and little by little the story gets more definite. Miss Pebmarsh rang up and asked for Sheila Webb to be sent. But Miss Pebmarsh says it was not she who rang up. The call is said to have come through at ten minutes to two. But Edna knows that couldnât be true. No telephone call came through then. Miss Martindale must have made a mistakeâBut Miss Martindale definitely doesnât make mistakes. The more Edna thinks about it, the more puzzling it is. She must ask Sheila about it. Sheila will know.

âAnd then comes the inquest. And the girls all go to it. Miss Martindale repeats her story of the telephone call and Edna knows definitely now that the evidence Miss Martindale gives so clearly, with such precision as to the exact time, is untrue. It was then that she asked the constable if she could speak to the inspector. I think probably that Miss Martindale, leaving the Cornmarket in a crowd of people, overheard her asking that. Perhaps by then she had heard the girls chaffing Edna about her shoe accident without realizing what it involved. Anyway, she followed the girl to Wilbraham Crescent. Why did Edna go there, I wonder?â

âJust to stare at the place where it happened, I expect,â said Hardcastle with a sigh. âPeople do.â

âYes, that is true enough. Perhaps Miss Martindale speaks to her there, walks with her down the road and Edna plumps out her question. Miss Martindale acts quickly. They are just by the telephone box. She says, âThis is very important. You must ring up the police at once. The number of the police station is so and so. Ring up and tell them we are both coming there now.â It is second nature for Edna to do what she is told. She goes in, picks up the receiver and Miss Martindale comes in behind her, pulls the scarf round her neck and strangles her.â

âAnd nobody saw this?â

Poirot shrugged his shoulders.

âThey might have done, but they didnât! It was just on one oâclock. Lunchtime. And what people there were in the Crescent were busy staring at 19. It was a chance boldly taken by a bold and unscrupulous woman.â

Hardcastle was shaking his head doubtfully.

âMiss Martindale? I donât see how she can possibly come into it.â

âNo. One does not see at first. But since Miss Martindale undoubtedly killed Ednaâoh, yesâonly she could have killed Edna, then she must come into it. And I begin to suspect that in Miss Martindale we have the Lady Macbeth of this crime, a woman who is ruthless and unimaginative.â

âUnimaginative?â queried Hardcastle.

âOh, yes, quite unimaginative. But very efficient. A good planner.â

âBut why? Whereâs the motive?â

Hercule Poirot looked at me. He wagged a finger.

âSo the neighboursâ conversation was no use to you, eh? I found one most illuminating sentence. Do you remember that after talking of living abroad, Mrs. Bland remarked that she liked living in Crowdean because she had a sister here. But Mrs. Bland was not supposed to have a sister. She had inherited a large fortune a year ago from a Canadian great-uncle because she was the only surviving member of his family.â

Hardcastle sat up alertly.

âSo you thinkââ

Poirot leaned back in his chair and put his fingertips together. He half closed his eyes and spoke dreamily.

âSay you are a man, a very ordinary and not too scrupulous man, in bad financial difficulties. A letter comes one day from a firm of lawyers to say that your wife has inherited a big fortune from a great-uncle in Canada. The letter is addressed to Mrs. Bland and the only difficulty is that the Mrs. Bland who receives it is the wrong Mrs. Blandâshe is the second wifeânot the first oneâImagine the chagrin! The fury! And then an idea comes. Who is to know that it is the wrong Mrs. Bland? Nobody in Crowdean knows that Bland was married before. His first marriage, years ago, took place during the war when he was overseas. Presumably his first wife died soon afterwards, and he almost immediately remarried. He has the original marriage certificate, various family papers, photographs of Canadian relations now deadâIt will be all plain sailing. Anyway, it is worth risking. They risk it, and it comes off. The legal formalities go through. And there the Blands are, rich and prosperous, all their financial troubles overâ

âAnd thenâa year laterâsomething happens. What happens? I suggest that someone was coming over from Canada to this countryâand that this someone had known the first Mrs. Bland well enough not to be deceived by an impersonation. He may have been an elderly member of the family attorneys, or a close friend of the familyâbut whoever he was, he will know. Perhaps they thought of ways of avoiding a meeting. Mrs. Bland could feign illness, she could go abroadâbut anything of that kind would only arouse suspicion. The visitor would insist on seeing the woman he had come over to seeââ

âAnd soâto murder?â

âYes. And here, I fancy, Mrs. Blandâs sister may have been the ruling spirit. She thought up and planned the whole thing.â

âYou are taking it that Miss Martindale and Mrs. Bland are sisters?â

âIt is the only way things make sense.â

âMrs. Bland did remind me of someone when I saw her,â said Hardcastle. âTheyâre very different in mannerâbut itâs trueâthere is a likeness. But how could they hope to get away with it?â The man would be missed. Inquiries would be madeââ

âIf this man were travelling abroadâperhaps for pleasure, not for business, his schedule would be vague. A letter from one placeâa postcard from anotherâit would be a little time before people wondered why they had not heard from him. By that time who would connect a man identified and buried as Harry Castleton, with a rich Canadian visitor to the country who has not even been seen in this part of the world? If I had been the murderer, I would have slipped over on a day trip to France or Belgium and discarded the dead manâs passport in a train or a tram so that the inquiry would take place from another country.â

I moved involuntarily, and Poirotâs eyes came round to me.

âYes?â he said.

âBland mentioned to me that he had recently taken a day trip to Boulogneâwith a blonde, I understandââ

âWhich would make it quite a natural thing to do. Doubtless it is a habit of his.â

âThis is still conjecture,â Hardcastle objected.

âBut inquiries can be made,â said Poirot.

He took a sheet of hotel notepaper from the rack in front of him and handed it to Hardcastle.

âIf you will write to Mr. Enderby at 10, Ennismore Gardens, S.W. 7 he has promised to make certain inquiries for me in Canada. He is a well-known international lawyer.â

âAnd what about the business of the clocks?â

âOh! The clocks. Those famous clocks!â Poirot smiled. âI think you will find that Miss Martindale was responsible for them. Since the crime, as I said, was a simple crime, it was disguised by making it a fantastic one. That Rosemary clock that Sheila Webb took to be repaired. Did she lose it in the Bureau of Secretarial Studies? Did Miss Martindale take it as the foundation of her rigmarole, and was it partly because of that clock that she chose Sheila as the person to discover the bodyâ?â

Hardcastle burst out:

âAnd you say this woman is unimaginative? When she concocted all this?â

âBut she did not concoct it. That is what is so interesting. It was all thereâwaiting for her. From the very first I detected a patternâa pattern I knew. A pattern familiar because I had just been reading such patterns. I have been very fortunate. As Colin here will tell you, I attended this week a sale of authorsâ manuscripts. Among them were some of Garry Gregsonâs. I hardly dared hope. But luck was with me. Hereââ Like a conjuror he whipped from a drawer in the desk two shabby exercise books ââit is all here! Among the many plots of books he planned to write. He did not live to write this oneâbut Miss Martindale, who was his secretary, knew all about it. She just lifted it bodily to suit her purpose.â

âBut the clocks must have meant something originallyâin Gregsonâs plot, I mean.â

âOh, yes. His clocks were set at one minute past five, four minutes past five and seven minutes past five. That was the combination number of a safe, 515457. The safe was concealed behind a reproduction of the Mona Lisa. Inside the safe,â continued Poirot, with distaste, âwere the Crown jewels of the Russian Royal Family. Un tas de bÃªtises, the whole thing! And of course there was a story of kindsâa persecuted girl. Oh, yes, it came in very handy for la Martindale. She just chose her local characters and adapted the story to fit in. All these flamboyant clues would leadâwhere? Exactly nowhere! Ah, yes, an efficient woman. One wondersâhe left her a legacyâdid he not? How and of what did he die, I wonder?â

Hardcastle refused to be interested in past history. He gathered up the exercise books and took the sheet of hotel paper from my hand. For the last two minutes I had been staring at it, fascinated. Hardcastle had scribbled down Enderbyâs address without troubling to turn the sheet the right way up. The hotel address was upside down in the left-hand bottom corner.

Staring at the sheet of paper, I knew what a fool I had been.

âWell, thank you, M. Poirot,â said Hardcastle. âYouâve certainly given us something to think about. Whether anything will come of itââ

âI am most delighted if I have been of any assistance.â

Poirot was playing it modestly.

âIâll have to check various thingsââ

âNaturallyânaturallyââ

Good-byes were said. Hardcastle took his departure.

Poirot turned his attention to me. His eyebrows rose.

âEh bienâand what, may I ask, is biting you?âyou look like a man who has seen an apparition.â

âIâve seen what a fool Iâve been.â

âAha. Well, that happens to many of us.â

But presumably not to Hercule Poirot! I had to attack him.

âJust tell me one thing, Poirot. If, as you said, you could do all this sitting in your chair in London and could have got me and Dick Hardcastle to come to you there, whyâoh, why, did you come down here at all?â

âI told you, they make the reparation in my apartment.â

âThey would have lent you another apartment. Or you could have gone to the Ritz, you would have been more comfortable there than in the Curlew Hotel.â

âIndubitably,â said Hercule Poirot. âThe coffee here, mon dieu, the coffee!â

âWell, then, why?â

Hercule Poirot flew into a rage.

âEh bien, since you are too stupid to guess, I will tell you. I am human, am I not? I can be the machine if it is necessary. I can lie back and think. I can solve the problem so. But I am human, I tell you. And the problems concern human beings.â

âAnd so?â

âThe explanation is as simple as the murder was simple. I came out of human curiosity,â said Hercule Poirot, with an attempt at dignity.

Twenty-nine

Once more I was in Wilbraham Crescent, proceeding in a westerly direction.

I stopped before the gate of No. 19. No one came screaming out of the house this time. It was neat and peaceful.

I went up to the front door and rang the bell.

Miss Millicent Pebmarsh opened it.

âThis is Colin Lamb,â I said. âMay I come in and speak to you?â

âCertainly.â

She preceded me into the sitting room.

âYou seem to spend a lot of time down here, Mr. Lamb. I understood that you were not connected with the local policeââ

âYou understood rightly. I think, really, you have known exactly who I am from the first day you spoke to me.â

âIâm not sure quite what you mean by that.â

âIâve been extremely stupid, Miss Pebmarsh. I came to this place to look for you. I found you the first day I was hereâand I didnât know I had found you!â

âPossibly murder distracted you.â

âAs you say. I was also stupid enough to look at a piece of paper the wrong way up.â

âAnd what is the point of all this?â

âJust that the game is up, Miss Pebmarsh. Iâve found the headquarters where all the planning is done. Such records and memoranda as are necessary are kept by you on the microdot system in Braille. The information Larkin got at Portlebury was passed to you. From here it went to its destination by means of Ramsay. He came across when necessary from his house to yours at night by way of the garden. He dropped a Czech coin in your garden one dayââ

âThat was careless of him.â

âWeâre all careless at some time or another. Your cover is very good. Youâre blind, you work at an institute for disabled children, you keep childrenâs books in Braille in your house as is only naturalâyou are a woman of unusual intelligence and personality. I donât know what is the driving power that animates youââ

âSay if you like that I am dedicated.â

âYes. I thought it might be like that.â

âAnd why are you telling me all this? It seems unusual.â

I looked at my watch.

âYou have two hours, Miss Pebmarsh. In two hoursâ time members of the special branch will come here and take chargeââ

âI donât understand you. Why do you come here ahead of your people, to give me what seems to be a warningââ

âIt is a warning. I have come here myself, and shall remain here until my people arrive, to see that nothing leaves this houseâwith one exception. That exception is you yourself. You have two hoursâ start if you choose to go.â

âBut why? Why?â

I said slowly:

âBecause I think there is an off-chance that you might shortly become my mother-in-law â¦ I may be quite wrong.â

There was a silence. Millicent Pebmarsh got up and went to the window. I didnât take my eyes off her. I had no illusions about Millicent Pebmarsh. I didnât trust her an inch. She was blind but even a blind woman can catch you if you are off guard. Her blindness wouldnât handicap her if she once got her chance to jam an automatic against my spine.

She said quietly:

âI shall not tell you if youâre right or wrong. What makes you think thatâthat it might be so?â

âEyes.â

âBut we are not alike in character.â

âNo.â

She spoke almost defiantly.

âI did the best I could for her.â

âThatâs a matter of opinion. With you a cause came first.â

âAs it should do.â

âI donât agree.â

There was silence again. Then I asked, âDid you know who she wasâthat day?â

âNot until I heard the name â¦ I had kept myself informed about herâalways.â

âYou were never as inhuman as you would have liked to be.â

âDonât talk nonsense.â

I looked at my watch again.

âTime is going on,â I said.

She came back from the window and across to the desk.

âI have a photograph of her hereâas a childâ¦.â

I was behind her as she pulled the drawer open. It wasnât an automatic. It was a small very deadly knifeâ¦.

My hand closed over hers and took it away.

âI may be soft, but Iâm not a fool,â I said.

She felt for a chair and sat down. She displayed no emotion whatever.

âI am not taking advantage of your offer. What would be the use? I shall stay here untilâthey come. There are always opportunitiesâeven in prison.â

âOf indoctrination, you mean?â

âIf you like to put it that way.â

We sat there, hostile to each other, but with understanding.

âIâve resigned from the Service,â I told her. âIâm going back to my old jobâmarine biology. Thereâs a post going at a university in Australia.â

âI think you are wise. You havenât got what it takes for this job. You are like Rosemaryâs father. He couldnât understand Leninâs dictum: âAway with softness.ââ

I thought of Hercule Poirotâs words.

âIâm content,â I said, âto be humanâ¦.â

We sat there in silence, each of us convinced that the otherâs point of view was wrong.

Â 

Letter from Detective Inspector Hardcastle to M. Hercule Poirot

Dear M. Poirot,

We are now in possession of certain facts, and I feel you may be interested to hear about them.

A Mr. Quentin Duguesclin of Quebec left Canada for Europe approximately four weeks ago. He has no near relatives and his plans for return were indefinite. His passport was found by the proprietor of a small restaurant in Boulogne, who handed it in to the police. It has not so far been claimed.

Mr. Duguesclin was a lifelong friend of the Montresor family of Quebec. The head of that family, Mr. Henry Montresor, died eighteen months ago, leaving his very considerable fortune to his only surviving relative, his great-niece Valerie, described as the wife of Josaiah Bland of Portlebury, England. A very reputable firm of London solicitors acted for the Canadian executors. All communications between Mrs. Bland and her family in Canada ceased from the time of her marriage of which her family did not approve. Mr. Duguesclin mentioned to one of his friends that he intended to look up the Blands while he was in England, since he had always been very fond of Valerie.

The body hitherto identified as that of Henry Castleton has been positively identified as Quentin Duguesclin.

Certain boards have been found stowed away in a corner of Blandâs building yard. Though hastily painted out, the words SNOWFLAKE LAUNDRY are plainly perceptible after treatment by experts.

I will not trouble you with lesser details, but the public prosecutor considers that a warrant can be granted for the arrest of Josaiah Bland. Miss Martindale and Mrs. Bland are, as you conjectured, sisters, but though I agree with your views on her participation in these crimes, satisfactory evidence will be hard to obtain. She is undoubtedly a very clever woman. I have hopes, though, of Mrs. Bland. She is the type of woman who rats.

The death of the first Mrs. Bland through enemy action in France, and his second marriage to Hilda Martindale (who was in the N.A.A.F.I.) also in France can be, I think, clearly established, though many records were, of course, destroyed at that time.

It was a great pleasure meeting you that day, and I must thank you for the very useful suggestions you made on that occasion. I hope the alterations and redecorations of your London flat have been satisfactory.

Yours sincerely,
Richard Hardcastle

Further communication from R.H. to H.P.

Good news! The Bland woman cracked! Admitted the whole thing!!! Puts the blame entirely on her sister and her husband. She ânever understood until too late what they meant to do!â Thought they were only âgoing to dope him so that he wouldnât recognize she was the wrong woman!â A likely story! But Iâd say itâs true enough that she wasnât the prime mover.

The Portobello Market people have identified Miss Martindale as the âAmericanâ lady who bought two of the clocks.

Mrs. McNaughton now says she saw Duguesclin in Blandâs van being driven into Blandâs garage. Did she really?

Our friend Colin has married that girl. If you ask me, heâs mad. All the best.

Yours,
Richard Hardcastle

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About the Author

Agatha Christie is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.

She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.

Many of Christieâ€™s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best-known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.

Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britainâ€™s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.

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The Man in the Brown Suit

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The Mysterious Mr. Quin

The Sittaford Mystery

Parker Pyne Investigates

Why Didnâ€™t They Ask Evans?

Murder Is Easy

The Regatta Mystery and Other Stories

And Then There Were None

Towards Zero

Death Comes as the End

Sparkling Cyanide

The Witness for the Prosecution and
Â Â Â  Other Stories

Crooked House

Three Blind Mice and Other Stories

They Came to Baghdad

Destination Unknown

Ordeal by Innocence

Double Sin and Other Stories

The Pale Horse

Star over Bethlehem: Poems and
Â Â Â  Holiday Stories

Endless Night

Passenger to Frankfurt

The Golden Ball and Other Stories

The Mousetrap and Other Plays

The Harlequin Tea Set

The Hercule Poirot Mysteries

The Mysterious Affair at Styles

The Murder on the Links

Poirot Investigates

The Murder of Roger Ackroyd

The Big Four

The Mystery of the Blue Train

Peril at End House

Lord Edgware Dies

Murder on the Orient Express

Three Act Tragedy

Death in the Clouds

The A.B.C. Murders

Murder in Mesopotamia

Cards on the Table

Murder in the Mews

Dumb Witness

Death on the Nile

Appointment with Death

Hercule Poirotâ€™s Christmas

Sad Cypress

One, Two, Buckle My Shoe

Evil Under the Sun

Five Little Pigs

The Hollow

The Labors of Hercules

Taken at the Flood

The Underdog and Other Stories

Mrs. McGintyâ€™s Dead

After the Funeral

Hickory Dickory Dock

Dead Manâ€™s Folly

Cat Among the Pigeons

The Clocks

Third Girl

Halloweâ€™en Party

Elephants Can Remember

Curtain: Poirotâ€™s Last Case

The Miss Marple Mysteries

The Murder at the Vicarage

The Body in the Library

The Moving Finger

A Murder Is Announced

They Do It with Mirrors

A Pocket Full of Rye

4:50 from Paddington

The Mirror Crackâ€™d from Side to Side

A Caribbean Mystery

At Bertramâ€™s Hotel

Nemesis

Sleeping Murder

Miss Marple: The Complete
Â Â Â  Short Stories

The Tommy and Tuppence Mysteries

The Secret Adversary

Partners in Crime

N or M?

By the Pricking of My Thumbs

Postern of Fate

Memoirs

An Autobiography

Come, Tell Me How You Live

Credits

Cover design and illustration by Faith Laurel

Copyright

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the authorâ€™s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

AGATHA CHRISTIEÂ® POIROTÂ® THE CLOCKSâ„¢. Copyright Â© 1963 Agatha Christie Limited (a Chorion company). All rights reserved.

THE CLOCKS Â© 1964. Published by permission of G.P. Putnamâ€™s Sons, a member of Penguin Group (USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN: 978-0-06-207381-5

EPub Edition Â© MAY 2011 ISBN: 978-0-06-174050-3

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